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      "identifier": "0933ccab-f07b-40bd-a35c-4d31a2934b49",
      "name": "J. Paul Getty Life and Legacy",
      "url": "https://www.getty.edu/exhibitions/j-paul-getty-life-and-legacy",
      "startDate": "2016-09-27T18:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/b2059a32-82bf-4e5e-bbb7-439124a39cf8"
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      "description": "This permanent installation tells the story of J. Paul Getty, the businessman and art collector who used the bulk of his wealth to create the arts institution that bears his name. Considered the world’s richest man in the 1950s and 60s, Getty made his fortune in the oil business. Upon his death in 1976 he bequeathed his estate to his small namesake museum, along with a remarkably broad directive. Accordingly, the J. Paul Getty Trust was created, the world’s largest cultural and philanthropic organization dedicated to the visual arts. The installation includes objects that Getty collected personally, and a digital interactive experience that visitors can use to learn about his life, business dealings, and establishment of the Trust and the Museum.",
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      "@id": "https://zeitgeists.org/event/bd2fa6ea-e627-4c04-8e97-531d782276b2",
      "identifier": "bd2fa6ea-e627-4c04-8e97-531d782276b2",
      "name": "Momo Nagano: Archeology of Motherhood",
      "url": "https://18thstreet.org/event/archeology-of-motherhood/",
      "startDate": "2026-06-01T07:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/acfbd72f-d391-47f1-92ed-0e4474c963e6"
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      "description": "**Archeology of Motherhood (jute fiber, 1978)**\n\n**June 1, 2026 - June 1, 2027**\n\n[**18th Street Arts Center**](https://18thstreet.org/venue/18th-street-arts-center/)\n\nRecently discovered bundled in storage under Nagano's Silverlake home, these weavings were components of a larger installation piece displayed in the \"Magical Mystery Tour\" exhibition at Municipal Art Gallery in Barnsdall Art Park in 1978. It is believed that Nagano had begun to deconstruct the piece before putting it in storage almost half a century ago. Here, it has been improvisationally re-assembled by her son.\n\n \n\n**Artist Bio**\n\nBorn and raised in Los Angeles, Momo Nagano was incarcerated at Manzanar Relocation Center in April 1942 with her mother and two brothers while her father Kiro Nagano, designated a “dangerous enemy alien”, was held in various military prison facilities.\n\nIn 1943 after the government had administered the infamous “loyalty questionnaire”, Nisei young adults were granted permission to leave camp and enroll in colleges away from the West Coast. Momo was accepted at Wheaton, a women's college in Norton, Massachusetts. Arriving in February of 1944 Nagano was not only the sole Japanese American on campus; after her first semester she was the only student of color. During the war she returned to camp each summer to be re-incarcerated until Fall semester.\n\nShe graduated with a Bachelor’s Degree in History in 1947, but Nagano’s true calling would lie in the creative arts. In the early 1960s after pursuing ceramics for a few years, she fell in love with the art of weaving which would be her passion for the next four decades.\n\nToday her weavings are included in collections of the California State Senate Contemporary Art Collection, Manzanar National Historic Site, the Japanese American National Museum, as well as numerous private and corporate collections.\n\nIn 2007 Wheaton honored her with their annual Alumni Achievement Award, nominated by her Class of 1947 mates at their 50th reunion. After Momo passed away in 2010, a tree was planted on campus in her memory, also gifted by her classmates. In 2022 she was posthumously awarded an Honorary Doctor of Fine Arts degree by Wheaton.\n\nAs a parent, Momo made creativity a regular part of life for her children, and by doing so passed on her love of art-making to the next generation.",
      "endDate": "2027-06-02T06:59:59.000Z",
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      "identifier": "a5b0c62d-7a69-4778-9b8f-9c65b9c012ab",
      "name": "Stendahl’s World",
      "url": "https://www.getty.edu/exhibitions/stendahls-world-marketing-ancient-mexico-and-modern-art-in-los-angeles",
      "startDate": "2026-06-23T18:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/b2059a32-82bf-4e5e-bbb7-439124a39cf8"
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      "description": "Around 1940, after decades of selling landscapes and Modern paintings, Earl Stendahl turned to Mexican antiquities, transforming the market for pre-Hispanic art in Los Angeles and beyond. Stendahl Art Galleries promoted the ancient artifacts of Mexico as commodities for both museum and private collections, launching exhibitions across the United States and Europe and building on Hollywood connections for product placement in advertising campaigns. Meanwhile, archaeological sites in Mexico suffered irreparable depredations. \n\n​​This exhibition is presented in English and Spanish. \\\nEsta exhibición se presenta en inglés y en español.",
      "endDate": "2026-10-19T01:00:00.000Z",
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      "identifier": "d5d5f777-e2d0-473b-9c6e-aa1ff70ad82a",
      "name": "Lost. Found. Returned.",
      "url": "https://www.getty.edu/exhibitions/lost-found-returned",
      "startDate": "2026-06-23T18:00:00.000Z",
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      "description": "In 1894 the Kupferstich-Kabinett in Dresden acquired a drawing by Otto Greiner (1869–1916), a German artist associated with the Symbolist movement. How did that drawing, which the museum marked as “lost” after World War II, end up at the Getty Research Institute in Los Angeles? This exhibition narrates the drawing’s journey, focusing on its shifting wartime status, the tools that researchers use to track down missing artworks, and the impending return of Greiner’s drawing back to Dresden.\n\n​​This exhibition is presented in English and Spanish. \\\nEsta exhibición se presenta en inglés y en español.",
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      "identifier": "3582cf02-38bd-44ce-8986-b0a10c07b67e",
      "name": "Arts@theObservatory: Russell Crotty – Nocturnal Landscapes From The Arid West",
      "url": "https://www.mtwilson.edu/events/arts-crotty2026",
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      "description": "#### An Exhibition in the 100-inch Telescope Dome\n\n*Exhibition Hours*\n *Saturdays, 1–5 PM, July 4–October 17, 2026*\n *Additional viewing times available by appointment – contact [arts@mtwilson.edu](mailto:arts@mtwilson.edu)*\n *Exhibition Admission: $5 (children under 12 are free)*\n\n\n\n***PLEASE NOTE:** Access to the dome exhibition level is via a 53-step staircase. Mount Wilson Observatory is a mile high in elevation so the air is noticeably thinner. There is no ADA-compliant access.*\n\nCalifornia artist **Russell Crotty** (b. 1956) is celebrated for his meticulous ballpoint pen drawings that bridge the gap between scientific observation and fine art. He has spent decades as a serious amateur astronomer, contributing observational data to organizations like NASA and the Association of Lunar and Planetary Observers (ALPO). His work is held in permanent collections worldwide, including the Museum of Modern Art (MoMA), the Whitney Museum of American Art in New York, the Centre Pompidou in Paris, and the Los Angeles County Museum of Art (LACMA) . He has also exhibited at the Hammer Museum, SFMoMA, and during a notable residency at the Lick Observatory.\n\nThe exhibition in the dome of Mt. Wilson’s 100-inch telescope is organized by Observatory artist-in residence Stephen Nowlin, and will consist of several drawings from Crotty’s “Landscape Works,” a series of delicate renderings of land and sky punctuated with anecdotal text and reflections on both the infinite and the sublime of our planet and its deep sky.\n\n**Arts@theObservatory** invites audiences to experience the universe through art—featuring exhibitions and immersive programs that connect creativity, science, and place at Mount Wilson Observatory, in the spirit of founder and polymath George Ellery Hale.\n\nMount Wilson Observatory is pleased to partner with **[Leonardo LASER Talks](https://leonardo.info/laser-talks)****,** a program of international gatherings that bring artists, scientists, humanists and technologists together for informal presentations, performances and conversations with the wider public. \n\n*Image caption: Russell Crotty, Illuminations at Piedra Blanca, 2021 (detail). Ink, color pencil and gouache on museum board. 16 x 80 inches. Courtesy of Hosfelt Gallery, San Francisco.*",
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      "name": "Odilon Redon",
      "url": "https://www.getty.edu/exhibitions/odilon-redon",
      "startDate": "2026-07-14T18:00:00.000Z",
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      "description": "Odilon Redon (1840–1916) is known for his enigmatic art that celebrated the beauty of nature and mined the dreamlike depths of the imagination. Featuring an exceptional group of charcoal drawings, lithographs, and pastels from Getty’s collection, this exhibition presents the French artist’s fantastical world of haunting darkness and luminous color. Discover Redon’s singular vision and his diverse sources of inspiration, from religion and mythology to literature and modern science.",
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    {
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      "@id": "https://zeitgeists.org/event/7e925b30-09e9-4468-81bd-1a8e289759b5",
      "identifier": "7e925b30-09e9-4468-81bd-1a8e289759b5",
      "name": "HIDING IN PLAIN SIGHT: Manzanar’s Camo Net Factory",
      "url": "https://18thstreet.org/event/hiding-in-plain-sight-exhibition",
      "startDate": "2026-07-19T07:00:00.000Z",
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      "description": "HIDING IN PLAIN SIGHT: Manzanar’s Camo Net Factory\n\n****July 19, 2026 - August 26, 2026****\n\n**Hearth Gallery -18th Street Arts Center**\n\nThis exhibition at 18th Street Arts Center emerges from performance artist Dan Kwong’s *Manzanar Baseball* *Project *and focuses on the camouflage net weaving factory operated at Manzanar National Historic Site, one of the ten major internment camps where over 10,000 Japanese Americans were forcibly incarcerated by the U.S. government during World War II. Within all the camps, incarcerees worked in various labor programs, including the production of camouflage nets for the U.S. military. Manzanar’s camo net factory was a short-lived program intended to support the U.S. war effort, but which unexpectedly created heated internal divisions and exacerbated conflicts within the Japanese American community.\n\nWithin the Artists Hearth at 18th Street Arts Center, Kwong has re-created a scaled-down version of the Manzanar camouflage net factory. A hands-on workshop facilitated by Kwong and artist Hana van der Steur (both descendants of fiber artist and Manzanar camo net worker Momo Nagano) invited participants to work together and weave their own improvisational camouflage nets as reflections on identity, visibility, and connection.\n\nThrough both looking and making, the exhibition asks how histories of oppression and survival continue to shape cultural consciousness, and how creativity can provide opportunities for transformation and collective repair.\n\n**Artists Bio**\n\nCo-facilitator Hana van der Steur is a multidisciplinary artist with wide-ranging interests in two and three-dimensional media, most recently, experimental ceramic sculpture. Her current projects explore the boundary between nature and artifice, and between real and imagined histories of place, from tourist attractions among the coastal redwoods to her grandmother’s home and studio in Silverlake. Hana co-facilitated the participatory site-specific camouflage net art installation at the inaugural Manzanar baseball doubleheader in 2024. She is the granddaughter of fiber artist Momo Nagano (1925-2010), who was an incarceree and camouflage net factory worker in Manzanar. \n\nCo-facilitator Dan Kwong is an award-winning performance artist and playwright/director/ documentary producer/community activist. He is Associate Artistic Director of multicultural performing arts organization Great Leap, Mentor Resident Artist at 18th Street Arts Center, and a graduate of the School of the Art Institute of Chicago. Dan is founder and director of the Manzanar Baseball Project and has led the restoration of Manzanar’s baseball field since 2023. He is the son of fiber artist Momo Nagano. *dkbb12@aol.com* \n\nThis program is presented by 18th Street Arts Center with a generous CAC Impact Grant, as part of the Manzanar Baseball Project directed by Dan Kwong and produced by Great Leap.",
      "endDate": "2027-08-27T06:59:59.000Z",
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      "identifier": "f68e1295-2c31-4cb9-8b1b-3bf33fd99c96",
      "name": "The Making of a Medieval Manuscript",
      "url": "https://www.getty.edu/exhibitions/making-medieval-manuscript",
      "startDate": "2026-08-04T18:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/b2059a32-82bf-4e5e-bbb7-439124a39cf8"
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      "description": "Books were written, decorated, and bound entirely by hand during the pre-modern era in Europe. This exhibition explores the four stages of making medieval books, from preparing animal skin to make parchment, to the methods and materials used for the subsequent phases of writing, painting, and binding. A selection of manuscripts from the Museum’s collection elucidates these steps and the techniques used.",
      "endDate": "2027-03-15T01:00:00.000Z",
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    },
    {
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      "@id": "https://zeitgeists.org/event/06f392ed-dece-4591-a161-2b4259818e94",
      "identifier": "06f392ed-dece-4591-a161-2b4259818e94",
      "name": "Every Minute Is History",
      "url": "https://www.getty.edu/exhibitions/five-views",
      "startDate": "2026-09-01T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/b2059a32-82bf-4e5e-bbb7-439124a39cf8"
      },
      "description": "Discover the work of five photographers whose distinct approaches to the medium helped expand traditional representations of Chicano/a communities in Los Angeles during the second half of the 20th century. Drawing from a wide range of influences, including social documentary practices, staged scenes, fashion and the popular press, these artists—Laura Aguilar, Reynaldo Rivera, George Rodriguez, Patssi Valdez, and Ricardo Valverde—pushed the medium in new and often provocative directions.\n\nDescubre la obra de cinco fotógrafos cuyos diferentes enfoques del medio contribuyeron a ampliar las representaciones tradicionales de las comunidades chicanas en Los Ángeles durante la segunda mitad del siglo XX. Laura Aguilar, Reynaldo Rivera, George Rodriguez, Patssi Valdez y Ricardo Valverde encontraron inspiración en una vasta gama de influencias, incluyendo prácticas del documentalismo social, fotografías escenificadas, la moda y la prensa popular, e impulsaron el medio hacia nuevas, y a menudo, provocadoras direcciones.",
      "endDate": "2027-01-04T02:00:00.000Z",
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    {
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      "@id": "https://zeitgeists.org/event/09902d62-5f9d-472e-8ad7-8136567c1b86",
      "identifier": "09902d62-5f9d-472e-8ad7-8136567c1b86",
      "name": "Instante/revelación",
      "url": "https://www.getty.edu/exhibitions/mexican-photography",
      "startDate": "2026-09-01T18:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/b2059a32-82bf-4e5e-bbb7-439124a39cf8"
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      "description": "Exploring the rich tapestry of cultural and artistic dialogues that have shaped Mexico's photographic history, this exhibition features works by 13 prominent photographers, including Lola Álvarez Bravo, Manuel Álvarez Bravo, Héctor García, Graciela Iturbide, and Pablo Ortiz Monasterio, alongside key related publications. The photographs, donated by Daniel Greenberg and Susan Steinhauser to the Getty Museum over the past 25 years, record the *instantes y revelaciones* (instants and revelations) of a remarkable century of Mexican creativity.\n\nEsta exposición examina el rico entramado de diálogos culturales y artísticos que han dado forma a la historia de la fotografía mexicana al presentar obras de trece destacados fotógrafos, entre ellos, Lola Álvarez Bravo, Manuel Álvarez Bravo, Héctor García, Graciela Iturbide y Pablo Ortiz Monasterio, junto con publicaciones clave relacionadas. Las fotografías, donadas al Getty Museum por Daniel Greenberg y Susan Steinhauser a lo largo de los últimos veinticinco años, registran los instantes y revelaciones de un siglo extraordinario de creatividad mexicana.",
      "endDate": "2027-01-04T02:00:00.000Z",
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      "name": "Civilized Voices at Barnsdall Art Park",
      "url": "https://lamag.org/civilized-voices",
      "startDate": "2026-09-03T07:00:00.000Z",
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      "description": "September 3 – November 22, 2026 as a part of Susan Silton: Diving into the Wreck\n\nMaking its debut alongside the Susan Silton: Diving into the Wreck exhibition is Civilized Voices, a site-specific public project inspired by a series of billboards erected by Aline Barnsdall at Barnsdall Park in the 1940s. As an homage to Barnsdall’s iconoclastic use of billboards for social and political messaging, Silton has commissioned five Los Angeles-area poets (Rocío Carlos, Erin Marie Lynch, Lynne Thompson, and Terry Wolverton) to write new works that will be featured on five hand-painted billboards sited during the exhibition among the pine trees in front of the gallery.\n\nRELATED PUBLIC PROGRAMS\n\nPoets in the Grove: Rocío Carlos, Erin Marie Lynch, Lynne Thompson, & Terry Wolverton in the Pine Grove\n\nSaturday, Oct 10, 1 – 3 pm | RSVP HERE\n\nTo celebrate and activate Susan Silton’s new public work Civilized Voices (2026), join the commissioned poets—Rocío Carlos, Erin Marie Lynch, Lynne Thompson, and Terry Wolverton—for a round of special readings in the Barnsdall Park pine grove.\n\nPoets in the Grove Vol 2 by Los Feliz Writers group\n\nSaturday, Oct 17, 1 – 3 pm | RSVP HERE\n\nTo continue the celebration of Susan Silton’s commissioned public work Civilized Voices, join the Los Feliz Writers, a group led by Sammy Ginsberg that works to celebrate, engage, and empower local writers through writing meet-ups, workshops, and an annual festival, for a special program of poetry readings.\n\nlamag@lacity.org\n\n(323) 644-6269\n\n4800 Hollywood Boulevard Los Angeles, CA 90027\n\nThursday – Sunday,\n\n11- 4 p.m. and by appointment.\n\nClosed during installation and\n\nfor all official City holidays",
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    {
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      "identifier": "b00828a2-5465-48be-a87e-837517b68ddc",
      "name": "Susan Silton: Diving into the Wreck",
      "url": "https://lamag.org/diving-into-the-wreck",
      "startDate": "2026-09-03T07:00:00.000Z",
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      "description": "Susan Silton: Diving into the Wreck is the first major survey of the work of LA-based artist Susan Silton. Comprising over 150 works that include participatory and multi-media installations, photographic, video, and audio works, early graphic pieces, and textual interventions, the exhibition highlights Silton as a key figure in West Coast conceptual, feminist, and queer genealogies of art and design.\n\nDiving into the Wreck takes its title from a 1972 poem written by Adrienne Rich (1929-2012), a poet and essayist active in feminist and lesbian literary circles. In it, Rich narrates the experiences of a diver who plumbs oceanic depths to explore an unnamed “wreck.” It is unclear whether the “wreck” the diver seeks might be that of her own life, her coming to consciousness within the feminist movement, or a fruitful relationship long after its end. Even amidst such ambiguity, the diver points out the power of language to guide her actions and orientation to the world, stating:\n\n“I came to explore the wreck.\n\nThe words are purposes. The words are maps.”\n\nRich’s poem is a touchstone for assessing Silton’s multifaceted practice–one that pressurizes the limits and possibilities of text, vision, perception, and participation in the process of becoming part of the social and political world. Such is the structure of Silton’s artistic practice as well, which recursively builds upon a collection of concerns, and, by extension, suggests how political life might be deepened by repeated, searching engagement. Focusing upon the themes of body and voice, perspective and vision, graphics and multiples, and the production of public memory, hers is a practice that is alive to the world, insisting upon both contemplation and participation.\n\nMaking its debut alongside the exhibition is Civilized Voices, a site-specific public project inspired by a series of billboards erected by Aline Barnsdall at Barnsdall Park in the 1940s. As an homage to Barnsdall’s iconoclastic use of billboards for social and political messaging, Silton has commissioned five Los Angeles-area poets (Rocío Carlos, Erin Marie Lynch, Lynne Thompson, and Terry Wolverton) to write new works that will be featured on five hand-painted billboards sited during the exhibition among the pine trees in front of the gallery.\n\nSusan Silton: Diving into the Wreck is curated by Andy Campbell with organizational and curatorial support from Nancy Meyer, LAMAG Curator. Support for this exhibition has been provided by an Infinite Expansion Grant from The Mike Kelley Foundation for the Arts, The Aurora-Viburnum Foundation, The Shifting Foundation, Kim and Keith Allen-Niesen, The Barnsdall Art Park Foundation, the Plum Foundation, individual donors, and the City of Los Angeles Department of Cultural Affairs.\n\nSusan Silton: Diving into the Wreck is accompanied by a catalogue co-published by the Blaffer Art Museum at the University of Houston (who originated the exhibition) and Inventory Press, supported by The Andy Warhol Foundation for the Visual Arts, the Aurora-Viburnum Foundation, and The Shifting Foundation. The nearly 300-page publication is edited by Andy Campbell and includes contributions by Adrienne Rich, Ramón García, Amelia Jones, Natilee Harren, Dana Johnson, Susanna Phillips Newbury, Dodie Bellamy, David Evans Frantz, Mady Schutzman, and Karen Moss. In addition to featuring 200 images, the volume will also include a special artist edition from Silton’s series By power of suggestion, which in favorable circumstances becomes instruction. The catalogue will be available for purchase onsite and on artbook.com/D.A.P. (Distributed Art Publishers).\n\nSusan Silton resides in Los Angeles. Her interdisciplinary projects respond to the complexities of subjectivity in a given moment—often through poetic combinations of humor, discomfort, subterfuge and unabashed beauty. These works take form in performance, participatory projects, photography, video, installation, text/audio and print-based works. Her work has been presented at MoCA, Los Angeles; SFMOMA, San Francisco; Susanne Vielmetter Los Angeles Projects; LAXART, Los Angeles; Hammer Museum; ICA/Philadelphia; MAK Center for Art and Architecture, Los Angeles; and Australian Centre for Contemporary Art, Melbourne, among others. Projects include the commissioned site-specific performance Quartet for the End of Time, produced by LAND (Los Angeles Nomadic Division); the site-specific opera, A Sublime Madness in the Soul; and the book project Who’s in a Name? In 2015, Silton’s Whistling Project was included in SITE Santa Fe’s year-long series of exhibitions, SITE 20 Years/20 Shows, which included a commissioned performance by The Crowing Hens, the women’s whistling group Silton founded in 2009.\n\nSilton has received fellowships and awards from the Getty/California Community Foundation, Art Matters, Center for Cultural Innovation, Cultural Affairs Department of the City of Los Angeles, The MacDowell Colony, Banff Centre for the Arts, Durfee Foundation, The Shifting Foundation, and Fellows of Contemporary Art (FOCA). Most recently, her LA Metro Art commission for permanent installation, WE,OUR,US, opened in Los Angeles at the Wilshire/Fairfax station.\n\nFriday Art Night: Gallery Viewing of Susan Silton: Diving into the Wreck\n\nFriday, Sept 4, 5 – 8 pm\n\nBe among the first to see the exhibition. Curator Andy Campbell will be on hand to answer questions.\n\nReception for Susan Silton: Diving into the Wreck, featuring The Crowing Hens\n\nThursday, Sept 10, 6 – 9 pm\n\nThe exhibition’s public opening reception marks the first activation of Silton’s installation In everything there is the trace (2013) since its debut at USC Fisher Museum of Art, and the beginning of a public typing program that will run for the length of the exhibition. The installation centers on a circular table built from ten interlocking desks, each structurally dependent on its neighbor Ten participants at a time sit at ten manual typewriters and in this iteration will retype Octavia Butler’s Parable of the Sower. They will type without ink, in what is called stencil mode, so the only record is the imprint of the keys striking the page.\n\nSilton chose John Steinbeck’s The Grapes of Wrath for the 2013 installation debut for the novel’s West Coast significance and its reckoning with labor, migration, race, and class. For Diving into the Wreck, Silton has designated Octavia Butler’s Parable of the Sower (1993) as the text. Butler, a resident of Pasadena, and one of the most innovative writers in the genre of speculative fiction, sets her tale in a dystopian near-future (the 2020s)—a time of ecological collapse, authoritarianism, and violence.\n\nThe evening opens with refreshments on the balcony at 6:00 p.m., followed by a typing performance at 7:00 p.m. featuring writers, artists, and participants from Silton’s past works. The Crowing Hens, the all-female whistling group Silton founded in 2009, whose members include Erin Barnes, Jessica Basta, Carole Anne Kaufman, Laura Loftsgaarden, and Kathryn Nockels, will move through the crowd before gathering to perform a piece as a collective.\n\nFriday Art Night: Gallery Viewing of Susan Silton: Diving into the Wreck\n\nFriday, Sept 11, 5 – 8 pm\n\nExperience the exhibition into the evening hours.\n\nSusan Silton in Conversation with Natilee Harren and Susanna Phillips Newbury in Barnsdall Gallery Theatre\n\nSaturday, Sept 26, 1 – 3 pm\n\nSilton joins art historians Natilee Harren and Susanna Phillips Newbury, both contributors to the exhibition’s catalog, for a conversation around the artist’s engagement with vision, voice, and public address. Surprise readings and guests will accompany the talk.\n\nRSVP HERE\n\nCurators Dive: Curators Walkthrough with Andy Campbell & Nancy Meyer\n\nSaturday, Oct 3, 1 pm\n\nJoin guest curator Andy Campbell and LAMAG curator Nancy Meyer as they tour the exhibition.\n\nRSVP HERE\n\nPoets in the Grove: Rocío Carlos, Erin Marie Lynch, Lynne Thompson, & Terry Wolverton in the Pine Grove\n\nSaturday, Oct 10, 1 pm\n\nTo celebrate and activate Susan Silton’s new public work Civilized Voices (2026), join the commissioned poets—Rocío Carlos, Erin Marie Lynch, Lynne Thompson, and Terry Wolverton—for a round of special readings in the Barnsdall Park pine grove.\n\nRSVP HERE\n\nPoets in the Grove Vol 2 by Los Feliz Writers group\n\nSaturday, Oct 17, 1 pm\n\nTo continue the celebration of Susan Silton’s commissioned public work Civilized Voices, join the Los Feliz Writers, a group led by Sammy Ginsberg that works to celebrate, engage, and empower local writers through writing meet-ups, workshops, and an annual festival, for a special program of poetry readings.\n\nRSVP HERE\n\nCurators Dive: Curators Walkthrough with Andy Campbell & Nancy Meyer\n\nSaturday, Oct 24, 1 pm\n\nA second opportunity to tour the exhibition with guest curator Andy Campbell and LAMAG curator Nancy Meyer.\n\nRSVP HERE\n\nCatalog Release and “Readings” with Susan Silton and Dana Johnson\n\nSaturday, Nov 7, 2 – 3 pm\n\nTo celebrate the release of the exhibition catalog for Susan Silton: Diving into the Wreck join the artist and writer Dana Johnson for a performance reading of Johnson’s story Later and Later, Longer Than Ever.\n\nRSVP HERE\n\nMetro Art x LAMAG: Susan Silton Art Tour on Plaza Level of Wilshire/Fairfax Station\n\nSunday, Nov 8, 12 pm\n\nMetro Art commissioned artist Susan Silton will lead a tour of her artwork, WE,OUR,US, at the newly opened Wilshire/Fairfax Station. Silton will share her inspiration, creative process, and approach to making art for public spaces and how this work connects with her first major survey on view at Los Angeles Municipal Art Gallery. Metro TAP cards will be distributed to tour attendees. Attendees are encouraged to GO METRO to LAMAG following the event.\n\nLet’s Get Lost! Poster Distribution Event: Featuring Kiki and guitarist, Nate Rich\n\nSaturday, Nov 14, 2 – 4 pm\n\nAs part of a public giveaway of Susan Silton’s Make-Ready posters, join the artist Kiki and guitarist, Nate Rich for an afternoon of “lost” covers (songs featuring the word “lost” in their lyrics) and celebration.\n\nRSVP HERE\n\nThe Collective Voice by Leah Ollman | KCRW Art Insider | Read Here\n\nLesbian artists celebrated in three new California exhibitions: ‘long overdue’ by Emma Madden | The Guardian | Read Here\n\nArt Gallery Shows to See in September by Max Lakin, Carolina A. Miranda and Will Heinrich | New York Times | Read Here\n\nCity of Los Angeles Department of Cultural Affairs, Los Angeles Municipal Art Gallery Announces Public Programs for Susan Silton: Diving into the Wreck | Press Release\n\nCity of Los Angeles Department of Cultural Affairs, Los Angeles Municipal Art Gallery Presents Susan Silton: Diving into the Wreck | OFFICIAL Press Release\n\nThursday – Sunday,\n\n11- 4 p.m. and by appointment.\n\nClosed during installation and for all official City holidays.\n\nlamag@lacity.org\n\n(323) 644-6269\n\n4800 Hollywood Boulevard Los Angeles, CA 90027",
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      "identifier": "72ade3a3-cba6-4cbe-8e61-35d07da751a7",
      "name": "Saodat Ismailova, Other Light at Western Front",
      "url": "https://www.joanlosangeles.org/exhibitions/saodat-ismailova-other-light-at-western-front",
      "startDate": "2026-09-12T07:00:00.000Z",
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      "description": "Saodat Ismailova, Melted into the Sun, 2024, video still. Courtesy of the artist.\n\nSaodat Ismailova\n\nDavra\n\nWestern Front\n\nFollowing artist and filmmaker Saodat Ismailova’s 2024 exhibition Other Time and Davra Research Collective at JOAN (February 22–March 30, 2024), our collaboration with the artist continues with Other Light in Vancouver, presented at the invitation of Western Front and opening September 12.\n\nOther Light brings together two films, Melted into the Sun (2024) and To the Throat of the Sun (2026), in a site-specific installation exploring light as a political and spiritual force through which history, memory, and myth are continually remade. Rooted in the layered histories of Central Asia, Ismailova’s work draws on oral traditions and cosmologies to trace ancestral knowledge that persists through political and environmental upheaval.\n\nThe exhibition will be on view at Western Front from September 12 through November 28, 2026, accompanied by a commissioned text by Quinn Latimer and public programs to be announced.\n\nLearn more about the exhibition here.\n\nSaodat Ismailova is a filmmaker and artist based between Paris, France and Tashkent, Uzbekistan. Her work explores the relationships between memory, perception, mythology, and the moving image. Drawing on the intellectual and oral traditions of Central Asia, alongside dreams, rituals, and historical archives, she investigates how forms of knowledge survive erasure and political rupture, shaping individual and collective consciousness across generations. Working across film, installation, sculpture, and sound, Ismailova creates works in which documentary and myth, history and lived experience, the visible and the invisible converge, treating memory not as a record of the past but as a living force that continually reshapes reality. In 2021, she co-founded Davra, a collective dedicated to fostering artistic research and cultural exchange across Central Asia. In 2022, Ismailova participated in both the 59th Venice Biennale and documenta fifteen. She is the recipient of The Eye Art & Film Prize (2022), Foundation Pernod Ricard’s Nouveau Programme Award (2025), and the Art Basel Golden Award (2025).\n\nPresented and produced by Western Front. Curated by JOAN Executive Director & Curator Suzy Halajian.",
      "endDate": "2026-11-29T07:59:59.999Z",
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    {
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      "name": "Flesh Witness",
      "url": "https://www.redcat.org/events/flesh-witness",
      "startDate": "2026-09-12T19:00:00.000Z",
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      "description": "Opening Reception: September 12, 6-8 PM [RSVP](https://www.redcat.org/form/flesh-witness-opening-reception)\n\n*Flesh Witness* brings together contemporary artists whose work examines global histories and ongoing conditions of militarism across Asia and the Pacific. Focusing on Hawai‘i, Korea, Okinawa, the Philippines, and Samoa, the group exhibition includes artworks spanning from the 1970s to newly created work, ranging from video to sculpture, photography, mixed media, and installation that considers how military power is inscribed in landscapes, bodies, and archives.\n\nThe exhibition takes its title from participating artist **Kyuri Jeon**’s video work, *산증인, 活證人, The Flesh-Witness*, 2021, which revisits American archival documentation of Korean War prisoners who were forcibly tattooed with anti-communist slogans. The artists in *Flesh Witness* recover and reinterpret such inscriptions of power embedded in official state footage, newspaper archives, photographs, naming conventions, plants, and coastlines, revealing the intervention and occupation that established and maintained imperial dominance throughout the region. \n\nThroughout the exhibition, artists foreground intergenerational memory, Indigenous knowledge beyond official histories and archives, and practices of ecological stewardship and activism that support communities living with the ongoing effects of militarized occupation. In a moment marked by border violence, territorial occupation, genocide, and ecological crisis, these artists* *reimagine the Pacific region through the intersecting legacies of military imperialism. Presented in Los Angeles, a city historically influenced by transpacific migration and military infrastructure, the exhibition envisions new shared futures of Oceanic peoples and diasporas.\n\n*Flesh Witness* is organized by REDCAT guest curators GYOPO and Amy Kahng, with support from Katy Dammers, Deputy Director and Chief Curator and Kyla Kim, Getty Marrow Curatorial Intern.",
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      "name": "Joshua Reynolds's *Portrait of Mai* and 18th-Century Portraiture",
      "url": "https://www.getty.edu/exhibitions/highlights-portrait-of-mai",
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      "description": "This selection of painted and sculpted portraits by such artists as Gainsborough, Goya, and David explore the interplay of status, character, and identity in an age of global encounter. At its center is the US debut of Sir Joshua Reynolds’s *Portrait of Mai*, a compelling painting of the first Polynesian visitor to Great Britain. Portrayed in a full-length format traditionally reserved for the European elite, this depiction of Mai subtly reconfigured the genre’s conventions.\n\n*Portrait of Mai* was purchased jointly by the J. Paul Getty Trust and the Board of Trustees of the National Portrait Gallery, London, 2023. Support provided to NPG by the National Heritage Memorial Fund, Art Fund and other generous supporters.",
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      "name": "In These Times: Recent Acquisitions at MOCA",
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      "startDate": "2026-09-20T07:00:00.000Z",
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      "description": "In These Times: Recent Acquisitions at MOCA surveys artworks added to the museum’s collection over the past five years, highlighting major purchases and gifts within MOCA’s broader holdings. Organized thematically by gallery—including rooms devoted to representations of LA, group portraiture, recent developments in abstract painting, and works that dwell in obsessive detail—the exhibition includes works by Ed Bereal, Louise Bonnet, Andrea Bowers, Philip-Lorca diCorcia, Christina Forrer, Charles Gaines, Sawako Goda, Jacqueline Humphries, Alex Israel, Tomashi Jackson, Larry Johnson, Liz Larner, Julie Mehretu and Nairy Baghramian, Rebecca Morris, Kathleen Ryan, Diane Simpson, John Sparagana, Magdalena Suarez Frimkess, Henry Taylor, Vincent Valdez, and Ulla Wiggen, among others.In These Times: Recent Acquisitions at MOCA is organized by Bennett Simpson, Senior Curator, with Ariana Rizo, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles.\n\nLearn more about the exhibition and featured artworks on the MOCA Digital Guide by Bloomberg Connects.",
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      "@id": "https://zeitgeists.org/event/4a5d2b6c-b23d-4657-879f-96e4a2a5c77d",
      "identifier": "4a5d2b6c-b23d-4657-879f-96e4a2a5c77d",
      "name": "Alexander Apóstol Regime: Dramatis Personae",
      "url": "https://www.moca.org/exhibitions/alexander-apostol-regime-dramatis-personae",
      "startDate": "2026-09-20T07:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/5d13d556-0cc4-493a-8a56-4d54775ffa82"
      },
      "description": "Alexander Apóstol (b. 1969, Barquisimeto, Venezuela; lives in Madrid) explores the entanglement of art and systems of political power in Latin America and how the two mirror and distort each other. In his photographs, videos, and installations, Apóstol questions how national identity is constructed and mythologized. He often references Geometric Abstraction and the work of Carlos Cruz-Diez and Jesús Rafael Soto—among the most internationally recognized Venezuelan artists of the last century—to interrogate the political landscape of his home country.\n\nRegime: Dramatis Personae (2017) is a series of black-and-white portraits depicting archetypal figures appearing on the stage of both populist and authoritarian governments. Drawing on his research into Venezuela’s history, Apóstol analyzed the gestures, postures, and body language associated with characters acting in a political comedy of errors. This inquiry probes pivotal moments, from the fight for independence from the Spanish crown in the nineteenth century and the promises of progress and modernism that defined most of the twentieth century, to the rise and fall of the Bolivarian Revolution. The resulting portraits are not representations of specific individuals, but rather of the roles produced and performed under autocratic regimes. This distinction is underscored by the fact that each portrait is not inscribed with a name, but with the social function embodied by the sitter.\n\nThe photographs were taken in Caracas in 2017, during a period of intensified violent government repression. The artist collaborated with LGBTQ+ activists, who modeled figures of their choice from the artist’s proposed dramatis personae, a Latin phrase meaning “persons of the drama.” Traditionally, a dramatis personae is the list of characters in a play, with brief descriptions of their roles, preceding the comedy or drama yet to unfold. From the ninety photographs comprising the series, Apóstol often makes a selection specific to the country or city where they are displayed. Although the artist was responding to prior events, these portraits resonate with recent shifts in the political climate of his country, such as those inaugurated by the United States’s intervention that began in January 2026. For this presentation, he pointedly features portraits such as EL DICTADOR (THE DICTATOR), El POLICÍA ENMASCARADO (THE MASKED POLICE OFFICER), LA TURISTA IDEOLÓGICA (THE IDEOLOGICAL TOURIST), EL SIEMPRE SOSPECHOSO INTERMEDIARIO INTERNACIONAL (THE EVER-SUSPICIOUS INTERNATIONAL INTERMEDIARY), EL MILICIANO APOYADO (THE PROPPED-UP PARAMILITARIST), and EL DE HOLLYWOOD (THE ONE FROM HOLLYWOOD), among others.\n\nAlexander Apóstol, Regime: Dramatis Personae is organized by José Luis Blondet, Senior Curator, with Emilia Nicholson-Fajardo, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles.",
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          "name": "Los Angeles",
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      "identifier": "f5433f3f-2557-4b58-bf6c-e04b6ce9618f",
      "name": "The Holy Family at Home",
      "url": "https://www.getty.edu/exhibitions/holy-family-at-home",
      "startDate": "2026-09-22T18:00:00.000Z",
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      "description": "Northern European artists around 1500 adopted a fresh view of the Holy Family, portraying the Virgin Mary, Christ Child, and a devoted St. Joseph as a loving trio in a domestic interior. This exhibition celebrates the treatment of this theme in Getty’s recently acquired painting by Gerard David, while showcasing illuminated manuscripts and panel paintings of the period that shaped and reflected his approach. Together, these works highlight the late medieval view of the tender human relationships at the heart of the Christian story.",
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      "name": "4ever JOAN Artists Fund",
      "url": "https://www.joanlosangeles.org/events/4ever-joan-artists-fund",
      "startDate": "2026-09-28T07:00:00.000Z",
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      "description": "We’re excited to introduce the 4ever JOAN Artists Fund, a new initiative supporting artist fees, production, commissions, exhibitions, and public programs in 2027. We hope the fund will allow JOAN to put 30–40% more toward artists and their projects. Every gift helps us make that possible.\n\nCelebrate the fund’s launch at the 4ever JOAN Benefit Party on Sunday, October 18, from 4–7 pm at Cooper Studios. The afternoon will feature performances by Girl Debord and Rotten Sun: Cielo Saucedo, Jester Bulnes, Jesus Gallegos Yela, and Jazmin Jazzy Romero, sound by BROWNSKINHAZEL, food by Russell Hartling, and an artist-designed cocktail by Olivia Mole. We’ll also hold a silent auction of more than 20 Artist Experiences, tba soon.\n\nSupport packages include party tickets and special merchandise designed by artists in our community, along with a contribution to the Artists Fund. You can also make a direct gift if you’re unable to attend.\n\nClick Tickets & Donations below to join us or support the Artists Fund from afar! 🎀\n\nHost Committee: Isabelle Albuquerque, Sophie Appel, Anne Ellegood, Ali Eyal, Olivia Gauthier, Jacqueline Kiyomi Gork, Betsy Greenberg, Summer Guthery, David Horvitz, Karyn Kohl, Paula Kroll, Sophia Le Fraga, Shana Lutker, Olivia Mole, Karen Moss, Davida Nemeroff, January Parkos Arnall, Julie Tolentino, Samuel Vasquez, Anuradha Vikram, and Cascade Wilhelm.\n\nCooper Studios 860 South Los Angeles St., Ste. 1100Los Angeles, CA 90014\n\nSpecial thanks to our sponsors: Cooper Design Space, the Hirsh Collective, Cometa, Madre Mezcal, and Silverlake Wine.\n\nWe hope to celebrate with you. 🖤\n\nDesign by The Rodina Typefaces: True Sans by Bold Decisions and Womb Script by Rory King",
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      "name": "The Deer Hunter",
      "url": "https://tickets.egyptiantheatre.com/order/showtimes/1001-2584/seats",
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      "description": "There had been remarkably few films made about the Vietnam War when The Deer Hunter began filming in 1977. Michael Cimino had only one previous directorial credit (Thunderbolt and Lightfoot), but the filmmaker was given unusual leeway to create a three-hour-plus epic, with equal weight given to its study of small-town American life and to the brutality and horror of war. The film won five Oscars including Best Picture, Directing, and Best Supporting Actor for Christopher Walken’s intense performance. The film also marked the last screen appearance of 1970s cinema legend John Cazale.\t",
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      "name": "Living with Loss: A Grief Support Circle",
      "url": "https://wendemuseum.org/event/living-with-loss-a-grief-support-circle/2026-10-13/",
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      "description": "Join a warm and understanding space where you can share, listen, and heal. Led by Dr. Barry Goldstein, this grief support circle is all about connecting with others who get what you’re going through. Come as you are, no judgments—just open hearts and support to navigate the ups and downs of loss side by side. Everyone is welcome!",
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      "name": "MAŁ̣NI - TOWARDS THE OCEAN, TOWARDS THE SHORE",
      "url": "https://www.americancinematheque.com/now-showing/malni-towards-the-ocean-towards-the-shore-10-13-2026",
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      "description": "### **ABOUT THE FILM:**\n\n*In English and Chinuk Wawa with English subtitles.*\n\nA poetic, experimental debut feature circling the origin of the death myth from the Chinookan people in the Pacific Northwest, MAŁ̣NI – TOWARDS THE OCEAN, TOWARDS THE SHORE follows two people as they wander through their surrounding nature, the spirit world and something much deeper inside. At its center are Sweetwater Sahme and Jordan Mercier, who take separate paths contemplating their afterlife, rebirth and death. Probing questions about humanity’s place on earth and other worlds, Sky Hopinka’s film will have audiences thinking (and dreaming) about it long after.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Grasshopper Film\n\nCOUNTRY: USA",
      "disambiguatingDescription": "Q&A with filmmaker Sky Hopinka In partnership with Vidiots Supported by the Robert Gore Rifkind Foundation ‘Here and Elsewhere: Films from Sky Hopinka’",
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      "name": "Super 8 Portrait Workshop, pres. by TAPE",
      "url": "https://www.whammyanalog.com/events/super-8-portrait-workshop-pres-by-tape",
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      "description": "Always wanted to shoot Super 8? Now is your chance to play with this wonderful amateur film camera and stock, which can be used to make home movies, shoot professional films, and other creative endeavours. This workshop is designed as an accessible and fun intro to shooting on motion picture film, no experience needed.\n\nWe will cover the basics of using a Super 8 camera and working with film as a medium. We will give a hands-on demo of the camera and detail the workflow needed to shoot, develop, and scan your film. All participants will have the chance to shoot part of a roll of Black & White motion picture Super 8 film. We will create moving portraits of one another, with everyone able to shoot and be in front of the camera as comfortable. We will send the film to be processed and scanned, then all participants will have access to the collectively shot roll of portraits.\n\nT.A.P.E. Patreon Members can purchase tickets for a discounted price. Please check your email for the Promo Code! Consider becoming a member of T.A.P.E.’s Patreon for just $5 a month to access exclusive first tickets for workshops, discounts on screenings, rentals, and events, and much more!\n\n**TUESDAY, 10/13 · 7:00PM**\n\n*Presented by* *[T.A.P.E.](https://tapeanalog.org/)* *- a Los Angeles based 501(c)3 nonprofit dedicated to facilitating support for analog media through free digitizing, education, hands-on training, equipment rentals and volunteer opportunities. Teach, archive, preserve, exhibit.*\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***\n\nSee more workshops at [https://givebutter.com/tape-collective](https://givebutter.com/tape-collective)",
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      "name": "Elephant Gym - More Real Than Dreams",
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      "name": "Brian Evenson w/ Nghiem Tran, \"Phantom Limb\"",
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      "description": "Master of literary horror Brian Evenson returns with a long-awaited follow-up to his 2016 novel, Last Days.\n\nAfter destroying the headquarters of an underground amputation cult, a burned and battered Kline finds himself in a holding cell. When he enlists the help of an ex-cop to commute his prison sentence, Kline inadvertently tangles with a schism of the very cult he sought to destroy. Can Kline investigate the sect's ritualistic murder spree without getting lured into their ranks?\n\nFrigid and precise, Phantom Limb interrogates our notions of wholeness, fate, and the lengths we are willing to go to connect with a higher power.\n\nBrian Evenson has won the World Fantasy Award, The International Horror Guild Award, and the Shirley Jackson Award. He is also the recipient of three O. Henry Awards, a Guggenheim Fellowship, and was a finalist for the Ray Bradbury Prize. He lives in LA.\n\nNghiem Tran was born in Vietnam and raised in Kansas. He received his BA from Vassar College and his MFA from Syracuse University. A Kundiman Fellow, his poetry has been published in The American Poetry Review, The Offing, Hyphen Magazine, and The Margins. His debut novella, We’re Safe When We’re Alone (Coffee House Press) was one of NPR’s Books We Love 2023.",
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      "identifier": "3193d0db-2236-469e-9c9e-5283b9b2799e",
      "name": "Dzogchen-LA Meditation",
      "url": "https://18thstreet.org/event/dzogchen-la-meditation-2",
      "startDate": "2026-10-14T02:00:00.000Z",
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      "description": "Tuesday, October 13 | 7 PM -8:30 PM\n\n18th Street Arts Center\n\n1639 18th Street. Santa Monica, CA 90404\n\nFree + Open to the Public\n\nJoin us for a healing series of every-other Tuesday evening guided meditations, where we will learn to open and become Aware of our own innermost Heart-Essence Awareness.\n\nEmerging from the Dzogchen lineage of Tibetan Buddhism. This is not just a Tuesday evening “mind practice,” but a doorway into living from and within freedom—freedom not only from our own psychology and historic self-narrative, but also from the habitual creative loops that keep us recycling the same expressions. Over time, we learn to flow through life with the lived experience of non-duality within duality—and duality within non-duality.\n\nFrom an ever-deepening familiarity with our own True Nature, there naturally comes a diminishing of difficult mind-states and a flourishing of positive mind-states— alongside a more spacious, inspired relationship with our own creative expression.\n\nWhether you’re a longtime meditator or a curious newcomer, this is a space to explore how presence and creativity arise from the same open source.\n\nGuided by Timo Spekkens\n\nMindfulness, Natural Awareness, Compassion Educator\n\nTeacher and Mentor @ MARC-UCLA and the Dzogchen Center",
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      "description": "There had been remarkably few films made about the Vietnam War when The Deer Hunter began filming in 1977. Michael Cimino had only one previous directorial credit (Thunderbolt and Lightfoot), but the filmmaker was given unusual leeway to create a three-hour-plus epic, with equal weight given to its study of small-town American life and to the brutality and horror of war. The film won five Oscars including Best Picture, Directing, and Best Supporting Actor for Christopher Walken’s intense performance. The film also marked the last screen appearance of 1970s cinema legend John Cazale.\t",
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      "description": "### **ABOUT THE FILM:**\n\nEven for a 12-year old, D.J. Walters has a particularly overactive imagination. He is convinced that his haggard and crabby neighbor Horace Nebbercracker, who terrorizes all the neighborhood kids, is responsible for Mrs. Nebbercracker’s mysterious disappearance. Any toy that touches Nebbercracker’s property promptly disappears, swallowed up by the cavernous house in which Horace lives. D.J. has seen it with his own eyes! But no one believes him, not even his best friend, Chowder. What everyone does not know is D.J. is not imagining things. Everything he’s seen is absolutely true and it’s about to get much worse than anything D.J could have imagined.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Sony\n\nCOUNTRY: USA",
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      "description": "Join us for our weekly mindfulness meditation. Whether you are new to meditation or already have experience we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum Community Center\n\nYou do not have to join all sessions but can join as your schedule allows. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nWhat is mindfulness? Mindfulness is being fully present to your life instead of being on autopilot. Our mind tends to rehash the past and to rehearse the future. There is nothing wrong with that except that it does it too much and it keeps us from being with what is actually happening right in this moment. We can feel like life is passing us by and we miss a lot of good moments with family and friends, in nature and just throughout the day. When we are present we become better listeners and observers and will make better choices, big and small. People who regularly practice mindfulness meditation report overall stress levels going down and being able to deal with whatever comes their way in a better, healthier way. They also feel more connected and more joyful.\n\nWe practice this through mindfulness meditation where we train the mind to stay with an anchor, like the sensations of the breath. Eventually the mind will calm down and so will the body. We learn tools to be with a busy mind, challenging emotions, and even physical pain. We can access peace, calm and joy that arises independently of what’s going on in our lives at this time.\n\n**Teacher Bio:**\n\nChristiane Wolf is an internationally known mindfulness and Insight (Vipassana) meditation teacher. Originally from Berlin, Germany, she is a longtime proud resident of Culver City where her three children attended (or still attend) CCMS and CCHS.\n\nChristiane was trained as an OB/GYN in Germany but pivoted to not only practicing mindfulness meditation but then teaching it, mainly through InsightLA.\n\nShe was trained and mentored by Trudy Goodman, Jack Kornfield, Jon Kabat-Zinn, Gil Fronsdal and others.\n\nChristiane is the author of *Outsmart Your Pain – Mindfulness and Self-Compassion to Help You **Leave Chronic Pain Behind* and the coauthor of *A Clinician’s Guide to Teaching Mindfulness*, a classic training manual for mindfulness teachers.\n\nCheck [www.christianewolf.com](https://www.christianewolf.com/) for more info.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. To avoid disruption, late arrivals may not be admitted. Please arrive early as RSVP does not guarantee admission to this free program.*",
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      "description": "Whether you are new to meditation or already have experience, we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum’s Community Center. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nThis Sound Bath is designed as a continuation of Christiane Wolf’s regular Wellness Wednesday session. We will begin together with a visualization for inner peace, followed by a guided relaxation of the body to help release tension, and finish by relaxing together to sound from live instruments tuned specifically to help you find peace. Please wear comfortable clothes. Floor space is limited for those who wish to lie down for the full experience, but you are welcome to bring a yoga mat, pillow, and blankets.\n\n**Teacher Bio:**\n\nKris Matsuoka is a Los Angeles native and a graduate of Art Center College of Design in Pasadena. He lives and works in Culver City, California.\n\nWhile working in the creative industry, Kris was always asked the same question: “How do you come up with your ideas?” That led to an ongoing exploration of a second question: “Where do ideas even come from?” Looking into the lives of his favorite artists and mentors, Kris found one common thread. They had all turned to meditation at some point, and discovered that “not knowing” is a nice place to be.\n\nThrough the practice of meditation, Kris has seen how it can sharpen our perception of the world and reconnect us with nature. Sound meditation has become his most recent area of focus. For the past decade, he has hosted Sound Baths, workshops, and classes that use sound to invoke a sense of wonder and help people relax. Kris has found that in a relaxed, free, and peaceful state, your best ideas come most clearly.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. Please arrive early as RSVP does not guarantee** admission to this free program.*",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "*Special thanks to our community partners: [Los Angeles Silent Film Festival](https://www.losangelessilentfilmfestival.org/), [NitrateVille](https://www.nitrateville.com/)*\n\n*North American premiere of new restoration!*\n\n*Man Trouble* was based on the short story “A Very Practical Joke” by Ben Ames Williams, published in *The Saturday Evening Post* in 1925. A crestfallen woman, Joan (Dorothy Mackaill), decides to take her own life by jumping into a river. Fortunately, she is saved by notorious bootlegger Mac (Milton Sills), who is kind enough to offer a weary woman a job in his nightclub, where he becomes infatuated with her to a fault. Unfortunately for Mac, Joan has fallen for another, gentler man, newspaper columnist George (Kenneth MacKenna). This complex film is part hardboiled gangster film, part melodrama, but it offers so much more.\n\nDirector: Berthold Viertel. Screenwriter: Ben Ames Williams, Marion Orth, George Manker Watters. With: Milton Sills, Dorothy Mackaill, Kenneth MacKenna. \n\n*Restoration funding provided by Glenn & Eleanor Padnick and the National Endowment for the Arts. Restored by the UCLA Film & Television Archive from a 35mm nitrate print. Laboratory services by The PHI Stoa Film Lab, Film Technology Company, Inc., Audio Mechanics, Simon Daniel Sound.*\n\n*North American premiere of new restoration!*\n\n*Live musical accompaniment by Cliff Retallick**\n*\n\nBased on a 1916 play by Jules Eckert Goodman, *The Man Who Came Back* tells the story of inebriated philanderer Henry Potter (George O’Brien), whose father, Thomas Potter (Ralph Lewis), is weary of his son tarnishing the family name and wants him to be his own man. During his travels, Henry meets Marcelle (Dorothy Mackaill), an equally downtrodden lady and together they redeem each other through love. *The Man Who Came Back* is one of the few Fox Film Corporation silent films to survive. \n\nDirector: Emmett Flynn. Screenwriters: Jules Eckert Goodman, John Fleming Wilson, Edmund Goulding. With: George O’Brien, Dorothy Mackaill, Ralph Lewis.\n\n*Restoration funding provided by the National Film Preservation Foundation’s Roger Mayer Legacy Program. Digitally restored by the UCLA Film & Television Archive from a 35mm nitrate domestic print and a 35mm nitrate foreign print. Laboratory services by Roundabout Entertainment, Inc., FotoKem. Special thanks to Národní filmový archiv.*\n\nWe are thrilled to celebrate Silent Movie Day 2026 as part of this screening. \n\n*Notes written by Theater Manager Lauren Brown.**\n*",
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      "name": "Kevin Corcoran, Adam Lion & Wilson Shook; Music Research Strategies; Cherlyn Hsing-Hsin Liu & Michael Pisaro-Liu; A ∩ D",
      "url": "https://www.h-r.la/event/kevin-corcoran-adam-lion-wilson-shook-music-research-strategies-cherlyn-hsing-hsin-liu-michael-pisaro-liu-a-%e2%88%a9-d",
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      "description": "[tickets](https://pools.events/t/z-j5lkg8/)\n\nDoors: 7:30 pm\n\nFirst set: 8 pm\n\nA unprecedented confluence of creative voices from California and beyond, tonight’s audiovisual offerings substantiate diverse angles of approach to the fundamental questions of how to listen and what to do about it.\n\n-\n\n**Kevin Corcoran, Adam Lion & Wilson Shook**\n\nImprovising as a trio for the first time, but with overlapping collaborative histories, Kevin Corcoran, Adam Lion, and Wilson Shook bring a deep appreciation for the irreducible complexity of moment and place, a fine attunement to its possibilities and constraints, and an abiding commitment to chucking it all and doing something completely different.\n\n[Kevin Corcoran ](https://www.kevincorcoran.net/\" target=\"_blank\" rel=\"noopener)works with sound and listening through percussion and place.\n\nAs a percussionist he is focused on techniques which emphasize texture, friction, sympathetic vibration, sustained tones and the use of found materials. Whether working with a single drum, an electro-acoustic approach, or playing drum kit, improvisation is crucial to his practice as generative method and non-hierarchical exchange of ideas.\n\nIn fieldwork projects, noticing tensions between land use and disuse, infrastructure and open space, contamination, weathering, and remediation guides his place-based practice of recording and composing with sound, image, object, and text.\n\nBased in San Francisco, California, Kevin collaborates across disciplines with musicians, dancers, filmmakers, writers and visual artists. He has performed in North America, Europe, and East Asia, exhibited audiovisual work in the US and Taiwan, and published internationally on small labels dedicated to experimental music.\n\n[Adam Lion ](https://www.adam-lion.com/\" target=\"_blank\" rel=\"noopener)is a percussionist dedicated to experimental music rooted within the traditions of composition and improvisation. Valuing idiosyncratic techniques, Lion explores new sonic frameworks involving agency, perception, immediacy, and constraint. Through composition he explores larger philosophical concepts such as the creation of structure through chance, cohesion through independence, and the borderlands between the raw materiality of sound and human cognition. At the core of this approach is a full embrace of the objective properties of instruments and sound itself. Of equal importance are the social, emotional, and metaphysical relationships that naturally arise during collaboration between performers, objects, and spaces. Lion creates systems which navigate these dynamics, uncovering unique sonic environments grounded within the immediate moment. This dichotomy between material constraint and autonomy reflects a dialectic which continually points to the same question- how can we use music to research these ideas?\n\n[Wilson Shook ](https://www.otherghosts.net/\" target=\"_blank\" rel=\"noopener)is an improvising saxophonist and manual therapist living in Pasadena, CA. His approach to music has been shaped by collaborative relationships with Gust Burns, Paul Hoskin, Ben Bennett, Greg Kelley, Carol Genetti, Ted Byrnes, and others, as well as an ongoing sonic exploration of the resonant void spaces of American hydrologic and automotive infrastructure.\n\nA self-taught musician, Wilson approaches improvisation, study, collaboration, and performance as sites of radical experimentation with modes of being, relating, and perceiving. Wilson’s practice cultivates an awareness of human vulnerability and technological fallibility; embraces excess, fragmentation, and incompleteness; and pursues the chaotic, queer, and interdependent imperatives of an aleatory existence amidst a crumbling, toxic culture.\n\nAttentiveness, transformation, commitment to the materiality of the musical act and its consequences; radical presence as the only avenue of escape. Always mindful of the axiom, via Éluard—*There is another world, but it is in this one*.\n\n**Music Research Strategies**\n\n[Music Research Strategies](https://linktr.ee/music_research_strategies\" target=\"_blank\" rel=\"noopener) performs \"Throwin' Hands\" - a solo double bullroarer and traps vector from \"Ebonics Native Land Acknowledgement: Floating Signifier.\" \"Throwin' Hands\" is microtonal, socio-legal communication praxeology for theorizing critical and ethical social contracts with Indigenous Knowledge Systems (De-Center for UNKNOWING).\n\nMusic Research Strategies is known for SIGE Records (Seattle) releases such as White People Killed Them, Black Spirituals (defunct), Eleven Postures (solo), and more; releases on Weird Cry Records (Ojai); plus, numerous Creative Improvised Music partnerships with international players; and, international Insurgent Learning Workshops (ILWs) for reimagining the UGRR quilt block codes for today's political landscape. Music Research Strategies is grateful for support from COTFG, Charlotte Street Foundation, FCA, Center for Indigenous Studies @ Bard, Borealis Festival, Sonic Acts, PRO ARTS COMMONS, Intercultural Leadership Institute, High Desert Soundings, Yucca Valley Materials Lab, East Side Arts Alliance, NAKA Dance Theater, In Defense of Memory, Blues Detection Agency, No Idea and so many more. Thank U!\n\nMusic Research Strategies will also perform with trumpeter Lemuel Marc for [High Desert Soundings](https://highdesertsoundings.com/\" target=\"_blank\" rel=\"noopener).\n\n**Cherlyn Hsing-Hsin Liu & Michael Pisaro-Liu**\n\n[Cherlyn Hsing-Hsin Liu ](https://cherlynhsinghsinliu.com/\" target=\"_blank\" rel=\"noopener)is an artist, filmmaker, and writer whose practice draws on experimental literature, the conceptual avant-garde, and philosophy. Liu's work concerns materiality across different contexts and eras, including its transformation, symbolism, decay, and emotional resonance. For Liu materiality includes both living and inanimate matter. Through film, poetry, painting, sculpture, and other media, she reflects the light and darkness of the world she lives in. Her films have been shown at international film festivals and museums, including the Edinburgh International Film Festival, Helsinki Festival, Festival des Cinémas Différents et Expérimentaux de Paris, Image Forum Festival at the Museum of Kyoto, CROSSROADS at the San Francisco Museum of Modern Art, M+ Museum, the Taipei Fine Arts Museum, the Belvedere 21, the Barbican Centre, among others.\n\n[Michael Pisaro-Liu ](https://www.michaelpisaro-liu.com/\" target=\"_blank\" rel=\"noopener)is a guitarist and composer and a long-time member of the Wandelweiser collective. While, like other members of Wandelweiser, Pisaro-Liu is known for pieces of long duration with periods of silence, in the past fifteen years his work has branched out in many directions, including work with field recording, electronics, improvisation and ensembles of very different kinds of instrumental constitution. Much of his current work takes the form of mixed-media assemblages, in collaboration with filmmaker/artist/writer Cherlyn Hsing-Hsin Liu.\n\nPisaro-Liu is the Director of Composition and Experimental Music the California Institute of the Arts.\n\n**A ∩ D**\n\nAngela Frances Wilson (modular synth) and Devin Sarno (bass + electronics) combined to form [A ∩ D ](https://alt8745.com/\" target=\"_blank\" rel=\"noopener)(or: A Intersects D), a mostly-musical project that emphasizes the experience of music – which always goes beyond. Instead of thinking about microphones and amps, elevate: discover the difference between a hiss of regret and the fuzz of desire. A lot of music (some good) is just sounds. A ∩ D’s music extends the subconscious, our natural experiential always-mode. Seeming contradictions between booms and delicacy become moot: the ambience is in the music, creating the music, and a simple vice versa. A smell is a vista is a ritual is in the air. The light of being-outsideness echoes in the core of their intimate sonic actions. Space and time’s immateriality has never been so palpable. 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      "description": "\"ENCORE!\" will showcase 5 inspiring women solo artists from past Los Angeles Women's Theatre Festivals, highlighting the transformative and uniting power of diverse voices.\n\nWe are so excited to welcome back to the LAWTF stage:\n\nKatie Chin, performing an excerpt of her solo show \"Holy Shitake! A Wok Star is Born.\"\n\nVanessa Cruz, performing her dance \"Metal, Plastic, Skin\"\n\nSarai Hicks, performing her dance \"For You\"\n\nMarissa Mahoney, performing her dance \"SMILE\"\n\nRheagan Wallace, performing an excerpt of her solo show \"STAGE MAMMA: From Child Star to Leading Lady\"\n\nThe evening will be led by illustrious Co-Hosts Terrie Silverman and JC Cadena.\n\nThe event will occur on Friday, October 16, 2026 from 7:00pm to 9:00pm at the Glorya Kaufman Community Center, which is located at the Wende Museum on 10858 Culver Blvd, Culver City, CA 90230.\n\nLAWTF will hold a reception before the show from 6:00-6:30pm.\n\nThis event is funded by the City of Culver City.",
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      "description": "CO-SPONSORED WITH KUNDIMAN, A NONPROFIT ORGANIZATION DEDICATED TO NURTURING GENERATIONS OF WRITERS AND READERS OF ASIAN AMERICAN LITERATURE. \n\n\"Tseng is a compelling storyteller and an elegant stylist who approaches her stories a little like a detective and a little like a scholar, entirely herself. At bottom, this book asks a question, why am I like this, and these essays all offer different answers. For her and for you.”\n\n––Alexander Chee, author of The Queen of the Night\n\n \"Reading Mixed Feelings is a powerful, emotionally insightful, and profoundly gorgeous experience.”\n\n—Lee Horikoshi Roripaugh, author of unMothered, unTongued\n\n\"This is a multiracial song of self, song of family, and song of the future, an amalgamation of fury and love…Through Tseng’s masterful and lyrical prose, we find that where there are wounds, there is also wonder.”   \n\n––Tina Chang, author of Lion\n\n“Jennifer Tseng's iconoclastic essay collection gives us a through-line of frustrating, sexy, and heart-breaking characters in whom to fully invest while engaging her life-lessons and shrewd cultural analysis.\"\n\n––J. Vanessa Lyon, author of Blackness Thirteen Ways: Art, Life, & the Revisions of a Mulatta Lesbian.\n\nJennifer Tseng is the author of three award-winning poetry books—The Man with My Face, Red Flower, White Flower, and Thanks for Letting Us Know You Are Alive—; a collection of flash fiction, The Passion of Woo and Isolde, winner of an Eric Hoffer Book Award and finalist for a CLMP Firecracker Award in Fiction; and a novel, Mayumi and the Sea of Happiness, finalist for the PEN American Robert W. Bingham Prize for Debut Fiction and the New England Book Award. She is an associate professor of literature & creative writing at University of California, Santa Cruz. You can read essays from her forthcoming collection, Mixed Feelings, on The Paris Review Daily [https://www.theparisreview.org/blog/2019/08/28/portrait-of-our-white-mother-sitting-at-a-chinese-mens-table/].\n\nEric C. Wat is the author of four books, including Daddy Issues: Stories (2025 winner of Barbara DiBernard Prize in Fiction), Love Your Asian Body: AIDS Activism in Los Angeles (2023 winner of the Outstanding Book Award in History from the Association of Asian American Studies) and the Los Angeles Times-bestselling novel SWIM. His second novel manuscript was a finalist in the Black Lawrence Immigrant Writing Series in 2022.",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "**Black Editions** presents an evening with master guitarist, composer and improviser **Marisa Anderson** performing music from her Anthology of UnAmerican Folk Music.\n\n**Marisa Anderson** channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid, emotional, and masterful, featuring compositions and improvisations that re-imagine the landscape of American music. The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, and NPR refers to her as among ‘this era’s most powerful players’. Her music has been featured in Rolling Stone, NPR, The New York Times, Pitchfork, the BBC and The Wire. Festival appearances include Big Ears, Pitchfork Midwinter, Le Guess Who and the Copenhagen Jazz Festival. Anderson is the recipient of the 2025 Spark Award for Oregon Artists presented by the James F. and Marion L. Miller Foundation.\n\nIn addition to her solo work, Anderson is sought after as a collaborator and composer. Swallowtail, her second record in duo with drummer Jim White was released May 2024 on Thrill Jockey Records. 2024 also saw the release of the feature film score ‘ A Perfect Day For Caribou’, as well as appearances on records by Charlie Parr, Myriam Gendron and Big|Brave. In addition to multiple solo releases, past projects include 2021’s Lost Futures with guitarist William Tyler, and contributions to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux, among others.\n\nClassically trained, Anderson honed her skills playing in country, jazz and circus bands. Her current work is focused on a mid-20th century archive of recorded music from the Islamic world, Southeast Asia and the Soviet Union.\n\n‘One of the best emotional mediums in the field of solo guitar, Anderson is a master of lovely melancholy.’ - Pitchfork",
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      "description": "**Screenwriter/ Producer**: James Bond III\n\nOne of the best films to be released on Troma&#8217;s label, James Bond III&#8217;s *Def by Temptation* is a smart, slick, and stylish tale of faith, temptation, and demons! Joel grew up in the church but has recently started questioning his beliefs. After sensing a supernatural presence from his deceased father, Joel becomes compelled to visit his cousin in New York. But shortly after arriving, they become embroiled in a series of mysterious homicides of local men, all of whom were last seen in the company of a mysterious and beautiful woman. Beautifully photographed by Ernest Dickerson and starring Kadeem Hardison and Samuel L. Jackson, this sole directorial effort from child actor James Bond III is a macabre, neon-tinged portrait of late 1980s Brooklyn. The movie blends supernatural horror and religious mysticism, punctuated by an electrifying hip hop and R&B soundtrack. Newly restored from the original 35mm camera negative!\n\n**Picks from the Video Store**\n\nLooking for more bangers from Troma? Check out their section in Cult for more weird bloody fun!\n\n*Bloodsucking Freaks, Christmas Evil, Touch me in the Morning*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "description": "### **ABOUT THE FILM:**\n\nBEGOTTEN has no characters in the ordinary sense. Its final credits name three principal figures: \nGod Killing Himself.\nMother Earth.\nSon of Earth — Flesh on Bone\nThe entire film is what those names do to each other and to the earth.\nGod Killing Himself tears open his body and dies. Mother Earth rises from what remains and takes his seed into herself. She gives birth to Son of Earth — Flesh on Bone. He is cast into a barren world, seized by the Nomads, tortured, killed and briefly returned to life by his mother. The Nomads destroy her too. The Robed Figures gather what remains of mother and son, grind their bodies down and return them to the soil. The ground flowers.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Kino\n\nCOUNTRY: USA",
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      "description": "### **ABOUT THE FILM:**\n\nAn enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell. KEN RUSSELL’S THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned – and the first time the film will be presented restored and in 4K.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Clockwork\n\nCOUNTRY: UK",
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      "name": "Historic Downtown: Old Buildings, New Stories",
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      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "description": "Saturday October 17 | 10am – 5pm\n\n18th Street Arts Center\n\n1639 18th Street, Santa Monica, CA 90404\n\nFree + Open to the Public\n\nPlease RSVP for this event below.\n\nJoin us at 18th Street Arts Center for a special livestream gathering with artist and storyteller Dan Kwong’s Manzanar Baseball Project, bringing together baseball, history, and Japanese American community memory.\n\nThe project revisits the powerful history of baseball at Manzanar, where Japanese Americans incarcerated during World War II built teams, leagues, and a vibrant baseball culture within the camp. Through storytelling, performance, and community engagement, Kwong connects this history to larger questions of resilience, belonging, and what communities create in the face of displacement.\n\nGather with us to watch the livestream together and experience this ongoing project connecting Manzanar’s past with communities today. Event activities will include baseball-themed arts and crafts stations, free food and refreshments, and a closing ceremony centered around Obon Dance.\n\nIf you can’t join us in-person, a livestream link will be provided on the day of the event.",
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      "name": "Curtains Up on Broadway: L.A.’s Historic Theatre District",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/curtains-up-on-broadway-l-a-s-historic-theatre-district-2026-10-17",
      "startDate": "2026-10-17T17:00:00.000Z",
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      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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    },
    {
      "@type": "ChildrensEvent",
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      "identifier": "e0c294c6-50e2-4167-9ff8-00d45bc05ee9",
      "name": "Family Festival: LA and Mexico in Focus",
      "url": "https://www.getty.edu/calendar/family-festival-la-mexico",
      "startDate": "2026-10-17T17:00:00.000Z",
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      "description": "Bring the whole family to a vibrant lineup of mariachi, ballet folklórico, bilingual storytelling, and hands-on workshops celebrating how a single instant—a photograph—can hold a lifetime of stories and memories. This free, daylong Getty Family Festival, inspired by the exhibitions \\*Instante/revelación: Moments in Mexican Photography\\* and \\*Every Minute Is History: Five Views of Los Angeles\\*, honors the moments and revelations of Mexican culture as well the Chicano/a communities in Los Angeles. ### Schedule of Events ### Performances \\*Museum Courtyard\\*  \n11–11:45am: Academia de Danza BFFM and Ballet Folklórico Flor de Mayo  \n12:00–1pm: El Santo Golpe  \n1:30pm–2:30pm: Mariachi Reyna de Los Ángeles  \n3pm–3:45pm: Academia de Danza BFFM and Ballet Folklórico Flor de Mayo  \n4:15pm–5pm: El Santo Golpe  \nDJ Sets throughout the day \\*\\*Academia de Danza BFFM and Ballet Folklórico Flor de Mayo\\*\\*  \nExperience the vivid energy and rich tapestry of Mexican heritage through a captivating showcase by Academia de Danza BFFM and Ballet Folklórico Flor de Mayo. This energetic performance takes audiences on a regional journey across Mexico, bringing to life the distinctive rhythms, vivid costumes, and unique footwork of Chiapas, Veracruz, Baja California, Jalisco, and Sonora. Weaving these traditional dances together, acclaimed mariachi singer Danny Muñoz will accompany the dancers with live, powerful vocals, forming an unforgettable celebration of community, history, and cultural pride. \\*\\*El Santo Golpe\\*\\*  \nEl Santo Golpe, an electrifying AfroLatin music collective led by artivist and Mexican songwriter Ulises Rodríguez, brings the vivid soul of the AfroLatin diaspora to stages globally. Their performances flow with rhythm, movement, and storytelling, weaving a musical web that links the festival’s celebration of Mexican photography to the longstanding traditions of the African diaspora across Latin America. \\*\\*Mariachi Reyna de Los Ángeles\\*\\*  \nMariachi Reyna de Los Ángeles, America’s pioneering all-female mariachi ensemble founded in 1994, infuses the mariachi tradition with beauty and spirit. Guided by ranchera legend Lola Beltrán and Maestro José Hernández, they have released three albums and performed for audiences including Barack and Michelle Obama. Now, their trailblazing technique and generations of mariachi history take center stage at the Getty Center. ### Storytelling 12:45 and 3:30pm | 45-minute performances  \n\\*\\*Storytelling with Josué Cuentacuentos\\*\\*  \n\\*Upper Garden\\*  \nBilingual storyteller Josué Cuentacuentos (Josué Martínez) weaves together original interactive stories that celebrate family and the Latino experience in both Spanish and English. His lively performance invites families of all ages to laugh, sing, and discover their own stories reflected in the images and legends he brings to life. ### Strolling Musicians 11:45am, 1:15pm, 2:15pm, and 3:15pm | 30-minute performances  \n\\*\\*Los Licenciados\\*\\*  \nAs you step off the tram, let the soulful sounds of Los Licenciados accompany you. This local quintet brings the romantic, guitar-driven bolero tradition that once swept Mexico and Latin America to life, turning your arrival at the Getty Center into a moving serenade. ### Workshops \\*All Day\\*  \n\\*\\*Rótulo Workshop with Melissa Govea\\*\\*  \n\\*Museum Courtyard\\*  \nJoin artist Melissa Govea for a vibrant Rótulo Workshop to explore the colorful world of Mexican sign painting. Discover the traditions and techniques behind rótulo art as you create your own expressive sign that celebrates identity and community. \\*\\*Lotería Hat Workshop with Marianne Sadowski\\*\\*  \n\\*Museum Entrance\\*  \nInspired by the traditional Mexican Lotería game, participants will create paper hats and original cards featuring colorful imagery inspired by two museum photography exhibitions. Visitors can learn Spanish words through this fun, interactive activity. Join a traditional game of Lotería at a table near the workshop. \\*\\*Mapping Our Memories Printmaking Workshop with Mujeres de Maiz/ Liliflor Art\\*\\*  \n\\*Family Room Patio (between the entrance to the East and South Pavilions)\\*  \nJoin Liliflor Art for Mapping Our Memories, an interactive printmaking workshop. Experiment with foam plates and layered monoprints to connect photography with family memories, migration, identity, landmarks, and place. Print your designs on paper, maps, or photographic reproductions to create a personal artwork to take home or add to a collective display for visitors to enjoy. This flexible activity welcomes families, youth, and adults.",
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          "timezone": "America/Los_Angeles"
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      "name": "Abbott and Costello Meet Frankenstein",
      "url": "https://ticketing.uswest.veezi.com/purchase/4156?siteToken=20xhpa3yt2hhkwt4zjvfcwsaww",
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          "timezone": "America/Los_Angeles"
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      "@id": "https://zeitgeists.org/event/0e17edbf-1d25-4cd3-a08c-a8d7ea4e2397",
      "identifier": "0e17edbf-1d25-4cd3-a08c-a8d7ea4e2397",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-10-17",
      "startDate": "2026-10-17T17:15:00.000Z",
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      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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      "name": "Tarot Salon presents Death: The End Has No End",
      "url": "https://www.eventbrite.com/e/tarot-salon-presents-death-the-end-has-no-end-tickets-2002236215419",
      "startDate": "2026-10-17T17:30:00.000Z",
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      },
      "description": "Come join this month's discussion on the Death card!",
      "endDate": "2026-10-17T19:30:00.000Z",
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    {
      "@type": "TheaterEvent",
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      "identifier": "9340d236-c996-4ecf-a89e-2af3ef4769e5",
      "name": "Hallowe'en Spooktacular",
      "url": "https://ci.ovationtix.com/35787/production/1284748?performanceId=11847744",
      "startDate": "2026-10-17T17:30:00.000Z",
      "location": {
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "Union Station: America’s Last Great Train Station",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/union-station-americas-last-great-train-station-2026-10-17",
      "startDate": "2026-10-17T18:00:00.000Z",
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      "description": "Union Station: America’s Last Great Train Station\n\nTake a ride back in time to see the last great train station ever built.\n\nLos Angeles’ Union Station was the last great railway station built during the golden age of rail travel, and it stands at a crossroads in L.A. history, straddling the city’s early decades and its emergence as a world-class metropolis. It bursts at the seams with historical figures and significant stories, as well as stunning spaces to explore. You’ll visit the former Fred Harvey Restaurant, a stunning example of late Art Deco design and a site that provided women with rare work opportunities outside the home. You’ll gain exclusive access to the grand Ticketing Concourse, where passengers purchased tickets alongside soldiers headed to war, and pass through the Waiting Room en route to Union Station’s modern wing. Along the way, you’ll see newly restored architectural details and interior spaces familiar from decades of film and television spots.\n\nArchitecture lovers who appreciate the fusion of Art Deco, Mission Revival, and Streamline Moderne. Travel and transportation history buffs interested in the golden age of rail travel. Design and craftsmanship aficionados who appreciate restored architectural details.\n\nSee below for more important information.\n\nRoute covers about one mile total walking; no stairs or inclines\n\nIncludes exteriors and interiors(Subject to availability)\n\nNo pets allowed. Except for service animals.\n\nWe will start our tour at Union Station. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "name": "The Million Dollar Theatre Tour",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/the-million-dollar-theater-tour",
      "startDate": "2026-10-17T18:00:00.000Z",
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      "description": "The Million Dollar Theatre Tour\n\nBefore your Halloween film screening, explore the over-100-year-old Million Dollar Theatre. Shadowed corridors and hidden corners that hold echoes of the past, where every turn feels a little mysterious and a touch eerie.\n\nTAKE A BEHIND-THE-SCENES THEATRE TOUR OF THE MILLION DOLLAR THEATRE!\n\nMEMBERS ONLY: Members must be logged in to their account to access tickets. Not a member? Join now to access our member-only sale!\n\n$20 Member Tickets (up to 4 tickets)\n\nTour routes include multiple flights of stairs.\n\nAll sales are final; no refunds or exchanges.\n\nTickets must be purchased online; no phone orders.\n\nThe Million Dollar Theatre is located at 307 S. Broadway Los Angeles, CA 90013.\n\nParking is available at various rates in surface lots near theatres and a limited amount of metered street parking.\n\nWe also encourage you to explore using public transportation to Last Remaining Seats screenings. The Broadway theatres are conveniently located near the Pershing Square Station at Fifth and Hill Streets, the Historic Broadway Station at 2nd Street and Broadway, and the 7th Steet Metro Center Station. For details on how to take the Metro Rail or buses to Last Remaining Seats, visit metro.net.\n\nThe Million Dollar Theatre has limited wheelchair accessibility. The restrooms in the theatre are not wheelchair accessible, but some are available at Grand Central Market (located next to the theatre). No assisted listening devices are available.\n\nNo refunds or exchanges. If you cannot attend the screening, we will gratefully accept your purchase as a tax-deductible donation if you notify us at (213) 623-2489. Tickets are also transferable.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting COVID-19 and any other communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting and/or transmitting COVID-19 and any other communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.",
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      "description": "Ever wish politics felt less like a lecture and more like an actual conversation with your friends? Join us at ICA LA for a social event about envisioning alternative tomorrows. \n\nThis brain-twisting card game session will turn your biggest questions and ideas about the future—for the city, the country, or the world—into something you can sketch, laugh about, and build with your friends.  \n\nLed by futurist **Stuart Candy** and curator **Andrew McNeely**, the event features *The Thing From The Future*—an award-winning imagination card game that has been played by everyone from high schoolers to NASA scientists.",
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      "description": "Join us Thursday afternoons and Saturday mornings for Talking Tours, designed to turn a museum visit into a shared viewing experience. Facilitated by a MOCA Educator, these sessions invite you to slow down and look closely with others. Upcoming talking tours schedule here.",
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      "name": "Heavy Manners Comics Fair Fall 2026",
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      "name": "Día de los Muertos Community Art Workshop #3: Day of the Dead Recuerdo Posters",
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      "description": "REGISTER HERE Guided by Self Help Graphics & Art’s teaching artist Victoria Delgadillo, participants will design and create their own commemorative recuerdo (memory) posters that honor a loved one who has passed. Using tissue paper, stencils, markers and more, decorate your poster with traditional symbols like marigolds, calaveras (skulls), and monarch butterflies, alongside personal details such as photos, names, and meaningful memories. These beautiful works of art can be displayed at home, on an ofrenda (offering), or shared with family. Participants can also explore other traditional crafts, including papel picado (tissue paper with cutout shapes) and paper marigolds. Connect with the cultural practices of this sacred tradition as you create art to honor your ancestors and loved ones.All materials provided. Free and open to all ages.Activity Participation NoticePlease note that some activities may be more popular than others and may require a wait time. We recommend arriving early if you would like to participate in all of the activities.ABOUT SELF HELP GRAPHICS & ART’S 53RD ANNUAL DÍA DE LOS MUERTOS SEASONAs one of the longest-running public celebrations of Día de los Muertos in the United States, Self Help Graphics & Art’s 53rd Annual Día de los Muertos Season honors our ancestors and uplifts the living communities they nurtured through immersive, intercultural programming — free and for all-ages. For more information about this year’s season, including the celebration on Saturday, November 7, 2026, please visit our website: https://www.selfhelpgraphics.com/diadelosmuertosACKNOWLEDGEMENTThis project received funding from the Smithsonian’s “Our Shared Future: 250,” a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.",
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      "description": "CLUE at The Million Dollar Theatre Based on the classic board game, CLUE turns a mysterious dinner party into a fast paced comedy of secrets, suspects, and surprise twists. Starring Tim Curry and an all-star ensemble cast, this cult favorite will be even more fun on the big screen at the historic Million Dollar Theatre! Murder has never been so much fun. Based on the classic board game, CLUE brings together an all-star cast including Tim Curry, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren, and Eileen Brennan for a wildly entertaining night of mystery and chaos. When six strangers gather at a remote mansion for a dinner party, secrets spill out, bodies begin to fall, and everyone becomes a suspect. Make Last…Remains your new Halloween tradition for a horrifyingly good time! Family-friendly costumes are encouraged. Who will you be? Miss Scarlet, Colonel Mustard, Mrs. Peacock, or one of the many unforgettable characters from CLUE? Be sure to check our costume guidelines below. CLUE (1985) Saturday, October 17, 1 p.m. The Million Dollar Theatre Rated PG Color/Digital 1 hr. 34 mins. $15 Member Tickets – June 6-30 with code LASTREMAINS $20 Member Tickets – Starting July 1 $25 General Public Tickets – On sale August 26 $10 Youth (17 and under) Tickets – On sale August 26 Discounts are available for groups of 12 or more. Contact us at ainshishian@laconservancy.org. Stay in your seat after the screening for a FREE Q&A about the historic Million Dollar Theatre. The films in this series are presented as originally created during a different time period and may contain negative attitudes, language, and depictions of people and/or cultures. The Los Angeles Conservancy does not condone these representations. The Million Dollar Theatre is located at 307 S. Broadway Los Angeles, CA 90013. Parking is available at various rates in surface lots near theatres. We also encourage you to explore using public transportation to Last Remaining Seats screenings. The Broadway theatres are conveniently located near the Pershing Square Station at Fifth and Hill Streets, the Historic Broadway Station at 2nd Street and Broadway, and the 7th Steet Metro Center Station. For details on how to take the Metro Rail or buses to Last Remaining Seats, visit metro.net. The Million Dollar Theatre has limited wheelchair accessibility. The restrooms in the theatre are not wheelchair accessible, but some are available at Grand Central Market (located next to the theatre). No assisted listening devices are available. Tickets are general seating unless you are a sponsor or Cornerstone member at the Granite level or above. Please arrive early to get the best seat selection. L.A. Conservancy members will receive priority entry into the theatres. Doors open one hour before showtime for members and forty-five (45) minutes before showtime for the general public. Not a member yet? Join today for only $50 a year to ensure you get priority entry. No refunds or exchanges. If you cannot attend the screening, we will gratefully accept your purchase as a tax-deductible donation if you notify us at (213) 623-2489. Tickets are also transferable. CLICK HERE to see a list of frequently asked questions about our signature series of classic films in historic theatres. Major funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "description": "**Screenwriters**: Arthur Rankin Jr.,  Len Korobkin,  Harvey Kurtzman\n\n**Producers**: Arthur Rankin Jr., Jules Bass\n\nGet ready for the wildest, cutest, stop-motion spooky soiree ever made when all your favorite monsters (and even a pint-sized Peter Lorre) get together to sing, dance, and get groovy in this Rankin and Bass animated classic! If you&#8217;ve been looking for the kiddo gateway to all the classic horror monsters, look no further than this adorable animated shindig from the people that animated all our favorite holidays! When Dr Frankenstein decides to retire from the monster-making business, he calls an international roster of monsters to a creepy convention to elect his successor. Everyone is there including Dracula, The Werewolf, The Creature, Dr Jekyll & Mr Hyde and many more. But Frankenstein&#8217;s title is not all that is at stake. The famous doctor has also discovered the secret of total destruction that must not fall into the wrong hands! Bring your little monster lovers, or your stop-motion stan besties for the party of the season!\n\n**Picks from the Video Store**\n\nWe&#8217;ve got a Rankin and Bass section for all the cutest animated holidays and more!\n\n*The Daydreamer, Rudolph the Red Nosed Reindeer, Here Comes Peter Cottontail*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "name": "SPANNING TIME",
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      "description": "### **ABOUT THE FILM:**\n\nSPANNING TIME is a cinephilic love letter to the humble photobooth, drawing on one hundred years of cinema from around the world to illustrate the machine’s enduring and universal power both to freeze time and to transcend it. Created by film archivist and photobooth historian Brian Meacham, the film tells the story of these beloved machines, from their public debut in 1926, at the dawn of film’s sound era, to their return to popularity for a new generation a century later. Photobooths and cinema have grown up in parallel, and from silent comedies of the 1920s to American indies of the 1990s, from Hong Kong action to the French New Wave, the film illustrates the quiet power these machines have held for generations of friends, lovers, travelers, spies, convicts, exhibitionists and anyone else who needed a quick portrait in the pre-selfie era. Through this encyclopedic collage made of selections from more than 150 films, both familiar and obscure, the versatile photobooth provides a space for privacy in public, creates lasting memories and becomes an unlikely hideout, time machine, even death chamber. Draw the curtain, raise the stool, insert a quarter and smile!\n\nFORMAT: DCP\n\nCOUNTRY: USA",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "### **ABOUT THE FILM:**\n\nSnow White wins the hearts of the Seven Dwarfs and triumphs over an evil Queen in the film that launched Disney’s animation legacy.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Disney\n\nCOUNTRY: USA",
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      "name": "Writing With Your Shadow: A Horror Storytelling Workshop",
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      "name": "Dancefloor to Lifeline: Fundraising for Trans Healthcare, Then and Now",
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      "description": "Dancefloor to Lifeline is a panel discussion and audiovisual presentation exploring queer nightlife as a vital site of care, survival, and resource-sharing in transgender communities.\n\nBringing together queer nightlife scholars, transgender healthcare professionals, and community organizers, the program traces a history of grassroots fundraising, from mutual aid parties during the AIDS crisis to today’s GoFundMe campaigns and “fundrager” events supporting gender-affirming care.\n\nThe program expands on Tara Blossom’s 2025 Los Angeles Reporting Collective Reporting Fellowship project, including excerpts from their LAist-aired story, “Fundraging for Trans Healthcare,” which follows Long Beach resident Eliaz Chavez as he raises money for top surgery through a series of fundraising parties.\n\nThrough archival imagery, audio, interviews, and conversation, Dancefloor to Lifeline asks: How have trans and queer communities created pathways to healthcare when institutions have failed them? What happens when fundraising moves from physical community spaces to digital platforms? And what can the history of mutual aid teach us about building networks of care today?\n\nFeaturing trans director and organizer Silas Howard (By Hook or By Crook, Transparent), Eliaz Chavez, and queer nightlife organizers, the program connects personal stories with a broader history of grassroots care and community resilience.\n\nJoin us for an evening of storytelling, history, and conversation about the communities that continue to make care possible.\n\n\n Dancefloor to Lifeline: Fundraging for Trans Healthcare, Then and Now  is organized byTara Blossom as a part of the 2026  Circa: Queer Histories Festival , presented by One Institute. \n\nParticipant Bios :\n\n\n Silas Howard  is an American film and television director, writer, and actor, and a 2015 Guggenheim Fellow with an MFA from UCLA. He co-directed By Hook or by Crook (2001), a trans masc feature film, and is recognized for directing multiple episodes of Amazon's Transparent as its first trans-identifying director, also serving as a consulting producer. Howard has directed for series including The Fosters, This Is Us, Pose, and Dickinson. He was also a founding member of the 1990s queer punk band Tribe 8 and co-founded Red Dora's Bearded Lady.\n\n Elíaz Chavez  is a multidisciplinary artist born and raised in the South Bay of Los Angeles. They can be found vending at art markets, teaching sewing workshops, hosting community events, and spreading general splendor. In 2025, Elíaz raised money for their top surgery by hosting a series of fundraising parties, turning queer nightlife into a space for community care, and mutual aid. Elíazis also 1/3 of the Brown Sugar Collective organizing team, a self-directed, community effort to increase BIPOC (Black, Indigenous, people of color) visibility of TGI (transgender, gender-expansive, intersex) folks in Los Angeles. Its goal is to create free or low-cost events, with no one turned away for lack of funds.\n\n2-3:30pm\n\nSliding scale $0-50 tickets available  here .",
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      "name": "SECRET SIXTEEN: TECHNICOLOR TERRORS",
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      "description": "35mm can be beautiful, but 16mm is *personal*. And when it’s a marathon of IB Technicolor 16mm prints, it’s both! Join Secret Sixteen founder Mike Williamson, Josh Miller (Killer Movies) and Bret Berg (Museum of Home Video) for a 12-hour sensorial feast of shockingly saturated colors and bloody night terrors — all screened from Secret Sixteen’s siqq collection of this wonderous format.\n\nWith enough decades, any print says bye-bye to its color except for the literal magic of Technicolor. This ancient occult art used 3x the amount of film to conjure 3x the joy in seeing unreal amounts of hues…the kind of shades that physically can’t be created today, as the company discontinued its dark arts in ’75.\n\n**Titles aren’t revealed until they unspool onscreen.** What we can say is this six-film marathon is soaking in cursed body parts, heavyweight character actors, even heavier cloaks, liminal libraries and haunting hallways, sweaty demonology, boosted bustiers, gorgeous lighting, the walls closing in, wealthy reprobates, moody golems, boundless beliefs, hammy histrionics, masked murderers, meek mod psychopaths, rural isolation, “I killed your friend” vibes, danger, paranoia, bite marks, high fashion and quite a few instances of eye-popping palates matching a 4D printing process to give you an unparalleled moment in time. A pigment of your imagination.",
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      "name": "Drag Story Hour: Free and Queer: Black Californian Roots of Gay Liberation",
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      "description": "Drag Story Hour is exactly what it sounds like: drag performers reading books to kids in libraries, bookstores, and museums. Drag encourages children to embrace their sense of self-expression, compassion, and joy, while giving young people an opportunity to experience this fabulous art form in an environment designed for them. \n\nReading List:\n*Kind Like Marsha: Learning from LGBTQ+ Leaders* by Sarah Prager\n*The Year We Learned to Fly* by Jacqueline Woodson\n*It's Okay to Be Different* by Todd Parr\n*The Hips on the Drag Queen Go Swish, Swish, Swish* by Lil Miss Hot Mess\n\nFree RSVP is encouraged, but not required. Walk-ins welcome.\nBringing a large group? Email the CAAM team at iDesk@caamuseum.org.",
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      "name": "Nosferatu",
      "url": "https://www.oldtownmusichall.org/all-programs",
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      "description": "1922 - Silent • Live Accompaniment by Randy Woltz on the Mighty Wurlitzer • This is silent horror at its purest. And the behind-the-scenes story is amazing: it was made without permission as a Dracula film, and a court later ordered the prints destroyed. It survived against the odds. Actor Max Schreck’s makeup is one of the most enduring and memorable designs in horror. • Show begins with spooky music on the Mighty Wurlitzer and an old fashioned sing-along.",
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            "name": "F. W. Murnau"
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      "description": "#### **Compelling talks followed by picnicking and convivial stargazing through both the big telescopes.**\n\n**Come enjoy an inspiring night on the mountain!** The evening begins with the talk at 5:30 in our Auditorium, followed by observing through both the 60- and 100-inch telescopes from dusk to 11:30PM — the two largest telescopes in the world available for public use.  Additional stargazing around the grounds will be available from members of the Los Angeles Astronomical Society. Food will be available for purchase from a food truck, or bring your own picnic!\n\n### TICKETS: $50\n\n\n\nPlease note: All ticket sales are final.\n We’re unable to offer refunds, exchanges, or transfers. Thank you for understanding!\n\n#### **Speaker:** Sam Hale, CEO and Chairman of the Board of the Mount Wilson Institute\n\n#### Topic: The Duality of Genius and Struggle: G. E. Hale\n\n“Make no little plans. They have no magic to stir men’s blood.” This quote is an encapsulation of George Ellery Hale’s incredible life and monumental achievements. The five astronomical telescopes he built beginning in 1897 were the largest in the world for almost one hundred years. While living in Pasadena just after the turn of the 20th century, he turned what was a community school into what became the California Institute of Technology. At the same time, he was the driving inspiration for the creation of the Huntington Library. While serving on the Planning Commission, he was a major force for the creation of the city’s elegant civic center. As we’ll learn in this talk, Hale accomplished all this and more while suffering from debilitating emotional issues.\n\n***Sam Hale** is the grandson of Mount Wilson Observatory founder George Ellery Hale. Raised in Pasadena, he spent more than five decades in the investment management industry before dedicating his time to supporting the Observatory and its mission. Today he serves as CEO and Chairman of the Board of the Mount Wilson Institute, helping to continue the legacy begun by his grandfather in 1904.*",
      "endDate": "2026-10-18T06:30:00.000Z",
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      "name": "The Masque of the Red Death / House of Usher",
      "url": "https://thenewbev.com/program/october-17-the-masque-of-the-red-death-house-of-usher",
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      "description": "**Screenwriter**: John Wilson\n\n**Producers**: John Wilson,  Clark Filio,  Shirel Kozak,  Allie Viti\n\nOne part documentary, one part camcorder video essay, and one part the driest yet funniest of comedies, John Wilson extends his unique genre-bending style from the small screen to the big with this magnificently absurd examination of the literal ground below our feet. Following the finale of his acclaimed HBO series “How To with John Wilson”, NYC documentarian John Wilson looks to the bedrock of his beloved New York City for inspiration and structure. Concrete, the world&#8217;s most widely used building material, appears as an ever-present life force, and John sets out to make the definitive documentary on the matter. After attending a workshop on how to write and sell a Hallmark movie, he decides to use the industry-approved Hallmark formula to tell this seemingly drab story and increase his movie’s appeal. But his foundation soon begins to crumble—literally and figuratively—as he struggles to balance artistic freedom with the realities of the modern film industry. So crawl out from under that rock and hit the pavement to catch this singular feature that only John Wilson could have made!",
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      "name": "Nosferatu",
      "url": "https://www.oldtownmusichall.org/all-programs",
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      "description": "1922 - Silent • Live Accompaniment by Randy Woltz on the Mighty Wurlitzer • This is silent horror at its purest. And the behind-the-scenes story is amazing: it was made without permission as a Dracula film, and a court later ordered the prints destroyed. It survived against the odds. Actor Max Schreck’s makeup is one of the most enduring and memorable designs in horror. • Show begins with spooky music on the Mighty Wurlitzer and an old fashioned sing-along.",
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    },
    {
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      "name": "Hey Arnold!: A Spooktacular 30th Anniversary Screening",
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      "description": "### **ABOUT THE EVENT:**\n\nThis festive event supports **Silverlake Shorts,** a monthly short-film screening series championing independent filmmakers and animators in Los Angeles. Proceeds from the event will also support the work of **Saturday Morning Cartoons United**™, a Los Angeles 501(c)(3) nonprofit dedicated to celebrating legacy cartoons and strengthening local communities through shared cultural experiences.\n\n### **ABOUT THE SHORTS:**\n\n**“Parrots,” 2023, Dir. Jennifer Nie, 6 Mins, USA**\n\n“Parrots” is a 6 minute slice-of-life short film about two girls growing up in the San Gabriel Valley, language and the mundane moments that don’t feel big when they happen, but end up defining a big part of who we become. As they observe and repeat things they don’t yet understand, they live and grow in a world more connected than they realize.\n\nFORMAT: DCP\n\n**“Arnold Escapes from Church,” 1988, Dir. Craig Bartlett, 2 Mins, USA**\n\nOur favorite football head Arnold goes to church and daydreams about the 23rd Psalm.\n\nFORMAT: DCP\n\n### **ABOUT THE EPISODES:**\n\n**“Pilot Episode,” 1996, Dirs. Craig Barlett and Tuck Tucker, 11 Mins**\n\nArnold accidentally knocks out a bully named Harold during a baseball game, and Harold gives Arnold 24 hours to live before he beats him to a pulp.\n\nFORMAT: DCP\n\n**“Stoop Kid,” 1996, Dirs. Kelly James, Larry Leichliter and Jamie Mitchell, 11 Mins**\n\nWhen Arnold finds out that Stoop Kid is afraid to leave his stoop, he feels sorry for him and decides to help him overcome his fear.\n\nFORMAT: DCP\n\n**“Arnold’s Halloween,” 1997, Dir. Jamie Mitchell, 22 Mins**\n\nArnold and Gerald team up to carry out the ultimate Halloween prank, by deliberately faking a news radio broadcast of an alien invasion, causing widespread panic throughout town not seen since Orson Welles inadvertently did so in 1938!\n\nFORMAT: DCP\n\n**“Haunted Train,” 1996, Dirs. Larry Leichliter, Jamie Mitchell and Juli Murphy, 11 Mins**\n\nOn a boring summer night, Grandpa tries to liven things up by telling a story about haunted Train Number 25.\n\nFORMAT: DCP\n\n### **ABOUT THE SERIES:**\n\n**HEY ARNOLD!, 1996, Nickelodeon, USA**\n\nCreated by Craig Bartlett, HEY ARNOLD! premiered on Nickelodeon in 1996 and quickly became one of the defining animated series of its generation. Set in the fictional urban neighborhood of Hillwood, the series followed fourth-grader Arnold Shortman and his friends, family and neighbors as they navigated childhood, friendship, school and growing up. Known for its distinctive visual style, memorable characters, heartfelt storytelling and acclaimed music by composer Jim Lang, HEY ARNOLD! balanced humor with surprisingly thoughtful stories about family, identity, friendship and life in the city. From Arnold and Gerald to Helga, Phoebe, Harold, Rhonda, and the unforgettable residents of the Sunset Arms boarding house, the series created a world that felt both imaginative and deeply relatable.\n\nOriginally airing for five seasons, HEY ARNOLD! became a lasting part of Nickelodeon’s legacy and continues to inspire a devoted fanbase decades after its debut. In 2026, fans are celebrating 30 years of HEY ARNOLD! and the enduring heart, humor, music and characters that made Hillwood feel like home.",
      "disambiguatingDescription": "Panel with creator Craig Bartlett, composer Jim Lang, and actors Anndi McAfee, Justin Shenkarow and Olivia Hack. Special appearance by actor Lane Toran. Moderated by Andre Meadows. Special introduction featuring live music by composer Jim Lang 30th Anniversary Celebration Costume Contest! Co-presented by Silverlake Shorts and Saturday Morning Cartoons United",
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      "name": "Videodrome",
      "url": "https://vidiotsfoundation.org/purchase/4672378",
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      "description": "**Screenwriter**: David Cronenberg\n\n**Producer**: Claude Héroux\n\nWe&#8217;re celebrating **Video Store Day** with horror maestro David Cronenberg&#8217;s VCR-centric classic ***Videodrome***!\n\n*Long Live the New Flesh! * The master of body horror, David Cronenberg brings us one of his most viscerally disturbing treatises on voyeurism, sleaze, and the pursuit of the deepest of underground entertainment. As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon *Videodrome*, a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. After his girlfriend (Blondie&#8217;s Debbie Harry) auditions for the show and never returns, Max investigates the truth behind *Videodrome* and discovers that the graphic violence may not be as fake as he thought. So pop a tape in your abdomen and get ready for Video Store Day at Vidiots!\n\nVidiots celebrates **International Video Store Day** with a whole day reveling in the glory of physical media and the communal need for public access to video rental stores! We will have specials in the video store, an enormous physical media sale, and a special screening of David Cronenberg&#8217;s ***Videodrome***, all to relive a magical time when there was a video store in every neighborhood!\n\nFrom 11:00am &#8211; 4:00pm our Microcinema will be packed to the rafters with tons of VHS, DVDs, Blu-Rays and even Laserdiscs for sale at bargain prices!",
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      "name": "KEN RUSSELL'S THE DEVILS",
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      "description": "### **ABOUT THE FILM:**\n\nAn enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell. KEN RUSSELL’S THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned – and the first time the film will be presented restored and in 4K.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Clockwork\n\nCOUNTRY: UK",
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      "name": "THE SHINING at The Million Dollar Theatre",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/the-shining-at-the-million-dollar-theatre",
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      "description": "THE SHINING at The Million Dollar Theatre A masterwork of psychological horror, THE SHINING follows a family isolated in a remote hotel where reality begins to fracture, and terror takes hold. Starring Jack Nicholson and Shelley Duvall and directed by Stanley Kubrick, this landmark film is even more unforgettable on the big screen at the historic Million Dollar Theatre. Some places never let you leave. Based on the novel by Stephen King, THE SHINING was directed by Stanley Kubrick in what is considered one of the most impactful psychological horror films. When a writer takes a winter caretaker job at the isolated Overlook Hotel, the silence of the mountains gives way to growing dread and unraveling sanity. Starring Jack Nicholson, Shelley Duvall, and Danny Lloyd, THE SHINING continues to captivate audiences with its unforgettable performances, stunning visuals, and chilling atmosphere. Whether you’re experiencing it for the first time or returning to uncover new layers of its mystery, this is a film that lingers long after the final scene. THE SHINING is not just a great film, it has been a pop-culture touchstone for more than forty years. Join us for this full-scale cinematic experience! Costumes are encouraged. Be sure to check our costume guidelines below. THE SHINING (1980) Saturday, October 17, 7 p.m. The Million Dollar Theatre Rated R Color/Digital 2 hr. 26 mins. Members must be logged in to their account to access discounted tickets. $15 Member Tickets – June 6-30 with code LASTREMAINS $20 Member Tickets – Starting July 1 $25 General Public Tickets – On sale August 26 $10 Youth (17 and under) Tickets – On sale August 26 Discounts are available for groups of 12 or more. Contact us at ainshishian@laconservancy.org. Stay in your seat after the screening for a FREE Q&A about the historic Million Dollar Theatre. The films in this series are presented as originally created during a different time period and may contain negative attitudes, language, and depictions of people and/or cultures. The Los Angeles Conservancy does not condone these representations. The Million Dollar Theatre is located at 307 S. Broadway Los Angeles, CA 90013. Parking is available at various rates in surface lots near theatres. We also encourage you to explore using public transportation to Last Remaining Seats screenings. The Broadway theatres are conveniently located near the Pershing Square Station at Fifth and Hill Streets, the Historic Broadway Station at 2nd Street and Broadway, and the 7th Steet Metro Center Station. For details on how to take the Metro Rail or buses to Last Remaining Seats, visit metro.net. The Million Dollar Theatre has limited wheelchair accessibility. The restrooms in the theatre are not wheelchair accessible, but some are available at Grand Central Market (located next to the theatre). No assisted listening devices are available. Tickets are general seating unless you are a sponsor or Cornerstone member at the Granite level or above. Please arrive early to get the best seat selection. L.A. Conservancy members will receive priority entry into the theatres. Doors open one hour before showtime for members and forty-five (45) minutes before showtime for the general public. Not a member yet? Join today for only $50 a year to ensure you get priority entry. No refunds or exchanges. If you cannot attend the screening, we will gratefully accept your purchase as a tax-deductible donation if you notify us at (213) 623-2489. Tickets are also transferable. CLICK HERE to see a list of frequently asked questions about our signature series of classic films in historic theatres. Major funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "description": "**October 17, 2026**\n\n7:30 PM\n\n‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾\n\nOne of the most compelling voices on the international stage today, British baritone Huw Montague Rendall joins the Celebrity Opera Series, joined by renowned accompanist Malcolm Martineau, with a recital not to be missed!\n\nNamed Best Newcomer at the 2024 Oper! Awards, and with an album that won the Voice and Ensemble category at the Gramophone Classical Music Awards 2025, Montague Rendall is equally at home in concert and recital, and continues to establish himself as a distinctive and compelling voice on the international classical stage.",
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      "name": "DEAD MEDIA (2025) w/ special guests! Pres. by Antenna Releasing",
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      "description": "Come celebrate VIDEO STORE DAY with a special screening of DEAD MEDIA!\n\n‍\n\nThe story of a troubled young woman, her lonely Gen X uncle, a haunted DVD, and a movie night that won’t die. “Dead Media is an exciting homage to great horror, cult classics, and the bygone era of DVD bonus features.” – Twin Cities Geek\n\n‍\n\n*DEAD MEDIA* is a horror love letter to physical media, obsessive collectors, and the ghosts lurking inside our outdated technologies.\n\n‍\n\n‍\n\n‍\n\n**dir. Joseph Scrimshaw, 2025***United States, digital projectio*n99 min\n\n‍\n\n‍\n\n‍\n\n## SATURDAY, 10/173:30P DOORS4:00P SCREENING\n\nWriter/Director Joseph Scrimshaw and stars James Urbaniak & Jessica Fenton in person, with a Q&A moderated by Ken Napzok.\n\n‍\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n‍\n\n‍\n\n**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "Hana Stretton is a British/Australian composer, singer and producer known for her remarkably warm production style and uniquely spacious songform. In 2023, her debut album, *Soon*, earned a beloved status among discerning listeners around the globe. This stunning work caught the ear of one Phil Elverum, who lovingly reissued *Soon* through his own label in 2024, furthering the album’s reach and deepening its reputation. In the press, Elverum said: “I hear an artist who has entered completely into the stream where creation originates \\[…\\] Hana Stretton has truly recorded the deep flourishing sound of a quiet listening mind in full blossom.” A fitting testament to a young artist rooted in the stillness of nature.\n\nFrom the dusty Australian bushland on *Soon*, Stretton transports the listener to the Pacific Ocean on her new album, *tiarn* (set to be released summer 2026). Shifting gradually like a shoreline, her new compositions reveal welcomed hints of classical and electronic flourishes. *tiarn* will be released independently with vinyl editions through PW Elverum & Sun (North America), brierfield flood press (Australia) and Lima Limo (Europe/UK).",
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      "name": "Opening Reception - Todd Gray: Church and State",
      "url": "https://the-brick.org/todd-gray",
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      "description": "TODD GRAY: Church and State\n\nOctober 18, 2026 - January 16, 2027 Opening Reception: Sunday, October 18 | 2:00 - 5:00 PM\n\nSumptuous Memories of Plundering Kings, 2021, Fourteen archival pigment prints with UV laminate in artist's frames, 84 5/8 x 345 x 7 in. Courtesy of the artist, Lehmann Maupin, and Perrotin\n\nOver the past decade, the work of Los Angeles-based artist Todd Gray (b. 1954) has steadily grown more ambitious in scale, form, and content. His complex photographic assemblages mix images of historic European cultural sites of wealth and splendor (palaces, museums, churches) and locales associated with the slave trade along the West Coast of Africa; these are interspersed with photographs of African American cultural icons, all drawn from Gray’s archive. The results are tone poems that reflect on African American identity and the rise of Western civilization as both are undergirded by and inextricably linked to colonialism.\n\nPresented at The Brick this fall, Todd Gray: Church and State will include three works, including two new mural-scale pieces. Distinguishing this exhibition from recent presentations of Gray’s work will be a significant collection of biographical material. These images and related ephemera document the trajectory of Gray’s personal and professional life as a young Black man growing up in post-war Los Angeles. That includes his career as a commercial photographer and his life as an artist, practices that generated two bodies of work Gray kept separate for many years. At sixteen, Gray was attending Hamilton High School by day and by night, photographing the local rock scene—including bands like The Rolling Stones, Led Zeppelin, Cannonball Adderly, and The Doors—with his friend-cum-business partner Neil Zlozower. He would go on to work as a publicist and music writer; shoot a number of iconic album covers for artists like Gladys Knight, Cheryl Lynn, and Bobby Brown; have feature spreads in Italian Vogue; and serve as the personal photographer for Michael Jackson. Simultaneously, Gray developed his fine arts practice after studying at CalArts during a storied time in the institution’s history; among his faculty were Allan Kaprow and Allan Sekula, and his fellow students included Mike Kelley, Carrie Mae Weems, and Daniel Joseph Martinez. In this exhibition, Gray’s extraordinary life and career map onto larger cultural events, offering a simultaneously intimate and macroscopic view of Los Angeles and beyond.\n\nThe exhibition will be accompanied by a forthcoming publication comprising a richly illustrated, long form interview between Gray and The Brick’s director Hamza Walker. Gray and Walker’s working relationship dates back to Walker’s 2008 exhibition Black Is, Back Ain’t at The Renaissance Society at the University of Chicago. Walker also included Gray in his 2016 Made in LA Biennial at the Hammer Museum. In addition to discussing the hard facts of Gray’s life—the who, what, when, where—they delve into the expansion of Gray’s racial and political consciousness and how those manifests in his work today.\n\nTodd Gray: Church and State is organized by Hamza Walker with Hannah Burstein and Storm Bookhard.\n\nSupport for Todd Gray: Church and State is provided by Perenchio Foundation, Teiger Foundation, Angeles Art Fund, and by a grant from the City of Los Angeles Department of Cultural Affairs.\n\nNeil Zlozower & Todd Gray\n\nAbout the Artist\n\nTodd Gray (b. 1954, Los Angeles, CA) works in photography, performance and sculpture. Gray's work is represented in numerous museum collections including the J. Paul Getty Museum, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Houston Fine Arts Museum, Houston, TX; Los Angeles County Museum of Art, Los Angeles, CA; National Gallery of Canada, Ottawa, Canada; The Studio Museum in Harlem, New York, NY; Museum of Contemporary Art, Los Angeles, CA; among others. He was the recipient of a John Simon Guggenheim Fellowship in 2018 and a Rockefeller Foundation Bellagio Residency Fellowship in 2016. In 2022 The American Academy in Rome announced Todd Gray as one of the winners of the prestigious 2022–23 Rome Prize and Italian Fellowships. Gray has presented this work in academic conferences at Yale and Harvard University. Gray works between Los Angeles and Ghana, where he explores the diasporic dislocations and cultural connections which link Western hegemony with West Africa.",
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      "name": "Sensory Morning at The Broad",
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      "description": "Sensory Morning at The Broad is a free ticketed event that provides early access to the third-floor collections galleries, Yayoi Kusama's immersive installation *Infinity Mirrored Room—The Souls of Millions of Light Years Away* (2013), and The Shop at The Broad to visitors who would benefit from a sensory-friendly experience. Reservations are required as space is limited.  \n\n## What To Expect\n\n- Access to the museum and The Shop at The Broad before public hours\n- Smaller crowds and quieter galleries\n- Sensory kits with noise-reducing headphones and sensory touch items (limited availability, upon request)\n- Adjustments to sound and lighting\n- An online [social narrative](https://www.thebroad.org/sites/default/files/2021-07/Social_Narrative_The_Broad_2021.07.pdf) to help prepare for your visit\n- In-gallery [mobile guide](https://guides.bloombergconnects.org/en-US/guide/theBroad?is_retargeting=true&source_caller=api&guide=theBroad&af_shortlink=m5bjb75k&media_source=digital&af_medium=landingPage_link&af_partner=theBroad&af_channel=cp&scanId=ff419580-c331-4fe5-867c-0ba627bcef5e&start_context=guide_deeplink) with audio tours for all ages, as well as language translation options.\n- Museum team members who are happy to share their extensive knowledge of the museum’s collection and make necessary accommodations\n\nVisitors of all ages are welcome to attend.\n\nIn an effort to better serve families with diverse needs, staff working this event have undergone additional training related to accessibility and inclusive programming. Read more about [The Broad’s commitment to accessibility](https://www.thebroad.org/visit/accessibility), and please email [info@thebroad.org](mailto:info@thebroad.org) for accessibility questions or assistance.\n\n## Upcoming Dates\n\nSensory Morning is a recurring monthly program happening on the third Sunday of each month. Tickets are released on the 1st of each month. \n\nUpcoming program dates:\n\n- September 20, 2026\n- October 18, 2026\n- November 15, 2026\n- December 20, 2026\n\nDates and ticket releases are subject to change.\n\nPhotos by Salvador Ceja Garcia\n\n**know before you go**For our current visitor policies, visit [Know Before You Go & FAQ](https://www.thebroad.org/visit/know-you-go-faq).",
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      "name": "Abbott and Costello Meet Frankenstein",
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      "name": "Citizen Artist Reading Group",
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      "description": "Sunday, October 18th | 10 AM – 12 PM\n\nVirtual – Meeting Link\n\nFree + Open to the Public\n\nHigh Performance magazine, and later The Citizen Artist anthology, documented and amplified the voices of artists working outside traditional institutions, embedding their practice in the fabric of civic life. By revisiting these groundbreaking publications, we aim to spark dialogue, collective memory, and action—drawing from a powerful lineage of artist-led civic engagement and radical experimentation.\n\nThe Citizen Artist Reading Group is a year-long inquiry into the intersections of art, politics, performance, and community. Meeting monthly from January–December 2026, the group will engage foundational and experimental texts that have shaped the fields of social practice, community-based performance, and art/life. Together, participants will explore themes ranging from feminist lineages and environmental interventions to activism, justice, and collective transformation.\n\nAll sessions are virtual and public. Special guests will be invited to each session.\n\nSession 10 – October 18, 2026\n\nReadings:\n\nThe Selma Project: Understanding, the Struggle for Community – Bob Leonard (p. 259)\n\nDrawing the Line at Place: the Environmental Justice Project – Mat Schwarzman (p. 269)\n\nWe All Are Theater: An Interview with Augusto Boal – Douglas L. Paterson & Mark Weinberg (p. 281)\n\nResolving Conflicts: A Poet’s Residency in Tulsa – Alice Lovelace (p. 291)\n\nGuests: Sara Daleiden\n\nSara Daleiden facilitates civic engagement within developing landscapes, exercising arts and cultural exchange strategies. With bases in Los Angeles and Milwaukee through her initiative MKE<->LAX, she encourages local cultures to value neighborhoods, public space, civic art, entrepreneurship and racial and gender equity. Sara has an expertise in working with artists and other cultural entrepreneurs for civic engagement, creative placemaking, network development and small business development.",
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      "name": "Hallowe'en Spooktacular",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Bored monsters need us to invent new games they can play. We’ll write up the rules and do test runs to make sure monsters can’t cheat. Be prepared to act like a monster as you roll dice, flip cards, and try to beat the buzzer. \n\nLed by **Kim Adelman**, a non-fiction author and certified monster tamer.",
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      "name": "A Secret History of Consciousness - Online Class Series with Gary Lachman",
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      "description": "Join Gary Lachman in 4 classes looking at different but related philosophies of consciousness that lie outside the materialist mainstream.",
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    {
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      "identifier": "878748b7-fe54-42f9-ac25-7356a1dbd6a5",
      "name": "Odilon Redon: Otherworldly Visions",
      "url": "https://www.getty.edu/exhibitions/odilon-redon",
      "startDate": "2026-10-18T19:00:00.000Z",
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      "description": "Odilon Redon (1840–1916) is known for his enigmatic art that celebrated the beauty of nature and mined the dreamlike depths of the imagination. Featuring an exceptional group of charcoal drawings, lithographs, and pastels from Getty’s collection, this exhibition presents the French artist’s fantastical world of haunting darkness and luminous color. Discover Redon’s singular vision and his diverse sources of inspiration, from religion and mythology to literature and modern science.",
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      "description": "**Screenwriter**: Robert Malcolm Young\n\n**Producer**: Jerome Courtland\n\nAliens! Kid-psychics! Black Cats! And Puppets! Come see the magically witchy movie that made Kim Richards a star! Tia and Tony are two orphaned youngsters with extraordinary psychic powers and the cutest black cat. Lucas Deranian poses as their uncle in order to get the kids into the clutches of Deranian&#8217;s megalomaniacal boss, evil millionaire Aristotle Bolt, who wants to exploit them. Can they escape the clutches of the evil capitalists and use their powers for good? Bring your little spellcasters to this fantastical adventure for your whole family or coven!\n\n**Picks from the Video Store******\n\nBring home more spooky cuties for the kiddos!\n\n*The Worst Witch, Something Wicked this way Comes, Casper*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "description": "TODD GRAY: Church and State\n\nOctober 18, 2026 - January 16, 2027 Opening Reception: Sunday, October 18 | 2:00 - 5:00 PM\n\nSumptuous Memories of Plundering Kings, 2021, Fourteen archival pigment prints with UV laminate in artist's frames, 84 5/8 x 345 x 7 in. Courtesy of the artist, Lehmann Maupin, and Perrotin\n\nOver the past decade, the work of Los Angeles-based artist Todd Gray (b. 1954) has steadily grown more ambitious in scale, form, and content. His complex photographic assemblages mix images of historic European cultural sites of wealth and splendor (palaces, museums, churches) and locales associated with the slave trade along the West Coast of Africa; these are interspersed with photographs of African American cultural icons, all drawn from Gray’s archive. The results are tone poems that reflect on African American identity and the rise of Western civilization as both are undergirded by and inextricably linked to colonialism.\n\nPresented at The Brick this fall, Todd Gray: Church and State will include three works, including two new mural-scale pieces. Distinguishing this exhibition from recent presentations of Gray’s work will be a significant collection of biographical material. These images and related ephemera document the trajectory of Gray’s personal and professional life as a young Black man growing up in post-war Los Angeles. That includes his career as a commercial photographer and his life as an artist, practices that generated two bodies of work Gray kept separate for many years. At sixteen, Gray was attending Hamilton High School by day and by night, photographing the local rock scene—including bands like The Rolling Stones, Led Zeppelin, Cannonball Adderly, and The Doors—with his friend-cum-business partner Neil Zlozower. He would go on to work as a publicist and music writer; shoot a number of iconic album covers for artists like Gladys Knight, Cheryl Lynn, and Bobby Brown; have feature spreads in Italian Vogue; and serve as the personal photographer for Michael Jackson. Simultaneously, Gray developed his fine arts practice after studying at CalArts during a storied time in the institution’s history; among his faculty were Allan Kaprow and Allan Sekula, and his fellow students included Mike Kelley, Carrie Mae Weems, and Daniel Joseph Martinez. In this exhibition, Gray’s extraordinary life and career map onto larger cultural events, offering a simultaneously intimate and macroscopic view of Los Angeles and beyond.\n\nThe exhibition will be accompanied by a forthcoming publication comprising a richly illustrated, long form interview between Gray and The Brick’s director Hamza Walker. Gray and Walker’s working relationship dates back to Walker’s 2008 exhibition Black Is, Back Ain’t at The Renaissance Society at the University of Chicago. Walker also included Gray in his 2016 Made in LA Biennial at the Hammer Museum. In addition to discussing the hard facts of Gray’s life—the who, what, when, where—they delve into the expansion of Gray’s racial and political consciousness and how those manifests in his work today.\n\nTodd Gray: Church and State is organized by Hamza Walker with Hannah Burstein and Storm Bookhard.\n\nSupport for Todd Gray: Church and State is provided by Perenchio Foundation, Teiger Foundation, Angeles Art Fund, and by a grant from the City of Los Angeles Department of Cultural Affairs.\n\nNeil Zlozower & Todd Gray\n\nAbout the Artist\n\nTodd Gray (b. 1954, Los Angeles, CA) works in photography, performance and sculpture. Gray's work is represented in numerous museum collections including the J. Paul Getty Museum, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Houston Fine Arts Museum, Houston, TX; Los Angeles County Museum of Art, Los Angeles, CA; National Gallery of Canada, Ottawa, Canada; The Studio Museum in Harlem, New York, NY; Museum of Contemporary Art, Los Angeles, CA; among others. He was the recipient of a John Simon Guggenheim Fellowship in 2018 and a Rockefeller Foundation Bellagio Residency Fellowship in 2016. In 2022 The American Academy in Rome announced Todd Gray as one of the winners of the prestigious 2022–23 Rome Prize and Italian Fellowships. Gray has presented this work in academic conferences at Yale and Harvard University. Gray works between Los Angeles and Ghana, where he explores the diasporic dislocations and cultural connections which link Western hegemony with West Africa.",
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      "description": "**Starring**: Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria, Harry Shearer\n\n*D&#8217;oh!* Spooky season just got more animated as **Vidiots** and our friends at **Stonecutters LA** are saluting one of the longest running Halloweenie television legacies ever &#8211; the brilliantly whacked-out *Treehouse of Horror* from *The Simpsons*. Join us as we screen **clips** from some of the best segments of its 30+ year run, host **trivia** for the Simpsons geek in your life (with prizes!), and chat with some special **surprise guests** from the *Simpsons* extended family! Come dressed as your favorite four fingered *Simpsons* character, there will be a **costume contest** as well as a **raffle**. Don&#8217;t miss this one of a kind afternoon of trivia, treats, tricks, and your favorite dysfunctional cartoon family!\n\nAll ticket sales and event proceeds directly benefit Vidiots Foundation, a 501(c)3 nonprofit organization.",
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      "description": "Written & Directed by ALSEA DIANA Produced by TEE PARK Featuring JAKOB AUGUST\n\nEMBER KNIGHT\n\nZAYA KOLIA FRANK PELLEGRINO JAMES RAIBLE Production Design ALSEA DIANA & TEE PARK Costume Design CHRIS RAIBLE\n\nSound Design\n\nMK VELSORF\n\n$35 – Seating is limited.\n\n$19 tickets available for audiences ages 26 and under.\n\n[REDACTED] invites you to fulfill your patriotic duty and take part in the VOLUNTARY WEAPON TEST. While we cannot guarantee the safety of those who participate, it is only through your participation that we can guarantee the safety of every man, woman, and child in our great nation. They say freedom is never more than one generation away from extinction. That means YOUR generation, soldier.\n\nIn Voluntary Weapon Test, written and directed by Alsea Diana, three soldiers partake in a secret military weapons test in the Mojave Desert, where nothing is as it seems.\n\nAlsea Diana is a writer and filmmaker from rural Oregon. Her film works include writing and directing the erotic horror feature Peregrine Falcon and the experimental anthology film Three Dead Cowboys as well as serving as executive producer and editor of Tee Park’s Cece’s Interlude. As a writer she has performed at reading series such as Factory Made, Casual Encountersz, and Perverted by Language.\n\nTee Park is a filmmaker, producer, and actor originally from Seoul now based in Los Angeles. Her debut feature Cece’s Interlude premiered at the Downtown Festival in 2025 and is currently on an independent nationwide theatrical tour. Park’s experimental short Winter Insect Summer Flower was part of the 2024 Whitney Biennial. Her writing has been featured in magazines including Flaunt, Office, and Artforum.",
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      "description": "### **ABOUT THE FILM:**\n\nAn enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell. KEN RUSSELL’S THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned – and the first time the film will be presented restored and in 4K.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Clockwork\n\nCOUNTRY: UK",
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
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      "name": "4ever JOAN Benefit Party",
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      "description": "𝒟𝑒𝒶𝓇 𝒥𝒪𝒜𝒩 𝐹𝓇𝒾𝑒𝓃𝒹𝓈,\n\nPlease join us on Sunday, October 18, 2026, from 4–7 pm at Cooper Studios in Downtown Los Angeles for the 4ever JOAN Benefit Party, a special afternoon celebrating and supporting JOAN.\n\nFor eleven years, JOAN has been shaped and sustained by the artists, audiences, collaborators, and supporters who make our work possible. The Benefit provides vital support for JOAN’s artist-driven exhibitions, commissions, performances, public programs, and publications. We would love to celebrate with you!\n\nEnjoy performances by Girl Debord and Rotten Sun: Cielo Saucedo, Jester Bulnes, Jesus Gallegos Yela, and Jazmin Jazzy Romero, with sound by BROWNSKINHAZEL, food by Russell Hartling, and an artist-designed cocktail by Olivia Mole.\n\nThis year’s benefit will feature a silent auction devoted exclusively to one-of-a-kind Artist Experiences—from studio visits and shared meals to workshops and intimate gatherings—offering new ways to engage with artists and their practices. Participating artists and experiences will be announced in the weeks leading up to the benefit, with bidding taking place during the event.Tickets, supporter packages, and a limited number of specially priced Community Tickets for artists and art workers are available through Ticketstripe here.\n\nEach supporter package includes a direct contribution to the newly launched 4ever JOAN Artists Fund, which will direct more resources toward artist fees, production budgets, exhibitions, and public programs in 2027.\n\n💫 Can’t attend but still want to support JOAN?Contribute directly to the 4ever JOAN Artists Fund 🍯 by selecting Donations on our Tickets & Donations page, and help us provide greater resources for artists and their work in 2027.\n\nBy joining us or making a contribution, you help sustain JOAN as a space where artists can experiment and develop ambitious new work, and audiences can engage deeply with contemporary art.\n\nWe’re honored to have an incredible Host Committee supporting this event: Isabelle Albuquerque, Sophie Appel, Anne Ellegood, Ali Eyal, Olivia Gauthier, Jacqueline Kiyomi Gork, Betsy Greenberg, Summer Guthery, David Horvitz, Karyn Kohl, Paula Kroll, Sophia Le Fraga, Shana Lutker, Olivia Mole, Karen Moss, Davida Nemeroff, January Parkos Arnall, Julie Tolentino, Samuel Vasquez, Anuradha Vikram, and Cascade Wilhelm.\n\nWe are grateful to the artists who have contributed Artist Experiences to this year’s Benefit: Eva Aguila, Hunter Baoengstrum, Luis Bermudez Estate, Anna Betbeze, Tanya Brodsky, Amina Cruz, Edgar Fabián Frías, Aimee Goguen, Alexandra Grant, Katie Grinnan, Karl Haendel, David Horvitz, Jacqueline Kiyomi Gork, Gu Grocery, Grupo Ñ (Michele Lorusso, Pedro Alejandro Verdin, Sophia Le Fraga), Anna Luisa Petrisko, iris yirei hu, Matt Savitsky, Paul Mpagi Sepuya, Anna Sew Hoy, Julie Tolentino, Noon Tran, and Kira Xonorika.\n\nSpecial thanks to our sponsors: Cooper Design Space, the Hirsh Collective, Cometa, Madre Mezcal, and Silverlake Wine.Cooper Studios: 860 South Los Angeles St., Ste. 1100, Los Angeles, 90014\n\n𝒯𝒽𝒶𝓃𝓀 𝓎𝑜𝓊 𝒻𝑜𝓇 𝓈𝓊𝓅𝓅𝑜𝓇𝓉𝒾𝓃𝑔 𝓊𝓈! 🖤\n\nDesign by The Rodina Typefaces: True Sans by Bold Decisions and Womb Script by Rory King",
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      "description": "### **ABOUT THE FILM:**\n\nUnpredictable and quite special, this off-the-chain semi-sequel to WILD AT HEART stars Rosie Perez, Javier Bardem and James Gandolfini in the wildest movie of any of their respective careers. Directed by Spanish provocateur Álex de la Iglesia (DAY OF THE BEAST, ACCION MUTANTE), PERDITA’s nightmare splatter universe lingers in your imagination in an equal but different way than Lynch’s signature style.\n\nHere, Perez reimagines Isabella Rossellini’s melancholic character into a tightly-coiled woman on the edge — one in love with an even crazier Bardem, who’s casually into blood rituals, bank/grave-robbing, extortion and wholesale slaughter. Gandolfini is just awesome as the bumbling FBI agent on their trail. This thing rocks.\n\nFORMAT: DCP\n\nDISTRIBUTOR: AGFA\n\nCOUNTRY: Spain",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "2026 Spook-A-Nanny at Heritage Square Museum",
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      "description": "**Screenwriter**: William Peter Blatty\n\n**Producer**: William Peter Blatty\n\nGrab your crucifix and hold your loved ones close as Vidiots delves into the depths of demonic horror on glorious celluloid!  Linda Blair shot her way into the stuff of cinematic legend as 12-year-old Regan MacNeil in this twisted, horrifying classic &#8211; considered by many to be the scariest film of all time. Young Regan begins to adopt an explicit new personality as strange events befall the local area of Georgetown. Her mother becomes torn between science and superstition in a desperate bid to save her daughter, and ultimately turns to her last hope: Father Damien Karras, a troubled priest who is struggling with his own faith. A blood-curdling masterwork from the late great William Friedkin, *The Exorcist* is ready to possess you once again!\n\n**Picks from the Video Store**\n\nWant to bring home more creepy kids? Try out these deep cuts from our horror and cult sections!\n\n*The Possession* (2012), *Kiss Daddy Goodbye, The Visitor*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.\n\n* *",
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      "description": "### **ABOUT THE FILMS:**\n\n**“My Last Martini,” 2025, Dir. Rob Christopher, 14 Mins, USA**\n\nOne evening at an elegant cocktail lounge, a frustrated writer is joined by a mysterious woman who drifts over from the next booth, looking for a good listener.\n\nFORMAT: DCP\n\n**ROY’S WORLD: BARRY GIFFORD’S CHICAGO, 2020, Dir. Rob Christopher, 75 Mins, USA**\n\nHailed as “William Faulkner by way of B-movie film noir, porn paperbacks and Sun Records rockabilly,” poet, author and screenwriter Barry Gifford has given the world more than forty works, including the Sailor and Lula novels that inspired David Lynch’s WILD AT HEART. Featuring Willem Dafoe, Matt Dillon and Lili Taylor, ROY’S WORLD: BARRY GIFFORD’S CHICAGO brilliantly brings to life Gifford’s autobiographical collection of stories, capturing a vanished 1950s Chicago through a jazzy, impressionistic combination of beguiling archive footage, animation and spoken word.\n\nFORMAT: DCP",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "**Angel City Arts** returns to REDCAT for its annual **Jazz Refractions Festival** with a dynamic double bill featuring two outstanding artists from Los Angeles in dialogue with the **Pan Afrikan Peoples Arkestra**. \n\n**Qur’an Shaheed** presents a free jazz performance with live projected visuals. Transcending genre, Shaheed’s mix of vocals, keys, and electronics are rooted in empowerment and a commitment to an expansion of music into a liberated poetics of sound. Joined by Mekala Session on drums and Devin Daniels on saxophone, Shaheed crafts a work that locates beauty in the improvisation of life. \n\nDrummer **Mekala Session** will premiere a new composition commissioned by the Los Angeles Jazz Society’s Jeff Clayton Memorial New Note Award program. Session will perform in collaboration with the Pan Afrikan People’s Arkestra, a Black music ensemble founded in Los Angeles by pianist Horace Tapscott in 1961. Dedicated to community, social consciousness, and Afrikan culture, the Arkestra has been led by Session since his early 20s. \n\nThe music featured at Jazz Refractions is rooted in the jazz tradition of radical improvisation, freedom, and technical mastery. However, once it passes through the Angel City’s lens, it bends, distorts, and shatters into entirely new forms unrestricted by musical genres. Jazz is the source light, and Angel City is the prism.",
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      "description": "## Part of the 2026 Circa: Queer Histories Festival, presented by One Institute.\n\nAngel's Body Temperature (天使の体温, 2001) opens on Aketo, a 20-year-old Tokyo college student with a lover, Hiroshi, who lives in Kyoto. They ache. They wander. When a young woman named Harumi drifts into Aketo's orbit and into his apartment, the film wallows in nostalgia and alienation. Shot on digital video with a grainy, restless texture - like a relic too quickly-forgotten on VHS.\n\nDirected by Akihiro Suzuki, Angel's Body Temperature belongs to a body of Japanese queer cinema from the late 1990s and early 2000s that has remained almost entirely invisible to Western audiences - a lost chapter of New Queer Cinema unfolding parallel to the movement's celebrated American and European counterparts. Suzuki's film shares that era's preoccupation with young men adrift in cities. Outside of directing, Suzuki notably programmed New Queer Cinema for Japan and even co-produced Latin Boys Go to Hell.\n\nThe screening will be introduced by Dakota Noot, who contributed a commentary track to the film's recent North American Blu-ray release from Kani Releasing. A Q&A will follow, along with a virtual interview with director Akihiro Suzuki, offering rare direct access to a filmmaker whose work is only now finding the audience it deserves.\n\n**dir. Akihiro Suzuki, 2001**\n*Japan, digital projection*\n82 min\n\n**Sunday, 10/18 · 7:30 DOORS · 8:00 SCREENING**\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n**Dakota Noot** is a Los Angeles-based artist and curator. He uses drawings, paintings, and installations to create animal-human hybrids that explore rural yet fantastical, queer identities. Originally from Bismarck, North Dakota, he continues to show in both North Dakota and Los Angeles, including solo and two-person shows at Highways Performance Space, MuzeuMM, and PØST. Noot has exhibited in group shows at Charlie James Gallery, Shoshana Wayne Gallery, Torrance Art Museum and “Queer Biennial: What if Utopia?” at LAST Projects. His series of cutout drawing-installations have been shown at Art in Odd Places, LA Freewaves, Cerritos College Art Gallery, and Otis College. Noot has been featured in Hi-Fructose magazine. Outside of art-making, Noot has a dedication to pinku-eiga (pink film). He co-hosts a podcast on pink film, titled Two in the Pinku. Noot is currently writing a book a gay pinku (barazoku). He has contributed booklet essays, video essays, and audio commentaries to Vinegar Syndrome, Klubb Super 8, and 88 Films.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "### **ABOUT THE FILM:**\n\nBEGOTTEN has no characters in the ordinary sense. Its final credits name three principal figures: \nGod Killing Himself.\nMother Earth.\nSon of Earth — Flesh on Bone\nThe entire film is what those names do to each other and to the earth.\nGod Killing Himself tears open his body and dies. Mother Earth rises from what remains and takes his seed into herself. She gives birth to Son of Earth — Flesh on Bone. He is cast into a barren world, seized by the Nomads, tortured, killed and briefly returned to life by his mother. The Nomads destroy her too. The Robed Figures gather what remains of mother and son, grind their bodies down and return them to the soil. The ground flowers.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Kino\n\nCOUNTRY: USA",
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      "description": "### **ABOUT THE FILM:**\n\nDR. BUTCHER, M.D. sparked riots on 42nd Street, spawned a generation of VHS gorehounds and forever set an insane standard for Italian mad doctor/zombie/cannibal carnage worldwide. Ian McCulloch (ZOMBIE) and Alexandra Delli Colli (THE NEW YORK RIPPER) star in this blood orgy of gut-munching, eyeball-gouging and face-chopping originally known as ZOMBIE HOLOCAUST, which a notorious American distributor would then re-edit, re-title and re-release as a certified grindhouse masterpiece. As a bonus, this is one of the rare Italian cannibal movies that features zero onscreen animal violence.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Severin Films\n\nCOUNTRY: USA",
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      "description": "## Featuring a Zoom Q&A with director Tim Ritter!\n\n‍\n\n*Every year we show exclusively shot-on-videotape works throughout September for something we call:* ***SOV SEPTEMBER****. Join us for this year's month-long exploration into the depths of some of the most under-appreciated margins of filmmaking. Usually no-budget, usually put together by small crews of friends (and family members, and neighbors), sometimes over-the-top gross, sometimes transgressive, and almost always like no other film you've ever seen - this series is for cinematically adventurous travelers only!*\n\n‍\n\n‍\n\nDetective Gary discovers that his wife is having an affair. Despondent, he drinks and discusses his problem with friend Dan, a police detective. When someone in a copper mask begins slaughtering people connected to Gary's life, Dan begins suspecting Gary, whose cousin Mike had a similar slip of the gears. Dan discusses the case with eminent psychiatrist Dr. Siedow, who has a few sexually slipped gears of his own. Together they try to stop the fiend before more people are killed. The sequel to the original cult classic \"Truth or Dare\". (SRS Cinema)\n\n‍\n\n‍\n\n‍\n\n‍\n\n‍\n\n‍\n\n**dir. Tim Ritter, 1993***United States, digital projection*80 min\n\n‍\n\n‍\n\n## SATURDAY, 9/197:30 DOORS8:00 SCREENING\n\nFollowed by a Zoom Q&A with director Tim Ritter, hosted by filmmaker Tucker Bennett.\n\n‍\n\n## $10 general admission.\n\n‍\n\n‍\n\n***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n‍\n\n‍\n\n**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "Over its history, the NYC-based non-profit a/v preservation group XFR Collective ([https://xfrcollective.org/](https://xfrcollective.org/)) has undertaken many projects, but none as ambitious as Alan W. Moore’s collection of nearly 900 tapes centered on the Monday/Wednesday/Friday Video Club. Active from 1986-2000, the collection includes works associated with Collaborative Projects, Inc. and Potato Wolf, many of which aired on public access Cable Channel D and other local venues. Now, after eight years of dedicated effort, this extensive collection of video tapes has been cataloged, digitized, and shipped to The Wisconsin Center for Film and Theater Research for safe keeping.\n\nXFR scoured the entire collection to find you the juiciest nuggets of experimental video. Come celebrate the completion of this massive project and watch some extremely rare and seriously underseen art videos from New York’s underground.\n\n**TUESDAY, 10/20 · 7:30 DOORS · 8:00 SCREENING**\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*Presented by* *[T.A.P.E.](https://tapeanalog.org/)* *- a Los Angeles based 501(c)3 nonprofit dedicated to facilitating support for analog media through free digitizing, education, hands-on training, equipment rentals and volunteer opportunities. Teach, archive, preserve, exhibit.*\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "### **ABOUT THE FILM:**\n\nThe rise and fall of Stanton Carlisle, a mentalist whose lies and deceit prove to be his downfall.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Disney\n\nCOUNTRY: USA",
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      "description": "Whether you are new to meditation or already have experience, we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum’s Community Center. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nThis Sound Bath is designed as a continuation of Christiane Wolf’s regular Wellness Wednesday session. We will begin together with a visualization for inner peace, followed by a guided relaxation of the body to help release tension, and finish by relaxing together to sound from live instruments tuned specifically to help you find peace. Please wear comfortable clothes. Floor space is limited for those who wish to lie down for the full experience, but you are welcome to bring a yoga mat, pillow, and blankets.\n\n**Teacher Bio:**\n\nKris Matsuoka is a Los Angeles native and a graduate of Art Center College of Design in Pasadena. He lives and works in Culver City, California.\n\nWhile working in the creative industry, Kris was always asked the same question: “How do you come up with your ideas?” That led to an ongoing exploration of a second question: “Where do ideas even come from?” Looking into the lives of his favorite artists and mentors, Kris found one common thread. They had all turned to meditation at some point, and discovered that “not knowing” is a nice place to be.\n\nThrough the practice of meditation, Kris has seen how it can sharpen our perception of the world and reconnect us with nature. Sound meditation has become his most recent area of focus. For the past decade, he has hosted Sound Baths, workshops, and classes that use sound to invoke a sense of wonder and help people relax. Kris has found that in a relaxed, free, and peaceful state, your best ideas come most clearly.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. Please arrive early as RSVP does not guarantee** admission to this free program.*",
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      "name": "Wellness Wednesday",
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      "description": "Join us for our weekly mindfulness meditation. Whether you are new to meditation or already have experience we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum Community Center\n\nYou do not have to join all sessions but can join as your schedule allows. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nWhat is mindfulness? Mindfulness is being fully present to your life instead of being on autopilot. Our mind tends to rehash the past and to rehearse the future. There is nothing wrong with that except that it does it too much and it keeps us from being with what is actually happening right in this moment. We can feel like life is passing us by and we miss a lot of good moments with family and friends, in nature and just throughout the day. When we are present we become better listeners and observers and will make better choices, big and small. People who regularly practice mindfulness meditation report overall stress levels going down and being able to deal with whatever comes their way in a better, healthier way. They also feel more connected and more joyful.\n\nWe practice this through mindfulness meditation where we train the mind to stay with an anchor, like the sensations of the breath. Eventually the mind will calm down and so will the body. We learn tools to be with a busy mind, challenging emotions, and even physical pain. We can access peace, calm and joy that arises independently of what’s going on in our lives at this time.\n\n**Teacher Bio:**\n\nChristiane Wolf is an internationally known mindfulness and Insight (Vipassana) meditation teacher. Originally from Berlin, Germany, she is a longtime proud resident of Culver City where her three children attended (or still attend) CCMS and CCHS.\n\nChristiane was trained as an OB/GYN in Germany but pivoted to not only practicing mindfulness meditation but then teaching it, mainly through InsightLA.\n\nShe was trained and mentored by Trudy Goodman, Jack Kornfield, Jon Kabat-Zinn, Gil Fronsdal and others.\n\nChristiane is the author of *Outsmart Your Pain – Mindfulness and Self-Compassion to Help You **Leave Chronic Pain Behind* and the coauthor of *A Clinician’s Guide to Teaching Mindfulness*, a classic training manual for mindfulness teachers.\n\nCheck [www.christianewolf.com](https://www.christianewolf.com/) for more info.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. To avoid disruption, late arrivals may not be admitted. Please arrive early as RSVP does not guarantee admission to this free program.*",
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      "description": "Director Rainer Werner Fassbinder’s final film is a deliriously stylized tale of hothouse lust and simmering violence. Set amid an expressionistic soundstage vision of a French sea port, this daring adaptation of a novel by Jean Genet recounts the tragedy of a handsome sailor (Brad Davis) as he is drawn into a vortex of sibling rivalry, murder, and explosive sexuality. Completed just before Fassbinder’s sudden death at age thirty-seven, QUERELLE finds the director pushing his embrace of artifice and taboo-shattering depiction of queer desire to new extremes.",
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      "name": "Annual Gala 2026",
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      "description": "The Brick Director Hamza Walker\n\nand\n\nGala Co-Chairs Kim Gordon, Karen Hillenburg, Karyn Kohl, Alicia Minãna & Robert Lovelace, Margaret Morgan & Wesley Phoa, Carolyn Clark Powers, Maria Seferian\n\ninvite you to\n\nThe Brick’s 2026 Annual Gala\n\nhonoring Todd Gray and Margaret Morgan & Wesley Phoa\n\nWednesday, October 21, 2026\n\n6:00 PM\n\nCocktails and hors d’œuvres.\n\n7:30 PM\n\nSeated dinner under the stars curated by Chef Chris Kronner\n\nwith special tributes to the honorees and a one night only performance.\n\nThe evening will unfold at a private home in Silverlake. Location for valet and arrival instructions provided at ticket confirmation.\n\nAttire: “Bright Nights”\n\nCocktails crafted by Casa Dragones Tequila.\n\nHonorees at The Brick 2026 Annual Gala\n\nTodd Gray\n\nTodd Gray (b. 1954, Los Angeles, CA) is an artist who works in photography, performance and sculpture. Gray's work is represented in numerous museum collections including the J. Paul Getty Museum, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Houston Fine Arts Museum, Houston, TX; Los Angeles County Museum of Art, Los Angeles, CA; National Gallery of Canada, Ottawa, Canada; The Studio Museum in Harlem, New York, NY; Museum of Contemporary Art, Los Angeles, CA; among others. He was the recipient of a John Simon Guggenheim Fellowship in 2018 and a Rockefeller Foundation Bellagio Residency Fellowship in 2016. In 2022 The American Academy in Rome announced Todd Gray as one of the winners of the prestigious 2022–23 Rome Prize and Italian Fellowships. Gray has presented this work in academic conferences at Yale and Harvard University. Gray works between Los Angeles and Ghana, where he explores the diasporic dislocations and cultural connections which link Western hegemony with West Africa.\n\nThe exhibition TODD GRAY: Church and State opens at The Brick on Sunday, October 18, 2026 from 2:00 PM - 5:00 PM.\n\nMargaret Morgan & Wesley Phoa\n\nMargaret Morgan is an artist. Wesley Phoa is a mathematician. Margaret was born and raised in Sydney; Wesley, born in Singapore and raised in Adelaide, South Australia. She studied art at the University of New South Wales, the University of Sydney, the Whitney Independent Study Program, and UC Irvine. He attended the Australian National University and Trinity College, Cambridge, UK, earning a PhD in pure mathematics. Margaret’s life as an artist had been somewhat feral, living and working in Sydney, Paris, Berlin and New York, exhibiting widely albeit obscurely. Having moved to Southern California in 1992, she finally settled on home in Los Angeles. She drove a 1977 Camaro.\n\nIn 1995, when Margaret met Wesley, she encountered a young mathematician, living in Sydney, working in an investment bank. A pin-striped suit. They fell in love. They shared a love of art, from Mary Kelly to Marcel Duchamp; philosophy, mostly post-structuralist; politics; music. And even mathematics, though Margaret's knowledge of same is limited, to say the least. She had had a list of qualities she wanted in a mate. Wes was nothing like what she imagined. She threw out the list and he moved to Los Angeles. Over three decades, they have built a life, a family with a daughter and two cats, a practice of living, a way of being in the world. Whether in their own intellectual and creative inquiries or in support of other art, music, education, mathematics, economics, and so on; they do so with love and pleasure and with the aim to leave the world a little better than they found it.\n\nTickets\n\nPatron Table for 10 Guests\n\n$25,000\n\nIndividual Ticket for One Guest\n\n$2,500\n\nAll proceeds benefit The Brick.\n\nIf you prefer to purchase tables or tickets to The Brick 2026 Annual Gala by check, wire, or DAF please be in touch with Director of Development, Jeremy Steinke at jeremy@the-brick.org.\n\nCourtesy of the artist © Todd Gray.",
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      "name": "Heaven Is Still Far Away / I Love Thee for Good",
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      "description": "*Presented by the UCLA Film & Television Archive and the Yanai Initiative*\n\nEver a student of film theory, Ryusuke Hamaguchi credits his graduate work with Kiyoshi Kurosawa for challenging him to grapple with the essential contradiction of cinema: using a recording device to create fiction. Understanding this paradox, Hamaguchi has said, “is what directing is all about.” Curiously there’s a touch of Hirokazu Koreeda in this short about a film student making a documentary about people who knew her deceased sister, only to discover one of her subjects, a detached young man, can speak with her ghost. In Hamaguchi’s script and framing, the nature of the afterlife becomes enmeshed with the nature of cinema.—*Senior Public Programmer Paul Malcolm* \n\nDCP. Director: Ryusuke Hamaguchi. Screenwriter: Ryusuke Hamaguchi. With: Nao Okabe, An Ogawa, Hyunri.\n\nOn the morning they’re supposed to get married, Seichi (Hikohiko Sugiyama) has woken up with a hangover from his bachelor party while Eiko (Aoba Kawa) wonders if now is the time to tell him about her affair. Meanwhile, across town, her ex-boyfriend, a nude model, decides he needs to stop the whole thing. As they each make their way to the event, Hamaguchi orchestrates an extended cross-cutting sequence that builds anticipation while building a multifaceted portrait of a generation at the crossroads between holding on to their ideals and surrendering to practicality.—*Senior Public Programmer Paul Malcolm* \n\nDCP. Director/Screenwriter: Ryusuke Hamaguchi. With: Aoba Kawai. Hikohiko Sugiyama, Nao Okabe.",
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      "name": "Hallowe'en Spooktacular",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "An Evening of Short Films by Women Directors",
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      "name": "Dimitri Chamblas - Ulysse Marion",
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      "description": "**Dimitri Chamblas** delves into the life stories of two remarkable dancers in *Ulysse Marion. *Through long conversations with **Marion Barbeau** and **Ulysse Zangs**, Chamblas resurfaced childhood memories of their training with the Paris Opera Ballet and how their rigorous commitment to movement from a young age indelibly shaped their lives and transformed them into unique, interdisciplinary artists. Each performs a solo, revealing how their foundation in dance has intertwined with other practices—music for Ulysse, acting for Marion—to hone their bodies as finely tuned instruments with exceptional physical skill and emotional sensitivity. In this intimate piece, Chamblas uses choreography to rediscover buried memories as Barbeau and Zangs reveal the breadth of their feelings. Inspired by an experience in the California desert that reminded him that seemingly empty spaces are often inhabited by invisible presences, Chamblas transforms REDCAT into a vast, empty space to present *Ulysse Marion* as a portrait of artists laid bare.",
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      "name": "Jaffe / Dahl / Reinhart / Haffner Quartet + Christina Wheeler",
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      "description": "Invincible and Bee are low level criminals who spend their days selling bootleg VCDs (precursors to DVDs that were popular in Asia) at the mall. Their boss sends them on a routine job during which they accidentally kill a pedestrian. To keep their crime hidden, they decide the best place to hide the body is the mall. But, to their shock, the body they hit was infected by an extremely infectious bio-weapon that spreads to the mall’s patrons. What follows is an all night battle to stay alive while trapped in a neon-lit shopping center.\n\nHollywood Entertainment is proud to present an extremely rare screening of *Bio Zombie* directed by Wilson Yip (*Ip Man*, *Flash Point*)*.* This film is Hong Kong’s answer to *Dawn of the Dead* and is recommended for fans of *Idle Hands*, *Resident Evil*, and fluorescent frights.\n\nWill you be able to survive a night in the mall?\n\n**dir. Wilson Yip, 1998**\n*Hong Kong, digital projection*\n94 min\n\n**WEDNESDAY, 10/21 · 7:30P DOORS · 8:00P SCREENING**\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "name": "PRIVATE RSVP for TINKERDEE TICKET HOLDERS! Jim Henson's THE STORYTELLER",
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      "description": "For ticket holders for preceding Henson event only! A free-with-RSVP screening of 3 eps of Henson's fairy & folk tale television series!",
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      "name": "Ken Russell's The Devils 35mm",
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      "description": "### **ABOUT THE FILM:**\n\nShocking, outrageous and poetic, *JIGOKU* (HELL, a.k.a. *THE SINNERS OF HELL*) is the most innovative creation from Nobuo Nakagawa, the father of the Japanese horror film. After a young theology student flees a hit-and-run accident, he is plagued by both his own guilt-ridden conscience and a mysterious, diabolical doppelgänger. But all possible escape routes lead straight to hell—literally. In the gloriously gory final third of the film, Nakagawa offers up his vision of the underworld in a tour de force of torture and degradation. A striking departure from traditional Japanese ghost stories, JIGOKU, with its truly eye-popping (and -gouging) imagery, created aftershocks that are still reverberating in contemporary world horror cinema.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Janus Films\n\nCOUNTRY: Japan",
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      "description": "Director Rainer Werner Fassbinder’s final film is a deliriously stylized tale of hothouse lust and simmering violence. Set amid an expressionistic soundstage vision of a French sea port, this daring adaptation of a novel by Jean Genet recounts the tragedy of a handsome sailor (Brad Davis) as he is drawn into a vortex of sibling rivalry, murder, and explosive sexuality. Completed just before Fassbinder’s sudden death at age thirty-seven, QUERELLE finds the director pushing his embrace of artifice and taboo-shattering depiction of queer desire to new extremes.",
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      "name": "Community, Identity, and Resistance in Art for High School Educators",
      "url": "https://www.getty.edu/calendar/community-identity-resistance",
      "startDate": "2026-10-22T16:00:00.000Z",
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      "description": "Join us for a day of learning, inspiration, and networking. Designed for high school educators, this program explores approaches for teaching historical counter-narratives through 20th and 21st-century artworks and archival materials from Getty's collection. Explore primary sources that reflect themes of community, identity, and resistance with curators, participate in art activities, and discuss how to meaningfully incorporate the materials into high school learning environments. \n\nThe resources shared in this program feature artists Alison Saar, Marcus Lyon, PESTS, and Shepard Fairey; architect Paul R. Williams; and photojournalists George Rodriguez and Ted Soqui.  \n\nThis program is geared towards ethnic studies teachers and any high school educators interested in incorporating themes of community, identity, and resistance into their curricula through art. The content connects with English Language Arts, History/Social Science, and Visual Arts curriculum standards, as well as the California Ethnic Studies Model Curriculum. \n",
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      "identifier": "1234b10a-2525-455b-bcfa-fa4514f8f379",
      "name": "Silverlinings (westside) with Cara Levine",
      "url": "https://18thstreet.org/event/silverlinings-eastside-oct22",
      "startDate": "2026-10-22T17:00:00.000Z",
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      "description": "Silverlinings (westside) with Cara Levine\n\n**Tuesday, October 22nd | 10:00 AM – 4:00 PM**\n\n18th Street Arts Center\n\n1639 18th Street, Santa Monica, CA 90404\n\nFree + Open to Survivors of the Eaton and Palisades Fires\n\nJoin artist Cara Levine, a Palisades fire survivor, for *Silverlinings*, a collaborative project that explores repair, resilience, and transformation through creative making. Developed in response to the January 2025 Los Angeles wildfires, *Silverlinings* creates space for survivors to reflect on experiences of loss, recovery, and care while contributing to a collective process of healing and renewal.\n\nParticipants are invited to draw an object lost in the fires, or one that evokes a memory of home, in sand. Levine then casts each drawing twice in pewter. Participants receive one casting to keep, while the second becomes part of a growing archive that commemorates the thousands of personal stories connected to the fires. This archive will be exhibited at the conclusion of Levine's residency at 18th Street Arts Center.\n\nParticipants may also contribute ceramic shards recovered from their homes as part of *Ash Print*, an evolving memorial artwork built from materials donated by survivors of the Eaton and Palisades Fires. Together, these works honor what was lost while creating opportunities for remembrance, connection, and collective care.\n\n*Silverlinings* is presented as part of *In the After*, a series of artist-led projects centered on post-wildfire recovery, storytelling, and community resilience.\n\nPlease email **cara@caralevine.com** with any questions.\n\n[**RSVP Here**](http://calendar.app.google/i8BPykoJsCCM4vHcA)\n\nThis project is presented by 18th Street Arts Center and supported by the California Community Foundation's Wildfire Recovery Fund.\n\n**About the Artist**\n\nCara Levine is an artist based in Los Angeles, CA, holding an MFA from California College of the Arts (2012). Her practice is a methodology for working with and integrating the ubiquity of loss in our lives and to cultivate grief’s equal and opposite force, love, through the belief that artwork helps us grapple with what are otherwise irreconcilable realities of suffering and injustice. Her work facilitates individuals and groups to bypass their intellect and tap into an embodied experience of living through a multilayered practice encompassing studio, collaborative, and within broader community engagement.\n\nHer work has been exhibited globally in one-person, group exhibitions, and participatory events in venues such as the The Oregon Jewish Museum, Portland, OR, (2025-2026), The Contemporary Jewish Museum, San Francisco (2023), MOCA Geffen Warehouse, Los Angeles, CA (2020); Creative Time, New York, NY (2019); The Anchorage Museum, Anchorage, AK, (2019), Tenderloin Museum, San Francisco, CA (2017); Center for Contemporary Art, Tel Aviv, Israel; Wattis Institute For Contemporary Art, San Francisco, CA (2012); and Kyoto Seika University, Kyoto, Japan (2006). Levine has participated in numerous residencies including, Tiger Strikes Asteroid, Los Angeles, CA (2020), Santa Fe Art Institute (2017); The Arctic Circle, International Territory of Svalbard (2017); Sedona Arts Colony, Sedona, AZ (2016); SIM Residency, Reykjavík, Iceland (2015); Anderson Ranch, Aspen, CO (2014); and others.  She was an inaugural recipient of the Cultural Leadership Fellowship at the Mandel Institute (2023-2025). Levine has also worked with the disability arts community since 2011 in roles at various progressive art studios including the ECF, Inglewood, CA and Creative Growth, Oakland, CA. She organized the first annual Self-Taught Artists Fair with Public Annex in Portland, OR in 2017. \n\nShe is currently an Associate Adjunct Professor at Otis College of Art and Design and a Lucas Arts Fellow at Montalvo Arts Center (2024-2027).",
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      "name": "Social Housing: Vienna—Los Angeles",
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      "description": "The MAK Center for Art and Architecture is pleased to present *Social Housing: Vienna—Los Angeles*. The exhibition brings together case studies from both cities to examine the relationship between architecture, housing policy, and civic responsibility.",
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      "description": "The Man welcomes visitors inside The Nova Tuskhut for solitary encounters.\n\n**\n\n*The Man in the Tuskhut*\n\nA Solitary, 20-minute Encounter inside The Nova Tuskhut\n\n[Tickets: $45 ($5 off for VPES Members)](https://buytickets.at/panorama/2284163)\n\n[**ADVANCE TICKETS REQUIRED***](https://buytickets.at/panorama/2284163)\n\nThursday, October 22nd - Timeslots 11:30am - 5:00pm\n\nFriday, October 23rd - Timeslots 11:30am - 5:00pm\n\nSaturday, October 24th - Timeslots 11:30am - 5:00pm\n\n*The Man in the Tuskhut *welcomes strangers for a 20-minute, solitary encounter with cutting edge technology in the Velaslavasay Panorama’s famed exhibit, *The Nova Tuskhut*.\n\nDuring your visit you will receive souvenir postcards, enjoy a short documentary on the mysterious man and explore the Velaslavasay Panorama's exhibits, including: *Shengjing Panorama*, the Gardens of the Illustrious Pacific Rim and the VP's latest installation - *Frontier Saloon*, a Pre-Prohibition-Era boomtown “public house” symbolic of frontier towns of the imaginary Old West, Far North, Far South and Far East.\n\n*Tickets for this event are not refundable nor exchangable*.\n\n*...along the very skirmish line of civilization where the turning of a spade has oftentimes led to the discovery of a fortune…in that terrible Wonderland of the North…no pictures we have seen, no descriptions we have read or heard, compare with reality.*\n\n*The Man in the Tuskhut* is an experimental immersive experience co-created by the Velaslavasay Panorama, Immersive Research Media Associates IRMA 360 (Sara Velas & Ruby Carlson) and Incident, a secretive new experiential entertainment company from Jason Woliner (Paul T. Goldman) and Eric Notarnicola (The Rehearsal). Supported in part by the Andy Warhol Foundation for the Visual Arts and the Velaslavasay Panorama Enthusiast Society. This program was funded in part by the Los Angeles Department of Cultural Affairs and the Velaslavasay Panorama Enthusiast Society.",
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      "name": "malavika rao: are there roots where the ground trembles?",
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      "description": "***“are there roots where the ground trembles?”* **is a solo exhibition by malavika rao, featuring ceramics and patchwork installation that considers how a place becomes liveable when permanence is uncertain.\n\nThe exhibition features a growing population of strange ceramic creature-dwellings: porous structures with alcoves, openings, chambers, and interiors that draw from dollhouses, earthen and adobe architecture, and vernacular building traditions. Though empty, the structures suggest that something has already lived there, or might be arriving. Patchwork installation made from inherited materials partially enclose the sculptures, transforming the gallery into a provisional dwelling, carrying traces of family, migration, and the making and remaking of home.\n\nThe work imagines dwelling in a world shaped by ecological change, migration, and shifting relationships to place - where architecture is not simply something we inhabit, but something that might itself become a neighbor, a feeling, a creature, or a home in the making.\n\n**Exhibition on view**—\n**October 22nd to 26th, 2026 **\n**12 - 6 PM**\n\n**Opening Reception**—** **\n**Saturday, October 24, 2026**\n**6 - 10 PM**\n\n**Strange Soft Sculptures** **(Workshop led by malavika rao)—** TICKETS (Sliding scale: $15 - $40)\n**Friday, October 23, 2026**\n**2 - 6 PM**\n*Join us in transforming fabric scraps, stuffing, and thread into strange textile forms of their own imagining - with openings, cavities, pockets, appendages, and unexpected ways of holding and being held.*\n\n**About malavika rao**: \nmalavika rao is a multidisciplinary artist and educator working primarily in painting, fiber, ceramics, and installation. Their practice considers homemaking as a form of worldmaking, exploring how people construct home, belonging, and relationships to place amid histories of migration, ecological change, and inherited structures of care. Working across craft and installation, malavika creates speculative environments that sit between the familiar and the strange, asking what it means to inhabit a world that is constantly changing.\n\nmalavika works as an artist and educator in Los Angeles, where they are invested in building community-based arts programs and creating spaces for people to come together through artmaking. They have taught at Colorado College, Otis College of Art and Design, the Armory Center for the Arts, and LA Tactile Lab, and have led workshops at CalArts, Craft Contemporary, Nova Community Arts, and Heavy Manners Library. Their community-based work includes the LA Community Solidarity Quilt, an ongoing collaborative project that brings together artists and community members through collective textile-making. Their work has been exhibited at Coburn Gallery,  SOMArts Cultural Center, Yiwei Gallery, Valence Projects, Human Resources, and Venice Art Walk, among others.\n\n\t\t\n\n\t\n\t\t\n\t\n\n\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\n\t\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tAdd to calendar\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\n\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tGoogle Calendar\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tiCalendar\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tOutlook 365\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tOutlook Live",
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      "description": "From the creative mind behind Bojack Horseman and Tuca & Bertie comes a fragmented memoir — poignant, punchy, and sometimes just plain gross!\n\nA deliciously candid and juicy exploration of platonic and romantic fixations, heartbreak, and the allure of horses.\n\nI Can't Stop Thinking About Horses and Sex marks the long-awaited return of Tuca & Bertie creator and BoJack Horseman producer/production designer Lisa Hanawalt to comics. This is the honest, silly, horny and vulnerable memoir of a horse girl, now in her forties and reflecting back on a lifetime of obsessions.\n\nWhether Hanawalt is confronting large life issues like whether or not to have kids, being an anxious lil freak, caring for a sick horse, revisiting childhood trauma, or dealing with a major breakup and the ensuing lustfulness—she delivers a reading experience that’s relatable, affirming, and almost always hilarious. In lush colors and kinetic lines, she charts the strange terrain of life, one bumpy, dusty horseback ride at a time.\n\nLisa Hanawalt is an artist and writer living in Los Angeles, CA. She is the creator of the animated series Tuca & Bertie and the production designer/producer on BoJack Horseman and Long Story Short. Lisa has published four books with Drawn & Quarterly: My Dirty Dumb Eyes, Hot Dog Taste Test, Coyote Doggirl, and I Want You. Her fifth book, I Can't Stop Thinking About Horses and Sex comes out later this fall.\n\nPriyanka Mattoo is the author of the memoir Bird Milk & Mosquito Bones (Knopf, June 2024).She was formerly an agent at UTA and WME, as well as Jack Black’s partner at their production company, Electric Dynamite. Priyanka co-founded EARIOS, the women-led podcast network, and co-hosted its critically-acclaimed beauty/wellness podcast, Foxy Browns.Her writing has appeared in The New Yorker, The New York Times, Vulture, and The Hairpin, and her film work in festivals from Sundance to Cannes. She was raised in India, England, and Saudi Arabia before moving to the U.S. in high school, and holds degrees in Italian and Law from the University of Michigan.",
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      "name": "Existing Condition",
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      "description": "Garine Boghossian, These Ghostly Places We Call Home (still), 2026.\n\nChapter Three\n\nGarine Boghossian\n\nJoanne Randa Nucho\n\nThursday, October 22, 7-8:30pm\n\nHow can a map hold the memory of a place?\n\nGarine Boghossian’s project An Armenian Atlas / Աշխարհացոյց works through maps drawn from memory by survivors of the Armenian Genocide and collected in houshamadyan memorial books. It is an ongoing effort to map, mourn, and reparatively reimagine the diasporic relationship with the lost Western Armenian homelands.\n\nOver the past three years, Boghossian has traced and cataloged what has been lost and what persists, despite the century-long targeted urban destruction and transformation in formerly Armenian neighborhoods, towns, and villages across present-day Turkey. The hand-drawn memory maps, which serve as her key sources, represent not only the physical space of Ottoman Armenian life, but also record how that life was lived, remembered, and carried across generations.\n\nShe will present a selection of these maps alongside some of her own counter-mapping work, which overlays memory maps with contemporary satellite imagery, photography, and video. Her aim is to document urbacide, uncover the spectral remains of Western Armenian space, and imagine post-denialist futures.\n\nThe presentation will be followed by a screening of Boghossian’s video essay These Ghostly Places We Call Home (2026), which moves between the former Armenian quarters of Aintab and Urfa and the artist’s home studio in New York. Guided by the memories of former inhabitants, Boghossian walks through these cities, then returns to New York to redraw, remember, and embroider what she has encountered. The film’s visual collage is accompanied by memoir, poetry, and oral history in Western Armenian, Turkish, and English, read by Boghossian and her father.\n\nThe evening will close with a conversation between Boghossian and Joanne Randa Nucho, Associate Professor of Anthropology at the University of Southern California.\n\nGarine Boghossian is an architect and urbanist based in New York with more than a decade of experience on large-scale design projects worldwide. She is the founder of An Armenian Atlas / Աշխարհացոյց, an ongoing research and mapping initiative exploring Western Armenian spatial histories and cartographies. A Visiting Critic in Architecture at Cornell University, she has also taught architecture and urban design at the New Jersey Institute of Technology, Northeastern University, and the Boston Architectural College. Her writing on the built environment and Armenian diasporic concerns has appeared in Line Files, Expansions, Broken Nature, The Funambulist, EVN Report, and Wasafiri, among other publications.\n\nJoanne Randa Nucho is an anthropologist and filmmaker. She has written extensively on the politics of the built environment and the breakdown of public and collective grids in Lebanon and California. Filmed in and around a suburb of Beirut, Lebanon, her film The Narrow Streets of Bourj Hammoud (2018) features interviews with residents who use drawing to engage with the city as a palimpsest, uncovering layers of displacement and migration over the past century.",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "**October 22, 2026 **at 7:30 PM\n\n**October 23, 2026 **at 7:30 PM\n\n**October 24, 2026 **at 7:30 PM\n\n‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾\n\n75 Minutes\n\nExperience a night that defies logic and transcends the boundaries of traditional magic. **Scott Silven**, the world-renowned illusionist and *New York Times* Critic’s Pick, brings his acclaimed show ***Wonders*** to BroadStage for an intimate, mind-bending live experience.\n\nIs he a mentalist? A magician? An illusionist? A hypnotist? Yes, on all counts.\n\nPart memoir and part séance for the imagination, *Wonders* is an immersive journey that invites you to step into a space where perception dissolves, intuition sharpens, and the impossible feels entirely real.\n\nFrom the Sydney Opera House to Broadway, Silven has astonished global audiences with a performance that blurs the line between reality and perception. *Wonders* is an intimate, elegant encounter that sharpens your intuition and leaves you questioning everything you thought you understood. It is a night of collective mystery that you will spend the drive home trying to explain—and failing, happily.",
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      "name": "Death Becomes Her + Vidiots Halloween Party",
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      "description": "**Screenwriters**: Martin Donovan, David Koepp\n\n**Producers**: Robert Zemeckis, Steve Starkey\n\nBring your best frenemies and get ready for Vidiots epic annual Halloween Shindig! We&#8217;ll be kicking off the night with extra spooky tunes from **[DJ Jéli](https://www.instagram.com/chromequeen/), Tarot Card Readings**, and creeped out vibes before diving into the everlasting classic dark comedy ***Death Becomes Her***, followed by more Halloweenie revelry and plenty of spooky Vidiots fun. So, put on your costumes, bring your besties, and come for one killer party!\n\nThe quest for eternal youth is a bitch! National treasures Meryl Streep and Goldie Hawn star as best frenemies who will stop at nothing to keep their youthful good looks and the love of Bruce Willis. When Isabella Rossellini offers up a magical immortality potion, the rivalry intensifies to deadly and devilishly funny heights. A marvelously twisted dark comedy that lives on forever!\n\nTarot Card Readings by Camilha Contreras &#8211; one card Tarot pulls from 6:00pm-8:00pm. Come early as time slots will likely fill up fast.\n\n**Picks from the Video Store**\n\nWe would die for Goldie Hawn! Take home more ridiculous classics from one of America&#8217;s funniest ladies!\n\n*Private Benjamin, Housesitter, Overboard*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "name": "Deep Dive Poetry with Mandy Kahn",
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      "description": "### **ABOUT THE FILM:**\n\nAn enduring masterpiece of cinema starring Oliver Reed and Vanessa Redgrave, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell. KEN RUSSELL’S THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned – and the first time the film will be presented restored and in 4K.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Clockwork\n\nCOUNTRY: UK",
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      "description": "**Participants must bring their own yoga mat, and are encouraged to also bring a towel to pad their knees and yoga blocks if desired.**\n\nJoin our new weekly yoga session; all experience levels welcome! Yoga is a practice that builds strength, flexibility, and focus while calming the mind and restoring balance to the body. Through mindful movement and breathwork, it supports physical health, reduces stress, and cultivates a deeper sense of well-being that carries into daily life. Each class offers a chance to reset, recharge, and reconnect.\n\nKate is a certified yoga instructor with teaching experience at Cliffs of Id, Iconic Fitness, Red Diamond Yoga, Downtown Women’s Center, and Stoneview Nature Center. Her classes combine gentle warm-ups, smooth flow sequences of strength-building poses, and restorative cool-downs, creating an accessible practice that leaves students grounded, energized, and renewed.\n\n*As this event takes place during museum open hours, guests may check in at the front of the museum. The garden side gate will open 15 minutes before the start time and is available for ADA access and alternative check-in. Theater doors open 15 minutes before the start time. Seating is first come, first served. An RSVP does not guarantee admission once capacity is reached. No late entry.*",
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      "name": "Aliens",
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      "startDate": "2026-10-23T21:30:00.000Z",
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      "description": "### **ABOUT THE FILM:**\n\nDecades before TOP GUN, there was WINGS, establishing atrial battle sequences that still rank among the best in motion picture history. Meticulously restored and featuring a dynamic soundtrack based on the original score, this timeless story of love and loss follows two men who go to war, and the girl they leave behind. The first Oscar winner for Best Picture, this grand spectacle from the early days of cinema features “It-girl” Clara Bow alongside Richard Arlen, Charles “Buddy” Rogers and Gary Cooper in a legendary cameo appearance.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Paramount\n\nCOUNTRY: USA",
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      "description": "with editors Mabel Taylor and Madeline Porsella\nin coversation with Lena Redford and Lily Napach\n\nfor the release of their 2 newest titles \nLove Days by Ettie Stettheimer and\nThe Story of Avis by Elizabeth Stuart Phelps",
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      "description": "TreePeople and Living Earth Present:\n\nThis October, bring a blanket, pour some tea, and bliss in as we sit atop Mulholland Drive and hear the lovely sounds of Dream Crease. The solo project of Marina Aguerre, Dream Crease has become a deeply environmental realm of fantasy and collaboration among friends rooted in field recordings and electronic synthesis. For this evening’s Friday Night Moonlight Hike we celebrate the release of her second record Blue Hour in the Living Room with a very special performance featuring many of the musicians who contributed to this otherworldly album. Using vocals, synths, and samples, the album seeks to capture the fleeting stretch of time between day and night known as blue hour: The transient and ethereal hour between sunset and night.\n\nCheck-in begins around 6:30 pm, music shortly after 7 pm, and then we split into our hiking groups promptly at 8 pm. Parking is limited, and carpooling and ridesharing to the venue is highly encouraged.",
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      "name": "Ever Present: NOVA ’78 — with Julia Heyward and Aaron Brookner",
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      "description": "Join us for a special screening of the 2025 documentary *Nova ’78*, that chronicles the 1978 Nova Convention centered on William S. Burroughs and New York’s downtown avant-garde. After the screening, artist Julia Heyward performs her electronic-vocal monologue from the now-legendary event. Heyward then joins director Aaron Brookner for a Q&A about the convention, the recovered archive, and bringing *Nova ’78* to the screen.\n\n#### About the Film\n\nCreated from 44 rolls of recovered and newly discovered film footage shot by filmmaker Howard Brookner, *Nova ’78* plunges viewers into the legendary Nova Convention, a three-day gathering celebrating countercultural talisman William S. Burroughs. Organized by Sylvère Lotringer, James Grauerholz, and John Giorno, the 1978 convention gave form to something already in the air in downtown New York: the sense that the Beats’ anti-establishment experiments with language, performance, and media were a consequential inheritance of a younger avant-garde, including the emerging No Wave scene, who were confronting many of the same anxieties about humanity’s capacity for self-destruction.\n\nThat lineage comes vividly into view as Burroughs and Allen Ginsberg take the convention stage alongside Patti Smith, Philip Glass, Laurie Anderson, Frank Zappa, Anne Waldman and others, capturing a moment when Beat culture, experimental performance, minimalist music, punk and No Wave were all brushing against one another.\n\n*Nova ’78* also preserves the atmosphere of its tense era. Political upheaval, threats to civil liberties, environmental anxiety, and the specter of nuclear catastrophe surface throughout the film, giving urgency to the artists’ experiments with language, technology, performance, and mass media. Burroughs’s longstanding fascination with systems of communication and control resonates sharply with this unsettled late-1970s landscape, as a younger generation searches for new forms through which to respond.The film also features previously unseen footage of William S. Burroughs, filmed by Howard Brookner with a young Jim Jarmusch working as sound recordist, including material from a journey to Colorado.\n\nRather than explain that moment from a distance, directors Rodrigo Areias and Aaron Brookner—Howard Brookner’s nephew and steward of his archive—let the recovered footage unfold on its own terms, through shots of performances, conversations, audiences, and unexpected encounters. The result is a vivid portrait of an artistic community in motion, aware of its predecessors while already becoming a reference point for what came next.\n\n#### About the Performance\nFor this special Getty presentation, artist Julia Heyward appears in person to perform her celebrated harmonizer-modified vocal monologue Keep Moving Buddy, debuted at the Nova Convention as part of a tuxedo-clad double act with Laurie Anderson. Heyward then joins director Aaron Brookner for a conversation.\n\nPresented as part of Ever Present and in dialogue with the October 4 program [A Moveable Feast of No: No Wave Women with Adele Bertei][1], this event extends the series’ exploration of the histories, affinities, and artistic lineages surrounding No Wave.\n\n\n  [1]: https://www.getty.edu/calendar/ever-present-moveable-feast-no-wave",
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      "description": "With Hugo Armstrong, Gregory Barnett, Chu-Hsuan Chang, Jessica Emmanuel, Jessica Hemingway, Aramazd Stepanian, and Maxwell TransuePLAY: A Play is a conceptual performance structured to playfully expose the contradictions of freedom and authority, individuality and interdependence, control and surrender. Six Players, under the watchful eye of a Coach and a relentlessly ticking clock, navigate an evolving set of rules–some absurd, others surprisingly familiar–that interrogate the invisible systems that govern power, behavior, and care.\n\nPLAY is not scripted; the work emerges from the Players' instincts, negotiations, failures, and discoveries in real time, making every performance distinct and porous. Designed to be rebuilt wherever it lands, PLAY adapts its set, sound, lighting, and cast to local contexts, transforming into a living, ever-evolving system rather than a fixed work.Functioning as both a performance rooted in the present and a rehearsal for the future, PLAY cultivates attention, trust, and collective imagination. It asks what is possible when people act together and proposes collaboration and improvisation as a radical, embodied experiment in how we might live together differently. When in doubt, play.\n\nA cash bar inside WAREHOUSE presented by Sister Midnight will be open 30 minutes prior to the event start time for guests 21 and over (please bring valid ID). Drinks are permitted to be taken to seats to be enjoyed during the performance.\n\nCast & Production Credits:Conception: Emily MastInitially devised with: Gregory Barnett, Jessica Emmanuel, Terrence Luke Johnson, Andrew Lush, and Aramazd StepanianThe Players: Hugo Armstrong, Gregory Barnett, Jessica Emmanuel, and Jessica HemingwayThe Coach: Emily MastThe Composer: Maxwell TransueThe Illuminator: Chu-Hsuan ChangThe Mascot: Aramazd StepanianCostumes, Sets & Props: Allison Honeycutt, Emily Mast, and Jill Spector\n\nArtist BiosEmily Mast (b.1976, Akron, OH) makes improvisational ecosystems for embodied inquiry that are part installation, part social experiment, part playground, and part ritual. Moving between visual art, theater, and dance, she builds participatory frameworks that prioritize process over product, responsiveness over spectacle, and curiosity over control.Her works are designed to evolve. Each project is a living organism that grows and morphs through repetition, reinterpretation, and shifting contexts. When restaged, new casts and settings keep rewriting the work, turning repetition itself into a kind of mutation.Mast’s practice asks how art can map new social topographies: spaces that can stretch, collide, and fold with the weight of risk, humor, empathy, and conflict.Mast has staged “choreographed exhibitions” and presented live performances at the Antwerp Central Train Station; Brakke Grond, Amsterdam; M Museum, Leuven, Belgium; Betonsalon, Paris; Villa Medici, Rome; JOAN, LA; Picasso Museum, Barcelona, Spain; Theatre des Champs Elysees, Paris; Los Angeles Dance Project; LUMA Foundation, Arles, France; Human Resources, Los Angeles; FRAC Occitanie Montpellier, France; Grazer Kunstverein, Graz, Austria; Irish Museum of Modern Art, Dublin; Power Plant Contemporary Art Gallery, Toronto; University of Toronto Mississaugua, Toronto; La Ferme du Buisson, Noisiel; Mona Bismarck American Center, Paris; Silencio, Paris; LACMA, LA; Hammer Museum, LA; Robert Rauschenberg Foundation Project Space, New York; REDCAT, LA and Performa, NY.She has taught classes, led workshops, and lectured at MoMA, NY; Queen Mary College, London; Beaux Arts de Paris, Paris; University of Toronto Mississauga, Canada; and Art Center, Otis College of Art & Design, UCLA, CalArts and more. Mast obtained an MFA from USC in 2009.\n\nWonmi’s WAREHOUSE Programs is organized by Alex Sloane, Associate Curator, and is produced by Amelia Charter, Producer of Performance and Programs, The Museum of Contemporary Art Los Angeles.",
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      "description": "TICKETS General Admission: $22 Students/Seniors/Underemployed: $17\n\nAutomata welcomes multidisciplinary artist Patrick Michael Ballard back to our Chinatown space with his new installation-performance To Live a Loving Life. Patrick Michael Ballard invites audiences into his surreal, participatory world where performance unfolds in response to those present. Part ritual, part game, part poetic provocation, To Live a Loving Life is an intimate, roving theatrical experience that resists description and unfolds differently each time it is performed. Audience members are invited to either observe or make the choice to join the action; the degree of participation is entirely up to them. Each performance of the piece is uniquely shaped by chance, circumstance, and the collective decisions made in the room. The actions or inactions of those present determine where the performance travels, what unfolds, and how far into the experience the group ventures before it ends. At the beginning of the evening, Ballard will offer brief instructions for engagement. Once underway, a shifting world emerges, supported by collaborators and shaped in real time by the people gathered. Performances of To Live a Loving Life will also be joined by several surprise guests.\n\nPERFORMANCES:\n\nFriday, October 23, 2026 8PM Saturday, October 24, 2026 8PM Sunday, October 25, 2026 2PM\n\nSeating is very limited; advance reservations strongly suggested.\n\nPlease arrive early or on time, as latecomers cannot be seated.\n\nAbout the Artist\n\nPatrick Michael Ballard is a food closet filled to the brim with perforated, mummified, and erewhile leftovers. He beguiles his own navel between Santa Cruz and Los Angeles with ample mirrorgazing and lint sifting, populating the scar of his own origin with the embers of artist conch. He primarily focuses on developing techniques for revealing endangered processes of nuance in gradients of nonsense: forging speculative dowsing rods, symbolic resonators, and atmospheres for the orchestration of psychomagical parlor games and performances.\n\nPatrick Michael Ballard is a member of the Gawdafful Theater, a custodian of the Nowhere Lab through the nonspaces that it operates, and an art director for the Auschwitz Study Foundation. His work has been shown in theaters, artist spaces, historic architectures, living rooms, birthday parties and at funerals.",
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      "description": "## Gold Standard Productions presents a Halloween season screening of their debut feature horror film BLOOD BARN, released this year as a Screambox Exclusive. Cast and creators in person!\n\nIn the summer of 85', Josie, a camp counselor, gathers her six closest friends for a final weekend at her family's secluded barn before they part ways for college. As buried secrets from her family's past emerge, a malevolent spirit begins to possess each counselor, hell-bent on vengeance. Josie must confront her family's dark history to stop the bloodshed before sunrise, or become the next victim of the Blood Barn.\n\n**dir. Gabriel Bernini, 2025**\n*United States, digital projection*\n74 min\n\n**FRIDAY, 10/23 · 7:30P DOORS · 8:00P SCREENING**\n\nFilmmakers in person!\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "Mirlitons, a duet of beatbox and dance by Aymeric Hainaux and François Chaignaud.\n\nA graceful yet unrelenting duel of beatbox and percussions, *Mirlitons* is a marathon vocal and dance duet from musician **Aymeric Hainaux** and choreographer **François Chaignaud**. Set on an intimate stage reminiscent of an arena, the work finds Hainaux and Chaignaud confronting each other with their respective forms – voices and bodies amplified by microphones, loudspeakers, risers, bells and shoes. Melding the radical simplicity of beatboxing with song and dance, *Mirlitons* is an enthralling tour de force that places rhythm, both in sound and movement, at the forefront.\n\n    Image\n\n**Conception and interpretation **Aymeric Hainaux and François Chaignaud\n**Artistic** **collaboration **Sarah Chaumette\n**Costumes design **Sari Brunel\n**Light conception **Marinette Buchy\n**Technical manager **Marinette Buchy, Anthony Merlaud\n**Sound operator **Jean Louis Waflart, Patrick Faubert, Aude Besnard\n\n**International dissemination**\nAPROPIC–Line Rousseau–Marion Gauvent\n\n**Deputy production**\ncentre chorégraphique national de Caen en Normandie\n\nThe centre chorégraphique national de Caen en Normandie is subsidized by the Ministry of Culture – Drac de Normandie, the Normandie region, the city of Caen, the department of Calvados, the department of Manche.\n\nSupported by FUSED, a program of Villa Albertine and Albertine Foundation.\n\n    Image",
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      "description": "**Screenwriter**: Matthew Robbins, Guillermo del Toro\n\n**Producers**: Ole Bornedal,  B.J. Rack\n\nDon&#8217;t bug out &#8211; we&#8217;ve got the creature feature your Friday night has been missing &#8211; a Guillermo del Toro giant mutant cockroach movie starring Mira Sorvino and international superstar Giancarlo Giannini! After wiping out a massive population of disease-carrying cockroaches in Manhattan with a genetically engineered mutant cockroach breed, scientists discover they&#8217;ve created something much more deadly &#8211; an enormous breed of bug that can mimic the human form. If you&#8217;ve been waiting for the time to watch Oscar winners battle giant bugs on our big screen, your wait is over!\n\n**Picks from the Video Store**\n\nOctober&#8217;s a great month to visit our Del Toro director&#8217;s section for all your favorite Gothic gems on DVD, Blu-Ray and 4K!\n\n*Crimson Peak, Hellboy, Pan&#8217;s Labyrinth*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "name": "A SERBIAN FILM",
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      "description": "### **ABOUT THE FILM:**\n\n*In Serbian with English subtitles.*\n\nMilos, a retired porn star, leads a normal family life with his wife Maria and six-year old son Petar in tumultuous Serbia, trying to make ends meet. A sudden call from his former colleague Layla will change everything. Aware of his financial problems, Layla introduces Milos to Vukmir – a mysterious, menacing and politically powerful figure in the pornographic business. A leading role in Vukmir’s production will provide financial support to Milos and his family for the rest of their lives. A contract insists on his absolute unawareness of a script they will shoot. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem devised by his employer, “the director” of his destiny. Vukmir and his cohorts will stop at nothing to complete his vision. In order to escape the living cinematic hell he’s put into, and save his family’s life, Milos will have to sacrifice everything – his pride, his morality, his sanity and maybe even his own life.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Unearthed Films\n\nCOUNTRY: Serbia",
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      "name": "Curator-led Walkthrough of Alexander Apóstol, Regime: Dramatis Personae",
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      "description": "Leadership Circle supporters at Curator Circle level and higher are invited to a private before-hours walkthrough of Alexander Apóstol, Regime: Dramatis Personae led by Senior Curator José Luis Blondet at MOCA Grand Avenue.\n\nAn invitation with event details will be emailed to Leadership Circle supporters at the Curators Circle level ($1,500) and above. Memberships can be purchased or renewed online. If you would like to upgrade an existing membership, please contact the Membership Department at membership@moca.org.",
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      "name": "Special Behind the Scenes Engineering Tour: October 24",
      "url": "https://www.mtwilson.edu/events/engtour102426",
      "startDate": "2026-10-24T16:00:00.000Z",
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      "description": "#### ***Come see the inner workings of the most productive observatory in history!***\n\nThis special, behind-the-scenes tour concentrates on the mechanical, optical, and electrical details of our 60- & 100-inch reflector telescopes with demonstrations of their motion controls.  The tour also includes of the Snow Solar Telescope, the powerhouse, and the machine shop.The engineering that went into the 60- & 100-inch telescopes, both the biggest in the world for their time periods, represented the cutting edge of technology when they opened in 1908 and 1917 respectively. The Snow Solar Telescope, the first instrument constructed on Mount Wilson, established the world’s first consistent scientific study of the physics of the sun and was also the largest instrument of its kind between 1905 and 1908.  It is still the oldest permanently installed working solar telescope in the Western Hemisphere. The powerhouse is where, in the early years, all power to run the observatory was produced. The adjoining machine shop is an example of a nearly 100-year-old facility used to repair or fabricate parts to keep the telescopes operating.### Tickets: $125\n\n Please note: All ticket sales are final.\n We’re unable to offer refunds, exchanges, or transfers. Thank you for understanding!\n (unless we must cancel due to unforeseen circumstances).\n *If you receive the message REGISTRATION CLOSED, this means the event has sold out.*\n\n[**Maps & Directions.**](https://www.mtwilson.edu/1map/) When you arrive, please park in the upper parking lot. Tour participants will then be escorted in.\n\n#### TOUR SCHEDULE:\n\n**9:00 – **Arrival at the Observatory. Please arrive early, rather than late. The gate to the Observatory will open at 8:30.\n **9:15 – **Tour Begins with visits to the 60-inch & 100-inch Telescopes.\n **12:15 – **Break for lunch (bring your own!).\n **1:00 – **Visit to the Snow Solar Telescope.\n **1:40– **Visit Power House and Machine Shop\n **2:30 – **Engineering Tour ends.\n\n#### BE AWARE:\n\n**We will hold the tour rain or shine.**  If we decide to cancel a tour due to severe weather, we will reschedule or issue refunds.\n **The tour size is limited to 12 people** so that all participants may fit into the smaller mechanical areas beneath the telescopes.\n **The minimum age** is 12.\n **A Forest Service Adventure Parking Pass is NOT required** to park for this tour.\n **Please bring** water and plenty of food for lunch and snacks.\n **Be warned; you may get some grease on yourself!** Wear old, comfortable clothing and close-toed shoes. Bring an extra layer or two, as it may get chilly on the mountain in the spring and fall.\n **This tour involves** several staircases and a good deal of walking around the observatory grounds. The century-old facilities are unfortunately not ADA-compliant. Those with cardiac, respiratory, or mobility issues should not attend.",
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      "name": "Historic Downtown: Old Buildings, New Stories",
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      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "name": "Rodan",
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      "startDate": "2026-10-24T17:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/16149119-3064-4887-888c-f38bbab6cc82"
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      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/19b10639-fc31-440a-8f0b-56037d5c5d8b",
        "zeitgeists:place": "https://zeitgeists.org/place/16149119-3064-4887-888c-f38bbab6cc82",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/31aee9c3-8524-403e-917e-23f3bd085f5f",
      "identifier": "31aee9c3-8524-403e-917e-23f3bd085f5f",
      "name": "Curtains Up on Broadway: L.A.’s Historic Theatre District",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/curtains-up-on-broadway-l-a-s-historic-theatre-district-2026-10-24",
      "startDate": "2026-10-24T17:00:00.000Z",
      "location": {
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      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-10-24T19:45:00.000Z",
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      },
      "zeitgeists": {
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        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/593f7a82-a302-4e9d-9cd4-d5dc770dd89b",
      "identifier": "593f7a82-a302-4e9d-9cd4-d5dc770dd89b",
      "name": "Oaktoberfest Tree Giveaway",
      "url": "https://docs.google.com/forms/d/e/1FAIpQLSd6QHbBUsKWE7qqMgNElEp3q_jtWtbHQui1f3bQ4eY1TU3ydg/viewform",
      "startDate": "2026-10-24T17:00:00.000Z",
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      "description": "TreePeople\n\nTreePeople’s Oaktoberfest is an oak distribution event taking place at our park on Coldwater Canyon on Saturday, October 24 from 10am to 1pm. We will be distributing 200 coast live oak seedlings to the public—providing an opportunity to bring a native tree home and help grow LA’s urban forest as part of our Rooting for LA initiative to plant 28,000 trees by 2028. Attendees are asked to register in advance to receive a seedling.",
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          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "identifier": "6e3bb6c2-9232-4b10-83c4-5da0ddd182d6",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-10-24",
      "startDate": "2026-10-24T17:15:00.000Z",
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      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      },
      "zeitgeists": {
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
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    },
    {
      "@type": "TheaterEvent",
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      "identifier": "b0ac42a5-c36b-42b7-8478-36fec765fb01",
      "name": "Hallowe'en Spooktacular",
      "url": "https://ci.ovationtix.com/35787/production/1284748?performanceId=11847746",
      "startDate": "2026-10-24T17:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/16d2b8b1-1c46-4f45-98ce-9d9ee8430989"
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
      "endDate": "2026-10-24T18:30:00.000Z",
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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      }
    },
    {
      "@type": "VisualArtsEvent",
      "@id": "https://zeitgeists.org/event/41c73aad-365d-4b15-9c48-ecc6a5936007",
      "identifier": "41c73aad-365d-4b15-9c48-ecc6a5936007",
      "name": "Figure Drawing at Heavy Manners Hosted by Tom Herpich (10/24)",
      "url": "https://www.heavymannerslibrary.com/events/figure-drawing-at-heavy-manners-hosted-by-tom-herpich-10-24",
      "startDate": "2026-10-24T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/10062308-76d5-46bc-82d3-124b68eaaf19"
      },
      "description": "A 3 hour life drawing session hosted by Tom Herpich",
      "endDate": "2026-10-24T20:00:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
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      "image": {
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      "zeitgeists": {
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/ac26d2c3-c1e3-499b-adf5-84c3b03d8c87",
      "identifier": "ac26d2c3-c1e3-499b-adf5-84c3b03d8c87",
      "name": "Union Station: America’s Last Great Train Station",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/union-station-americas-last-great-train-station-2026-10-24",
      "startDate": "2026-10-24T18:00:00.000Z",
      "location": {
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      "description": "Union Station: America’s Last Great Train Station\n\nTake a ride back in time to see the last great train station ever built.\n\nLos Angeles’ Union Station was the last great railway station built during the golden age of rail travel, and it stands at a crossroads in L.A. history, straddling the city’s early decades and its emergence as a world-class metropolis. It bursts at the seams with historical figures and significant stories, as well as stunning spaces to explore. You’ll visit the former Fred Harvey Restaurant, a stunning example of late Art Deco design and a site that provided women with rare work opportunities outside the home. You’ll gain exclusive access to the grand Ticketing Concourse, where passengers purchased tickets alongside soldiers headed to war, and pass through the Waiting Room en route to Union Station’s modern wing. Along the way, you’ll see newly restored architectural details and interior spaces familiar from decades of film and television spots.\n\nArchitecture lovers who appreciate the fusion of Art Deco, Mission Revival, and Streamline Moderne. Travel and transportation history buffs interested in the golden age of rail travel. Design and craftsmanship aficionados who appreciate restored architectural details.\n\nSee below for more important information.\n\nRoute covers about one mile total walking; no stairs or inclines\n\nIncludes exteriors and interiors(Subject to availability)\n\nNo pets allowed. Except for service animals.\n\nWe will start our tour at Union Station. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-10-24T20:00:00.000Z",
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          "timezone": "America/Los_Angeles"
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    },
    {
      "@type": "Event",
      "@id": "https://zeitgeists.org/event/1f9f73b5-9cce-4be2-8913-592bf6d1f237",
      "identifier": "1f9f73b5-9cce-4be2-8913-592bf6d1f237",
      "name": "A Tour of PRS!",
      "url": "https://www.eventbrite.com/e/a-tour-of-prs-tickets-2002833366514",
      "startDate": "2026-10-24T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/7e755874-5418-4200-b6d3-e430b5166748"
      },
      "description": "Explore the Philosophical Research Society storied history, beautiful and rare collections, and Mayan Revival architecture!",
      "endDate": "2026-10-24T19:30:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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    },
    {
      "@type": "MusicEvent",
      "@id": "https://zeitgeists.org/event/90bf64a5-0900-4dbb-bc95-c240f18d03fa",
      "identifier": "90bf64a5-0900-4dbb-bc95-c240f18d03fa",
      "name": "Grand Ave Arts: All Access 2026",
      "url": "https://www.moca.org/events/grand-ave-arts-all-access-2026",
      "startDate": "2026-10-24T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/5d13d556-0cc4-493a-8a56-4d54775ffa82"
      },
      "description": "Rev up and get down at Saturday Studio, MOCA’s arty party for everyone during Grand Ave Arts All Access. From the Central Library to The Music Center and everywhere in between, GAAAA invites visitors of all ages to experience the world-class arts and cultural institutions along Grand Avenue. See art, make it, and join our family dance party as you celebrate the arts up and down the avenue.\n\nAt MOCA:\n\nExplore art on view in the museum\n\nJoin \"Make-Your-Own Monster\": a drop-in puppet-making workshop for all ages\n\nCreate expressive and sustainable climate protest posters in a risograph printing workshop led by Heavy Manners Library\n\nParticipate in our raffle to win MOCA Store VOTE merch\n\nGet a temporary MOCA tattoo\n\nGroove to live DJ music!\n\nGrand Ave Arts All Access runs from 11am–4pm.\n\nCheck out grandavearts.org for more information.",
      "endDate": "2026-10-24T23:00:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
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      "zeitgeists": {
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "@id": "https://zeitgeists.org/event/842697df-f0ee-4522-8a82-b8d6f25dbe7e",
      "identifier": "842697df-f0ee-4522-8a82-b8d6f25dbe7e",
      "name": "Monster Mash",
      "url": "https://www.academymuseum.org/en/programs/detail/monster-mash-019f1fdb-7bb1-0d3a-96fc-ec6cc22ce4f2",
      "startDate": "2026-10-24T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/b99ddcce-3455-464d-85f5-200cbf64bdbf"
      },
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      "name": "Hotel Transylvania",
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      "name": "Intro to 16mm and Hand Process, pres. by TAPE",
      "url": "https://www.whammyanalog.com/events/intro-to-16mm-and-hand-process-pres-by-tape",
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      "description": "Join TAPE for hands-on introduction to shooting on 16mm with spring-wound Bolex and learn how to process your own film negative using non-toxic caffenol made out of house hold items coffee and beer!\n\nThis is multiple workshops in one and covers a lot of ground - no experience necessary! If you've always wanted to get your hands on motion picture film, this is a great place to start!\n\nParticipants will be guided through the ins and outs of the spring-wound Bolex camera, a camera known for enabling notoriously gorgeous cinematography on the fly - no power necessary! Take this camera anywhere and you're ready to shoot!\n\nOnce we learn the camera we'll cover personal filmmaking techniques, what it means. Introductory concepts around cinematography, along with basics of post-production will also be covered.\n\nT.A.P.E. Patreon Members can purchase tickets for a discounted price. **Please check your email for the Promo Code!** Consider becoming a member of T.A.P.E.’s Patreon for just $5 a month to access exclusive first tickets for workshops, discounts on screenings, rentals, and events, and much more!\n\n**SATURDAY, 10/24 · 11:00AM - 4:00PM**\n\n*Presented by* *[T.A.P.E.](https://tapeanalog.org/)* *- a Los Angeles based 501(c)3 nonprofit dedicated to facilitating support for analog media through free digitizing, education, hands-on training, equipment rentals and volunteer opportunities. Teach, archive, preserve, exhibit.*\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***\n\nSee more workshops at [https://givebutter.com/tape-collective](https://givebutter.com/tape-collective)",
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      "name": "ARK: Endless Forms Most Beautiful & Wonderful w/Stephen Ellcock (ONLINE)",
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      "description": "In this richly illustrated talk, Stephen Ellcock explores the making of ARK, his new compendium of Earth’s living marvels.",
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      "name": "Celebrate Community with L.A. Taco",
      "url": "https://www.thebroad.org/events/celebrate-community-la-taco",
      "startDate": "2026-10-24T18:00:00.000Z",
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      "description": "**Join us for a free, two-day celebration of what makes Los Angeles unique and what brings us together! Support independent media with L.A. TACO and catch local DJs setting the vibe on East West Bank Plaza at The Broad. Saturday’s festivities are presented as part of Grand Avenue Arts: All Access, a free event where Grand Avenue arts and culture institutions open their doors to visitors of all ages for a day of free events, performances, and tours.**\n\nLearn how to make spray paint art or show off your skills with hands-on workshops for kids and families, featuring water-based paint courtesy of **SprayDay**. Add your own mark to a massive collaborative mural over the course of the event. Witness local spray paint artist legend **SABER **and rising star muralist **Mr B Baby** as they create new works in their signature styles.  \n\nAhead of The Broad’s 2028 expansion, we’ve reinstalled two-thirds of our free third-floor galleries with new works and fresh artist pairings, including Los Angeles favorites **John Baldessari**,** Alex Israel**, **Sharon Lockhart**, **Ed Ruscha**, and **Jonas Wood**. Grab a free poster of **Guadalupe Rosales’s** [***Has the myth been shattered***](https://www.thebroad.org/art/collection-exhibitions/has-myth-been-shattered), the work that lends its title to the upcoming collection exhibition on view November 21, 2026 – April 4, 2027.\n\nCo-presented by\n\nAt Bev's Tamales \nLaSorted’s \nTacos Royale \nTire Shop Taqueria \nKissaten Corazon \nBeer garden by Homage Brewing (21+) \n\nA Good Used Book Store \nBloom Wild Book Shop (Saturday only)\nHood Baby \nEl Marchante \nZZK Records \n\nThe Chapter House \nImmigrant Legal Resource Center (ILRC) \nInner City Arts \nL.A. TACO \nMetro Special \n\n## Free Poster Giveaway\n\nA free print of Broad collection artist [**Guadalupe Rosales'**](https://www.thebroad.org/art/guadalupe-rosales) artwork, *Has the myth been shattered *(2024)*,* will be gifted to all event attendees while supplies last.\n\n**10 am – 6 pm: **Museum Hours\n**11 am – 4 pm:** Event Hours\n**Spray paint artist:** SABER\n**DJs:** Bianca Lexis + Passionfruit + Radha + Jasmine Salvino \n\nToday’s festivities are presented as part of the 10-year anniversary of **Grand Avenue Arts: All Access**. See the full schedule of activities and destinations to explore on Grand Avenue on Saturday at [**grandavearts.org**](https://grandavearts.org/).\n\n**10 am – 6 pm: **Museum Hours\n**11 am – 4 pm: **Event Hours\n**Muralist: **Mr B Baby\n**ZZK Records DJs: **El G + Marlon Fuentes + Que chola tan rica \n\nYour free general admission ticket to The Broad includes same-day access to the event, The Broad’s third-floor collection galleries, and The Shop at The Broad. The museum’s first-floor galleries will be closed for installation. \n\nTickets to this event do not include access to Yayoi Kusama’s* Infinity Mirror Room—The Souls of Millions of Light Years Away* (2013) and must be [booked separately](https://ticketing.thebroad.org/events/d13ede87-7c3b-38d9-9cf7-7801cbbd44cd).       \n\nTo learn more and plan your trip, visit [Know Before You Go & FAQ](https://www.thebroad.org/visit/know-you-go-faq). \n\nVisitor policies are subject to change.\n\nGuadalupe Rosales, *Has the myth been shattered*, 2024 (detail). Engraved aluminum artist’s frame, mirror, two-way mirror, Los Angeles Times newspaper, plastic toy figurine, LED lights. 70 x 40 x 4 in. The Broad Art Foundation © Guadalupe Rosales",
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    {
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      "name": "Día de los Muertos Community Art Workshop #4: “Living candle” mini paintings",
      "url": "https://www.selfhelpgraphics.com/upcoming-events/102426-dod-minipaintings",
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      "description": "REGISTER HERE Guided by Self Help Graphics & Art’s teaching artist Ivan Zuno, participants will create their own miniature artworks on a canvas, using a candle design as the initial starting point. Once your painting is complete, learn how to insert an LED light into it, making this a “living candle” painting that can be used for your altar at home. Participants can also explore other traditional crafts, including papel picado (tissue paper with cutout shapes) and paper marigolds. Connect with the cultural practices of this sacred tradition as you create art to honor your ancestors and loved ones.All materials provided. Free and open to all ages.Activity Participation NoticePlease note that some activities may be more popular than others and may require a wait time. We recommend arriving early if you would like to participate in all of the activities.ABOUT SELF HELP GRAPHICS & ART’S DÍA DE LOS MUERTOS COMMUNITY ART WORKSHOP SERIESEach October, SHG hosts a series of free community art workshops every Saturday (October 3, 10, 17, 24, and 31) from 12-3 PM. All workshops will take place at the East Los Angeles County Library’s Community Room (4837 E 3rd St, Los Angeles, CA 90022).ABOUT SELF HELP GRAPHICS & ART’S 53RD ANNUAL DÍA DE LOS MUERTOS SEASONAs one of the longest-running public celebrations of Día de los Muertos in the United States, Self Help Graphics & Art’s 53rd Annual Día de los Muertos Season honors our ancestors and uplifts the living communities they nurtured through immersive, intercultural programming — free and for all-ages. For more information about this year’s season, including the celebration on Saturday, November 7, 2026, please visit our website: https://www.selfhelpgraphics.com/diadelosmuertosACKNOWLEDGEMENTThis project received funding from the Smithsonian’s “Our Shared Future: 250,” a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.",
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      "name": "Curators Dive: Curators Walkthrough with Andy Campbell & Nancy Meyer",
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      "description": "### **ABOUT THE FILM:**\n\nFred Astaire, Eleanor Powell and George Murphy sing and dance to the music of Cole Porter in this musical spectacular about the problems that arise when the wrong partner of a ballroom dance team lands a starring role on the Great White Way in BROADWAY MELODY OF 1940.\n\nIn a case of mistaken identity, King Shaw (Murphy) is cast to star on Broadway—resulting an inflated ego for Shaw and a big headache for the theatrical company. Rather than stand in his way, King’s much-more talented partner, Johnny Brett (Astaire), coaches Shaw for his starring role. But when King arrives late and drunk on opening night, the true star goes on stage–and triumphs.\n\nFeaturing Fred Astaire and Eleanor Powell in a six-minute tap dance finale to Cole Porter’s “Begin the Beguine.”\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Warner Bros.\n\nCOUNTRY: USA",
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      "name": "Hotel Transylvania",
      "url": "https://vidiotsfoundation.org/purchase/4672394",
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      "description": "**Screenwriters**: Peter Baynham, Robert Smigel\n\n**Producer**: Michelle Murdocca\n\nPack a bag, grab the family, and head to Vidiots for the vacation of your deathtime! Welcome to *Hotel Transylvania*, Dracula&#8217;s lavish five-stake resort, where monsters and their families can live it up and no humans are allowed. One special weekend, Dracula has invited all his best friends to celebrate his beloved daughter Mavis&#8217;s 118th birthday. For Dracula catering to all of these legendary monsters is no problem but the party really starts when one ordinary guy stumbles into the hotel and changes everything! Bring your little monster-lovers for this super fun monster mash!\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "description": "## A Punk Rock Blade Runner for Artists!!!\n\n***Numbskull Revolution*** took nine long years to complete and witnessed the end of the 29-year marriage and creative partnership of Moritsugu and Davis. This grand finale is their most epic and fully-realized motion picture. Ostensibly a riff on the absurdity of art, warfare of people, material control/secular terror, addictions of every genre, and self-actualization thru internal Jungian conflict, it is - at its most base level - a full-on and mega-entertaining cinematic odyssey tinged with ludicrous sci-fi, raw poignancy, and utter brutalism.\n\n***Numbskull Revolution*** premiered at The Hammer Museum (Los Angeles) in February 2026 and has since screened - traveling roadshow style - at kick-ass theaters, cool high art repositories, and punk rock clubhouses in 25 cities in the USA, Australia, and Canada. It will be premiering soon in Europe and South America. **NO FILM FESTIVAL SCREENINGS! NO LEGIT DISTRIBUTION!**\n\n\"Amy Davis and James Duval play a pair of rival conceptual artists battling for fame and funding in the near-future dystopia of Shitville, Earth. As one ascends the heights of neoliberal capitalist success, the other seeks inspiration and solace in the euphoric waves of a new cyber drug called Skullfuck. Ingenious production design and savvy location shooting evoke the urban sprawl and rural industrial collapse against which the filmmakers frame this scathing satire of art world pretension.\"\n\n- Paul Malcolm: Senior Public Programmer, UCLA Film & Television Archive/Hammer Museum\n\n**dir. Jon Moritsugu, 2026**\n*United States, digital projection*\n95 min\n\n**SATURDAY, 10/24 · 7:30P DOORS · 8:00P SCREENING**\n\nFollowed by a Zoom Q&A with director Jon Moritsugu!\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n********Jon Moritsugu** (*Mod Fuck Explosion, Fame Whore,* *Terminal USA, Scumrock)*, “The Godfather of Punk Cinema,” has returned from the near-dead with ******Numbskull Revolution******, his eighth feature! This collaboration with his now ex-wife, Amy Davis, marks the **OFFICIAL COMEBACK** for this Grammy-nominated Oscar Contender, who is arguably the world’s most uncompromising and extreme movie director. Numbskull Revolution, shot in 2017 in Santa Fe and Marfa, stars James Duval (“Frank the Bunny” from ***Donnie Darko***) and Amy Davis (as twin sisters).\n\n## IG: @jon.moritsugu\n\n## www.jonmoritsugu.com\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "TICKETS General Admission: $22 Students/Seniors/Underemployed: $17\n\nAutomata welcomes multidisciplinary artist Patrick Michael Ballard back to our Chinatown space with his new installation-performance To Live a Loving Life. Patrick Michael Ballard invites audiences into his surreal, participatory world where performance unfolds in response to those present. Part ritual, part game, part poetic provocation, To Live a Loving Life is an intimate, roving theatrical experience that resists description and unfolds differently each time it is performed. Audience members are invited to either observe or make the choice to join the action; the degree of participation is entirely up to them. Each performance of the piece is uniquely shaped by chance, circumstance, and the collective decisions made in the room. The actions or inactions of those present determine where the performance travels, what unfolds, and how far into the experience the group ventures before it ends. At the beginning of the evening, Ballard will offer brief instructions for engagement. Once underway, a shifting world emerges, supported by collaborators and shaped in real time by the people gathered. Performances of To Live a Loving Life will also be joined by several surprise guests.\n\nPERFORMANCES:\n\nFriday, October 23, 2026 8PM Saturday, October 24, 2026 8PM Sunday, October 25, 2026 2PM\n\nSeating is very limited; advance reservations strongly suggested.\n\nPlease arrive early or on time, as latecomers cannot be seated.\n\nAbout the Artist\n\nPatrick Michael Ballard is a food closet filled to the brim with perforated, mummified, and erewhile leftovers. He beguiles his own navel between Santa Cruz and Los Angeles with ample mirrorgazing and lint sifting, populating the scar of his own origin with the embers of artist conch. He primarily focuses on developing techniques for revealing endangered processes of nuance in gradients of nonsense: forging speculative dowsing rods, symbolic resonators, and atmospheres for the orchestration of psychomagical parlor games and performances.\n\nPatrick Michael Ballard is a member of the Gawdafful Theater, a custodian of the Nowhere Lab through the nonspaces that it operates, and an art director for the Auschwitz Study Foundation. His work has been shown in theaters, artist spaces, historic architectures, living rooms, birthday parties and at funerals.",
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      "description": "### **ABOUT THE FILMS:**\n\n**“Venus on the Half-Shell,” 1975, Dir. Walerian Borowczyk, 5 Mins, Tamasa Distribution, France**\n\n*In French with English subtitles.*\nFeaturing Bona Tibertelli De Pisis’s excellent erotic graphic works – wife of writer André Pieyre de Mandiargues while working in her atelier, together with fragments of her graphic works inspired by one of Remy de Gourmont’s writings.\n\nRestored in 4K in 2026 by Friends of Walerian Borowczyk at Fixafilm laboratory, from a 35mm internegative and the original 35mm negative. Funding provided by Polski Instytut Sztuki Filmowej.\n\nFORMAT: DCP\n\n**THE BEAST, 1975, Dir. Walerian Borowczyk, 108 Mins, AGFA, France**\n\n*In French with English subtitles.*\n\nWalerian Borowczyk’s most notorious film wildly re-works BEAUTY AND THE BEAST into an adult fairy tale that parodies pornographic tropes and assaults all notions of “good taste.” Bestial dreams interrupt the plans of a French aristocrat to marry off Mathurin, his deformed son, to Lucy, a horny American heiress. Yet Mathurin seems more interested in his horses than in his bride-to-be. When Lucy discovers the story of an 18th-century ancestor copulating with the titular beast, it sparks to life one of the most outrageous dream sequences in cinema history. A huge hit in France that was extensively censored and banned all over the world, THE BEAST (aka LA BÊTE) broke new ground in sexual explicitness and remains a truly startling experience today.\n\nFORMAT: DCP",
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      "name": "Día de los Muertos Celebration",
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      "description": "Vidiots invites you to join us for our third annual **Día de los Muertos Celebration &#8211; **a special community event in remembrance of our loved ones. Join us in the MUBI microcinema for face-painting and arts and crafts for all ages. Plus Día de los Muertos inspired treats, a community ofrenda in our lobby all week long, and more Vidiots surprises, it&#8217;s a day for community, for family, and for reverence to the dearly departed in our hearts.\n\nWe want to encourage our beloved community members to bring 4&#215;6 photos of your dearly departed for our **Community Ofrenda,** starting on **October 25th** in the Vidiots lobby. Please don&#8217;t bring anything irreplaceable!\n\nVidiots te invita a nuestra segunda celebración anual del **Día de los Muertos**, un evento para recordar a nuestros seres queridos. Acompáñanos en el MUBI Microcinema, donde habrá pintacaritas y artes para todas las edades durante el día.\n\nTambién tendremos antojitos inspirados por el Día de los Muertos, una Ofrenda Comunitaria en nuestro lobby durante toda la semana, y muchas sorpresas más de Vidiots! Será un día para compartir en comunidad y familia, y para recordar y honrar a nuestros seres queridos difuntos.\n\nInvitamos a toda nuestra querida comunidad a traer fotos tamaño 4×6 de sus seres queridos para colocar en nuestra **Ofrenda Comunitaria** a partir del **25 de octubre** en el lobby de Vidiots. ¡Solo recuerden no traer nada irremplazable!\n\n**Saturday October 25**&#8211; 11:00 am &#8211; 3:00pm\n\n**Face painting**: In the Microcinema, 11:00am &#8211; 2:00pm\n\n**Día de los Muertos crafts** &#8211; In the Microcinema\n\n[**Coco**](https://vidiotsfoundation.org/movies/coco/) en Español &#8211; 1:00pm &#8211; The Eagle Theatre &#8211; $5.00 discounted tickets\n\n**Sunday, November 1st**\n\n[**Macario**](https://vidiotsfoundation.org/movies/macario/) &#8211; 4:00pm &#8211; The Eagle Theatre &#8211; $5.00 discounted tickets\n\nPlease grab your **free tickets above** to help us prep our lotería cards and sugar skulls, but no one will be turned away! Tickets for the screenings are sold separately at a special discounted rate!",
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      "description": "### **ABOUT THE FILM:**\n\nGeorge Valentin is a silent movie superstar. The advent of the talkies will sound the death knell for his career and see him fall into oblivion. For young extra Peppy Miller, it seems the sky’s the limit – major movie stardom awaits. THE ARTIST tells the story of their interlinked destinies.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Warner Bros.\n\nCOUNTRY: France/Belgium",
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      "description": "**Screenwriters**: Adrian Molina, Matthew Aldrich\n\n**Producer**: Darla K. Anderson\n\nJoin Vidiots as we celebrate **Día de Los Muertos** with the stunning and beloved Pixar film *Coco*. Miguel is a boy who dreams of musical stardom despite his family&#8217;s ban on music. Finding himself in the Land of the Dead, he sets off on a journey to learn the true secrets of his family and a path to the music he loves. A true triumph of animation with dynamic visuals, compelling storytelling and a story of family, tradition, and loss that anyone can enjoy.\n\nVidiots is celebrating **Día de los Muertos** with spirited programming, activities, and surprises. Join us for crafts, contribute to our community ofrenda, plus more fun from 11:00am &#8211; 3:00pm. For more information click [here](https://vidiotsfoundation.org/movies/dia-de-los-muertos-celebration/).\n\n**Picks from the Video Store:**\n\nNeed more (not-so) spooky options for the kiddos? Rent these gems from the video store:\n\n*The Worst Witch, Something Wicked This Way Comes, Watcher in the Woods*\n\n**Accessibility Options**: Open Captions, Amplified Audio, please see the box office for devices.",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "startDate": "2026-10-25T21:00:00.000Z",
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      "description": "Film girlz brunch is a community for femme folks in the film industry in Los Angeles✨ Reach out to  filmgirlzbrunch@gmail.com  with any questions :)\n\n2-4pm\n\n$20 tickets available  here .\n\nAbout the Event:\n\nThe best way to learn is by doing! Sit in the room with 2 Producers as they create a shooting schedule and a call sheet for a short film. In this session, we will breakdown how to schedule scenes, understand the days work and call times for cast and crew. This is perfect for people who are making their first project or need a refresher. This is your chance to hear the questions and discussions Producers have when making schedules to make sure they make their day in an effective and healthy way.\n\n​Participants will watch as Producers work live, allowing participants to ask questions throughout the process to better understand the reasoning for decisions. The first hour will be scheduling and the second hour will be building a call sheet. Participants will have access to documents and leave with the knowledge and paperwork needed to schedule their own shoots.\n\n​Please come ready to take notes, ask questions and speak up! This is your time to sit in the room, hear the conversation and join in on the fun of producing a shoot!\n\n​Do you have a script (less than 10 pages) that you want us to schedule? We are looking for a script to breakdown, schedule and make a call sheet for this session. If you have something you’re willing to share with the group, Kaiulani & Daniel will use it for the demonstration! Please email us directly to discuss further. We are accepting scripts till Friday Oct 9, 5pm (pst) : kaiulani@midnightlanternproductions,  daniel@midnightlanternproductions.com \n\n_____________________________\n\n BIOS \n\nKAIULANI BUSH\n\n​Kaiulani’s (Ky-you-lawn-ee) career spans across news, reality, sports and narrative. With over 30 projects, she has worked across multiple mediums with precision and personality to bring scripts to life. Her strengths in physical production come from years in the studio world, with projects such as ARRESTED DEVELOPMENT, IT'S ALWAYS SUNNY IN PHILADELPHIA, TENET, OPPENHEIMER, and more. Her execution, passion and creative producing come from her range in independent styles and managing budgets up to 3.5 million. In 2020, she co-founded Midnight Lantern Productions with her producing partner, Daniel Leighton, to create films that spark conversations and stand the test of time. They now have a feature film in the 2026 Film Festival circuit and are going through the distribution process. Kaiulani also co-founded Film Girlz Brunch, a monthly meet up and networking community for female and non-binary filmmakers. The group offers a space for social gatherings, workshops and panels to empower filmmakers with the tools and knowledge they need to make their own projects. The organization has spread to Chicago and is set to open another chapter in New York Fall 2026.\n\n____\n\n\nDANIEL LEIGHTON\n\n​Daniel Leighton is an award-winning creative producer and line producer of feature and short films, digital content, music videos, and commercials. He is a champion of new voices and works with diverse artists who are passionate about telling stories that serve as entertainment, provocation, conversation, and culture. He is a graduate of the American Film Institute and UC Davis and has been a dedicated storyteller and filmmaker for over twenty-five years. His films have played on HBO, Amazon, Short of the Week, have played at festivals throughout the world, and have over 30 million views. In 2020 Daniel co-founded Midnight Lantern Productions with producer Kaiulani Offner Bush. Their film SOLIDARITY was completed in 2026 and is playing festivals worldwide. They’ve collaborated with the AMPAS, Protazoa Pictures, Plenty Good Productions, and Larkin Lane Productions.\n",
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      "description": "TICKETS General Admission: $22 Students/Seniors/Underemployed: $17\n\nAutomata welcomes multidisciplinary artist Patrick Michael Ballard back to our Chinatown space with his new installation-performance To Live a Loving Life. Patrick Michael Ballard invites audiences into his surreal, participatory world where performance unfolds in response to those present. Part ritual, part game, part poetic provocation, To Live a Loving Life is an intimate, roving theatrical experience that resists description and unfolds differently each time it is performed. Audience members are invited to either observe or make the choice to join the action; the degree of participation is entirely up to them. Each performance of the piece is uniquely shaped by chance, circumstance, and the collective decisions made in the room. The actions or inactions of those present determine where the performance travels, what unfolds, and how far into the experience the group ventures before it ends. At the beginning of the evening, Ballard will offer brief instructions for engagement. Once underway, a shifting world emerges, supported by collaborators and shaped in real time by the people gathered. Performances of To Live a Loving Life will also be joined by several surprise guests.\n\nPERFORMANCES:\n\nFriday, October 23, 2026 8PM Saturday, October 24, 2026 8PM Sunday, October 25, 2026 2PM\n\nSeating is very limited; advance reservations strongly suggested.\n\nPlease arrive early or on time, as latecomers cannot be seated.\n\nAbout the Artist\n\nPatrick Michael Ballard is a food closet filled to the brim with perforated, mummified, and erewhile leftovers. He beguiles his own navel between Santa Cruz and Los Angeles with ample mirrorgazing and lint sifting, populating the scar of his own origin with the embers of artist conch. He primarily focuses on developing techniques for revealing endangered processes of nuance in gradients of nonsense: forging speculative dowsing rods, symbolic resonators, and atmospheres for the orchestration of psychomagical parlor games and performances.\n\nPatrick Michael Ballard is a member of the Gawdafful Theater, a custodian of the Nowhere Lab through the nonspaces that it operates, and an art director for the Auschwitz Study Foundation. His work has been shown in theaters, artist spaces, historic architectures, living rooms, birthday parties and at funerals.",
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      "description": "**Screenwriter**: Melissa Mathison\n\n**Producers**: Steven Spielberg, Kathleen Kennedy\n\nEveryone&#8217;s favorite wig-wearing, Reese&#8217;s Pieces-eating alien is back on our big screen! An all-time classic, Steven Spielberg&#8217;s moving and magical tale soars with the wonders and fears of childhood and the enduring power of intergalactic friendship. When Elliot brings home a marooned alien, he and his siblings do whatever it takes—hiding in closets, wrecking their Speak & Spell, flying their bikes across the moon—to help their interstellar friend find his way home. Bring your family and your favorite alien to experience this heartwarmer on the big screen, the way it was meant to be seen!\n\n**Picks from the Video Store**\n\nBring home more alien friends for your little one tonight!\n\n*Batteries Not Included, Aliens in the Attic, Mac and Me*\n\n**Accessibility Options**: Closed Captions, Descriptive Audio, Amplified Audio, please see the box office for devices.",
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
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      "description": "Filmmaker/author/musician Josh Malerman has done it all. He’s a New York Times best-selling author. His books have been adapted into major films, including *Bird Box*, the most-watched movie on Netflix starring Sandra Bullock. He wrote the theme song to the Emmy Award winning eleven season series *Shameless*. He spent six years on tour traveling the world, and to this day lives a carnival-esque life filled with artistic endeavors in Michigan. And yet with every new novel and creative venture, Josh must face the terror of the blank page and accept the rollercoaster ride of living the life of an artist. Now the audience can ride alongside Josh as he traverses the ups and downs of writing his next book. *From producers Scott Beck and Bryan Woods (A Quiet Place, Haunt, Heretic). *\n\n***Filmmaker, Author, and Musician Josh Malerman will be in attendance.***\n\nFrom producers Beck/Woods (A Quiet Place, Haunt, Heretic), Strange Loop, and Spin a Black Yarn.\n\nA part of *****TWISTED SIGNALS, ***a film festival from Antenna Releasing and its partners.",
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      "name": "A Secret WINGS HAUSER Horror Movie, pres. by High Tower Video",
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      "description": "Once again it's WINGS NIGHT at Whammy! Join us for a secret spooky screening featuring our number one special boy Wings Hauser, presented by High Tower Video. We can't tell you what it is, but if you're like us and love the incomparable presence Wings brings to the screen, you won't be disappointed.\n\n**dir. ????????, 19??**\n*United States, digital projection*\n?? min\n\n**SUNDAY, 10/2 · 3:30P DOORS · 4:00P SCREENING**\n\nRated \"R\", not appropriate for children.\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "### **ABOUT THE FILM:**\n\nWhen she first sets eyes on her new boss, the wealthy Cyrus Waltham Jr. (Antonio Moreno), department store clerk Betty Lou Spence (Clara Bow) is convinced he’s got “it,” an indefinable quality that makes one irresistible to the opposite sex. Betty Lou charms her employer on a date, but Cyrus suddenly cools when he hears a false story that Betty Lou has mothered an illegitimate child. Crushed by Cyrus’ assumption, the shopgirl ramps up the sex appeal to win her man back and teach him a lesson.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Paramount\n\nCOUNTRY: USA",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "**Screenwriters**: Yeon Sang-ho,  Choe Gyu-seok\n\n**Producers**: Hailey Yoomin Yang,  Sung Joon-ho\n\nOur microcinema is going to the undead with horror master Yeon Sang-ho&#8217;s (*Train to Busan*) new Korean zombie thriller starring Gianna Jun and Koo Kyo-hwan. Professor Se-jeong (Jun) is thrust into a bloody nightmare when a rapidly mutating virus is released during a biotech conference causing authorities to seal the facility. Trapped inside with no escape, Se-jeong along with a small group of survivors must fight to stay alive while the infected undergo horrific transformations. With new and fascinating ideas that bring the zombie genre into brilliant new territory of collective consciousness and mold networks, and the kind of action and pathos Yeon Sang-ho is best at, this is a no brainer for any horrorphile!",
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    {
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      "name": "Academy Museum x Cinephile: Movie Trivia Night",
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      "description": "Are you a member? Then join us for a chilling and thrilling edition of movie trivia with our friends from Cinephile on Sunday, October 25 from 4:30 to 7pm. Mingle with fellow movie buffs. Test your knowledge of Halloween-season favorites, from thrillers and slasher films to family-friendly classics. Earn a bonus point for your team by dressing for our annual costume contest. Plus, Sean Fennessey from The Big Picture podcast will be back to call a round of trivia.  Tickets are $10 for museum members and $20 for member guests, and include complimentary wine, beer, and snacks.  Can’t make it? Use your member discount to save on the Cinephile card game at the , and make any night a movie trivia night.  About the game Its creators proudly call  the \"ultimate game for film nerds, movie geeks, and cinephiles.\" Since 2019, Cinephile has brought one-of-a-kind live events to the New York Film Festival, Fantastic Fest, Museum of the Moving Image, Alamo Drafthouse, and more. Featuring movie trivia as well as Cinephile favorites like Six Degrees, Filmography, Movie Actor and Inglorious Basterd, the result is a trivia night like no other.  About our guest Sean Fennessey is the co-host of The Big Picture podcast, a movie conversation show. He writes the Projections newsletter and was the founding editor-in-chief of The Ringer. He was previously an editor at Grantland, GQ, and Vibe.  Costume policy: The following are not allowed when dressing in costume at the Academy Museum: full body paint, functional props or weapons, and/or full-face coverings. Guests in costume are subject to search at the discretion of Academy Museum staff at any time, and we reserve the right to refuse entry for any reason. Notice of filming: This event will be photographed for the Academy Museum of Motion Pictures. By entering the premises, you consent to being photographed, filmed, or otherwise recorded and grant the Academy Museum of Motion Pictures permission to use the photographs and/or audiovisual recordings in which visitors appear for archival, documentary, publicity, advertising, or other purposes. If you do not wish to be photographed, recorded, or appear under these conditions, please inform an Academy Museum staff member following the completion of the event.",
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      "description": "Switched on Cinema returns to PRS for a screening of the Japanese folkloric monster classic set to a one-of-a-kind electrifying live score!",
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      "description": "*As Ocean People: Symposium, Screenings, and Performance *brings together artists and scholars of various diasporic Asian Pacific Islander identities whose work and scholarship examine the legacies of U.S. militarization and war, forms of Indigenous resistance, and environmentalism in and around the Pacific. Featuring panel discussions, screenings, soundscapes and performances, this gathering will provide a generative and discursive space for the sharing of ideas, research methodologies, theoretical frameworks, cultural worldviews, practices, and histories. Participants include **Crystal Z Campbell, Tony Cho, Sean Connelly, Mariquita “Micki” Davis, Alfred Peredo Flores, Evyn Lê Espiritu Gandhi, Madeleine Han, Sohl Lee, Jane Kin Kaisen, Leora Kava, Sung Hwan Kim, jas lin **and** hearthealer, Maria Maea, Tuan Andrew Nguyen** and others. \n\nThe symposium is organized by GYOPO and is thematically tied to [*Flesh Witness*](https://www.redcat.org/events/flesh-witness), on view in the REDCAT gallery from September 12-December 13, 2026. \n\nThe title of the symposium, *As Ocean People* comes from a text written by Paul Tavo, which is referenced in the Anaïs Maurer’s *The Ocean on Fire: Pacific Stories from Nuclear Survivors and Climate Activists*, 2024. Photo: Courtesy of Sean Connelly. Still from *Pohakuloa, karaoke video* (2024).\n\nASL Interpretation will be provided upon request. Please contact REDCAT’s Front of House Manager at [hmredcat@calarts.edu](mailto:hmredcat@calarts.edu). \n\n**SYMPOSIUM SCHEDULE**\n\n**––––––––––––**\n\n**SATURDAY, OCTOBER 24**\n\n1:00 PM\n\nWelcome remarks by GYOPO\n\n1:15 PM\n\nGuided somatic activity with jas lin\n\n1:30 PM - 2:45 PM\n\n*Mapping Militarism and Ways of Knowing: *A Conversation with Sean Connelly and Mariquita “Micki” Davis moderated by Leora Kava\n\n2:45 PM - 3:00 PM\n\nIntermission (soundscape by hearthealer)\n\n3:00 PM - 3:30 PM \n\nScreenings: Crystal Z Campbell, *Makahiya*, 2024 (10:49); Sean Connelly, *Pohakuloa, karaoke video*, 2024 (02:56); Tuan Andrew Nguyen, *The Sounds of Cannons Familiar Like Sad Refrains, *2021 (09:42)\n\n3:30 PM - 4:45 PM\n\n*Public Secrets: Testimony, Refuge and Resettlement*: A Conversation with Crystal Z Campbell, Evyn Le Espiritu Gandhi, and sárah sao mai habib, moderated by Alfred P. Flores\n\n4:45 PM - 6:00 PM \n\nReception\n\n**SUNDAY, OCTOBER 25**\n\n1:00 PM \n\nWelcome remarks by GYOPO\n\n1:15 PM \n\nGuided somatic activity with Madeleine Han \n\n1:30 PM \n\nScreening: Jane Jin Kaisen, *Wreckage*, 2024 (12:00)\n\n1:45 PM - 3:00 PM\n\n*The Sea, the Mountain, the Camp: Remapping Korea’s Narrative Terrain at a Vantage*: A Conversation with Madeleine Han, Sohl Lee and Sung Hwan Kim moderated by Tony Cho\n\n3:00 PM - 3:10 PM\n\nPrayer cards activation\n\n3:10 PM - 3:40 PM\n\nIntermission (soundscape by hearthealer)\n\n3:40 PM - 3:57 PM\n\nClosing performance by jas lin\n\n4:00 PM - 5:00 PM\n\nReception",
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      "description": "**Screenwriters**: Yeon Sang-ho,  Choe Gyu-seok\n\n**Producers**: Hailey Yoomin Yang,  Sung Joon-ho\n\nOur microcinema is going to the undead with horror master Yeon Sang-ho&#8217;s (*Train to Busan*) new Korean zombie thriller starring Gianna Jun and Koo Kyo-hwan. Professor Se-jeong (Jun) is thrust into a bloody nightmare when a rapidly mutating virus is released during a biotech conference causing authorities to seal the facility. Trapped inside with no escape, Se-jeong along with a small group of survivors must fight to stay alive while the infected undergo horrific transformations. With new and fascinating ideas that bring the zombie genre into brilliant new territory of collective consciousness and mold networks, and the kind of action and pathos Yeon Sang-ho is best at, this is a no brainer for any horrorphile!",
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      "description": "Once again it's WINGS NIGHT at Whammy! Join us for a secret spooky screening featuring our number one special boy Wings Hauser, presented by High Tower Video. We can't tell you what it is, but if you're like us and love the incomparable presence Wings brings to the screen, you won't be disappointed.\n\n‍\n\n‍\n\n‍\n\n‍\n\n**dir. ????????, 19??***United States, digital projection*?? min\n\n‍\n\n## SUNDAY, 10/23:30P DOORS4:00P SCREENING\n\n‍\n\n‍\n\nRated \"R\", not appropriate for children.\n\n‍\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n‍\n\n‍\n\n‍\n\n**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "A.S. Hamrah and Hollywood Entertainment proudly present Stuart Gordon's final masterwork: *Stuck* featuring an exclusive pre-recorded virtual Q&A with star Mena Suvari and an in-person introduction by Gordon's daughter, Suzanna Gordon.\n\n\"Stuart Gordon’s *Stuck* is perhaps the most disturbing film of its era, which is that period in the George W. Bush years just before the economy collapsed. More than disturbing, in fact it is an alarming portrait of American citizens at the end of their collective rope, behaving in ways that are callous, uncivilized, and completely lacking in concern for other people. A chilling portrait of its time from a master filmmaker, once seen it is not to be forgotten.\" - A.S. Hamrah\n\nWritten by EZTV and *Dark Romances* alum John Strysik, **Stuck** tells the story of Brandi (Suvari), a compassionate hospice nurse who hits Tom (Stephen Rea), an unhoused man, with her car, lodging him in the windshield. Rather than seek help, she drives home, parks in her garage, and goes about her life and work as usual in the following days... What follows is a darkly comic, insightful, and unsettling descent into the darkness of human denial. Stuck is an inspired-by-a-true-story nightmarish descent into waking hell that demonstrates the incredible talents of Stuart Gordon - best known for supernatural horror and sci-fi classics like *Re-Animator* and *From Beyond* - when turned to the twisted sociopolitical milieu of the real world.\n\n**dir. Stuart Gordon, 2007**\n*United States, digital projection*\n85 min\n\n**SUNDAY, 10/25 · 7:30 DOORS · 8:00 SCREENING**\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "Brooklyn-based experimental artist and trumpeter **Chris Ryan Williams** explores electroacoustic composition, free jazz, and sound installation. His critically acclaimed debut long-play (LP), Odu: Vibration II, is an enveloping, immersive record exploring cavernous resonance and mythic descents into darkness.  \n  \nfeaturing  \nChris Ryan Williams - Trumpet & Electronics  \nKalia Vandever - Trombone & fx  \nPatrick Shiroishi - Saxophone & fx\n\n+  \n  \n**Kalia Vandever** – trombone, vocals  \n  \nIn this performance, trombonist and composer **Kalia Vandever** will perform selections from their latest album Mana, released in June on International Anthem. The heart of Mana sees Vandever shedding new light onto their personal connection to Hawaiian mythology, ancestry and how it relates to their musical expression — a meeting of their familial and professional life that represents a sort of closing of a circle. Mana, which in Hawaiian means “foundational, supernatural, or divine power and strength,” reveals more of their voice and words, drawing from yearning, loss, and bewilderment.",
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      "description": "The female metal band ‘JUMP SCARE’ retreat to a remote cabin to write their next album only to be terrorized by the family of cannibals next door. This phantasmagoric blend of genres, tones, and colors is equal parts cannibal movie, slasher, rock opera, and with a touch of renegade humor thrown in for extra sauce. It’s your new cult favorite! *Featuring everyone’s favorite working actor, Eric Roberts, his 8,000th film from 2026*.\n\n******\n***Filmmaker Donnie Hobbie will be in attendance.***\n\nA part of *****TWISTED SIGNALS, ***a film festival from Antenna Releasing and its partners.",
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      "description": "### **ABOUT THE FILM:**\n\nEveryone is afraid of something… for Dr. Ross Jennings (Jeff Daniels), his phobia is downright embarrassing. But when he moves his family to a small town, the one thing that bugs him most is now harming the townspeople at an alarming rate. For this unlikely hero, overcoming a childhood fear of spiders might just save the community, but it may already be too late! Directed by Frank Marshall and also starring John Goodman, this critically acclaimed, breathtaking hit entertains with its terrific mix of thrills, chills and laughter!\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Disney\n\nCOUNTRY: USA",
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      "name": "Oasis",
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      "description": "Fresh out of prison, Hong Jong-du (Sul Kyung-gu) finds an unlikely soulmate in Gong-ju (Moon So-ri), the daughter of the victim of the hit-and-run accident for which he went to jail. Wheelchair-bound and suffering from severe cerebral palsy, Gong-ju is kept cloistered in a cheap apartment by her brother, whose only concern is the government assistance she receives. Over a series of clandestine meetings, the two begin an improbable relationship that defies the judgment and cruelty of the world around them.\n\nWinner of the Silver Lion for Best Director and Best Young Actress at the Venice Film Festival, Lee Chang-dong's OASIS is a “brave film” that “shows two people who find any relationship almost impossible, and yet find a way to make theirs work” (Roger Ebert, Chicago Sun-Times). Presented in a new 4K restoration.",
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    },
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      "description": "Released from his mandatory military service, Makdong (Han Suk-gyu) returns to a hometown he no longer recognizes. After rescuing a beautiful young woman from harassment on a train, his life takes an unexpected turn when she unwittingly lures him into the criminal underworld. Finding himself in a dangerous love triangle with the local crime boss, Makdong must face the dire consequences of his choices.\n\n\n\nWinner of the Best Film and Best New Director awards from the Korean Film Critics Association, Lee Chang-dong's GREEN FISH is a “wrenching, tonally nuanced first film” (Senses of Cinema) that combines “strong narrative drive, powerful visuals and a mind-blowing central performance” (Eastern Kicks). Presented in a 4K restoration.",
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      "name": "Ben Ehrenreich w/ Sesshu Foster, \"Hold Still\"",
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      "description": "*Patients aren’t just dying to get in. They’re dying to get out.*\n\nCheck in to *Frankenstein General Hospital* with Hollywood Entertainment for a very rare opportunity to see this charming and under-seen comedy!\n\nDr. Bob Frankenstein (Mark Blankfield) - a 12th grandson of the doctor - is recreating his namesake’s experiments in a Los Angeles hospital, hoping to impress his boss and coworkers. He and his trusty assistant Iggy (Leslie Jordan) steal body parts from the hospital’s autopsy room and Tuchman Terminated Teenagers Mortuary to create their monster (Irwin Keyes).\n\nThis extremely 80s take on the Mary Shelley classic carries the spirit of *Young Frankenstein* while emulating the non-stop joke styles of *The Naked Gun* and *Police Academy*. Led by Mark Blankfield (*Robin Hood: Men in Tights, Jekyll and Hyde... Together Again*) with standout performances by legends Jordan and Keyes, the cast also features recognizable faces like Ben Stein, Lou Cutell (Amazing Larry in *Pee-wee’s Big Adventure*), and 1986 Playmate of the Year Kathy Shower.\n\n38 years before *The Bride!,* there was another woman-directed Frankenstein movie released from the lab... don't miss your chance to get admitted!\n\n**dir. Deborah Sahagun, 1988**\n*United States, digital projection*\n87 min\n\n**MONDAY, 10/26 · 7:30 DOORS · 8:00 SCREENING**\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Winner of _RuPaul’s Drag Race_ Season 9 and one of the most acclaimed drag artists of her generation, **Sasha** **Velour** returns to The Wallis with _Travesty_, a bold new solo work that traces queer history across time. Through a series of lip-sync performances, Velour embodies a litany of personas from a witch burned in a field to a clown who builds a theater and patrons of an underground gay bar — weaving together cycles of resistance and survival in a form that fuses performance art with living history. A multidisciplinary artist, Velour has redefined drag as a contemporary performance practice in which spectacle and meaning are inseparable. Blending costume design, choreography, and incisive cultural commentary, she creates work that is as visually arresting as it is emotionally resonant.\n\nThis is drag at its most daring — an evening that lingers long after the final image fades.\n\n* * *\n\n**PERFORMANCES**  \nThurs. Oct. 29, 2026 @ 7:30 PM  \nFri. Oct. 30, 2026 @ 7:30 PM",
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      "name": "THE ADDAMS FAMILY",
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      "description": "### **ABOUT THE FILM:**\n\nWhen long-lost Uncle Fester reappears after twenty-five years in the Bermuda Triangle, Gomez and Morticia plan a celebration to wake the dead.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Paramount\n\nCOUNTRY: USA",
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      "name": "Community Flow Yoga with Kate O’ Neal",
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      "description": "**Screenwriters**: Robin Swicord, Akiva Goldsman, Adam Brooks from the novel by Alice Hoffman\n\n**Producer**: Denise Di Novi\n\nWitchcraft feels good in a place like this. Spend the night with two witchy sisters as they fight for love and their family lineage in this cinematic comfort food classic. Magic is in their family tree and these two sisters are about to take a crash course in sorcery when one of their boyfriends dies unexpectedly. Now they&#8217;ve got the police and an evil spirit on their tail, and they must stick together to come out on top. Initially panned by critics, audiences have been falling in love with this witchy fairy-tale for over 25 years. Bring your sis or your bestie and let this magical movie cast its spell on you!\n\n**Picks from the Video Store**\n\nLooking for more witchy women?\n\n*Season of the Witch, Poison for the Fairies, Spellcaster*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "description": "### **ABOUT THE FILMS:**\n\n**“Joachim’s Dictionary,” 1965, Dir. Walerian Borowczyk, 9 Mins, France**\n\nBased on a sparse, singular design by Laurence Demaria (Ligia Borowczyk), Joachim defines twenty six words each beginning with a different letter from the alphabet. As with “Grandma’s Encyclopedia,” Borowczyk offers a succession of visual definitions which suggest a doomed attempt at mastering the absurdities of the world. Frequently hilarious, Joachim’s Dictionary is Borowczyk at his most anarchic.\n\nFORMAT: DCP\n\n**THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE, 1981, Dir. Walerian Borowczyk, 92 Mins, AGFA, France**\n\n*In French with English subtitles.*\n\nIt’s the engagement party for brilliant young Dr. Henry Jekyll (Udo Kier, SUSPIRIA) and his fiancée, the beautiful Fanny Osbourne (Marina Pierro). The party is attended by various pillars of Victorian society, including Patrick Magee (A CLOCKWORK ORANGE) in one of his final roles. When people are found assaulted and murdered on the manor grounds, it becomes clear that a maniac is disrupting the festivities. But who is he? And why does Jekyll keep sneaking off to his laboratory? This visually stunning adaptation of Robert Louis Stevenson’s famous story by surrealist icon Walerian Borowcyzk (THE BEAST) is crammed with imaginative and perverse touches.\n\nFORMAT: DCP",
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      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-10-31T19:15:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
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      "image": {
        "@type": "ImageObject",
        "url": "https://www.laconservancy.org/wp-content/uploads/2024/12/Bradburybuilding_S.GregPanosian.png"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/fa792299-10bb-4a6e-9511-611cccec5c54",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "ScreeningEvent",
      "@id": "https://zeitgeists.org/event/f3b7ef68-45c0-441c-9930-bcf92b2ef7b0",
      "identifier": "f3b7ef68-45c0-441c-9930-bcf92b2ef7b0",
      "name": "The Bride of Frankenstein",
      "url": "https://ticketing.uswest.veezi.com/purchase/4160?siteToken=20xhpa3yt2hhkwt4zjvfcwsaww",
      "startDate": "2026-10-31T17:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/16149119-3064-4887-888c-f38bbab6cc82"
      },
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "zeitgeists": {
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        "zeitgeists:place": "https://zeitgeists.org/place/16149119-3064-4887-888c-f38bbab6cc82",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/c758a014-64b3-4755-be98-27c344fd0dde",
      "identifier": "c758a014-64b3-4755-be98-27c344fd0dde",
      "name": "Curtains Up on Broadway: L.A.’s Historic Theatre District",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/curtains-up-on-broadway-l-a-s-historic-theatre-district-2026-10-31",
      "startDate": "2026-10-31T17:00:00.000Z",
      "location": {
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      },
      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-10-31T19:45:00.000Z",
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      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
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      },
      "zeitgeists": {
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        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/fb9be805-73aa-4725-8c16-62f9fce293c7",
      "identifier": "fb9be805-73aa-4725-8c16-62f9fce293c7",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-10-31",
      "startDate": "2026-10-31T17:15:00.000Z",
      "location": {
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      },
      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      },
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "TheaterEvent",
      "@id": "https://zeitgeists.org/event/b07dcef1-35b3-446a-bb40-2ba771d8dd62",
      "identifier": "b07dcef1-35b3-446a-bb40-2ba771d8dd62",
      "name": "Hallowe'en Spooktacular",
      "url": "https://ci.ovationtix.com/35787/production/1284748?performanceId=11847748",
      "startDate": "2026-10-31T17:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/16d2b8b1-1c46-4f45-98ce-9d9ee8430989"
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "ScreeningEvent",
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      "identifier": "3782aeb6-85fc-4b7d-85b9-737b740341db",
      "name": "The Witches",
      "url": "https://www.academymuseum.org/en/programs/detail/the-witches-019fce44-08a6-7d94-e7af-9bf92c6bcc07",
      "startDate": "2026-10-31T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/b99ddcce-3455-464d-85f5-200cbf64bdbf"
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      "workPresented": [
        {
          "@type": "Movie",
          "name": "The Witches",
          "duration": 91,
          "year": 1990,
          "director": {
            "@type": "Person",
            "name": "Nicolas Roeg"
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        }
      ],
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      },
      "zeitgeists": {
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "VisualArtsEvent",
      "@id": "https://zeitgeists.org/event/2ddd2a2e-94e5-41bf-a040-3870c96e3afe",
      "identifier": "2ddd2a2e-94e5-41bf-a040-3870c96e3afe",
      "name": "Clothed Figure Drawing at Heavy Manners Hosted by Bijou Karman (10/31)",
      "url": "https://www.heavymannerslibrary.com/events/clothed-figure-drawing-at-heavy-manners-hosted-by-bijou-karman-10-31",
      "startDate": "2026-10-31T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/10062308-76d5-46bc-82d3-124b68eaaf19"
      },
      "description": "A 3 hour life drawing session hosted by Bijou Karman",
      "endDate": "2026-10-31T20:00:00.000Z",
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        "zeitgeists:place": "https://zeitgeists.org/place/10062308-76d5-46bc-82d3-124b68eaaf19",
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/9bc48939-4ea8-4485-a595-9518c097016c",
      "identifier": "9bc48939-4ea8-4485-a595-9518c097016c",
      "name": "Union Station: America’s Last Great Train Station",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/union-station-americas-last-great-train-station-2026-10-31",
      "startDate": "2026-10-31T18:00:00.000Z",
      "location": {
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      },
      "description": "Union Station: America’s Last Great Train Station\n\nTake a ride back in time to see the last great train station ever built.\n\nLos Angeles’ Union Station was the last great railway station built during the golden age of rail travel, and it stands at a crossroads in L.A. history, straddling the city’s early decades and its emergence as a world-class metropolis. It bursts at the seams with historical figures and significant stories, as well as stunning spaces to explore. You’ll visit the former Fred Harvey Restaurant, a stunning example of late Art Deco design and a site that provided women with rare work opportunities outside the home. You’ll gain exclusive access to the grand Ticketing Concourse, where passengers purchased tickets alongside soldiers headed to war, and pass through the Waiting Room en route to Union Station’s modern wing. Along the way, you’ll see newly restored architectural details and interior spaces familiar from decades of film and television spots.\n\nArchitecture lovers who appreciate the fusion of Art Deco, Mission Revival, and Streamline Moderne. Travel and transportation history buffs interested in the golden age of rail travel. Design and craftsmanship aficionados who appreciate restored architectural details.\n\nSee below for more important information.\n\nRoute covers about one mile total walking; no stairs or inclines\n\nIncludes exteriors and interiors(Subject to availability)\n\nNo pets allowed. Except for service animals.\n\nWe will start our tour at Union Station. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-10-31T20:00:00.000Z",
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      },
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          "timezone": "America/Los_Angeles"
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      }
    },
    {
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      "name": "Vidiots Annual “Unscary” Halloween",
      "url": "https://vidiotsfoundation.org/purchase/4675365",
      "startDate": "2026-10-31T18:00:00.000Z",
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      },
      "description": "Vidiots invites you and all your little witches and goblins to our annual **“Unscary” Halloween**,** **a free, all-ages, sensory-friendly Halloween-themed community event.\n\nWe&#8217;ll bring the **pumpkins** for carving and decorating, and we&#8217;ll have Vidiots-style **trick-or-treating**, tons of **tasty treats** for kiddos and grown-ups alike, a **free screening** of not-so-spooky All-Ages shorts, A special puppetty visit from our besties at **Bob Baker Marionette Theater**, a costume parade for the littles, and cauldrons full of magic and merriment. You just bring your Halloween spirit!\n\n**11am &#8211; 12:00pm ** &#8211; Doors open and pumpkin carving begins in the video store!\n\n**12:00pm** **&#8211; 12:30pm**&#8211; Costume Parade and Eagle Theatre trick-or-treating!\n\n**1:00pm** &#8211; All-Ages Halloweenie short films in the Eagle!\n\nPlease RSVP above. As this is a free event, seating for the screening will be first-come first-serve and not guaranteed, but everyone is welcome in the rest of the venue for an Unscary good time!\n\n**Sensory-friendly features:**\n\nGentle lighting and un-scary images, Reduced volume, Reserved, distanced seating options for puppet show and screening, Designated rest and quieter space in our intimate Microcinema",
      "workPresented": [
        {
          "@type": "Movie",
          "name": "Vidiots Annual “Unscary” Halloween",
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      }
    },
    {
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      "name": "Día de los Muertos Community Art Workshop #5: Candle Decorating",
      "url": "https://www.selfhelpgraphics.com/upcoming-events/103126-dod-decoratecandle",
      "startDate": "2026-10-31T19:00:00.113Z",
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      "description": "REGISTER HERE Guided by Self Help Graphics & Art’s teaching artist Nupur Behera, participants will decorate their own candles using tissue paper, wax paper, and heat transfers. Designs can be inspired by traditional symbols like marigolds, calaveras (skulls), and monarch buttterflies—or with personal symbols that honor a loved one who has passed. These decorated candles can be placed on an altar, used in remembrance, or kept as a personal keepsake. Participants can also explore other traditional crafts, including papel picado (tissue paper with cutout shapes) and paper marigolds. Connect with the cultural practices of this sacred tradition as you create art to honor your ancestors and loved ones.All materials provided. Free and open to all ages.Activity Participation NoticePlease note that some activities may be more popular than others and may require a wait time. We recommend arriving early if you would like to participate in all of the activities.ABOUT SELF HELP GRAPHICS & ART’S 53RD ANNUAL DÍA DE LOS MUERTOS SEASONAs one of the longest-running public celebrations of Día de los Muertos in the United States, Self Help Graphics & Art’s 53rd Annual Día de los Muertos Season honors our ancestors and uplifts the living communities they nurtured through immersive, intercultural programming — free and for all-ages. For more information about this year’s season, including the celebration on Saturday, November 7, 2026, please visit our website: https://www.selfhelpgraphics.com/diadelosmuertosACKNOWLEDGEMENTThis project received funding from the Smithsonian’s “Our Shared Future: 250,” a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.",
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      "name": "THE INNOCENTS",
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      "description": "### **ABOUT THE FILM:**\n\nDeborah Kerr brilliantly plays a repressed governess convinced that ghosts haunt the mansion and grounds of her innocent young charges (Martin Stephens, Pamela Franklin). Jack Clayton’s gothic psychological thriller was inspired by Henry James’ “The Turn of the Screw” and adapted with the help of Truman Capote.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Disney\n\nCOUNTRY: UK",
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      "name": "THE HAUNTING",
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      "description": "### **ABOUT THE FILM:**\n\nParanormal researcher Richard Johnson leads a team of clairvoyants (Julie Harris, Claire Bloom) to determine if the notorious, bad karma-filled Hill House is truly haunted. What he doesn’t bargain for is intensely neurotic Harris developing an unhealthy sensitivity to the mansion’s evil-charged atmosphere. Based on Shirley Jackson’s novel *The Haunting of Hill House*, this is one of the all-time classics of the genre.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Warner Bros.\n\nCOUNTRY: UK",
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    },
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      "name": "Hallowe'en Spooktacular",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "The Biltmore Hotel: Host of the Coast",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/the-biltmore-hotel-2026-10-31",
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      "description": "The Biltmore Hotel: Host of the Coast\n\nJoin us at the historic Biltmore Hotel in downtown Los Angeles! Known in its early days as “The Host of the Coast, the Biltmore Hotel has a glittering history to tell—one of opulence, glamour, and progressive values.\n\nSince its opening in 1923, the luxurious Biltmore Hotel has attracted celebrities and dignitaries alike, including Rudolph Valentino, the Prince of Wales, J. Paul Getty, Howard Hughes, Herbert Hoover, and Eleanor Roosevelt.\n\nAlongside its high-end clientele and reputation for service, the hotel has a history of opening its doors to groups not always welcomed in elite circles. It was a hub for the LGBTQ+ community throughout the 1940s and ‘50s. A decade later, it was listed in the Green Book as a safe, travel-friendly location for members of the Black community. It also hosted many events and ceremonies for the Black community throughout the 1960s and beyond.\n\nToday, this Beaux-Art marvel may be most notable for appearing in films such as Chinatown, Ghostbusters, Ocean’s 11, Spider-Man, Fight Club, and Pretty in Pink. But no matter what draws you to the Biltmore, you’ll be delighted and surprised by the stories it has to tell.\n\nSpend a delightful Saturday afternoon touring the century-old Biltmore Hotel with the L.A. Conservancy, and afterward, consider staying for Afternoon Tea (at an additional cost; click here for more information)in the hotel’s magnificent Rendezvous Court. Tourgoers receive an exclusive discount upon registering.\n\nFans of classic films and TV who want to visit famous filming locations. Architecture and design lovers fascinated by Beaux-Arts grandeur. Romantics and nostalgia seekers who love a glimpse into the glamour of Old Hollywood.\n\nAbout half a mile total walking; includes stairs\n\nThis tour includes exterior and interior access\n\nNo pets. Except for service animals.\n\nWe will start our tour at The Biltmore Hotel. Additional location information will be sent upon registration.\n\nSpend a delightful Saturday afternoon touring the century-old Biltmore Hotel with the L.A. Conservancy, and afterward, consider staying for Afternoon Tea in the hotel’s magnificent Rendezvous Court (additional cost; click here for more information).\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nMajor funding for the Los Angeles Conservancy’s programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "name": "HELL HOUSE (2001)",
      "url": "https://www.whammyanalog.com/events/hell-house-2001",
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      "description": "Hell Houses are a distinctly American phenomenon which began in 1990 just outside of Dallas, Texas at the Trinity Assembly of God Church. The original Hell House was conceived as a modern-day fire-and-brimstone sermon. Today, this religious ceremony of sorts is replete with actors, extensive lighting equipment and full audio-visual tech crews.\n\nInside the Hell House, tour guides dressed as demons take visitors from room to room to view depictions of school massacres, date rape, AIDS-related deaths, fatal drunk driving crashes, and botched abortions. With full access to the behind-the-scenes action, HELL HOUSE follows the process from the first script meeting until the last of the 10,000 visitors passes through the Hell House doors. The movie gives a verite window into the whole process of creating this over-the-top sermon, while showing an intimate portrait of the people who fervently believe its message. Shot on 16mm film and featuring a score by Bubba and Matthew Kadane, formerly of the band Bedhead.\n\n**dir. George Ratliff, 2001**\n*United States, digital projection*\n85 min\n\n**SATURDAY, 10/31 · 1:30P DOORS · 2:00P SCREENING**\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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    {
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      "name": "Woven Business Academy Benefit Concert",
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      "description": "Join us on October 31st for the Woven Business Academy Benefit Concert.\n\nWith live music, vendors, drag, food & drinks!\n\n2-4:30pm\n\n$15-30 sliding scale tickets available  here . ",
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      "name": "The Phantom of the Opera",
      "url": "https://www.oldtownmusichall.org/all-programs",
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      "description": "### **ABOUT THE FILM:**\n\nAfter years of slumber, the legendary vampire has awakened and found acceptance in a tattooed, pierced and black-clad world. He’s a rock star. And his awesome goth-riffed sound has echoed around the globe…and stirred to life the fearsome Mother of All Vampires (Aaliyah, in her final film role).\n\nBased on *The Vampire Chronicles* by Anne Rice, whose work previously came to the screen in INTERVIEW WITH THE VAMPIRE.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Warner Bros.\n\nCOUNTRY: USA",
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      "name": "Halloween",
      "url": "https://vidiotsfoundation.org/purchase/4675239",
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      "description": "**Screenwriters**: Debra Hill, John Carpenter\n\n**Producers**: Debra Hill, John Carpenter\n\nIt wouldn&#8217;t be Halloween without a visit from Michael Myers &#8211; the monster that made the holiday &#8211; stalking our big screen with terror! The original horror classic still startles over 45 years after its release. The small town of Haddonfield is under attack from an escaped murderer stalking the alleys and sidewalks of the idyllic burg. Laurie Strode (Jamie Lee Curtis) is just a studious teenager, planning on spending her All Hallow&#8217;s Eve carving pumpkins with her babysitting charge. When the killer begins to hound her and her friends, she&#8217;s got to discover the family secrets that led to this bloody rampage and escape his evil wrath. Also starring Donald Pleasance as Dr. Loomis, P.J. Soles, and *Real Housewife of Beverly Hills* Kyle Richards. Spend your Samhain with Vidiots and John Carpenter with the slasher that started it all!\n\n**Picks from the Video Store**\n\nTake home more Halloweenie classics on killer physical media!\n\n*Halloween III: Season of the Witch, Trick or Treat, Something Wicked this way Comes*\n\n**Accessibility Options**: Amplified Audio, please see the box office for devices.",
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      "description": "**Screenwriters**: Clay McLeod Chapman,  Glenn McQuaid\n\n**Producers**: Brendan McCarthy,  John McDonnell,  Deirdre Levins,  Thomas Herberth, Florian Brüning\n\nThis campy queer horror film is a morbidly entertaining combination of classic Hollywood, gothic terror, and high-pitched melodrama, featuring a one-of-a-kind performance from Chris Colfer! The foundations of Grayson Manor are shaken when an accident leaves Boyd Grayson handless and his mother invests in radical new technology to help him. Starring **Chris Colfer **(*Glee*) and **Alice Krige **(*Star Trek: The Next Generation*) and directed by **Glenn McQuaid **(*I Sell the Dead, V/H/S*). So, if you&#8217;ve been dying for a deadly dark comedy to end spooky season right, don&#8217;t decline your invitation to Grayson Manor!",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "### **ABOUT THE FILM:**\n\nA deceptively simple tale of a group of strangers trapped in a farmhouse who find themselves fending off a horde of flesh-eating ghouls newly arisen from their graves, Romero’s claustrophobic vision of a late-sixties America (literally) tearing itself apart rewrote the rules of the horror genre, combined gruesome gore with acute social commentary and quietly broke ground by casting a black actor (Duane Jones) in the lead role.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films\n\nCOUNTRY: USA",
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      "name": "La Llorona / Pulse",
      "url": "https://www.cinema.ucla.edu/events/la-llorona-pulse-2026-10-31",
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      "description": "As legend has it, the malevolent ghost of La Llorona wanders along waterways searching for her two children who have drowned (either by her hand or by the hands of others) and seeks to avenge the man who has abused and abandoned her. She is an ominous figure whose apparition is preceded by the sound of her laments. Those who hear her cries are marked for death. In Jayro Bustamante’s film, these cries are intertwined with calls for social justice and solidarity within Indigenous communities.\n\nDCP. Director: Jayro Bustamante. Screenwriters: Jayro Bustamante, Gustavo Matheu. With: María Mercedes Coroy, Sabrina De La Hoz, Margarita Kénefic.\n\nIn Kiyoshi Kurosawa’s apocalyptic ghost fiction, *Kaïro*, the technologization of contemporary life leads to the collapse of human relations and communication, and the loss of a shared history. A classic of techno-horror cinema, exemplary of Japanese cinema’s reinvention of the *Kaidan* or spirit story genre, *Kaïro* remains one of the most memorable evocations of modern technologies of communication as spectral conduits. Feeding on the growing uncertainty between touch and vision, the film stands as a transitional cinematic experiment, between so-called digital dematerialization and the eventuality of spectral forms of corporeality.\n\nDCP. Director/screenwriter: Kiyoshi Kurosawa. With: Kumiko Aso, Haruhiko Kato, Koyuki.",
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      "name": "HELL HOUSE (2001)",
      "url": "https://www.whammyanalog.com/events/hell-house-2001",
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      "description": "Hell Houses are a distinctly American phenomenon which began in 1990 just outside of Dallas, Texas at the Trinity Assembly of God Church. The original Hell House was conceived as a modern-day fire-and-brimstone sermon. Today, this religious ceremony of sorts is replete with actors, extensive lighting equipment and full audio-visual tech crews.\n\n‍\n\nInside the Hell House, tour guides dressed as demons take visitors from room to room to view depictions of school massacres, date rape, AIDS-related deaths, fatal drunk driving crashes, and botched abortions. With full access to the behind-the-scenes action, HELL HOUSE follows the process from the first script meeting until the last of the 10,000 visitors passes through the Hell House doors. The movie gives a verite window into the whole process of creating this over-the-top sermon, while showing an intimate portrait of the people who fervently believe its message. Shot on 16mm film and featuring a score by Bubba and Matthew Kadane, formerly of the band Bedhead.\n\n‍\n\n‍\n\n‍\n\n**dir. George Ratliff, 2001***United States, digital projection*85 min\n\n‍\n\n‍\n\n## SATURDAY, 10/311:30P DOORS2:00P SCREENING\n\n‍\n\n## $10 general admission.\n\n***Basic*** *&* ***Microcinephile*** *members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one* *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n‍\n\n‍\n\n‍\n\n**‍***Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "name": "The Rocky Horror Picture Show Feat. Sins O’ The Flesh",
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      "name": "The Texas Chain Saw Massacre",
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      "description": "In present times of political and ideological division and the rise of authoritarianism on a global scale, the Wende Museum and the Thomas Mann House are launching a series of monthly discussions for undergraduate students to be better able to understand and navigate these changes and discourses. Topics under consideration include the crisis of truth; the contested independence of academic and cultural institutions; and the power of narratives to conceptualize change.\n\nTogether with a small team from the Wende Museum and the Thomas Mann House, students will prepare each session based on a few sources (texts, podcasts, videos). The final meeting will take the form of a public workshop or panel discussion with specialists in the fields that were touched on throughout the sessions. The participating students will have the opportunity to learn about the field of cultural programming by having access to and close engagement with two leading cultural organizations in Los Angeles. In addition, students will be able to attend exclusive events at both the Thomas Mann House and the Wende Museum and learn about their unique missions.\n\nStarting in January 2027, the meetings will take place every last Friday of the month at 12pm at the Wende Museum’s Community Center in Culver City. Complimentary lunch and drinks will be provided.\n\nIf interested, please email **both** Oliver Hartmann ([oliver.hartmann@vatmh.org](mailto:oliver.hartmann@vatmh.org)) and Joes Segal ([jsegal@wendemuseum.org](mailto:jsegal@wendemuseum.org)) before **November 1, 2026**, mentioning “Student Forum 2027” in the email subject line. Please include 1) a CV and 2) a cover letter that includes your academic background (college or university and major) and a one-paragraph explanation of why you would like to join this discussion series.",
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          "timezone": "America/Los_Angeles"
        }
      }
    },
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      "identifier": "5e9cb9ab-d28a-4299-8a5d-ed7e240187cf",
      "name": "THE WILD PARTY",
      "url": "https://www.americancinematheque.com/now-showing/the-wild-party-11-01-2026",
      "startDate": "2026-11-02T00:00:00.000Z",
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      "description": "### **ABOUT THE FILM:**\n\nWild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and lands in trouble, her professor must rescue her. Gossip linking the two escalates until Stella proves that she is decent by shielding an innocent girl and winning the professor’s respect.\n\n4K Restoration by Universal Pictures from the 35mm Composite Fine Grain, 35mm Nitrate Composite Print, and 35mm Nitrate Combine Track provided by the UCLA Film & Television Archive. Restoration services conducted by StudioPost, A NBCUniversal Company.\n\nFORMAT: DCP\n\nDISTRIBUTOR: Universal\n\nCOUNTRY: USA",
      "disambiguatingDescription": "Introduction by NBCUniversal Restoration & Preservation Manager Jen Hashida New 4K Restoration ‘Sunday “Rest”orations’ ‘The Original It Girl: Four Starring Clara Bow’",
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            "name": "Dorothy Arzner"
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/1d9250fc-5b1d-4c77-9816-86fecd1c9c08",
      "identifier": "1d9250fc-5b1d-4c77-9816-86fecd1c9c08",
      "name": "S.U.T@LA – Vipassana Meditation Practice Group",
      "url": "https://wendemuseum.org/event/s-u-tla-vipassana-meditation-practice-group-6/2026-11-01",
      "startDate": "2026-11-02T00:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0"
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
      "endDate": "2026-11-02T01:00:00.000Z",
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    },
    {
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      "@id": "https://zeitgeists.org/event/e87bec06-cd71-42be-956d-5f84c9eb045f",
      "identifier": "e87bec06-cd71-42be-956d-5f84c9eb045f",
      "name": "Remake",
      "url": "https://vidiotsfoundation.org/purchase/4788988",
      "startDate": "2026-11-02T00:15:00.000Z",
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      "description": "**Screenwriter**: Ross McElwee\n\n**Producers**: Mark Meatto,  Ross McElwee\n\nWith a special introduction from non-fiction filmmaking legend **Ross McElwee** at the Sunday, November 1st screening!\n\nJoin us in the microcinema for one of the most profound documentary experiences of the year, legendary game-changing documentarian Ross McElwee&#8217;s beautifully heartbreaking triumph *Remake*. Filmmaker Ross McElwee has spent forty years recording himself and his family, creating documentaries that chronicle the shifting contours of American society through the lens of personal history. His son Adrian grew up inside those films, and eventually began experimenting with the camera himself. When a Hollywood producer acquires the rights to adapt McElwee’s 1986 breakthrough *Sherman&#8217;s March* into a work of fiction, twenty-year-old Adrian sees a chance for his father to finally reach a wider audience. As the adaptation stalls, Adrian gets swept into a deepening drug addiction and dies from a fentanyl overdose, leaving behind hours of personal video footage. Retracing Adrian’s final years, McElwee reckons with what his camera captured and what remained hauntingly out of frame. As he reflects on a lifetime behind the camera, Ross’s own effort to remix and remake the movie that Adrian never got to finish takes on new significance. An ever-expanding hall of mirrors built from decades of home movies, *Remake* is both McElwee’s attempt to hold onto his son, and to let him go.",
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    },
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      "name": "Hallowe'en Spooktacular",
      "url": "https://ci.ovationtix.com/35787/production/1284748?performanceId=11847783",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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    {
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      "name": "DTLA ArtNight",
      "url": "https://www.moca.org/events/november-2026-dtla-artnight",
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      "description": "Join us tonight on Grand Avenue and explore DTLA ArtNight. MOCA, The Broad, and other neighboring institutions come together for a free night of art, music, and culture. MOCA Grand Avenue will be open until 8pm and has free general admission.",
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    },
    {
      "@type": "Festival",
      "@id": "https://zeitgeists.org/event/890bc867-eb2d-4ac8-83a8-11cafb73ac0a",
      "identifier": "890bc867-eb2d-4ac8-83a8-11cafb73ac0a",
      "name": "Noche de Ofrenda",
      "url": "https://www.selfhelpgraphics.com/upcoming-events/110126-nochedeofrenda",
      "startDate": "2026-11-02T02:00:00.522Z",
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      "description": "Sunday, November 1, 2026 | evening to nightTonalli Studios4539 E Cesar E Chavez Ave, Los Angeles, CA 90022Join us for an evening honoring our ancestors through altars, memory, and connection. We will share light refreshments, poetry, and memories of loved ones, celebrating the lives of those who came before us through communal memory. ABOUT SELF HELP GRAPHICS & ART’S 53RD ANNUAL DÍA DE LOS MUERTOS SEASONAs one of the longest-running public celebrations of Día de los Muertos in the United States, Self Help Graphics & Art’s 53rd Annual Día de los Muertos Season honors our ancestors and uplifts the living communities they nurtured through immersive, intercultural programming — free and for all-ages. For more information about this year’s season, including the celebration on Saturday, November 7, 2026, please visit our website: https://www.selfhelpgraphics.com/diadelosmuertos",
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    {
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      "name": "Eungyo (은교) with Park Hae-il",
      "url": "https://www.academymuseum.org/en/programs/detail/eungyo-019fce81-14e6-a44b-f9a8-1dbc9ce699f2",
      "startDate": "2026-11-02T02:30:00.000Z",
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            "name": "Jung Ji-woo"
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      }
    },
    {
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      "name": "Disparate Action/Desperate Action",
      "url": "https://newtheaterhollywood.ludus.com/show_page.php?show_id=200551509&bpo=23581",
      "startDate": "2026-11-02T03:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/42f60feb-330a-45f9-80c9-ae0ac6e64616"
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      "description": "A PLAY BY CHRIS KRAUS\n\nWith\n\nCHRIS KRAUS\n\nBARRY DEL SHERMAN\n\nROBERT DEWHURST\n\nBOTH SHOWS ARE SOLD OUT. Please join the waitlist to be informed about open seats or additional shows.\n\n$15 – Seating is limited.\n\nSubtitled “Emotional and Political Lives,” Disparate Action was first produced in 1980 under the auspices of the New York City theater company Mabou Mines. Two friends and roommates, “Chris” (Chris Kraus) and “Tom” (Tom Yemm), living in a small apartment in the East Village, stage a lecture-demonstration that attempts to come to grips with the end of ideology, the mediatization of US politics and their own domestic lives. Tom is a graduate student in post-Frankfurt School philosophy. Chris is an aspiring actor who works part-time in a topless bar. Mixing borrowed texts from Robbe-Grillet, Boris Savonkov’s biography of the Russian revolutionary terrorist Dora Brilliant, Ulrike Meinhof, Patty Hearst and others, and featuring a Ritual Circle that contains a large gorilla mask, they stage a series of “games” that they believe will bring them closer to the truth than any discourse. The play originally ran for four weeks at Mabou Mines’ ReCherChez Studio to some local acclaim. This is its first reprise.\n\nThis performance coincides with the publication of Disparate Action/Desperate Action by Semiotext(e).\n\n– Chris Kraus’ most recent novel is The Four Spent the Day Together. Her other books include the literary biography After Kathy Acker, I Love Dick and Where Art Belongs. She is a co-editor of the independent press Semiotexte alongside Hedi El Kholti and she is currently teaching writing at Deep Springs College.",
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    },
    {
      "@type": "ScreeningEvent",
      "@id": "https://zeitgeists.org/event/33bbd0bc-e12a-4217-a48f-1ccf7e96c9e8",
      "identifier": "33bbd0bc-e12a-4217-a48f-1ccf7e96c9e8",
      "name": "How to Save a Dead Friend / A Ghost Story",
      "url": "https://www.cinema.ucla.edu/events/how-to-save-a-dead-friend-a-ghost-story-2026-11-01",
      "startDate": "2026-11-02T03:00:00.000Z",
      "location": {
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      "description": "While the white sheet has become an icon of the returning dead, it also stands in the place of projection. The sheet, stretched like a translucent canvas, is a reminder of the first public exhibitions where shadowy figures suddenly appeared on or behind its surface. The screen, like the sheet, becomes the membrane through and onto which the figure of the ghost takes shape, confounding our ability to distinguish the figure (the ghost-as-sheet) from the ground (the screen-as-sheet). But while the sheet may serve as the connective tissue between a living audience and the dead, the image or shadows that congregate on screen stir up trouble for the living. Tonight’s films explore the convergence of touch (or the inability to touch) with the ghostly and our changing relationship with the past and the dead.—*Kriss Ravetto-Biagioli, Martine Beugnet*\n\nOver a 12-year span (2004–2016), Marusya Syroechkovskaya documented her relationship with Kimi, the young man who became her friend, companion and husband. While documentary practice became the filmmaker’s lifeline, Kimi, like so many young Russians growing up under an increasingly autocratic regime, was caught in a spiral of self-destruction and drug addiction. The film’s subtitle, *a message from a silenced generation*, signals the refusal to provide any closure that would exorcise ghosts and free oneself from the past. Instead, the filmmaker creates a space where a dead friend returns to tell a story that is also the story of a lost generation.\n\nDCP. Director/Screenwriter: Marusya Syroechkovskaya. With: Marusya Syroechkovskaya, Kirill Morev.\n\n*A Ghost Story* is unusual in its use of the now dated, shrouded ghost, featuring Casey Affleck donning a plain white sheet with two black holes in lieu of eyes. While a deceptively simple narrative — a man (known only as C) dies and returns to haunt the house he lived in with his wife (M, played by Rooney Mara) — the film’s poignancy stems from its account of loss and grief, the cohabitation of death and life epitomized by the sharing of a mundane household object, and the sheet that hides and reveals live, inanimate and absent bodies.\n\nDCP. Director/Screenwriter: David Lowery. With: Casey Affleck, Rooney Mara.",
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        },
        {
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          "name": "A Ghost Story",
          "duration": 93,
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          "year": 2017
        }
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        "description": "a person kneeling on the floor onto an orange couch. they are not wearing a shirt. they have a tattoo that says born slippy on their left shoulder"
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    },
    {
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      "name": "F. W. Murnau’s Faust at 100 with a live score by Julianna Barwick",
      "url": "https://www.academymuseum.org/en/programs/detail/f-w-murnaus-faust-at-100-with-a-live-score-by-julianna-barwick-019fce83-299b-ab7d-c1f2-b65b04058a41",
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      "description": "Meernaa  is the moniker of LA-based musician Carly Bond, blending elements of R&B, jazz, psychedelic rock, folk, art rock, and pop to create a genre-defying sound. Her music delves into themes of emotional evolution, personal growth, and introspection. In June 2019, they released their debut album, Heart Hunger, drawing inspiration from Bond's personal experiences and family history. Their follow-up album, So Far So Good, was released on October 6, 2023, through Keeled Scales. Pitchfork describes So Far So Good as \"a more soulful, introspective collection of folk songs whose fingerpicked guitar, gauzy synth lines, and swooping string arrangements diffuse like smoke.\"\n\nMeernaa has actively toured, performing at various venues and festivals, and they've shared the stage with artists like Deep Sea Diver, Helado Negro, Nilüfer Yanya, Sam Evian, Miya Folick, and Luke Temple. Carly Bond also co-owns Altamira Sound, a recording studio in Alhambra, California, where she engineers and produces music.\n\nWebsite:  https://meernaa.bandcamp.com/\n\nVideo:  https://www.youtube.com/watch?v=tJzIpy3hIeU\n\nPaul Spring  is a songwriter and guitarist based in New York City. He has released 7 albums in the last 5 years ranging from classical to electronic, before recently settling into guitar based folk. In 2021 he released  J.S. Bach 12 String Transcriptions , supporting it with a 2 year long weekly residency in Manhattan’s Burp Castle. Between 2023’s  Always Almost Home  “meshing 90s pop and Bach” ( MPR ) and the “hidden pop gem” ( Irish Times ) of 2022ʼs  Thunderhead , Spring experimented with minimal electronic production and folk.  Aquarium Drunkard  called his album, 2024’s  River Flows Two Ways , “a singular fresh offering as well as a catalogue introduction of sorts.” It accompanied a canoe tour down the Hudson River. In 2024 and 2025 he recorded  Kind of Heaven  and  Dumb and Free  with drummer and co-producer Jon Nellen. In the summer of 2025, Paul put out an album of original music entirely in Classical Latin entitled Vita Brevis. He has also appeared as a session guitarist and co-writer on Blackthought and El Michels Affair’s  Glorious Game,  and his guitar playing was sampled on releases by Kenny Beats, Vic Mensa, Sofia Valdez, and Kirby.\n\nWebsite:  https://paulspringmusic.com/\n\nVideo:  https://www.youtube.com/watch?v=797YwlJW3a8&list=RD797YwlJW3a8&start_radio=1\n\nSteven van Betten  is a songwriter living in Los Angeles who’s taken aim on storytelling. From reflections of the American West to the depths and intimacies of human relationships, his lyrics reveal the magic hidden in mundane day-to-day life. Born and raised in Blue Diamond, Nevada—a tiny, rural, desert community—his music is inspired by time spent playing guitar in rocky canyons, taking breaks to climb the sandstone and search for swimming holes in the sweltering sun. Echoing across dim, lamplit living rooms, his solo shows are vulnerable, tender, and brutally honest.\n\nWhile it’s easy to connect some of what he does to a tradition of folk greats like Randy Newman or Towns van Zandt, there’s undoubtedly a modern boundary that Steven is pushing. Deeply experimental and informed by contemporaries like Luke Temple and Sufjan Stevens, there’s hardly a category he fits into neatly. You can’t predict whether a given song will make you chuckle or tear up, but he has a way of being reliably emotional and potent.\n\nWebsite:  http://www.stevenkaivanbetten.com/\n\nVideo:  https://www.youtube.com/watch?v=o_1Zf4tcJNk\n\nDoors at 7:30pm\n\n$20 \n\nAdvance tickets available  here !\n",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "A PLAY BY CHRIS KRAUS\n\nWith\n\nCHRIS KRAUS\n\nBARRY DEL SHERMAN\n\nROBERT DEWHURST\n\nBOTH SHOWS ARE SOLD OUT. Please join the waitlist to be informed about open seats or additional shows.\n\n$15 – Seating is limited.\n\nSubtitled “Emotional and Political Lives,” Disparate Action was first produced in 1980 under the auspices of the New York City theater company Mabou Mines. Two friends and roommates, “Chris” (Chris Kraus) and “Tom” (Tom Yemm), living in a small apartment in the East Village, stage a lecture-demonstration that attempts to come to grips with the end of ideology, the mediatization of US politics and their own domestic lives. Tom is a graduate student in post-Frankfurt School philosophy. Chris is an aspiring actor who works part-time in a topless bar. Mixing borrowed texts from Robbe-Grillet, Boris Savonkov’s biography of the Russian revolutionary terrorist Dora Brilliant, Ulrike Meinhof, Patty Hearst and others, and featuring a Ritual Circle that contains a large gorilla mask, they stage a series of “games” that they believe will bring them closer to the truth than any discourse. The play originally ran for four weeks at Mabou Mines’ ReCherChez Studio to some local acclaim. This is its first reprise.\n\nThis performance coincides with the publication of Disparate Action/Desperate Action by Semiotext(e).\n\n– Chris Kraus’ most recent novel is The Four Spent the Day Together. Her other books include the literary biography After Kathy Acker, I Love Dick and Where Art Belongs. She is a co-editor of the independent press Semiotexte alongside Hedi El Kholti and she is currently teaching writing at Deep Springs College.",
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      "name": "Portrait of a Lady on Fire",
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      "description": "France, 1760. Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Because she is a reluctant bride-to-be, Marianne arrives under the guise of companionship, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse’s first moments of freedom. Héloïse's portrait soon becomes a collaborative act of and testament to their love. \n\nWinner of a coveted Cannes prize and one of the best reviewed films of the year, PORTRAIT OF A LADY ON FIRE solidifies Céline Sciamma as one of the most exciting filmmakers working in the world today. Noémie and Adèle Haenel turn the subtle act of looking into a dangerous, engrossing thrill, crafting the most breathtaking and elegant performances of the year. To watch Marianne and Héloïse fall in love is to see love itself invented onscreen. With contemporary themes in period dress, PORTRAIT OF A LADY ON FIRE is one of the greatest love stories ever told.",
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      "name": "Living with Loss: A Grief Support Circle",
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      "description": "Tuesday Men's Club is a gathering for men to sit in meditation, have an honest conversation, and enjoy each other's company. Men of all ages (our group ranges from 27 to 82) gather after work every other Tuesday. Some nights we talk about integrity, grief, or what it means to show up. Other nights it's managing screen time, coaching Little League, parenting teenagers, staying in shape, or dealing with tennis elbows.\n\nThe format is simple: we introduce ourselves, we meditate, we talk, and then we eat ice cream.\n\nWe meet the 1st and 3rd Tuesdays of each month at 7pm at the Wende Museum. No experience with meditation or group work is required. Drop-ins are welcome.\n\nMore at [tuesdaymensclub.com](http://tuesdaymensclub.com)",
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      "description": "Ever wanted to dive into Manly Hall's work, but weren't sure you could commit to a whole class? PRS presents a twice monthly reading group!",
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      "name": "LABC Presents: Wildlife Crossing",
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      "description": "Join us for our weekly mindfulness meditation. Whether you are new to meditation or already have experience we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum Community Center\n\nYou do not have to join all sessions but can join as your schedule allows. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nWhat is mindfulness? Mindfulness is being fully present to your life instead of being on autopilot. Our mind tends to rehash the past and to rehearse the future. There is nothing wrong with that except that it does it too much and it keeps us from being with what is actually happening right in this moment. We can feel like life is passing us by and we miss a lot of good moments with family and friends, in nature and just throughout the day. When we are present we become better listeners and observers and will make better choices, big and small. People who regularly practice mindfulness meditation report overall stress levels going down and being able to deal with whatever comes their way in a better, healthier way. They also feel more connected and more joyful.\n\nWe practice this through mindfulness meditation where we train the mind to stay with an anchor, like the sensations of the breath. Eventually the mind will calm down and so will the body. We learn tools to be with a busy mind, challenging emotions, and even physical pain. We can access peace, calm and joy that arises independently of what’s going on in our lives at this time.\n\n**Teacher Bio:**\n\nChristiane Wolf is an internationally known mindfulness and Insight (Vipassana) meditation teacher. Originally from Berlin, Germany, she is a longtime proud resident of Culver City where her three children attended (or still attend) CCMS and CCHS.\n\nChristiane was trained as an OB/GYN in Germany but pivoted to not only practicing mindfulness meditation but then teaching it, mainly through InsightLA.\n\nShe was trained and mentored by Trudy Goodman, Jack Kornfield, Jon Kabat-Zinn, Gil Fronsdal and others.\n\nChristiane is the author of *Outsmart Your Pain – Mindfulness and Self-Compassion to Help You **Leave Chronic Pain Behind* and the coauthor of *A Clinician’s Guide to Teaching Mindfulness*, a classic training manual for mindfulness teachers.\n\nCheck [www.christianewolf.com](https://www.christianewolf.com/) for more info.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. To avoid disruption, late arrivals may not be admitted. Please arrive early as RSVP does not guarantee admission to this free program.*",
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      "description": "Whether you are new to meditation or already have experience, we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum’s Community Center. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nThis Sound Bath is designed as a continuation of Christiane Wolf’s regular Wellness Wednesday session. We will begin together with a visualization for inner peace, followed by a guided relaxation of the body to help release tension, and finish by relaxing together to sound from live instruments tuned specifically to help you find peace. Please wear comfortable clothes. Floor space is limited for those who wish to lie down for the full experience, but you are welcome to bring a yoga mat, pillow, and blankets.\n\n**Teacher Bio:**\n\nKris Matsuoka is a Los Angeles native and a graduate of Art Center College of Design in Pasadena. He lives and works in Culver City, California.\n\nWhile working in the creative industry, Kris was always asked the same question: “How do you come up with your ideas?” That led to an ongoing exploration of a second question: “Where do ideas even come from?” Looking into the lives of his favorite artists and mentors, Kris found one common thread. They had all turned to meditation at some point, and discovered that “not knowing” is a nice place to be.\n\nThrough the practice of meditation, Kris has seen how it can sharpen our perception of the world and reconnect us with nature. Sound meditation has become his most recent area of focus. For the past decade, he has hosted Sound Baths, workshops, and classes that use sound to invoke a sense of wonder and help people relax. Kris has found that in a relaxed, free, and peaceful state, your best ideas come most clearly.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. Please arrive early as RSVP does not guarantee** admission to this free program.*",
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      "description": "[tickets](https://pools.events/t/ci5gowlc/)\n\nPretty but Wicked presents *Normal Dreams*, a new performance by dancer Liana Zhen-Ai and musician Astrid Sonne. First presented as a part of the *Pairings* series at **La Mama Experimental Theatre Club** in New York, curated and produced by Cameron Sczempka, now brought to London via Club Cheek and Qu Junktions. Expect never heard before songs, movement, noise, props and a video call from the big apple.\n\n**About Liana Zhen-Ai **\n\nLiana Zhen-ai is a Brooklyn/London-based dancer and interdisciplinary artist from Los Angeles. She has performed as a soloist with choreographers Holly Blakey, Andrea Miller, and Akira Uchida. Her dancing has been featured in Vogue US, NOWNESS, and Face Magazine, and in venues including MoMA, Lincoln Center, Southbank Centre, and Théâtre Chaillot de Nationale. Liana’s work uses the lenses of new materialism and object-oriented ontology to interrogate shame, nature, and narrative. Her choreographic practice sits at the intersection of dance, dramaturgy, and scholarship, and her work has been presented at Prototype Festival, Amant, Center for Performance Research, and Green-Wood Cemetery in collaboration with the New York Philharmonic. \n\nA**bout Astrid Sonne**\n\nAstrid Sonne is a Danish, London based composer and viola player. Throughout her acclaimed discography, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On her most recent album *Great Doubt* (January 2024) this skill is refined, now with the distinct addition of the composer's own vocal in the fore. The tone of each track is unmistakably Sonne’s, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse, merely highlighting different scenes or emotional states of being, leaving the music to fill in the blanks. Yet they also form a pattern of ambiguity, consolidated through the album title, searching for answers through looking at how and what you are asking, questions for the world, questions of love.\n\n\t\t\n\n\t\n\t\t\n\t\n\n\t\n\t\t\n\t\t\t\n\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\n\t\n\n\t\t\t\t\t\t\n\t\t\t\t\t\t\tAdd to calendar\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\n\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tGoogle Calendar\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tiCalendar\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tOutlook 365\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\tOutlook Live",
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      "name": "PEACE CLASS with Mandy Kahn",
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      "description": "Ever had a crappy job with an even crappier boss who made you feel disposable, powerless, and exploited? Whether you're bagging groceries, writing code, delivering food, or cleaning hotel rooms, Fired Up About Unions is your invitation to join the labour movement and understand how young people are paving the way for unions that are more democratic, inclusive, and ready to fight. \n\nPrivate companies and politicians try to convince us that unions are outdated institutions run by outsiders, but young people aren't buying it. We know that unions are built by workers, for workers. Unions remain one of the most powerful tools workers have to fight for dignity, democracy, and a fair share of the wealth they create. In workplaces around the world, young people are leading a wave of bold union campaigns to win real power on the job. From coffee shops and classrooms to warehouses and hospitals, we are witnessing the next generation of workers coming together to win better pay, safer conditions, and job security in increasingly unstable economies. Fired Up About Unions is a practical beginner’s guide to what unions are, how they work, and why they matter. This is your call to action and guide to building worker power.\n\nCole Rockarts is a labour educator, organizer, and writer. They have worked in public and private sector unions in Canada and the US since 2016. They have written about unions, politics, and working people for RankandFile.ca, Briarpatch, and SpringMag. Fired Up About Unions is their first book. They live in Los Angeles.\n\nSandy Hudson is a multidisciplinary creative, writer, and activist with a talent for inspiring others to imagine just futures. The founder of  Black Lives Matter-Canada, Sandy also co-founded the Black Legal Action Centre, a specialty legal aid clinic, which provides direct legal services and test case litigation for Black communities in Ontario, Canada. Sandy is currently based in Los Angeles and is Co-Executive Producer of the 8-part CBC documentary series Black Life: A Canadian History, a partner with Above the Palace Productions, and serves as the Director of Strategic Planning for the Wildseed Centre for Art & Activism. She is the author of Defund: Black Lives, Policing, and Safety for All.",
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      "description": "Followed by a conversation with writer-director **Gregg Araki**\n\nErika Tracy (Olivia Wilde) is LA's hottest artist—her erotic art is more popular than ever, and her reputation for sleeping with her studio assistants is an open secret. Enter Elliot (Cooper Hoffman), a dopey 20-something desperate for a job in the arts and, namely, to pay his rent. Soon after Erika hires Elliot, she propositions him for sex and introduces him to BDSM, catapulting him into a dizzying labyrinth of power dynamics in the bedroom and at the studio.\n\nGregg Araki's seminal Teen Apocalypse Trilogy (1993–97) transfixed a generation—reflecting the nihilism of American youth who grew up under Ronald Reagan, amid the threat of AIDS, and were really pissed off. Now, at 67, Araki's latest film shows how that '90s anger has shifted into a pervasive unease for Gen Z—economically and sexually—and the complications that arise when those two things collide. Never losing empathy for the characters or a sense of humor, Araki achieves the delicate balance of a raucous send-up of the art world, workplace dynamics, and sexual power in the way only a distinctive auteur can.\n\n2026. Directed by Gregg Araki. Screenplay by Araki, Karley Sciortino. With Cooper Hoffman, Olivia Wilde, Chase Sui Wonders. DCP courtesy Magnolia Pictures. 90 min.\n\n**$10 Hammer members | $20 general admission **\nCurrent members, check your email for your link to buy tickets, or contact [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu).\n\nGeneral admission tickets go on sale Monday, October 19 at 11 a.m.\n\n**Enhance your movie experience as a member!** Hammer Members receive priority seating and half-off Contenders tickets—plus discounts at the museum store and Lulu restaurant. \n\n[Become a member](https://hammer.ucla.edu/support/membership)\n\n*MoMA Contenders 2026* is organized by The Museum of Modern Art, New York. This film program is organized by Rajendra Roy, the Celeste Bartos Chief Curator of Film, Sean Egan, Senior Producer, Film Exhibitions and Projects, and Olivia Priedite, Film Program Coordinator, The Museum of Modern Art, New York.\n \nThe Hammer Museum's presentation is made possible by The Billy and Audrey L. Wilder Foundation.",
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      "description": "The 23rd annual [New Original Works](https://www.redcat.org/node/1914) kicks off with a program of works by **Alfonso Abraham Cervera and Irvin Manuel Gonzalez**, **Scottie Harvey **and **Jeonghyeon Joo**. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Alfonso Abraham Cervera and Irvin Manuel Gonzalez**\n\n***las cosas que enter(r)amos***\n\nDrawing on Latinx American social and folk dance, storytelling, and contemporary dance, **Alfonso Abraham Cervera** and **Irvin Manuel Gonzalez** explore the (im)materiality of belonging in this new dance duet. Partners in life and on dance floors, they use movement to tell stories that foreground cuir/queer Mexicanidades. *las cosas que enter(r)amos *centers rhythm, aesthetics, and the body as sites of memory, mourning, and resistance. Set in Latinx nightlife, the duet presents grooving and exchange as living altars that honor past and present cuir/queer lives and transborder *movidas* (moves that expand possibilities for worldmaking). Rooted in *rascuachismo*—a Chicanx working-class aesthetic of creative resourcefulness—the duo dances between remembering and re-membering.\n\n**Scottie Harvey**\n\n***Hole Gazers***\n\n*Hole Gazers* is a comedic satire about fantasy, surveillance, and life online. Wearing a Halloween muscle costume, **Scottie Harvey** plays the role of MAN—a gay porn star—who feels violated when he finds his likeness is being used in workplace accident prevention videos. Alone in his claustrophobic apartment, MAN begins messaging the anonymous animator, who has crafted his online avatar, and imagines an escape from his life through the chat box of their relationship. Combining humor, animation, and performance, this piece probes the absurdity and possibility of safety and connection in our slippery virtual world. \n\n**Jeonghyeon Joo**\n\n***how to bathe properly***\n\n*how to bathe properly* is a solo work for *haegeum*, a two-string instrument, performed in a staged Korean sauna. The piece extends the gesture and sound of bowing an instrument to the repetitive, vigorous body scrubbing offered in a *jjimjilbang*, or Korean spa. As water flows onstage, **Jeonghyeon Joo **(Musical Arts PhD 2023) turns the private ritual of bathing into a public performance. Proposing that the labor of being spotless is an endless cycle of erasure, Joo asks what is left behind when we attempt to scrub away the history of our own skin. \n\nNOW 2026: Week One* will be presented as one shared program of all three works on Thursday, Friday, and Saturday. *\n\n*Please note: *las cosas que enter(r)amos* contains strobe lights, nudity, mature content, and dried herbs; *how to bathe properly* contains mature content; *Hole Gazers* contains mature content.*\n\n[NOW 2026: Week Two](https://www.redcat.org/events/now-2026-week-two) / [NOW 2026: Week Three](https://www.redcat.org/events/now-2026-week-three) / [NOW 2026](https://www.redcat.org/node/1914)",
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      "description": "**Participants must bring their own yoga mat, and are encouraged to also bring a towel to pad their knees and yoga blocks if desired.**\n\nJoin our new weekly yoga session; all experience levels welcome! Yoga is a practice that builds strength, flexibility, and focus while calming the mind and restoring balance to the body. Through mindful movement and breathwork, it supports physical health, reduces stress, and cultivates a deeper sense of well-being that carries into daily life. Each class offers a chance to reset, recharge, and reconnect.\n\nKate is a certified yoga instructor with teaching experience at Cliffs of Id, Iconic Fitness, Red Diamond Yoga, Downtown Women’s Center, and Stoneview Nature Center. Her classes combine gentle warm-ups, smooth flow sequences of strength-building poses, and restorative cool-downs, creating an accessible practice that leaves students grounded, energized, and renewed.\n\n*As this event takes place during museum open hours, guests may check in at the front of the museum. The garden side gate will open 15 minutes before the start time and is available for ADA access and alternative check-in. Theater doors open 15 minutes before the start time. Seating is first come, first served. An RSVP does not guarantee admission once capacity is reached. No late entry.*",
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      "name": "Imperialist Realism with Daniel Bessner",
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      "description": "Imperialist Realism explores how Americans have come to accept their global empire not because they believe in its righteousness but because they believe no alternative to U.S. hegemony is possible.\n\nWhat does it feel like to live in a moment in which it is easier to imagine the end of the world than it is to imagine the end of the U.S. Empire? By analyzing the theory and practice of U.S. foreign policy, Imperialist Realism provides theoretical and empirical accounts of modern empire, liberalism, and global affairs. \n\nDaniel Bessner is an historian and journalist. He is currently the Anne H.H. and Kenneth B. Pyle Associate Professor in American Foreign Policy in the Henry M. Jackson School of International Studies at the University of Washington. He is the author and editor of numerous books, including Imperialist Realism: Politics and Culture at the End of the American Century (Zero, 2026).",
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      "name": "Hallowe'en Spooktacular",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "Obsession",
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      "description": "In the movie *Big*, Tom Hanks made a wish and became a man-child. In *Obsession*, Bear makes a wish and gets a psychotic girlfriend. The ultimate cautionary tale about seeing the world with rose-colored glasses, *Obsession *marks yet another blockbuster in the Blumhouse canon. Written, directed, and edited by the perversely clever Curry Barker, and apparently inspired by an episode of *The Simpsons*, *Obsession *is not only genuinely shocking and funny and best served in a cinema packed with horror fans, it’s also a trenchantly observant look at romance, sex, and basic human interaction—or lack thereof—among Gen Zers.\n\n2026. USA. Written and directed by Curry Barker. With Inde Navarrette, Michael Johnston, Megan Lawless, Cooper Tomlinson. DCP courtesy Focus Features. 109 min.\n\n**$10 Hammer members | $20 general admission **\nCurrent members, check your email for your link to buy tickets, or contact [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu).\n\nGeneral admission tickets go on sale Monday, October 19 at 11 a.m.\n\n**Enhance your movie experience as a member!** Hammer Members receive priority seating and half-off Contenders tickets—plus discounts at the museum store and Lulu restaurant. \n\n[Become a member](https://hammer.ucla.edu/support/membership)\n\n*MoMA Contenders 2026* is organized by The Museum of Modern Art, New York. This film program is organized by Rajendra Roy, the Celeste Bartos Chief Curator of Film, Sean Egan, Senior Producer, Film Exhibitions and Projects, and Olivia Priedite, Film Program Coordinator, The Museum of Modern Art, New York.\n \nThe Hammer Museum's presentation is made possible by The Billy and Audrey L. Wilder Foundation.",
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      "description": "Written and directed by\n\nGEORGIA FORD\n\nJOE APOLLONIO\n\nTYLER GOULDEN\n\nJESSIE-ANN KOHLMAN\n\nLINDSEY NORMINGTON\n\nSUZANNE FLETCHER\n\n&\n\nTOBIAS SPICHTIG\n\nMusic and sound design\n\nMK VELSORF\n\nCostumes\n\nNATASHA NEWMAN-THOMAS\n\nProducer\n\nJACOB PINCUS\n\n$35 – Seating is limited.\n\n$19 tickets available for audiences ages 26 and under.\n\nWelcome to Hotel Play\n\nNow accepting guests\n\nSingle Occupancy\n\nDouble Occupancy\n\nExtended stays\n\nCash only. Pay nightly.\n\nNo questions asked.\n\nNo check out time.\n\nEach room comes furnished with one bed, one door, and no view.\n\nOur rooms are private, inexpensive, and suitable for guests who do not wish to be found.\n\nThe room has been here a long time.\n\nAmenities include:\n\nA loaded gun.\n\nA handful of pills.\n\nA bottle.\n\nA pack of cigarettes.\n\nA game with no board.\n\nGuests are encouraged to:\n\nDraw the curtains.\n\nLock the door.\n\nSmoke in bed.\n\nPractice in the mirror.\n\nMake false promises.\n\nRooms are serviced between occupants.\n\nCertain stains may be more difficult to clean. Others spread. This is normal.\n\nThe hotel does not offer refunds.\n\nThank you for staying.\n\nWe hope you got what you came for.",
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      "name": "Alfonso Abraham Cervera and Irvin Manuel Gonzalez, Scottie Harvey, Jeonghyeon Joo - NOW 2026",
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      "description": "The 23rd annual [New Original Works](https://www.redcat.org/node/1914) kicks off with a program of works by **Alfonso Abraham Cervera and Irvin Manuel Gonzalez**, **Scottie Harvey **and **Jeonghyeon Joo**. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Alfonso Abraham Cervera and Irvin Manuel Gonzalez**\n\n***las cosas que enter(r)amos***\n\nDrawing on Latinx American social and folk dance, storytelling, and contemporary dance, **Alfonso Abraham Cervera** and **Irvin Manuel Gonzalez** explore the (im)materiality of belonging in this new dance duet. Partners in life and on dance floors, they use movement to tell stories that foreground cuir/queer Mexicanidades. *las cosas que enter(r)amos *centers rhythm, aesthetics, and the body as sites of memory, mourning, and resistance. Set in Latinx nightlife, the duet presents grooving and exchange as living altars that honor past and present cuir/queer lives and transborder *movidas* (moves that expand possibilities for worldmaking). Rooted in *rascuachismo*—a Chicanx working-class aesthetic of creative resourcefulness—the duo dances between remembering and re-membering.\n\n**Scottie Harvey**\n\n***Hole Gazers***\n\n*Hole Gazers* is a comedic satire about fantasy, surveillance, and life online. Wearing a Halloween muscle costume, **Scottie Harvey** plays the role of MAN—a gay porn star—who feels violated when he finds his likeness is being used in workplace accident prevention videos. Alone in his claustrophobic apartment, MAN begins messaging the anonymous animator, who has crafted his online avatar, and imagines an escape from his life through the chat box of their relationship. Combining humor, animation, and performance, this piece probes the absurdity and possibility of safety and connection in our slippery virtual world. \n\n**Jeonghyeon Joo**\n\n***how to bathe properly***\n\n*how to bathe properly* is a solo work for *haegeum*, a two-string instrument, performed in a staged Korean sauna. The piece extends the gesture and sound of bowing an instrument to the repetitive, vigorous body scrubbing offered in a *jjimjilbang*, or Korean spa. As water flows onstage, **Jeonghyeon Joo **(Musical Arts PhD 2023) turns the private ritual of bathing into a public performance. Proposing that the labor of being spotless is an endless cycle of erasure, Joo asks what is left behind when we attempt to scrub away the history of our own skin. \n\nNOW 2026: Week One* will be presented as one shared program of all three works on Thursday, Friday, and Saturday. *\n\n*Please note: *las cosas que enter(r)amos* contains strobe lights, nudity, mature content, and dried herbs; *how to bathe properly* contains mature content; *Hole Gazers* contains mature content.*\n\n[NOW 2026: Week Two](https://www.redcat.org/events/now-2026-week-two) / [NOW 2026: Week Three](https://www.redcat.org/events/now-2026-week-three) / [NOW 2026](https://www.redcat.org/node/1914)",
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      "name": "MORBID WEEKEND (2026) West Coast Premiere!",
      "url": "https://www.whammyanalog.com/events/morbid-weekend-2026-west-coast-premiere",
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      "description": "In the film, a pizza delivery person (Greg Diaz) dies while on the job, leaving three orders unfulfilled. Mourning him, a young woman (Rosie Wilt) spends a lost weekend donning and doffing multiple sullen personas—a pierrot, an ill-fated grunge star, a Chanel-suited First Lady. As she explores grief through cosplay, the spectre of the driver returns to finish his work. Those awaiting their orders—a handful of loners spangled across California’s San Gabriel Valley—receive their pizzas, and perhaps, an encounter with the beyond.\n\nMORBID WEEKEND weds contemplative duration and passages of experimental abstraction with ghost story spookiness and sly humor. The film explores the roles we play at work, in our creative practices, and when we think no one else is around. It features music by one of LA’s best bands, 2070, and a driving minimalist score by Brian Sullivan (Mouthus, United Waters). Luca Cioci’s stunning photography captures the soft blue evenings of LA’s other valley—a mountain-hugged expanse east of Hollywood and inland from the coast. The film’s cast boasts a mix of LA-based filmmakers, musicians, writers, designers, and craftspeople, as well as canine and feline celebrities.\n\n**dir. Chris Shields, 2026**\n*United States, digital projection*\n68 min\n\n**FRIDAY, 11/6 · 7:30 DOORS · 8:00 SCREENING · Cast & crew in attendance! Q&A led by filmmaker Devon Green.**\n\n## $12 general admission.\n\n***Basic*** *&* ***Microcinephile*** members, please log-in to your account at checkout for your discounts to apply*.* Don't have a membership? Get one *[here](https://shop.whammyanalog.com/pages/get-a-membership)*.\n\n*****Whammy!*** *is located at* **1***2***00 N Alvarado St***, near the intersection of Sunset & Alvarado and in between Tierra Mia Coffee and Manly & Sons Barbershop. Street parking only, please* ***do not park*** ***in the library parking lot****, as your vehicle will get locked in when the library closes. The corner of Sunset & Alvarado is served by 3 major bus lines*, the** 2, the ***4****, and the* ***93.***",
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      "name": "RADIO GALAXY",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "Historic Downtown: Old Buildings, New Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/historic-downtown-walking-tour-2026-11-07",
      "startDate": "2026-11-07T17:45:00.000Z",
      "location": {
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      },
      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-07T20:15:00.000Z",
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      "image": {
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      },
      "zeitgeists": {
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        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/2fd4a9e3-658d-408b-b836-cfee615c6d8e",
      "identifier": "2fd4a9e3-658d-408b-b836-cfee615c6d8e",
      "name": "Angelino Heights: L.A.’s Secret Victorian Neighborhood",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/angelino-heights-walking-tour-2026-11-07",
      "startDate": "2026-11-07T17:45:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd"
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      "description": "Angelino Heights: L.A.’s Secret Victorian Neighborhood\n\nExplore this hidden neighborhood of stunning Victorian homes, one of L.A.’s oldest suburbs.\n\nWhen most people think of a Los Angeles neighborhood, they don’t picture rows of graceful, Easter egg-colored Victorian mansions perched in rows on hilly streets. Yet that’s exactly what you’ll find in the 19th-century neighborhood of Angelino Heights, home to L.A.’s best remaining examples of Victorian architecture and a tightly knit community. Considered a best-kept secret even amongst locals, tourgoers will have plenty to take pictures of—including the exteriors of some very recognizable homes, such as those seen in the TV series, Charmed, and the music video for Michael Jackson’s “Thriller.”\n\nThis tour has limited capacity and sells out quickly! Consider booking a private tour for friends and family. Rates start at $240 for 12 people. Learn more. →\n\nSee below for more important information.\n\nRoute covers about one mile; includes one moderate hill and some stairs\n\nExteriors are wheelchair accessible; interiors are not wheelchair accessible\n\nNo pets allowed in home interiors.\n\nMeeting location: We will start our tour at the Old Fire Station in Angelino Heights. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-07T20:00:00.000Z",
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      "image": {
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        "url": "https://www.laconservancy.org/wp-content/uploads/2013/05/Haskins-House_Larry-Underhill.png"
      },
      "zeitgeists": {
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        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/a79e7994-8500-473b-8cc9-ac7e5fe1fed2",
      "identifier": "a79e7994-8500-473b-8cc9-ac7e5fe1fed2",
      "name": "Curtains Up on Broadway: L.A.’s Historic Theatre District",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/curtains-up-on-broadway-l-a-s-historic-theatre-district-2026-11-07",
      "startDate": "2026-11-07T18:00:00.000Z",
      "location": {
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      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-07T20:45:00.000Z",
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      },
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        "zeitgeists:region": {
          "name": "Los Angeles",
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          "timezone": "America/Los_Angeles"
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    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/3ad2a3b5-8290-422d-bce0-2492a8e3746f",
      "identifier": "3ad2a3b5-8290-422d-bce0-2492a8e3746f",
      "name": "LA NDN Flea  A Native Market",
      "url": "https://www.thebroad.org/events/la-ndn-flea-native-market",
      "startDate": "2026-11-07T18:00:00.000Z",
      "location": {
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      "description": "**Your favorite Indigenous makers’ market is back at The Broad, in collaboration with The Chapter House.**\n\nGet a head start on holiday shopping at **LA NDN Flea – A Native Market** and celebrate National Native American History Month. Modeled after flea markets that can be found on many reservations, this market which takes place in spring and fall each year features unique, handcrafted goods by local and visiting Indigenous makers, from recycled clothing and handcrafted jewelry to original art and much more. Enjoy family artmaking inspired by Broad collection artist [**Jeffrey Gibson**](https://www.thebroad.org/art/jeffrey-gibson) (Mississippi Band of Choctaw Indians and Cherokee) and take home a free, limited-run poster featuring his work. \n\nConnect with local Indigenous groups, dance to curated DJ sets, and enjoy food and beverage vendors. Nonprofit organizations and resource groups providing community support and information will also be onsite.  \n\n**To Be Announced Soon: Vendor, Food and Beverage Vendors, and Orgs/Resources List**\n\n**PLUS! **After a weekend supporting Indigenous artists, spend Sunday evening across the street at **REDCAT **with a bellyful of laughs and a face full of false lashes at [**Sage-Based Drag Night**](https://www.thebroad.org/sage-based-drag-night) with **Jana Schmieding **(Lakota), **Brian Bahe** (Diné/Hopi/Tohono O’odham), **Landa Lakes** (Chickasaw), **Lady Shug** (Navajo), **Big Mama Tama** (Hawaiian/Tahitian/Filipino/Chinese), and **Bohenne Arreaux** (Jena Choctaw). Sage-Based Drag Night is separately ticketed, and space is limited. Get more info and tickets [here](https://www.redcat.org/events/sage-based-drag-night).\n\nCo-presented by\n\n## Family Artmaking Workshop\n\nKids and families can participate in a hands-on art activity inspired by Jeffrey Gibson. Explore who you are through bold colors, patterns, and words. Think about your history, culture, community, and most importantly, what makes you, you! Include a special song lyric, a historic quote, or a meaningful saying as you bring your flag to life using Gibson’s signature, symbol-like lettering.\n\n## Free Poster Giveaway\n\nPick up your free, limited-run poster featuring the powerful and vibrant artwork, *She Never Dances Alone *(2020), by Broad collection artist **Jeffrey Gibson**.\n\n## Know Before You Go\n\nYour free general admission ticket includes same-day access to the event, The Broad’s third-floor collection galleries, and The Shop at The Broad. The museum’s first-floor galleries will be closed for installation. \n\nTickets to this event do not include access to Yayoi Kusama’s* Infinity Mirror Room—The Souls of Millions of Light Years Awa*y (2013) and must be [booked separately](https://ticketing.thebroad.org/events/d13ede87-7c3b-38d9-9cf7-7801cbbd44cd).       \n\nTo learn more and plan your trip, visit [Know Before You Go & FAQ](https://www.thebroad.org/visit/know-you-go-faq). Visitor policies are subject to change.\n\n## Image Credits\n\nImage: Still from Jeffrey Gibson, *She Never Dances Alone*, 2020. Nine-channel video installation featuring Sarah Ortegon HighWalking; soundtrack: “Sisters” (2013) by The Halluci Nation featuring Northern Voice; 2:50 min. The Broad Art Foundation © Jeffrey Gibson",
      "endDate": "2026-11-08T01:00:00.000Z",
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      },
      "zeitgeists": {
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    {
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      "@id": "https://zeitgeists.org/event/baf5ddf5-c123-4e34-8c88-6f76b77bfc8d",
      "identifier": "baf5ddf5-c123-4e34-8c88-6f76b77bfc8d",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-11-07",
      "startDate": "2026-11-07T18:15:00.000Z",
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      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-07T20:45:00.000Z",
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      },
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    },
    {
      "@type": "TheaterEvent",
      "@id": "https://zeitgeists.org/event/5c286729-882f-40e5-aa78-ee72ece88bbf",
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      "name": "Hallowe'en Spooktacular",
      "url": "https://ci.ovationtix.com/35787/production/1284748?performanceId=11847750",
      "startDate": "2026-11-07T18:30:00.000Z",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "SOMATIC BASICS w/ kendra adler",
      "url": "https://www.eventbrite.com/e/somatic-basics-w-kendra-adler-tickets-1980150193533",
      "startDate": "2026-11-07T19:00:00.000Z",
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      "description": "Get in touch with the sensory experience of your body through experiential anatomy, authentic movement, and moving elemental meditations",
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      "name": "Union Station: America’s Last Great Train Station",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/union-station-americas-last-great-train-station-2026-11-07",
      "startDate": "2026-11-07T19:00:00.000Z",
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      "description": "Union Station: America’s Last Great Train Station\n\nTake a ride back in time to see the last great train station ever built.\n\nLos Angeles’ Union Station was the last great railway station built during the golden age of rail travel, and it stands at a crossroads in L.A. history, straddling the city’s early decades and its emergence as a world-class metropolis. It bursts at the seams with historical figures and significant stories, as well as stunning spaces to explore. You’ll visit the former Fred Harvey Restaurant, a stunning example of late Art Deco design and a site that provided women with rare work opportunities outside the home. You’ll gain exclusive access to the grand Ticketing Concourse, where passengers purchased tickets alongside soldiers headed to war, and pass through the Waiting Room en route to Union Station’s modern wing. Along the way, you’ll see newly restored architectural details and interior spaces familiar from decades of film and television spots.\n\nArchitecture lovers who appreciate the fusion of Art Deco, Mission Revival, and Streamline Moderne. Travel and transportation history buffs interested in the golden age of rail travel. Design and craftsmanship aficionados who appreciate restored architectural details.\n\nSee below for more important information.\n\nRoute covers about one mile total walking; no stairs or inclines\n\nIncludes exteriors and interiors(Subject to availability)\n\nNo pets allowed. Except for service animals.\n\nWe will start our tour at Union Station. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "name": "The Haunted Mansion",
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      "name": "Drop-in Workshop for Families: Día de Muertos with Lil’ Libros",
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    {
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      "name": "Hallowe'en Spooktacular",
      "url": "https://ci.ovationtix.com/35787/production/1284748?performanceId=11847768",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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    },
    {
      "@type": "LiteraryEvent",
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      "identifier": "2e960fa2-0e13-4e0c-a38d-716fa060d1a8",
      "name": "Catalog Release and “Readings” with Susan Silton and Dana Johnson",
      "url": "https://lamag.org/catalog-release-and-readings",
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      "description": "Saturday, Nov 7, 2 – 3 pm\n\nTo celebrate the release of the exhibition catalog for Susan Silton: Diving into the Wreck join the artist and writer Dana Johnson for a performance reading of Johnson’s story Later and Later, Longer Than Ever.\n\nRSVP HERE\n\nlamag@lacity.org\n\n(323) 644-6269\n\n4800 Hollywood Boulevard Los Angeles, CA 90027\n\nThursday – Sunday,\n\n11- 4 p.m. and by appointment.\n\nClosed during installation and\n\nfor all official City holidays",
      "endDate": "2026-11-07T23:00:00.000Z",
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      "name": "The Little Mermaid",
      "url": "https://www.oldtownmusichall.org/all-programs",
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      "description": "1989 • This is the film that helped kick off Disney’s modern animation run, and you can feel the confidence in the music and the storytelling. It won two Oscars, one for the score and one for “Under the Sea,” and the songs still play like hits because they were built like Broadway numbers. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "name": "Rossellini Through His Own Eyes (Rossellini visto da Rossellini)",
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    },
    {
      "@type": "Festival",
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      "identifier": "80aa3fc9-43f8-471f-a3d6-0c88d4a9cd09",
      "name": "Self Help Graphics & Art’s 53rd Annual Día de los Muertos Celebration",
      "url": "https://www.selfhelpgraphics.com/upcoming-events/110726-dod",
      "startDate": "2026-11-07T23:00:00.344Z",
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      "description": "Presented by Self Help Graphics & Art in partnership with the Smithsonian Folklife Festival and the Smithsonian's National Museum of the American LatinoSelf Help Graphics & Art | Outdoors*1300 1st St, Los Angeles, CA 90033* Outdoors on the block of Anderson Street, right outside Self Help Graphics & Art’s Boyle Heights building REGISTER HERE Self Help Graphics & Art is excited to announce that its 53rd Annual Día de los Muertos Celebration will take place just outside our Boyle Heights home, block party style, on Saturday, November 7, 2026! While we will reopen our doors in 2027, join us as we begin our homecoming to our Boyle Heights neighborhood.Self Help Graphics & Art’s 53rd Annual Día de los Muertos Celebration will start with a procession at 2 PM, led by Danza Azteca Chicomecoatl. Join us as we continue this longtime tradition and walk from Mariachi Plaza to our permanent home on the corner of 1st Street and Anderson Street, where the celebration will take place outdoors on the block of Anderson Street from 3-10 PM.This year’s communal gathering will feature live music and dance as ofrendas (offerings) to our ancestors, community altars of remembrance and resistance by local community members, Muertos Market featuring local artists and artisans, Self Help Graphics prints for sale, local food vendors, face painting, art activities, and more!This year’s Día de los Muertos season will kick off in October at the East Los Angeles Library, with five Saturday community art workshops (October 3, 10, 17, 24, and 31) where you and your loved ones can engage in traditional Día de los Muertos crafts.This year, Self Help Graphics & Art is honored to participate in Of the People: The Smithsonian Festival of Festivals, a community of festivals across the country showcasing the nation’s remarkable cultural landscape. This partnership brings the spirit of the Smithsonian Folklife Festival—the institution’s largest and longest-running event— to community festivals in several states and territories across the country. As one of the longest-running public celebrations of Día de los Muertos in the United States, this year’s celebration stays true to its social justice roots. We honor our ancestors and uplift the living communities they nurtured through immersive, intercultural programming — free and for all-ages. More details on the season’s lineup are coming soon. In the meantime, get your free season tickets today!ABOUT SELF HELP GRAPHICS & ART’S 53RD ANNUAL DÍA DE LOS MUERTOS CELEBRATIONAs one of the longest-running public celebrations of Día de los Muertos in the United States, Self Help Graphics & Art’s 53rd Annual Día de los Muertos Season honors our ancestors and uplifts the living communities they nurtured through immersive, intercultural programming—free and for all-ages. To learn more about this year’s season, including the Saturday community workshops in October at the East LA Library, and the celebration outside Self Help Graphics & Art on Saturday, November 7, 2026, visit our website: https://www.selfhelpgraphics.com/diadelosmuertosACKNOWLEDGEMENTThis project received funding from the Smithsonian’s “Our Shared Future: 250,” a Smithsonian-wide initiative supported by private philanthropy and created to commemorate the nation’s 250th anniversary and advance the Smithsonian vision for the next 250 years.Additional support provided by The Enrique and Lucy Family Foundation.",
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      "name": "When the Holy Family Went Viral",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "Citizen Kane",
      "url": "https://www.oldtownmusichall.org/all-programs",
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      "description": "1941 • Introduction by Author Harlan Lebo • Nominated for nine Academy Awards and winner for its screenplay, this is one film that’s worth seeing on a big screen.   • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "description": "**Mount Wilson Observatory and the Los Angeles Astronomical Society host occasional free public star parties at the observatory.**\n\nCome join us for a public star party and spend a relaxing evening in the San Gabriel Mountains under the stars looking through telescopes provided by the members of the Los Angeles Astronomical Society!  This event is a fundraiser to support the outreach of the Mount Wilson Observatory and Los Angeles Astronomical Society. Donations are accepted at the front gate.\n\n#### **No RSVP necessary!**\n\n### **BE AWARE:**\n\nVisiting information and driving directions with a map can be found [here.](https://www.mtwilson.edu/visiting/)\n\nBring the kids as this is an event for the whole family. But please leave your dogs at home.\n\nThe Star Party will be held in the upper parking lot of Mount Wilson Observatory. The rest of the Observatory grounds will be closed to the public.\n\nBring red flashlights to use in the dark areas around the telescopes.\n\n**This event DOES NOT give access to the 60 inch or 100 inch telescopes. The Observatory grounds will be CLOSED and star party visitors will only be allowed in the upper lot, lower lot, and cafe area.**\n\nThe observatory is at an elevation of 5,700 feet. Those with heart or respiratory issues should exercise caution when visiting.\n\nThe event is handicapped accessible. Please inform the parking lot attendant when you arrive.",
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      "description": "*Presented by the UCLA Film & Television Archive and the Hammer Museum*\n\nJust as every memorable dinner harmonizes textures and flavors to create something more than the sum of its parts — of the type that feels like “a kind of love affair” — so too does Danish director Gabriel Axel’s *Babette’s Feast*. A dash of piety, a splash of romance, a hint of heartache, a touch of splendor, and generous portions of human frailty and desire all come together in Axel’s framing, Henning Kristiansen’s cinematography and the delicate performances of its outstanding cast to make you fall in love with the movies and dining, all over again. We’re pleased to present this Academy Award-winning classic of the culinary screen to mark the fifth anniversary of Lulu at the Hammer Museum.\n\n*Programmed and note written by Senior Public Programmer Paul Malcolm.*\n\nDirector: Gabriel Axel. Screenwriter: Gabriel Axel, Annemarie Aaes. With: Stéphane Audran, Bodil Kjer, Birgitte Federspiel.",
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      "name": "Forever Wildland Fest",
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      "description": "Forever Wildland Fest returns to Los Angeles.\n\nBuilt by wildland firefighters and driven by a passion for independent music, Forever Wildland Fest brings together punk, hardcore, and underground artists for a full night of loud, fast, unforgettable music.\n\nForever Wildland was created with one philosophy in mind:  Music First. Purpose Always.  While the music is at the heart of everything we do, a portion of every ticket sold, merchandise purchased, and sponsorship supports  Grassroots Wildland Firefighters , helping give back to the people who protect our forests and public lands.\n\nWhether you've been with us since year one or this is your first Forever Wildland Fest, we can't wait to welcome you for another unforgettable night of independent music, community, and discovering your next favorite band.\n\nLineup:\n\nMUGGER\n\nGYLT\n\nSPARKLER\n\nMemory Leak\n\nDoors at 7:30pm\n\n$20 in advance / $25 at the door\n\nAdvance tickets available  here !",
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      "name": "Hotel Play",
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      "description": "Written and directed by\n\nGEORGIA FORD\n\nJOE APOLLONIO\n\nTYLER GOULDEN\n\nJESSIE-ANN KOHLMAN\n\nLINDSEY NORMINGTON\n\nSUZANNE FLETCHER\n\n&\n\nTOBIAS SPICHTIG\n\nMusic and sound design\n\nMK VELSORF\n\nCostumes\n\nNATASHA NEWMAN-THOMAS\n\nProducer\n\nJACOB PINCUS\n\n$35 – Seating is limited.\n\n$19 tickets available for audiences ages 26 and under.\n\nWelcome to Hotel Play\n\nNow accepting guests\n\nSingle Occupancy\n\nDouble Occupancy\n\nExtended stays\n\nCash only. Pay nightly.\n\nNo questions asked.\n\nNo check out time.\n\nEach room comes furnished with one bed, one door, and no view.\n\nOur rooms are private, inexpensive, and suitable for guests who do not wish to be found.\n\nThe room has been here a long time.\n\nAmenities include:\n\nA loaded gun.\n\nA handful of pills.\n\nA bottle.\n\nA pack of cigarettes.\n\nA game with no board.\n\nGuests are encouraged to:\n\nDraw the curtains.\n\nLock the door.\n\nSmoke in bed.\n\nPractice in the mirror.\n\nMake false promises.\n\nRooms are serviced between occupants.\n\nCertain stains may be more difficult to clean. Others spread. This is normal.\n\nThe hotel does not offer refunds.\n\nThank you for staying.\n\nWe hope you got what you came for.",
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    {
      "@type": "DanceEvent",
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      "name": "Alfonso Abraham Cervera and Irvin Manuel Gonzalez, Scottie Harvey, Jeonghyeon Joo - NOW 2026",
      "url": "https://www.redcat.org/events/now-2026-week-one",
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      "description": "The 23rd annual [New Original Works](https://www.redcat.org/node/1914) kicks off with a program of works by **Alfonso Abraham Cervera and Irvin Manuel Gonzalez**, **Scottie Harvey **and **Jeonghyeon Joo**. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Alfonso Abraham Cervera and Irvin Manuel Gonzalez**\n\n***las cosas que enter(r)amos***\n\nDrawing on Latinx American social and folk dance, storytelling, and contemporary dance, **Alfonso Abraham Cervera** and **Irvin Manuel Gonzalez** explore the (im)materiality of belonging in this new dance duet. Partners in life and on dance floors, they use movement to tell stories that foreground cuir/queer Mexicanidades. *las cosas que enter(r)amos *centers rhythm, aesthetics, and the body as sites of memory, mourning, and resistance. Set in Latinx nightlife, the duet presents grooving and exchange as living altars that honor past and present cuir/queer lives and transborder *movidas* (moves that expand possibilities for worldmaking). Rooted in *rascuachismo*—a Chicanx working-class aesthetic of creative resourcefulness—the duo dances between remembering and re-membering.\n\n**Scottie Harvey**\n\n***Hole Gazers***\n\n*Hole Gazers* is a comedic satire about fantasy, surveillance, and life online. Wearing a Halloween muscle costume, **Scottie Harvey** plays the role of MAN—a gay porn star—who feels violated when he finds his likeness is being used in workplace accident prevention videos. Alone in his claustrophobic apartment, MAN begins messaging the anonymous animator, who has crafted his online avatar, and imagines an escape from his life through the chat box of their relationship. Combining humor, animation, and performance, this piece probes the absurdity and possibility of safety and connection in our slippery virtual world. \n\n**Jeonghyeon Joo**\n\n***how to bathe properly***\n\n*how to bathe properly* is a solo work for *haegeum*, a two-string instrument, performed in a staged Korean sauna. The piece extends the gesture and sound of bowing an instrument to the repetitive, vigorous body scrubbing offered in a *jjimjilbang*, or Korean spa. As water flows onstage, **Jeonghyeon Joo **(Musical Arts PhD 2023) turns the private ritual of bathing into a public performance. Proposing that the labor of being spotless is an endless cycle of erasure, Joo asks what is left behind when we attempt to scrub away the history of our own skin. \n\nNOW 2026: Week One* will be presented as one shared program of all three works on Thursday, Friday, and Saturday. *\n\n*Please note: *las cosas que enter(r)amos* contains strobe lights, nudity, mature content, and dried herbs; *how to bathe properly* contains mature content; *Hole Gazers* contains mature content.*\n\n[NOW 2026: Week Two](https://www.redcat.org/events/now-2026-week-two) / [NOW 2026: Week Three](https://www.redcat.org/events/now-2026-week-three) / [NOW 2026](https://www.redcat.org/node/1914)",
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      "name": "RADIO GALAXY",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "\"A Private Collection\" / IMMORAL TALES",
      "url": "https://www.americancinematheque.com/now-showing/a-private-collection-immoral-tales-11-07-2026",
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      "description": "### **ABOUT THE FILMS:**\n\n**“A Private Collection,” 1973, Dir. Walerian Borowczyk, 14 Mins, Tamasa Distribution, France**\n\n*In French with English subtitles.*\n\nA witty and eye-opening tour through Borowczyk’s own collection of vintage erotica. “A Private Collection” marks the turning-point between Borowczyk’s career as a highly-regarded animator and surrealist filmmaker, and his subsequent career in the sexploitation field.\n\nRestored in 4K in 2026 by Friends of Walerian Borowczyk at Fixafilm laboratory, from a 35mm internegative and the original 35mm negative. Funding provided by Polski Instytut Sztuki Filmowej.\n\nFORMAT: DCP\n\n**IMMORAL TALES, 1974, Dir. Walerian Borowczyk, 126 Mins, AGFA, France**\n\n*In French with English subtitles.*\n\nThe first explicitly erotic feature from the notorious director of THE BEAST, IMMORAL TALES presents a veritable calvacade of depravity in four stories. Structured in reverse chronological order as if to suggest the same issues recur constantly throughout human civilization, whether involving notorious historical figures like Lucrezia Borgia and Erzsébet Báthory, or present-day teenagers, IMMORAL TALES would transform Walerian Borowczyk’s image from brilliant but obscure avant-garde artist to one of Europe’s most confrontational filmmakers when it came to trampling on sexual taboos.\n\nFORMAT: DCP",
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      "name": "Samizdat Sundays",
      "url": "https://wendemuseum.org/event/samizdat-sundays-2-2-2-2-2/2026-11-08",
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      "description": "Join us for *Samizdat Sundays*, hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each session offers a different project, connecting archival stories of subversion with contemporary making.\n\nEach session is free, open to all skill levels, and guided by artists who delight in subversion and play. Come for one or come for all, and together we’ll stitch, alter, repair, and imagine new forms of expression.\n\n**November 8: Moon Flags**\n\nThe new exhibition, “Competing Cosmologies,” explores the intersection of art and science during the Cold War, a time of space exploration and interplanetary dreaming, when people were mistaking floating balloons for alien spaceships and writers, painters, and screenwriters were imagining clashes with martians and other creatures from far off galaxies (who almost always had bodies and faces that were similar to ours, with two eyes, two arms, and two legs), all while governments were in a race to put men (and dogs!) into space and onto the moon. The race to the moon was, apparently, in part a race to place a flag on the moon, which is what Buzz Aldrin did in 1969’s Apollo 11 mission, when he planted the United States flag (brought in a “flag transportation assembly”) on the moon before blasting off back to Earth. Aldrin later said that he suspected the flag was blown down during the blast off, but even if it still stands, it is most likely bleached out to white as some of the other nylon moon flags have done since, thanks to the powerful, unmitigated rays of the sun. The US has placed six flags so far and China has placed one (in 2020) and I think it’s interesting to imagine the flags turned into the white flags of surrender, as everything ultimately surrenders to the sun and the processes of decay inherent in our beautiful, life-giving universe.\n\nFor today’s workshop, we’re going to make a flag to honor our celestial companion. Will your moon flag be in reverence of the moon or possessive of it? Will your flag be hung above your moon altar or tucked into a box and kept on your fireplace mantle, unfurled, perhaps, when you light a fire, a replicant of the blazing sun, in your fireplace? What do you imagine a flag to be? The moon to be? Will your flag be bleached by the sun’s rays, as the moon appears to be, or will it be full of Earth’s colors? Your flag may be a shoulder patch or a paper collage, or a full-fledged patchwork or embroidered flag, or perhaps an idea of a flag, held in space by concept rather than a physical thing. Let’s bring the brilliant celestial body of our night sky down to earth today!\n\n**November 15: What Is Above Is Below**\n\nAt the second-to-last regular season game at Dodgers Stadium this year, a wayward eared grebe flew into the game, landing on their belly in the center of the outfield. The grebe, it seemed, had mistaken the shiny green grass of the field for the aqueous plants on a placid lake, fooled by the day-for-night lights of the stadium, perhaps, as they made their migratory way to another part of the state. Fortunately, the poor fowl found their way out of the false pond and flew out of the stadium, presumably not much worse for their unfortunate belly flop.\n\nI thought of this when I was thinking of project ideas around the new “Competing Cosmologies” exhibition, which explores the intersection of art and science during the Cold War. This global competition has led to countless satellites being sent into outer space, our constellations cluttered with competing, unmanned space contraptions, some pointing down spying eyes, others sending down internet signals to bring access to the most remote regions of the earth. There are companies that want to send tens of thousands of satellite mirrors into space that would turn day to night anywhere (with precision, they claim) by reflecting the sun’s light onto the earth. How confused will we all be once the sky is filled with satellites and mirrors, when one is not wishing on a star but a satellite, and when there is no longer any “night” at all to hold the night sky?\n\nWe truly can see that what is above is below. The trash of our world now fills the skies. But here at Samizdat, we know that “trash” may be transformed into treasure, so today, let’s work with our discarded materials to turn “trash” into a two-sided, or perhaps two-facing map that represents the skyscape above and the landscape we live on. Perhaps your “map” is like the sky-moon-stars body of the ancient Egyptian goddess Nut as portrayed in tombs, or perhaps yours is like the remarkable Skidi Pawnee star chart at the Field Museum in Chicago, an animal hide marked with all of the visible stars in the North American sky, or perhaps your map will be like the cluster of dots hovering above an animal figure in the cave at Lascaux. What happens when we bring the stars and moon down to earth and carry them in our pockets? What happens when we imagine the mountains and oceans in the universe, when we see their undulations and rhythms in the spaces between stars and on the surface of the moon? Day-for-night, night-for-day; signals going back and forth; material above, material below (and what is “above” and what is “below” in our wall-less, roofless universe anyway?)…these are all notions to ponder as you make your map.\n\n**About the teaching artist**\n\nKate Ingold is an LA-based artist and poet working with the discarded, the damaged, and the worn out. Materials and methods include textiles, collage, photography, video, ceramics, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: *Relics for Future Rituals* and *Damaged Goods/Small Repairs*.\n\n*RSVPs for this free program do not guarantee admission. Limited seating is available on a first come, first served basis.*\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.*",
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      "name": "Hallowe'en Spooktacular",
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      "description": "****\n\n****\n\nHallowe’en Spooktacular is an hour-long, family-friendly boo-sical revue featuring over one hundred spirited puppets rallying to regale you with silly things on strings. With new thrills and curious creations, from Frankenstein’s monster’s toe-tapping inception to an out-of-this-world Venutian dreamscape, Hallowe’en Spooktacular beckons you to the place where imagination … lurks!  \n\n**When selecting your seats, please note the difference between seat types: **\n\n- **The MAGENTA seats are theater chair seats. **\n\n- **The GREEN seats are criss-cross-applesauce floor seating.**\n\n- **The LIGHT PINK seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. **\n\n- There are also two designated WHEELCHAIR SPACES (without chairs) on the floor next to the left and right sections.\n\n**Children ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. **\n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "2026 Latin Music Appreciation Day",
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      "name": "Clothed Figure Drawing at Heavy Manners Hosted by Bijou Karman (11/8)",
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      "startDate": "2026-11-08T19:00:00.000Z",
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      "description": "A 3 hour life drawing session hosted by Bijou Karman",
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      "name": "Metro Art x LAMAG: Susan Silton Art Tour on Plaza Level of Wilshire/Fairfax Station",
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      "description": "Sunday, Nov 8, 12 pm\n\nMetro Art commissioned artist Susan Silton will lead a tour of her artwork, WE,OUR,US, at the newly opened Wilshire/Fairfax Station. Silton will share her inspiration, creative process, and approach to making art for public spaces and how this work connects with her first major survey on view at Los Angeles Municipal Art Gallery. Metro TAP cards will be distributed to tour attendees. Attendees are encouraged to GO METRO to LAMAG following the event.\n\nlamag@lacity.org\n\n(323) 644-6269\n\n4800 Hollywood Boulevard Los Angeles, CA 90027\n\nThursday – Sunday,\n\n11- 4 p.m. and by appointment.\n\nClosed during installation and\n\nfor all official City holidays",
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      "name": "Sage Ni’Ja Whitson: Revival_ _Revival",
      "url": "https://18thstreet.org/event/revival__revival-event",
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      "description": "November 8, 2026 @ 1:00 pm\n\nFree + Open to the Public\n\n18th Street Arts Center presents Revival_ _Revival, A Black Trans Processional by internationally recognized artist Sage Ni’Ja Whitson (they/them). This moving performance travels across sacred historic sites in the once predominantly Black community of Santa Monica and activates them through spiritual music, movement, and ritual traditions led by Black queer and transgender communities.\n\nRevival_ _Revival makes its path by the sites once home to sacred buildings bulldozed by time and gentrification. With a live sound score, the performance mixes gospel, house music, hip hop, and voice to transmute memory, land, and water into new imaginings, new futures. By combining Black spiritual traditions with multiple Black music forms, the work amplifies what they describe as “a shared holy” and celebrates interwoven histories of gathering, resistance, and celebration. Revival_ _Revival will culminate at Ocean Bay Beach, where the processional becomes a fellowship.\n\n“Sage Ni’Ja Whitson’s work traces hidden stories across Santa Monica, showing the ways Black queer and trans communities have always shaped this city,” says Michael Ano, Deputy Director of Artistic Programs. “The processional is a way of moving through history—honoring what has been erased, celebrating what endures, and bringing together the sacred and the musical as a force for community and transformation.”\n\nAudience members are encouraged to wear white clothing and white masks.\n\nThe processional route will be accessible. More details will be released closer to the event date.\n\nArtist Bio\n\nSage Ni’Ja Whitson is a queer & transgender artist who conjures the sacred and conceptual in science, technology, and art. Whitson’s anti-disciplinary constellation of creative works has received international awards and recognition, including a DAAD Visual Arts Award, Creative Capital Award, two Bessie Awards, and a United States Artist Fellowship. They are a ritual leader and spiritual practitioner that draws from knowledges in Ifá, rootwork, and multi-indigenous medicines. Whitson’s work has been supported, commissioned, and awarded internationally including the Smithsonian Museum of African Art, the Experimental Media and Performing Arts Center, Montévídeo, and the California African American Museum. Whitson is a Full Professor of Black Study at UC Riverside. Learn more at www.theunarrivalexperiments.com.\n\nFunders and Partnering organizations\n\nFunders:\n\nMike Kelly Foundation for the Arts, LA County Department of Arts and Culture, The Andy Warhol Foundation, and Santa Monica Cultural Affairs\n\nSpacer\n\nPartnering Organizations:\n\nAbout 18th Street Art Center\n\n18th Street Arts Center amplifies the impact of artists on society. Conceived in 1988 as a radical think tank in the shape of an artist community by Linda Frye Burnham and Susanna Bixby Dakin, 18SAC supports artists from around the globe through its residency programs to imagine, research, and develop significant, meaningful new artworks and share them with the public. We provide artists the space and time to take risks, and to create experiences and partnerships that foster positive social change. For more information, please visit 18thstreet.org.\n\nAbout Quinn Research Center\n\nQuinn Research Center is an educational archive that includes photographs, newspaper clippings, pamphlets, letters and other items, collected by Dr. Alfred Quinn, a prominent educator and member of the Santa Monica community in the mid-late 20th century.\n\nCarolyne and Bill Edwards, as the founders and stewards of the Quinn Research Center, are actively seeking recognition of Santa Monica’s lost cultural heritage, which included a once thriving community of color.",
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      "description": "*Presented by the UCLA Film & Television Archive and the Yanai Initiative*\n\nRyusuke Hamaguchi’s first bona fide masterpiece and one of the best films of the 21st century, *Happy Hour* emerged from a workshop in 2013 with non-professional actors — some of whom ended up in the final film. Proof positive of the effectiveness of Hamaguchi’s improvisational, communal working method to this point in his career, there’s never a slack moment in its runtime of just over five hours as the group of women friends at its center navigate middle-age. Indeed, as Hamaguchi elevates his recurring themes of transition and change to sociological levels he seems to sharpen the drama’s intimacy and intensity.—*Senior Public Programmer Paul Malcolm* \n\nDCP. Director: Ryusuke Hamaguchi. Screenwriters: Ryusuke Hamaguchi, Tadashi Nohara, Tomoyuki Takahashi. With: Sachie Tanaka, Maiko Mihara, Hazuki Kikuchi.",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "description": "Whether you are new to meditation or already have experience, we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum’s Community Center. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nThis Sound Bath is designed as a continuation of Christiane Wolf’s regular Wellness Wednesday session. We will begin together with a visualization for inner peace, followed by a guided relaxation of the body to help release tension, and finish by relaxing together to sound from live instruments tuned specifically to help you find peace. Please wear comfortable clothes. Floor space is limited for those who wish to lie down for the full experience, but you are welcome to bring a yoga mat, pillow, and blankets.\n\n**Teacher Bio:**\n\nKris Matsuoka is a Los Angeles native and a graduate of Art Center College of Design in Pasadena. He lives and works in Culver City, California.\n\nWhile working in the creative industry, Kris was always asked the same question: “How do you come up with your ideas?” That led to an ongoing exploration of a second question: “Where do ideas even come from?” Looking into the lives of his favorite artists and mentors, Kris found one common thread. They had all turned to meditation at some point, and discovered that “not knowing” is a nice place to be.\n\nThrough the practice of meditation, Kris has seen how it can sharpen our perception of the world and reconnect us with nature. Sound meditation has become his most recent area of focus. For the past decade, he has hosted Sound Baths, workshops, and classes that use sound to invoke a sense of wonder and help people relax. Kris has found that in a relaxed, free, and peaceful state, your best ideas come most clearly.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. Please arrive early as RSVP does not guarantee** admission to this free program.*",
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      "description": "**November 12, 2026**\n\n7:30 PM\n\n‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾\n\n90 Minutes (No Intermission)\n\nPianist **Isata Kanneh-Mason**, one of the most in-demand artists of her generation, joins **Orpheus Chamber Orchestra** for a brilliant program that delivers Old World sophistication in a New York minute.The program features Mozart’s crowning Viennese concerto and is framed by Handel’s sparkling *Water Music *suites from London and a Haydn symphony custom-tailored for Paris, while Welsh composer and New York transplant Katie Jenkins brings a taste of home to *Elixir of Life* (Orpheus Commission).Experience exactly why Orpheus is celebrated as “the greatest chamber orchestra the world has ever heard” (*Town and Country),* championing new collaborations while honoring deep roots in classical history.\n\n**Pre-Show on The Plaza**\n\nPop in for pre-show music on The Plaza with Elemental Music! Pre-Show on the Plaza takes place 45 minutes before the BroadStage presentation.",
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      "name": "LAS MIGAS",
      "url": "https://thewallis.org/show-details/las-migas",
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      "description": "One of Spain’s most electrifying all-women ensembles, **Las** **Migas** is a powerhouse quartet that fuses traditional flamenco with bold contemporary sensibilities. With more than two decades on the road and multiple Latin GRAMMY wins (including for their latest album _Flamencas_), they’ve built a devoted global following with their explosive energy, signature black hats, and unmistakable theatrical flair. Their new program celebrates _Flamencas_, a passionate tribute to the essence of flamenco reimagined through a strikingly modern lens. Expect soaring vocals, fierce guitar work, propulsive percussion, and a stage presence that fills every inch of The Wallis. This is flamenco reimagined: sensual, powerful, and completely magnetic.\n\nExperience the full force of Las Migas as they carry this living tradition forward.",
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      "name": "Project Hail Mary",
      "url": "https://hammer.ucla.edu/programs-events/2026/project-hail-mary",
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      "description": "Followed by a conversation with directors **Phil Lord** & **Christopher Miller**\n\nGoing above and beyond for humanity is not what Ryland Grace (Ryan Gosling) signed up for. More content to hide in a classroom teaching high school science, Grace is thrust quite unwilling into space as Earth’s last hope for survival. Guided by a no-nonsense terrestrial leader in the form of Eva Stratt (Sandra Hüller in a show-stopping performance) and an exuberant extra-terrestrial partner in the form of Rocky (brilliantly performed and voiced by James Ortiz), our hero will discover if he has what it takes to save himself–and the rest of us in the process. Directed with wit and wonder by Phil Lord and Christopher Miller, based on the bestseller by Andy Weir.\n\n2026. USA. Directed by Phil Lord, Christopher Miller. Screenplay by Drew Goddard, Andy Weird. With Ryan Gosling, Sandra Hüller, James Ortiz. DCP courtesy Amazon MGM Studios. 156 min. \n\n**$10 Hammer members | $20 general admission **\nCurrent members, check your email for your link to buy tickets, or contact [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu).\n\nGeneral admission tickets go on sale Monday, October 19 at 11 a.m.\n\n**Enhance your movie experience as a member!** Hammer Members receive priority seating and half-off Contenders tickets—plus discounts at the museum store and Lulu restaurant. \n\n[Become a member](https://hammer.ucla.edu/support/membership)\n\n*MoMA Contenders 2026* is organized by The Museum of Modern Art, New York. This film program is organized by Rajendra Roy, the Celeste Bartos Chief Curator of Film, Sean Egan, Senior Producer, Film Exhibitions and Projects, and Olivia Priedite, Film Program Coordinator, The Museum of Modern Art, New York.\n \nThe Hammer Museum's presentation is made possible by The Billy and Audrey L. Wilder Foundation.",
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      "name": "RADIO GALAXY",
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      "startDate": "2026-11-13T04:00:00.000Z",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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    {
      "@type": "DanceEvent",
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      "name": "Brenda Barrios, Cody Perkins / Algorythm.Code, SUUVI - NOW 2026",
      "url": "https://www.redcat.org/events/now-2026-week-two",
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      "description": "The 23rd annual[ New Original Works](https://www.redcat.org/node/1914) continues with a program of works by by **Brenda Barrios**, **Cody Perkins / Algorythm.Code**, and **SUUVI**. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Brenda Barrios**\n\n***Muñequita Muy Muy***\n\nDrawing inspiration from her experience as a first-generation Mexican American, **Brenda Barrios** ‘** ***Muñequita Muy Muy* blends cultural symbolism, queerness, and disability into a celebration of healing and visibility. Barrios uses sculpture, dance, song, and storytelling to bring life-size replica dolls and a motorized truck onstage alongside live musicians and performers. Barrios composes and performs original music combining pop music and Mexican operatic vocal traditions with ranchera and rock en español, alongside extended vocal techniques including *el grito mexicano*. Her detailed, hyperrealistic sculptures transform familiar objects into *milagritos*—Mexican charms to meditate on how bodies hold histories of care, struggle, and evolution.\n\n**Cody Perkins / Algorythm.Code **\n\n***Motherboard***\n\nCan machines support empathy, rather than extraction? Choreographer, composer, and director **Cody Perkins / Algorythm.Code** (Art and Technology MFA) takes up this question about technology and intimacy in *Motherboard*. In this dance and music piece, performer **Gretch Ackerman** enters into an evolving relationship with the Motherboard shrine—an independent electronic device onstage that observes, responds to, and directs her body. Perkins draws a connection between women and machines, recognizing that both have historically been controlled and discarded within systems of power. Through movement, sound, ritual, and interaction with the Motherboard shrine, a shared history of exploitation evolves into a duet of care and exchange.\n\n**SUUVI**\n\n***REGENESIS***\n\n*REGENESIS* is a multidisciplinary work exploring the intertwined cycles of life, death, transformation, and renewal. Drawing connections between regenerating ecosystems and the continual processes of decay and emergence that shape the natural world, the work weaves **SUUVI**’s personal experience of grief and loss into a broader meditation on the processes of dissolution and renewal through which living systems continually transform. Composed, directed, and performed by multidisciplinary artist SUUVI, the work brings together original music for cello and electronics, live dancers and choreography by **Megan Paradowski**, cinematic projections and lighting design by **Matt Brown**, and painted elements by **Reed Gibson**, creating an immersive work that considers endings as part of an ongoing process through which new forms, memories, and possibilities emerge.\n\n*Please note: *Muñequita Muy Muy *contains flashing lights, loud sounds and mature content; *Motherboard *contains nudity and loud sounds; *REGENESIS* contains flashing lights, loud sounds and mature content.*\n\nNOW 2026: Week Two* will be presented as one shared program of all three works on Thursday, Friday, and Saturday.*\n\n[NOW 2026: Week One](https://www.redcat.org/events/now-2026-week-one) / [NOW 2026: Week Three](https://www.redcat.org/events/now-2026-week-three) / [NOW 2026](https://www.redcat.org/node/1914)",
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      "name": "Lightstruck: The Alchemical Furnace Of Jan Švankmajer (Pg 4)",
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      "name": "Hotel Play",
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      "description": "Written and directed by\n\nGEORGIA FORD\n\nJOE APOLLONIO\n\nTYLER GOULDEN\n\nJESSIE-ANN KOHLMAN\n\nLINDSEY NORMINGTON\n\nSUZANNE FLETCHER\n\n&\n\nTOBIAS SPICHTIG\n\nMusic and sound design\n\nMK VELSORF\n\nCostumes\n\nNATASHA NEWMAN-THOMAS\n\nProducer\n\nJACOB PINCUS\n\n$35 – Seating is limited.\n\n$19 tickets available for audiences ages 26 and under.\n\nWelcome to Hotel Play\n\nNow accepting guests\n\nSingle Occupancy\n\nDouble Occupancy\n\nExtended stays\n\nCash only. Pay nightly.\n\nNo questions asked.\n\nNo check out time.\n\nEach room comes furnished with one bed, one door, and no view.\n\nOur rooms are private, inexpensive, and suitable for guests who do not wish to be found.\n\nThe room has been here a long time.\n\nAmenities include:\n\nA loaded gun.\n\nA handful of pills.\n\nA bottle.\n\nA pack of cigarettes.\n\nA game with no board.\n\nGuests are encouraged to:\n\nDraw the curtains.\n\nLock the door.\n\nSmoke in bed.\n\nPractice in the mirror.\n\nMake false promises.\n\nRooms are serviced between occupants.\n\nCertain stains may be more difficult to clean. Others spread. This is normal.\n\nThe hotel does not offer refunds.\n\nThank you for staying.\n\nWe hope you got what you came for.",
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      "name": "Kafka’s Letter to His Father",
      "url": "https://cap.ucla.edu/event/kafkas-letter-his-father",
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      "description": "U.S. premiere of *Kafka's Letter to His Father*, a contemporary opera adapted from Franz Kafka's iconic letter. \n\nAdapted from Franz Kafka’s searing letter to his father, this **critically acclaimed opera transforms one of the 20th century’s most powerful literary documents into a gripping theatrical experience** exploring authority, vulnerability, and identity. As the inaugural opera of Far Away, Here, CAP UCLA’s new international opera initiative, *Kafka’s Letter to His Father* directed by Shayna Penn launches a program dedicated to contemporary works that expand the possibilities of opera across cultures, disciplines and forms.\n\n*Kafka’s Letter to His Father* premiered May 2, 2024, at the National Theater in Prague. The intimate opera explores a childhood marked by fear of an overpowering father and a struggle to conform to rigid ideals of masculinity. Through literary creation, Kafka finds a path toward freedom, escaping paternal authority through the act of writing.\n\nThe libretto uses minimalist language to transform Kafka’s monological letter into direct interactions, revealing a nonlinear arc from helplessness to liberation. Musically, the opera layers ambient electronics, synthesizers and acoustic instruments, with Kafka’s tenor voice, performed by Timur, set against a six-member baritone-bass choir representing the Father and a soprano voice representing the Mother, conducted by Fahad Siadat.\n\n    Image\n\n**About Far Away, Here: ***Kafka's Letter to His Father* is the inaugural production of Far Away, Here, CAP UCLA's new multi-year initiative presenting U.S. premieres of contemporary opera from Europe, Asia, and Latin America, curated by Timur Bekbosunov with Edgar Miramontes. **Learn more****.**\n\n*Kafka’s Letter to His Father *is a contemporary opera composed by Jiři Trtik, with a libretto by Jan Škrob, directed by Shayna Penn, conducted by Fahad Siadat, and produced by the Opera of Timur in collaboration with Brightwork Ensemble. The U.S. premiere will be presented by CAP UCLA at The Nimoy in Los Angeles from Thu, Nov 12–Sat, Nov 14, 2026.\n\n**Cast and creatives** \nComposed by Jiři Trtik (Czech Republic)\nLibretto by Jan Škrob (Czech Republic)\nIn collaboration with Brightwork Ensemble \nProduced by the Opera of Timur \nConducted by Fahad Siadat \nCostume Designer - Radka Salcmannová\nLighting designer - Derek Jones\nDirected by Shayna Penn \nKafka - TIMUR\nMother - Molly Pease\nFathers - TJ Sclafani, Kevin Allen, Kion Heidari, Scott Graff, David Peterson, Phil Meyer\nProduction Stage Manager - Darlene Miyakawa\nRépétiteur - Alyssa French\nConsulting producer - Aneta Campbell\n\n**Brightwork Ensemble **\nAron Kallay- piano\nShalini Vijayan- violin\nMaggie Parkins - cello\nWendy Richman - viola\nScott Worthington - bass\nmattie Barbier - trombone\nCory Hills - percussion\nIsaac Schankler - synth\n\nThe original production was directed by Josef Doležal, designed by Maxim Velčovský and commissioned by Narodni Divadlo and the Ministry of Culture, Czech Republic.\n\n    Image\n\nWith gratitude to our Founding Members: Fariba Ghaffari, Betsy Greenberg, Deborah Irmas, Raulee Marcus, Ronnie Rubin, Abby Sher, Anne-Marie Spataru",
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      "name": "\"Gavotte\" / LULU",
      "url": "https://www.americancinematheque.com/now-showing/gavotte-lulu-11-12-2026",
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      "description": "### **ABOUT THE FILMS:**\n\n**“Gavotte,” 1967, Dir. Walerian Borowczyk, 12 Mins, Friends of Walerian Borowczyk, France**\n\nTwo bored dwarves fight over a cushion.\n\nFORMAT: DCP\n\n**LULU, 1980, Dir. Walerian Borowczyk, 95 Mis, Studio TF1, France**\n\n*In French with English Subtitles.*\n\nThe story of a sexually-enticing young dancer who rises in society through her relationships with wealthy men, but later falls into poverty and prostitution, culminating in an encounter with Jack “the Ripper.”\n\nFORMAT: DCP",
      "disambiguatingDescription": "World Premiere of New 4K Restoration of LULU Co-presented with the Polish Cultural Institute New York ‘The Immoral Tales of Walerian Borowczyk’",
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    },
    {
      "@type": "Event",
      "@id": "https://zeitgeists.org/event/fe0ae596-4494-4179-956f-95ae3611787b",
      "identifier": "fe0ae596-4494-4179-956f-95ae3611787b",
      "name": "RED ALL NIGHTmare on 18th Street",
      "url": "https://18thstreet.org/event/the-irish-contemporaries-iv-opening-reception-2-2",
      "startDate": "2026-11-13T08:00:00.000Z",
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      "description": "November 13 – December 18, 2026\n\nHearth Gallery\n\n18th Street Arts Center\n\n1639 18th Street. Santa Monica, CA 90404\n\nFree + Open to the Public\n\nRED ALL NIGHTmare on 18th Street\n\nIn the sequel to Red Night, a group of monsters summons the Smile to displace and eliminate the inhabitants of a suburban home. Once they take over the house, the group meets their own violent end at the hands of the seemingly indestructible Smile. One of the victims escapes and the Smile is lured into a supernatural forest.\n\nThe forest comes to life in the form of colorful transforming monsters who perform a ritual to steal the Smile’s evil essence and transcend into zombie form. When a figure from his past comes back for Revenge, the two battle it out while being swarmed by a horde of zombies.\n\nRed Night is a horror film trilogy questioning the elevation of Individualism as an ideology–the prioritizing of the individual over the collective. Eugene Thacker’s concept of Horror as the unknown shapes our view of the world, with each of the films exploring a different concept: Red Night explored the world-for-us, whereas Red All Night explores the world-without-us. Each film widens the aperture: Individualism versus community expands to Individualism versus nature.\n\nRED ALL NIGHTmare on 18th Street features seven portals resembling the monstrous forest creatures sprawling their inflatable tentacles across the walls of the 18th Street Arts Center Hearth. In the mouth of each piece plays a short clip from the film, giving a glimpse into the realm of Red All Night.\n\nArtists Bio\n\nBeck+Col are a Los Angeles based artist duo who have been working exclusively in collaboration since 2014.\n\nBeck+Col have performed at numerous venues including the Hammer Museum, REDCAT, Human Resources and JOAN Los Angeles. Their work has been exhibited worldwide including the Royal College of Music in Sweden, Colección AMALITA in Buenos Aires and at Biquini WAX EPS in Mexico City.\n\nIn Spring of 2020, Beck+Col were the artists in residence for the San Diego International Airport Performing Arts Residency and represented LACE at the Art Los Angeles Contemporary fair. In 2021 they were the artists in residence at UNLV. B+C were one of LAPP’s Research and Development artists in Residence in 2022. In 2023, they had solo shows at Woodbury University, The Art Room and Angels Gate Cultural Center.\n\nTheir first feature length film Red Night was screened at Festival de Sci-Fi Terror y Fantasía (third place terror feature) in Bogota, Colombia, Another Hole In the Head Festival in San Francisco, CA and Bizarroland Festival (winner Golden Tentacle Award) in Orlando, FL, in 2023 and had its Los Angeles Premiere with LACE in 2024.\n\nIn 2025, Red Night was screened at Outsider Fest in Austin, TX, at LA MAMA in NYC as part of Creatures and at the Barrick Museum in Las Vegas alongside an installation of pieces from the film as part of the exhibition Color Made.\n\n​\n\nBeck received an MFA from CalArts in 2019 and Collin received an MFA from CSULA in 2014.\n\nhttps://www.beckandcol.com/\n\nhttps://www.rednightfilm.com/\n\nInstagram: @beckandcol",
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          "name": "Los Angeles",
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    },
    {
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      "identifier": "1bbd4b1e-37b2-445b-8b8f-8773e7e50f53",
      "name": "CONNECTING THE SOIL TOWERS: A Meandros Bike Ride",
      "url": "https://18thstreet.org/event/connecting-the-soil-towers-a-meandros-bike-ride",
      "startDate": "2026-11-13T18:00:00.000Z",
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      "description": "Friday, November 13 | 10AM – 3PM\n\n18th Street Arts Center\n\n1639 18th Street, Santa Monica, CA 90404\n\nFree + Open to the Public\n\nCONNECTING THE SOIL TOWERS: A Meandros Bike Ride is an urban bike ride traversing Los Angeles’s Ballona watershed while drawing connections between communities, ecologies, and soil.\n\nThis group bike ride will begin at the 18th Street Arts Center’s Meandros soil towers in Santa Monica; from 18SAC we will ride to the next sister soil tower at Crenshaw Dairy Mart; from there we will proceed to the soil tower at LA EcoVillage, and conclude at the site of the original Meandros soil tower—Metabolic Studio.\n\nThis ride will be taken over the course of a full day in segments and intervals where riders and soil-enthusiasts can join or drop-out at whichever segment they wish… OR, join us for the full 30-mile ride! The ride will conclude at Metabolic Studio’s Optimist Day celebration in Chinatown!\n\nMeandros exists as a means to reimagine urban ecological restoration in Los Angeles. Imagined by Lauren Bon and Metabolic Studio, Meandros prompts viewers to consider how the rainwater cycle, often disrupted by urban infrastructure, can be restored as a vital system within the urban environment. The project reflects on the material consequences of development, such as landslides and flooding, while proposing creative and ecological solutions to reconnect natural processes with urban living.\n\nThe Meandros columns stand as monuments to resilience and regeneration, offering a way to envision cities that work in harmony with natural systems rather than against them. Bicycle riding and bike-culture operate in a similar fashion. We ride to enact and envision a world in which humans live in closer harmony with their surroundings and environment.\n\nPartner organizations for this event includes: Metabolic Studio, Crenshaw Dairy Mart, and LA EcoVillage.\n\nEvent Schedule:\n\n10:00am – Meet at 18th Street Arts Center\n\n11:30am – Arrive at Crenshaw Dairy Mart\n\n1:00pm – Arrive at LA EcoVillage\n\n2:00pm – Optimist Day at Metabolic Studio",
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    {
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      "identifier": "00048081-ecb0-472e-96ca-0f415143e89d",
      "name": "Florence in Ruin: An Excavation",
      "url": "https://www.panoramaonview.org/events/florence-ruin-excavation",
      "startDate": "2026-11-13T19:00:00.000Z",
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      "description": "An exhibition staged in the theatre of the Velaslavasay Panorama\n\n***Florence in Ruin: An Excavation ***\n\nNovember 13, 2026 - December 19, 2026\n\nOpening reception & presentation: Thursday, November 12, 2026 7:30pm\n\n*Florence in Ruin: An Excavation* is an installation that organizes and displays a psychic fixation on the Alameda Corridor and the Port of Long Beach as a terminal for corruption, paranoia, petroleum industries, and the transmission of art history.\n\nThe installation will have an opening reception & presentation Thursday, November 12th, 2026, with an introduction by Norman Klein and Margo Bistis and a slideshow presentation by Sara Velas and Ruby Carlson of *Florence in Ruin—or—The Great Escape.*\n\n*Florence in Ruin: An Excavation* is staged in the theatre of the Velaslavasay Panorama November 13, 2026 - December 19, 2026 and accessible during open hours by appointment ([$7 suggested donation](https://www.tickettailor.com/events/panorama/1995114)).\n\nOpening reception: Thursday, November 12, 2026 7:30pm.\n\n[Tickets: $18 ](https://buytickets.at/panorama/2454048)(Free for VPES members with advance registration, email vpes[at]panoramaonview[dot]org for more information)\n\nArchivists Ruby Carlson and Sara Velas will present a 20 min. experimental slideshow *Florence in Ruin—or—The Great Escape* as the debut event for the exhibition *Florence in Ruin: An Excavation*, with an introduction and discussion by Norman Klein and Margo Bistis. This event is the inaugural iteration of the series *The Archival Phantasist,* co-curated by Sara Velas, Ruby Carlson, Norman Klein and Margo Bistis.\n\n*Florence in Ruin: An Excavation* is a part of the 2026 [Hyper SoCal](https://www.brandlibrary.org/hyper-socal) initiative, which brings awareness to nonprofit and municipal art venues supporting working artists in Southern California. The exhibition is made possible in part by the Andy Warhol Foundation for the Visual Arts and the [Velaslavasay Panorama Enthusiast Society](https://panoramaonview.org/support).",
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      "name": "Community Conversation: Horror, Representation, Culture, and the Stories We Tell",
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      "name": "Some Like It Hot in 4K",
      "url": "https://www.academymuseum.org/en/programs/detail/some-like-it-hot-019fcea3-ccaa-c2d2-ff8b-84cf0163a319",
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          "year": 1959,
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            "name": "Billy Wilder"
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      "name": "In Focus: Queer for Fear Live!",
      "url": "https://www.academymuseum.org/en/programs/detail/in-focus-queer-for-fear-live-019fdd24-5d9c-9faa-8ac4-dd2a684b07a3",
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        }
      }
    },
    {
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      "name": "RED ALL NIGHTmare on 18th Street – Opening Reception",
      "url": "https://18thstreet.org/event/the-irish-contemporaries-iv-opening-reception-2",
      "startDate": "2026-11-14T01:00:00.000Z",
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      "description": "Friday, November 13 | 5PM – 9PM\n\nHearth Gallery\n\n18th Street Arts Center\n\n1639 18th Street. Santa Monica, CA 90404\n\nFree + Open to the Public\n\nRED ALL NIGHTmare on 18th Street\n\nJoin us for the opening of Beck+Col’s RED ALL NIGHT: mare on 18th Street, an immersive installation transforming the Artists Hearth into a supernatural forest of monsters, inflatable tentacles, film, and horror.\n\nThe exhibition expands the world of Beck+Col’s Red Night horror trilogy, following a cast of monsters, zombies, and an indestructible entity known as the Smile. Seven creature-like portals will take over the Hearth, each revealing glimpses from RED ALL NIGHT and drawing visitors deeper into a world where individualism collides with community, nature, and the unknown.",
      "endDate": "2026-11-14T05:00:00.000Z",
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        }
      }
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      "name": "Surrealist Study Group (SSG) hosted by dama in the PRS Library",
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      "description": "Surrealist Study Group (SSG) is a critical inquiry into the works of women artists and writers associated with Surrealism",
      "endDate": "2026-11-14T05:00:00.000Z",
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    {
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      "name": "Justin Remer w/ Garon Cockrell, \"Weird Al Yankovic in 3-D (33 1/3)\"",
      "url": "https://skylightbooks.com/event/2026-11-13/justin-remer-w-garon-cockrell-weird-al-yankovic-3-d-33-13",
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      "description": "Featuring new interviews with Weird Al and previously unseen photos by drummer and band archivist Jon \"Bermuda\" Schwartz, this pocket-sized tribute to funny music's finest writer and performer is perfect for long-time fans AND the comedy-curious.\n\nIn 1984, \"Weird Al\" Yankovic released his second album, \"Weird Al\" Yankovic In 3-D, with a food-focused parody of Michael Jackson's iconic \"Beat It\" as its centerpiece. At the time, it seemed inevitable he would be known forever as \"The 'Eat It' Guy.\" However, Yankovic has defied the odds, lasting in show business for over 40 years.\n\nWriter and musician Justin Remer explores how the success of \"Eat It\" and \"Weird Al\" Yankovic in 3-D, changed the face of comedy music through its meticulously crafted, radio-ready parodies and pop-culture-savvy music videos. Remer looks at Weird Al's influences, analyzes each song on the In 3-D album, and revisits Weird Al's early AL-TV specials on MTV.\n\nJustin Remer is a writer, filmmaker, musician, and podcaster based in Los Angeles. He has produced over 50 music videos for artists in the New York antifolk scene, and started an independent record label, Weemayk Music. Justin's music has appeared in a Troma film and in the CBS drama The Good Fight. He is a host on the Skylight Books podcast.\n\nGaron Cockrell is an award-winning LGBTQIA writer, podcaster, producer, streamer, and pop culture nerd living in Los Angeles by way of small town Michigan.  He has two published books of genre fiction, Demonic and Other Tales [/book/9780692324868] and The Darkest Hours [https://skylightbooks.com/book/9781080997459]. He holds an MFA in Screenwriting, and has been a cast-member on the legendary podcast, Never Not Funny, for over 15 years. He also produces the much loved podcast How To Survive with Danielle and Kristine. He possesses a massive film and vinyl collection, plus he maintains an active social media presence that he uses to raise awareness for mental health and social issues, and to share his opinions on popular culture which no one has asked for.",
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      "name": "Missing Wiba / Campaign / Cameron Banda",
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      "description": "Preacher Lawson brings his stand-up comedy to The Wallis for a night of nonstop laughter. First breaking out on _America’s Got Talent_, Lawson delivers an evening of fast-paced stand-up drawn from family life, dating, and growing up in a military household. With his unmistakable physicality and quick comic instincts, he transforms personal experience into vivid, sharply observed storytelling that finds humor in the details of everyday life.\n\nExpect an unfiltered night of comedy shaped by his unique perspective and relentless sense of play. Lawson meets ordinary moments with outsized energy, turning them into stories that land with surprise and recognition.\n\n  \n\n* * *\n\n_This production is presented in association with The Comedy Zone._",
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      "description": "Followed by a conversation with writer-director **Ryûsuke Hamaguchi**\n\nBased on an exchange of letters between philosopher Makiko Miyano and medical anthropologist Maho Isono, Ryûsuke Hamaguchi beautifully depicts the remarkable chance encounter in Paris of Marie-Lou, a French nursing home director and caregiver, and Mari, a Japanese theater director facing terminal cancer. As they spend time together after a performance of one of Mari’s plays and at the nursing home where Marie-Lou implements a new program of radical empathy for the patients' bodies and souls against skeptical colleagues, both connect over longing, sentimental aspirations, and the sociopolitical strains that have driven their life choices and shaped their communities. *All of a Sudden* isn’t just a fascinating look into our era’s anxieties and injustices but a moving testimony to the power of human empathy in an era that may make you think there is none.\n\n2026. France/Japan/Germany/Belgium. Directed by Ryûsuke Hamaguchi. Screenplay by Hamaguchi, Léa Le Dimna; based on the book by Maho Isono, Makiko Miyano. With Virginie Efira, Tao Okamoto, Kyôzô Nagatsuka. DCP courtesy NEON. In French, Japanese; English subtitles. 196 min.\n\n**$10 Hammer members | $20 general admission **\nCurrent members, check your email for your link to buy tickets, or contact [membership@hammer.ucla.edu](mailto:membership@hammer.ucla.edu).\n\nGeneral admission tickets go on sale Monday, October 19 at 11 a.m.\n\n**Enhance your movie experience as a member!** Hammer Members receive priority seating and half-off Contenders tickets—plus discounts at the museum store and Lulu restaurant. \n\n[Become a member](https://hammer.ucla.edu/support/membership)\n\n*MoMA Contenders 2026* is organized by The Museum of Modern Art, New York. This film program is organized by Rajendra Roy, the Celeste Bartos Chief Curator of Film, Sean Egan, Senior Producer, Film Exhibitions and Projects, and Olivia Priedite, Film Program Coordinator, The Museum of Modern Art, New York.\n \nThe Hammer Museum's presentation is made possible by The Billy and Audrey L. Wilder Foundation.",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "Hotel Play",
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      "description": "Written and directed by\n\nGEORGIA FORD\n\nJOE APOLLONIO\n\nTYLER GOULDEN\n\nJESSIE-ANN KOHLMAN\n\nLINDSEY NORMINGTON\n\nSUZANNE FLETCHER\n\n&\n\nTOBIAS SPICHTIG\n\nMusic and sound design\n\nMK VELSORF\n\nCostumes\n\nNATASHA NEWMAN-THOMAS\n\nProducer\n\nJACOB PINCUS\n\n$35 – Seating is limited.\n\n$19 tickets available for audiences ages 26 and under.\n\nWelcome to Hotel Play\n\nNow accepting guests\n\nSingle Occupancy\n\nDouble Occupancy\n\nExtended stays\n\nCash only. Pay nightly.\n\nNo questions asked.\n\nNo check out time.\n\nEach room comes furnished with one bed, one door, and no view.\n\nOur rooms are private, inexpensive, and suitable for guests who do not wish to be found.\n\nThe room has been here a long time.\n\nAmenities include:\n\nA loaded gun.\n\nA handful of pills.\n\nA bottle.\n\nA pack of cigarettes.\n\nA game with no board.\n\nGuests are encouraged to:\n\nDraw the curtains.\n\nLock the door.\n\nSmoke in bed.\n\nPractice in the mirror.\n\nMake false promises.\n\nRooms are serviced between occupants.\n\nCertain stains may be more difficult to clean. Others spread. This is normal.\n\nThe hotel does not offer refunds.\n\nThank you for staying.\n\nWe hope you got what you came for.",
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    {
      "@type": "DanceEvent",
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      "name": "Brenda Barrios, Cody Perkins / Algorythm.Code, SUUVI - NOW 2026",
      "url": "https://www.redcat.org/events/now-2026-week-two",
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      "description": "The 23rd annual[ New Original Works](https://www.redcat.org/node/1914) continues with a program of works by by **Brenda Barrios**, **Cody Perkins / Algorythm.Code**, and **SUUVI**. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Brenda Barrios**\n\n***Muñequita Muy Muy***\n\nDrawing inspiration from her experience as a first-generation Mexican American, **Brenda Barrios** ‘** ***Muñequita Muy Muy* blends cultural symbolism, queerness, and disability into a celebration of healing and visibility. Barrios uses sculpture, dance, song, and storytelling to bring life-size replica dolls and a motorized truck onstage alongside live musicians and performers. Barrios composes and performs original music combining pop music and Mexican operatic vocal traditions with ranchera and rock en español, alongside extended vocal techniques including *el grito mexicano*. Her detailed, hyperrealistic sculptures transform familiar objects into *milagritos*—Mexican charms to meditate on how bodies hold histories of care, struggle, and evolution.\n\n**Cody Perkins / Algorythm.Code **\n\n***Motherboard***\n\nCan machines support empathy, rather than extraction? Choreographer, composer, and director **Cody Perkins / Algorythm.Code** (Art and Technology MFA) takes up this question about technology and intimacy in *Motherboard*. In this dance and music piece, performer **Gretch Ackerman** enters into an evolving relationship with the Motherboard shrine—an independent electronic device onstage that observes, responds to, and directs her body. Perkins draws a connection between women and machines, recognizing that both have historically been controlled and discarded within systems of power. Through movement, sound, ritual, and interaction with the Motherboard shrine, a shared history of exploitation evolves into a duet of care and exchange.\n\n**SUUVI**\n\n***REGENESIS***\n\n*REGENESIS* is a multidisciplinary work exploring the intertwined cycles of life, death, transformation, and renewal. Drawing connections between regenerating ecosystems and the continual processes of decay and emergence that shape the natural world, the work weaves **SUUVI**’s personal experience of grief and loss into a broader meditation on the processes of dissolution and renewal through which living systems continually transform. Composed, directed, and performed by multidisciplinary artist SUUVI, the work brings together original music for cello and electronics, live dancers and choreography by **Megan Paradowski**, cinematic projections and lighting design by **Matt Brown**, and painted elements by **Reed Gibson**, creating an immersive work that considers endings as part of an ongoing process through which new forms, memories, and possibilities emerge.\n\n*Please note: *Muñequita Muy Muy *contains flashing lights, loud sounds and mature content; *Motherboard *contains nudity and loud sounds; *REGENESIS* contains flashing lights, loud sounds and mature content.*\n\nNOW 2026: Week Two* will be presented as one shared program of all three works on Thursday, Friday, and Saturday.*\n\n[NOW 2026: Week One](https://www.redcat.org/events/now-2026-week-one) / [NOW 2026: Week Three](https://www.redcat.org/events/now-2026-week-three) / [NOW 2026](https://www.redcat.org/node/1914)",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "name": "Leadership Circle Reception and Exhibition Preview for Cecilia Vicuña, The Dream of Water: Quipu of Encounters Maricunga and Julian Charrière: Deep End",
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      "description": "All Leadership Circle supporters are invited to the Reception and Exhibition Preview for Cecilia Vicuña, Quipu of Encounters: The Dream of Water and Julian Charrière: Deep End\n\nLeadership Circle supporters are invited to a reception and exhibition preview to celebrate the inaugural Eric and Wendy Schmidt Environment and Art Prize exhibitions: Cecilia Vicuña, Quipu of Encounters: The Dream of Water and Julian Charrière: Deep End. The Eric and Wendy Schmidt Environment and Art Prize is a juried award supporting artists whose practices engage critical intersections of art, architecture, design, climate, conservation, sustainability, and environmental justice.\n\nAn invitation with event details and an RSVP link will be emailed to all Leadership Circle supporters.\n\nJoin MOCA’s Leadership Circle today for exclusive events and behind-the-scenes programming that bring you closer to art and artists.If you have any questions, please contact the Membership Department at leadershipcircle@moca.org.",
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      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-14T20:15:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
        "@type": "ImageObject",
        "url": "https://www.laconservancy.org/wp-content/uploads/2024/12/Bradburybuilding_S.GregPanosian.png"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/dc6485e0-b022-4dc9-a186-63fc0cf6da42",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/5e8a7e63-96ec-465f-8967-1cc1e4af1d58",
      "identifier": "5e8a7e63-96ec-465f-8967-1cc1e4af1d58",
      "name": "Curtains Up on Broadway: L.A.’s Historic Theatre District",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/curtains-up-on-broadway-l-a-s-historic-theatre-district-2026-11-14",
      "startDate": "2026-11-14T18:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd"
      },
      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-14T20:45:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
        "@type": "ImageObject",
        "url": "https://www.laconservancy.org/wp-content/uploads/2026/09/Square-Sizes-2.png"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/5e8a7e63-96ec-465f-8967-1cc1e4af1d58",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/fea1d40d-fd26-4440-8d04-867759ef6313",
      "identifier": "fea1d40d-fd26-4440-8d04-867759ef6313",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-11-14",
      "startDate": "2026-11-14T18:15:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd"
      },
      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-14T20:45:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
        "@type": "ImageObject",
        "url": "https://www.laconservancy.org/wp-content/uploads/2022/10/EasternColumbia_ConservancyStaff-scaled.jpg"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/fea1d40d-fd26-4440-8d04-867759ef6313",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "TheaterEvent",
      "@id": "https://zeitgeists.org/event/298dfc0c-3f43-49c1-9bc2-93d03bb47033",
      "identifier": "298dfc0c-3f43-49c1-9bc2-93d03bb47033",
      "name": "A Holiday Wonderland Special",
      "url": "https://ci.ovationtix.com/35787/production/1293061?performanceId=11876303",
      "startDate": "2026-11-14T18:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/16d2b8b1-1c46-4f45-98ce-9d9ee8430989"
      },
      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
      "endDate": "2026-11-14T19:30:00.000Z",
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      "image": {
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        "url": "https://web.ovationtix.com/trs/api/rest//ClientFile(635856)"
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      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/298dfc0c-3f43-49c1-9bc2-93d03bb47033",
        "zeitgeists:place": "https://zeitgeists.org/place/16d2b8b1-1c46-4f45-98ce-9d9ee8430989",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/e022448e-1288-420f-9359-4bd56c1b8943",
      "identifier": "e022448e-1288-420f-9359-4bd56c1b8943",
      "name": "Saved by a Story–Wildfire Survivor Writing Workshop",
      "url": "https://wendemuseum.org/event/wildfire-writing-workshop-2026-2/2026-11-14",
      "startDate": "2026-11-14T18:30:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0"
      },
      "description": "Participants of all ages welcomed. Please arrive 5 or 10 minutes early to get settled, as we start the group promptly at 10:30 a.m.\n\nCome together to write about the history of the cherished places we have been, what we have lost (and found), and how we will chart a way forward.\n\nWe'll write to timed prompts to spark creativity, share stories, and connect.\n\nWe'll meet Saturdays on the campus of the fascinating Wende Museum. The Wende is a cultural center, art museum and archive that brings history to life.\n\n**For more information, email:** [**kathleenkatims@gmail.com**](https://www.eventbrite.com/e/saved-by-a-storywildfire-survivor-writing-workshop-tickets-1429255765469?aff=oddtdtcreator)\n\n*Please enter through the garden gate from the parking lot at 10858 Culver Blvd.*\n\n*Space in this workshop is limited so that everyone has time to share. Please RSVP in advance and check in at the garden gate when you arrive.*\n\n*If the workshop is full, join the standby line at the gate when you arrive. We hold RSVP spots until the workshop begins at 4 p.m. Any open spots then go to the standby line in order of arrival. Walk-ups are welcome only if space remains and no one is on standby.*\n\n*If you can no longer attend, please cancel your RSVP so another writer can take your place.*\n\nRSVPs for this free program do not guarantee admission. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come, first served basis. Please note that doors will close promptly at the program's start time and late entry will not be permitted.",
      "endDate": "2026-11-14T20:00:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
        "@type": "ImageObject",
        "url": "https://wendemuseum.org/wp-content/uploads/2026/01/wildfire-survivor.png"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/e022448e-1288-420f-9359-4bd56c1b8943",
        "zeitgeists:place": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/8ed3a260-1095-47b8-9db6-4d68ca356af2",
      "identifier": "8ed3a260-1095-47b8-9db6-4d68ca356af2",
      "name": "Downtown L.A.’s Modern Skyline: Stories in Steel and Stone",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/modern-skyline-2026-11-14",
      "startDate": "2026-11-14T18:30:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd"
      },
      "description": "Downtown L.A.’s Modern Skyline: Stories in Steel and Stone\n\nThink L.A.’s skyline can’t compare to other cities? Think again! From Art Deco libraries to futuristic glass towers, L.A.’s skyscrapers pack a punch.\n\nDowntown L.A. was the origin of Los Angeles, and nothing speaks of its transformation from a dusty frontier outpost to booming metropolis than its skyscrapers. There’s something for everyone on this walking tour, which threads its way through the heart of L.A.’s most vertical neighborhood. You’ll visit modern Bunker Hill along with 1970s icons like the Westin Bonaventure, a fan favorite of many Angelenos. You’ll see sleek towers, hidden artwork, and surprisingly high skyscrapers designed by architects who never got the memo that L.A. is only a place of sprawling suburbs. Come see for yourself!\n\nSkyscraper enthusiasts who love towering cityscapes. Urban explorers eager to discover the fascinating story behind the city’s vertical growth. Engineering and construction enthusiasts fascinated by how skyscrapers shape the city.\n\nSee below for more important information.\n\nRoute covers about 1.5 miles; includes stairs and hills\n\nNo pets allowed in building interiors.\n\nThe route includes steps and hills, requiring more caution when walking.\n\nTour begins at Pershing Square. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-14T20:30:00.000Z",
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      "image": {
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        "url": "https://www.laconservancy.org/wp-content/uploads/2023/08/Bonaventure-Getty-Images-Canva.png"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/8ed3a260-1095-47b8-9db6-4d68ca356af2",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/b9a1f419-0fc5-4254-b6d4-b14d5a2cac7c",
      "identifier": "b9a1f419-0fc5-4254-b6d4-b14d5a2cac7c",
      "name": "Corporeal Reformation: Butoh Explorations and Body as Phenomenon (Workshop)",
      "url": "https://www.eventbrite.com/e/corporeal-reformation-butoh-explorations-and-body-as-phenomenon-workshop-tickets-1977783776516",
      "startDate": "2026-11-14T19:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/7e755874-5418-4200-b6d3-e430b5166748"
      },
      "description": "This movement and performance workshop explores basics, poetic notation (Butoh-fu), improvisational image making, and body as phenomenon.",
      "endDate": "2026-11-14T23:00:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
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        "url": "https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F963815633%2F1671439967533%2F1%2Foriginal.20250218-225319?h=200&w=450&auto=format%2Ccompress&q=75&sharp=10&s=e1512283becd4e29963261f91cdf5835"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/b9a1f419-0fc5-4254-b6d4-b14d5a2cac7c",
        "zeitgeists:place": "https://zeitgeists.org/place/7e755874-5418-4200-b6d3-e430b5166748",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "ScreeningEvent",
      "@id": "https://zeitgeists.org/event/9735a35e-d985-47e7-8fc0-9dc8bf36b3a2",
      "identifier": "9735a35e-d985-47e7-8fc0-9dc8bf36b3a2",
      "name": "Frankenweenie in 35mm",
      "url": "https://www.academymuseum.org/en/programs/detail/frankenweenie-019fcea8-e8f6-6d3e-76aa-b9ad54f74461",
      "startDate": "2026-11-14T19:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/b99ddcce-3455-464d-85f5-200cbf64bdbf"
      },
      "workPresented": [
        {
          "@type": "Movie",
          "name": "Frankenweenie in 35mm",
          "duration": 87,
          "year": 2012,
          "director": {
            "@type": "Person",
            "name": "Tim Burton"
          }
        }
      ],
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
        "@type": "ImageObject",
        "url": "https://images.ctfassets.net/m3qyzuwrf176/3juegy5PbopWsWLtWfeuyT/032273f295e28f46c4c61155a34377c4/Nov14_FRANKENWEENIE_FamilyMatinees2.png"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/9735a35e-d985-47e7-8fc0-9dc8bf36b3a2",
        "zeitgeists:place": "https://zeitgeists.org/place/b99ddcce-3455-464d-85f5-200cbf64bdbf",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "name": "Union Station: America’s Last Great Train Station",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/union-station-americas-last-great-train-station-2026-11-14",
      "startDate": "2026-11-14T19:00:00.000Z",
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      "description": "Union Station: America’s Last Great Train Station\n\nTake a ride back in time to see the last great train station ever built.\n\nLos Angeles’ Union Station was the last great railway station built during the golden age of rail travel, and it stands at a crossroads in L.A. history, straddling the city’s early decades and its emergence as a world-class metropolis. It bursts at the seams with historical figures and significant stories, as well as stunning spaces to explore. You’ll visit the former Fred Harvey Restaurant, a stunning example of late Art Deco design and a site that provided women with rare work opportunities outside the home. You’ll gain exclusive access to the grand Ticketing Concourse, where passengers purchased tickets alongside soldiers headed to war, and pass through the Waiting Room en route to Union Station’s modern wing. Along the way, you’ll see newly restored architectural details and interior spaces familiar from decades of film and television spots.\n\nArchitecture lovers who appreciate the fusion of Art Deco, Mission Revival, and Streamline Moderne. Travel and transportation history buffs interested in the golden age of rail travel. Design and craftsmanship aficionados who appreciate restored architectural details.\n\nSee below for more important information.\n\nRoute covers about one mile total walking; no stairs or inclines\n\nIncludes exteriors and interiors(Subject to availability)\n\nNo pets allowed. Except for service animals.\n\nWe will start our tour at Union Station. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "name": "A Holiday Wonderland Special",
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      "startDate": "2026-11-14T21:30:00.000Z",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "Inside Horror: Capturing the Sinister with Michael Goi",
      "url": "https://www.academymuseum.org/en/programs/detail/inside-horror-capturing-the-sinister-with-michael-goi-01a11304-7869-5237-8e58-1f28024d3b81",
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      "name": "PURPOSE",
      "url": "https://secure.geffenplayhouse.org/overview/9659",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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          "url": "https://zeitgeists.org/region/los-angeles",
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    },
    {
      "@type": "MusicEvent",
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      "identifier": "6ad7b4d1-cca5-4b4c-904a-105cdc648926",
      "name": "Let’s Get Lost! Poster Distribution Event: Featuring Kiki and the Bisquits",
      "url": "https://lamag.org/lets-get-lost",
      "startDate": "2026-11-14T22:00:00.000Z",
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      "description": "Saturday, Nov 14, 2 – 4 pm\n\nAs part of a public giveaway of Susan Silton’s Make-Ready posters, join the artist and multi-genre cover band Kiki and the Bisquits for an afternoon of “lost” covers (songs featuring the word “lost” in their lyrics) and celebration.\n\nRSVP HERE\n\nlamag@lacity.org\n\n(323) 644-6269\n\n4800 Hollywood Boulevard Los Angeles, CA 90027\n\nThursday – Sunday,\n\n11- 4 p.m. and by appointment.\n\nClosed during installation and\n\nfor all official City holidays",
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      "name": "Never Been Misgendered By A Tree",
      "url": "https://www.eventbrite.com/e/never-been-misgendered-by-a-tree-tickets-2002680762070",
      "startDate": "2026-11-14T22:00:00.000Z",
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      "description": "A  workshop geared towards trans and non-binary folx's searching for connection, process ecological grief, and building community.",
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          "timezone": "America/Los_Angeles"
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    {
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      "name": "Key Largo",
      "url": "https://www.oldtownmusichall.org/all-programs",
      "startDate": "2026-11-14T22:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/0c85907d-16bd-4aa6-af99-cfc7a9f43032"
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      "description": "1948  • A hurricane, a hotel full of uneasy people, Humphrey Bogart facing off with Edward G. Robinson — Key Largo hardly needs more to get your attention. Directed by John Huston, it was the fourth and final screen pairing of Bogart and Bacall.  • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
      "workPresented": [
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          "duration": 100,
          "image": {
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          "year": 1948,
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      "name": "RADIO GALAXY",
      "url": "https://thewallis.org/show-details/radio-galaxy",
      "startDate": "2026-11-14T22:30:00.000Z",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "A Holiday Wonderland Special",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "Members’ Opening for Cecilia Vicuña, Cecilia Vicuña The Dream of Water: Quipu of Encounters Maricunga and Julian Charrière: Deep End",
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      "description": "All members are invited to the Members’ Opening for Cecilia Vicuña, Quipu of Encounters: The Dream of Water and Julian Charrière: Deep End\n\nAll members are invited to the Members' Opening to celebrate the inaugural Eric and Wendy Schmidt Environment and Art Prize exhibitions: Cecilia Vicuña, Quipu of Encounters: The Dream of Water and Julian Charrière: Deep End. The Eric and Wendy Schmidt Environment and Art Prize is a juried award supporting artists whose practices engage critical intersections of art, architecture, design, climate, conservation, sustainability, and environmental justice. Bring a friend and enjoy music, food, and drinks available for purchase, as well as an exclusive first look at the new exhibition.\n\nAn invitation with event details and an RSVP link will be emailed to all members.\n\nMemberships start at $30. Find the best level for you and join. If you have any questions, please contact the Membership Department at membership@moca.org",
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      "identifier": "7a9d3e45-a765-4e4c-8860-49b156a5eb5e",
      "name": "*Canto de Todes*: A Performance and Conversation with Dorian Wood",
      "url": "https://www.getty.edu/calendar/canto-de-todes-a-performance-and-conversation-with-dorian-wood",
      "startDate": "2026-11-15T02:00:00.000Z",
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      "description": "Weaving together chamber classical, folk, torch song, and experimental music, Dorian Wood’s *Canto de Todes* is a 70-minute distillation born from Wood’s acclaimed 12-hour composition and installation in three movements. The title—Spanish for “Song of Everyone”—is inspired by a lyric of the late Chilean singer and songwriter Violeta Parra. *Canto de Todes* emphasizes the urgency of music as a vessel for social change and honors the ancestral trajectory of Wood’s Costa Rican-Nicaraguan family and their experience in the US. Featuring a cello quartet, guitar, experimental vocalizations and audiovisual elements, *Canto de Todes* brings together songs from all three movements to create a new, richly nuanced experience led by Wood’s powerful, multi-textured voice. After the performance, Wood will be in conversation with renowned scholar of Latinx performance practices Dr. Laura Gutiérrez.\n\nThis event is organized by the Getty Research Institute’s [Latin American and Latinx Art Initiative][1], which seeks to facilitate research on Latin American art with a focus on Central America and its diaspora.\n\nThe conversation will be available on the [Getty Research Institute YouTube channel][2] following the event.\n\n\n  [1]: https://www.getty.edu/projects/latin-american-latinx-art-initiative/\n  [2]: https://www.youtube.com/c/gettyresearch",
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        "zeitgeists:place": "https://zeitgeists.org/place/b2059a32-82bf-4e5e-bbb7-439124a39cf8",
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          "name": "Los Angeles",
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          "timezone": "America/Los_Angeles"
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    },
    {
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      "identifier": "e7390cf0-058d-4f1d-a06b-4b5335f19aa3",
      "name": "Mehndi Nights: Libraries",
      "url": "https://18thstreet.org/event/mehndi-nights-libraries",
      "startDate": "2026-11-15T02:00:00.000Z",
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      "description": "Saturday, November 14th | 6PM–8PM\n\n18th Street Arts Center, Santa Monica\n\n1629 Studio #2\n\nFree + Open to the Public\n\nShare something from your personal library.\n\nMehndi Nights is a series of intimate gatherings by London-based artist Banita Mistry, bringing people together through conversation, music, food and the craft of henna (mehndi).\n\nFor Libraries, everyone is invited to bring one thing to share:\n\n— a passage you’d like to read aloud\n\nor\n\n— a piece of music you’d like everyone to hear\n\nIt can be something you’ve loved for years, something you’ve only just discovered, something obscure, sentimental, strange, beautiful, or simply something you think other people should know about.\n\nWe’ll spend the evening listening, reading and talking.\n\nGuests will also contribute to a small collective painting in henna, creating a record of the evening together.\n\nNo expertise required. No presentation needed. Just bring something you’d like to add to the library.\n\nBYOB + snacks to share always welcome. Please RSVP for this event below.\n\nCover Image Credit: Banita Mistry. Courtesy of the artist.",
      "endDate": "2026-11-15T04:00:00.000Z",
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "identifier": "0ba8dd88-8985-4d95-9539-a7e0030b20cd",
      "name": "Jealousy Is My Middle Name (질투는 나의 힘)  in 35mm",
      "url": "https://www.academymuseum.org/en/programs/detail/jealousy-019fcea1-c7b8-b5d6-b554-26b3946dfe22",
      "startDate": "2026-11-15T02:30:00.000Z",
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          "duration": 125,
          "year": 2002,
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            "@type": "Person",
            "name": "Park Chan-ok"
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "@id": "https://zeitgeists.org/event/49d59ce6-e058-4bc5-9b48-62aea8d67309",
      "identifier": "49d59ce6-e058-4bc5-9b48-62aea8d67309",
      "name": "Harold and Maude",
      "url": "https://www.oldtownmusichall.org/all-programs",
      "startDate": "2026-11-15T03:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/0c85907d-16bd-4aa6-af99-cfc7a9f43032"
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      "description": "1971 • Introduction by Screenwriter Larry Karazewski • Screenwriter Larry Karazewski (Ed Wood, Big Eyes) joins us to introduce this wonderfully quirky film. The film was directed by Hal Ashby, who had a gift for making odd, deeply human films. Over time, it has become a beloved cult favorite. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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          "year": 1971,
          "genre": "Comedy",
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "TheaterEvent",
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      "identifier": "3ba19cb0-6de0-4daf-9dcc-905daaf8a89e",
      "name": "SCREENING: THE IMPORTANCE OF BEING EARNEST",
      "url": "https://thewallis.org/show-details/screening-the-importance-of-being-earnest",
      "startDate": "2026-11-15T03:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/47736bf7-a209-4f4b-ac67-612b682d1f0d"
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      "description": "While assuming the role of a dutiful guardian in the country, Jack lets loose in town under a false identity. Meanwhile, his friend Algy adopts a similar facade. Hoping to impress two eligible ladies, the gentlemen find themselves caught in a web of lies they must carefully navigate.\n\nThree-time Olivier Award-winner **Sharon D Clarke** is joined by **Ncuti Gatwa** (_Doctor Who; Sex Education_) in this joyful reimagining of Oscar Wilde’s most celebrated comedy.\n\n* * *\n\n  \n\nIn partnership with National Theatre in America  [](https://www.nationaltheatre.org.uk/join-support/american-associates/) ![](/storage/summernote_photo/thewallis/735510bf8e38f5e396d5867837bd2d2b44db1a71.webp)  \n\nNational Theatre in America is proud to celebrate their partnership with The Maybourne Beverly Hills  ![](/storage/summernote_photo/thewallis/7391f60145664a2cc089c3b414aab37612d9d3ff.webp)  ,  Official Los Angeles Hotel Partner. \n\n* * *\n\nRead safety information [here](https://thewallis.org/safety).",
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        "zeitgeists:place": "https://zeitgeists.org/place/47736bf7-a209-4f4b-ac67-612b682d1f0d",
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "@id": "https://zeitgeists.org/event/c4e52aab-154c-42db-a952-7cce09228e3e",
      "identifier": "c4e52aab-154c-42db-a952-7cce09228e3e",
      "name": "Black Fire",
      "url": "https://tickets.now-instant.la/purchase/33319",
      "startDate": "2026-11-15T03:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/d45f1b6e-e1fd-486a-b10a-b82aeda8d566"
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      "description": "For more than a decade, University of Virginia colleagues Kevin Jerome Everson, Commonwealth and Ruffin Foundation Distinguished Professor of Studio Art and Director of Studio Arts, and Claudrena N. Harold, Associate Dean for Social Sciences and Edward Stettinius Professor of History, have collaborated on *Black Fire*, an ongoing body of work devoted to the history and experience of Black life at UVA in Charlottesville. The project grew out of Harold’s research into the political and cultural history of African American students and faculty at the university and her discovery of a fragmentary archive. Together, Harold and Everson began using this archival material as a point of departure, making images where images were absent and bringing Harold’s research into conversation with Everson’s approach to performance, duration, and gesture.\n\nThe selection presented here moves between histories of student organizing and institutional change, athletics, gospel, recreation, and the forms of social and cultural exchange that took place within and around the university.\n\nThe screening will be followed by a Q&A and conversation with Everson and Harold.\n\nSpecial thanks to Madeleine Molyneaux, K.J. Relth-Miller, and the Academy Museum.\n\nFilms appear courtesy of the filmmakers and Picture Palace Pictures. All films directed by Kevin Jerome Everson and Claudrena N. Harold.",
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          "name": "Black Fire",
          "duration": 59
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "ComedyEvent",
      "@id": "https://zeitgeists.org/event/ed6aed63-ca7b-4d41-9ce4-405b95c0211f",
      "identifier": "ed6aed63-ca7b-4d41-9ce4-405b95c0211f",
      "name": "Good Heroin Comedy Show",
      "url": "https://storiesla.com/events?id=5833520261114",
      "startDate": "2026-11-15T03:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/0ffcfb61-4a2f-4f11-82c2-e0d8d0ffb1cf"
      },
      "description": "free comedy show 2nd Saturday of every month!\nfeat.\n\nMelissa Villaseñor\nJamie Loftus\nCarmen Christopher\nMax & Nicky\nand MORE!",
      "endDate": "2026-11-15T05:00:00.000Z",
      "eventStatus": "https://schema.org/EventScheduled",
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "ScreeningEvent",
      "@id": "https://zeitgeists.org/event/443532ea-a8dd-419a-aed2-d74f182360e3",
      "identifier": "443532ea-a8dd-419a-aed2-d74f182360e3",
      "name": "Borders That Flower: The Flowers Stand Silently, Witnessing / Women Beyond Borders",
      "url": "https://www.cinema.ucla.edu/events/borders-that-flower-2026-11-14",
      "startDate": "2026-11-15T03:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/cc95bffd-0aa4-4837-95d7-d5c98f60f621"
      },
      "description": "Every space hosts the accumulation of time and is thus a repository of memory, one that is active and dynamic.\n\nJean Khalil Chamoun’s *Women Beyond Borders* (2004) and Theo Panagopoulos’ *The Flowers Stand Silently, Witnessin*g (2024) were made two decades apart, but together they foster an ongoing conversation at the intersection of identity, memory and place across Lebanon and Palestine.\n\nThough distinct in form, the films consider the relationship between people’s lived environments and their individual and collective identities. The films navigate through spaces both historically and presently marked by displacement, violence and resilience. Both offer meditations and testimonies on how these spaces can inhabit a people’s memories, linger into their present realities and influence their futures.\n\nRather than attempting to unearth a singular tradition, this program amplifies an ongoing cinematic conversation across Lebanon and Palestine that is rooted in intertwined histories of occupation and resistance. This conversation is an urgent one to hold today in light of the ongoing aggression against southern Lebanon and historic Palestine that continues to target complete ecosystems. This systematic surge of destruction and harm affects far beyond the physical; it seeks to fracture memory, sever a people’s sense of being and belonging, and jeopardize social relations that places sustain. The moving image as a tool presents an opportunity to forge an alternative place of memory work, one capable of preserving spatial memory, making visible the forms of erasure, and imagining continuities that exceed the violence of occupation and its imposed restriction on bodies and space.\n\n*Programmed by UCLA Comparative Literature Ph.D. student Aciah Abdulsater and Archive Research and Public Access Coordinator Nicole Ucedo. Notes and concept by Aciah Abdulsater.*\n\nFilmmaker and researcher Theo Panagopoulos’ essay-style documentary assembles recently rediscovered archival footage of Palestinian wild flowers, filmed in the 1930s and ’40s by a Scottish missionary during the British Mandate. Panagopoulos decides to reclaim the footage. In reframing the images with new sound and captions he questions the role of image-making as both a tool of witnessing and a perpetrator of violence, when covering the relationships between people and land. \n\nDCP. Director/Screenwriter: Theo Panagopoulos.\n\nIn a feature-length documentary, filmmaker Jean Khalil Chamoun follows the story of Kifah Afifi, a Palestinian refugee, Sabra and Shatila massacre survivor, and ex-abductee at the infamous Khiam detention center in then-occupied southern Lebanon. The film explores questions of womanhood and women’s relationship to community and space. By following Kifah’s recollection of her time in detainment, her struggles and what anchored her hope, the film sheds light onto women who defied societal, historical and political boundaries.\n\nDigital media. Director/Screenwriter: Jean Khalil Chamoun.",
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          "videoFormat": "Digital, Color",
          "year": 2024
        },
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          "year": 2004
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        }
      }
    },
    {
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      "identifier": "e956517c-2083-4071-85d9-ca1b40624267",
      "name": "Hotel Play",
      "url": "https://newtheaterhollywood.ludus.com/show_page.php?show_id=200552869&bpo=23581",
      "startDate": "2026-11-15T04:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/42f60feb-330a-45f9-80c9-ae0ac6e64616"
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      "description": "Written and directed by\n\nGEORGIA FORD\n\nJOE APOLLONIO\n\nTYLER GOULDEN\n\nJESSIE-ANN KOHLMAN\n\nLINDSEY NORMINGTON\n\nSUZANNE FLETCHER\n\n&\n\nTOBIAS SPICHTIG\n\nMusic and sound design\n\nMK VELSORF\n\nCostumes\n\nNATASHA NEWMAN-THOMAS\n\nProducer\n\nJACOB PINCUS\n\n$35 – Seating is limited.\n\n$19 tickets available for audiences ages 26 and under.\n\nWelcome to Hotel Play\n\nNow accepting guests\n\nSingle Occupancy\n\nDouble Occupancy\n\nExtended stays\n\nCash only. Pay nightly.\n\nNo questions asked.\n\nNo check out time.\n\nEach room comes furnished with one bed, one door, and no view.\n\nOur rooms are private, inexpensive, and suitable for guests who do not wish to be found.\n\nThe room has been here a long time.\n\nAmenities include:\n\nA loaded gun.\n\nA handful of pills.\n\nA bottle.\n\nA pack of cigarettes.\n\nA game with no board.\n\nGuests are encouraged to:\n\nDraw the curtains.\n\nLock the door.\n\nSmoke in bed.\n\nPractice in the mirror.\n\nMake false promises.\n\nRooms are serviced between occupants.\n\nCertain stains may be more difficult to clean. Others spread. This is normal.\n\nThe hotel does not offer refunds.\n\nThank you for staying.\n\nWe hope you got what you came for.",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
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        }
      }
    },
    {
      "@type": "TheaterEvent",
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      "identifier": "bcf2f013-51a2-4822-a85c-8dea0ef7f2e3",
      "name": "RADIO GALAXY",
      "url": "https://thewallis.org/show-details/radio-galaxy",
      "startDate": "2026-11-15T04:00:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/47736bf7-a209-4f4b-ac67-612b682d1f0d"
      },
      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
      "eventStatus": "https://schema.org/EventScheduled",
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    {
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      "identifier": "ba306d02-65de-4b27-846b-c3e7f91f9a74",
      "name": "PURPOSE",
      "url": "https://secure.geffenplayhouse.org/overview/9659",
      "startDate": "2026-11-15T04:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/c474c664-3f53-44ed-ac12-2a14055df788"
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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    },
    {
      "@type": "DanceEvent",
      "@id": "https://zeitgeists.org/event/4b000cf5-991a-41bd-80bd-61fc1c45c1a2",
      "identifier": "4b000cf5-991a-41bd-80bd-61fc1c45c1a2",
      "name": "Brenda Barrios, Cody Perkins / Algorythm.Code, SUUVI - NOW 2026",
      "url": "https://www.redcat.org/events/now-2026-week-two",
      "startDate": "2026-11-15T04:00:00.000Z",
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      "description": "The 23rd annual[ New Original Works](https://www.redcat.org/node/1914) continues with a program of works by by **Brenda Barrios**, **Cody Perkins / Algorythm.Code**, and **SUUVI**. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Brenda Barrios**\n\n***Muñequita Muy Muy***\n\nDrawing inspiration from her experience as a first-generation Mexican American, **Brenda Barrios** ‘** ***Muñequita Muy Muy* blends cultural symbolism, queerness, and disability into a celebration of healing and visibility. Barrios uses sculpture, dance, song, and storytelling to bring life-size replica dolls and a motorized truck onstage alongside live musicians and performers. Barrios composes and performs original music combining pop music and Mexican operatic vocal traditions with ranchera and rock en español, alongside extended vocal techniques including *el grito mexicano*. Her detailed, hyperrealistic sculptures transform familiar objects into *milagritos*—Mexican charms to meditate on how bodies hold histories of care, struggle, and evolution.\n\n**Cody Perkins / Algorythm.Code **\n\n***Motherboard***\n\nCan machines support empathy, rather than extraction? Choreographer, composer, and director **Cody Perkins / Algorythm.Code** (Art and Technology MFA) takes up this question about technology and intimacy in *Motherboard*. In this dance and music piece, performer **Gretch Ackerman** enters into an evolving relationship with the Motherboard shrine—an independent electronic device onstage that observes, responds to, and directs her body. Perkins draws a connection between women and machines, recognizing that both have historically been controlled and discarded within systems of power. Through movement, sound, ritual, and interaction with the Motherboard shrine, a shared history of exploitation evolves into a duet of care and exchange.\n\n**SUUVI**\n\n***REGENESIS***\n\n*REGENESIS* is a multidisciplinary work exploring the intertwined cycles of life, death, transformation, and renewal. Drawing connections between regenerating ecosystems and the continual processes of decay and emergence that shape the natural world, the work weaves **SUUVI**’s personal experience of grief and loss into a broader meditation on the processes of dissolution and renewal through which living systems continually transform. Composed, directed, and performed by multidisciplinary artist SUUVI, the work brings together original music for cello and electronics, live dancers and choreography by **Megan Paradowski**, cinematic projections and lighting design by **Matt Brown**, and painted elements by **Reed Gibson**, creating an immersive work that considers endings as part of an ongoing process through which new forms, memories, and possibilities emerge.\n\n*Please note: *Muñequita Muy Muy *contains flashing lights, loud sounds and mature content; *Motherboard *contains nudity and loud sounds; *REGENESIS* contains flashing lights, loud sounds and mature content.*\n\nNOW 2026: Week Two* will be presented as one shared program of all three works on Thursday, Friday, and Saturday.*\n\n[NOW 2026: Week One](https://www.redcat.org/events/now-2026-week-one) / [NOW 2026: Week Three](https://www.redcat.org/events/now-2026-week-three) / [NOW 2026](https://www.redcat.org/node/1914)",
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    {
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      "name": "Julian Charrière: Deep End",
      "url": "https://www.moca.org/exhibitions/julian-charriere",
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      "description": "For the inaugural Eric and Wendy Schmidt Environment and Art Prize exhibition at MOCA, Julian Charrière (b. 1987, Morges, Switzerland; lives in Berlin) will debut a new commission as well as recent work devoted to the fragility and resilience of planetary water systems. A juried award that supports artists whose practices engage critical intersections of art, architecture, design, climate, conservation, sustainability, and environmental justice, the Schmidt Prize exhibition marks Charrière’s first museum presentation in LA. Expanding on his interdisciplinary practice, this exhibition features immersive environments that explore humanity’s evolving relationship with the planet, inviting audiences to reflect on the urgent realities of climate change and environmental degradation while meditating on nature’s powerful, raw beauty.\n\nThe exhibition will be accompanied by a catalogue.\n\nThe Eric and Wendy Schmidt Environment and Art Prize is a juried award supporting artists whose practices engage critical intersections of art, architecture, design, climate, conservation, sustainability, and environmental justice.\n\nJulian Charrière: Deep End is organized by Paula Kroll, Assistant Curator, The Museum of Contemporary Art, Los Angeles.",
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      "name": "Cecilia Vicuña The Dream of Water: Quipu of Encounters Maricunga",
      "url": "https://www.moca.org/exhibitions/the-dream-of-water",
      "startDate": "2026-11-15T08:00:00.000Z",
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      "description": "As an inaugural recipient of the Eric and Wendy Schmidt Environment and Art Prize, New York-based Chilean artist Cecilia Vicuña debuts a newly commissioned project at MOCA.\n\nTitled The Dream of Water: Quipu of Encounters Maricunga, the work is the latest in Vicuña’s series of collective actions developed with the participation of communities and publics, in both museums and natural sites, that she has created around the world since the 1960s. Quipu comes from the Quechua word for “knot,” and this multi-phase, collaborative “quipu of encounters\" will engage local artists, youth, scientists, and Indigenous water defenders in Chile and in LA in poetic and political exchanges that confront the ongoing water crises unfolding in each region.\n\nThe project culminates in a ritual quipu assembly facilitated by Vicuña in LA, weaving together the struggles for water preservation in Chile and LA and building coalitions across geographies and beyond national borders.\n\nThis exhibition is accompanied by a publication.\n\nThe Eric and Wendy Schmidt Environment and Art Prize is a juried award supporting artists whose practices engage critical intersections of art, architecture, design, climate, conservation, sustainability, and environmental justice.\n\nThe Dream of Water: Quipu of Encounters Maricunga is organized by José Luis Blondet, Senior Curator, with Ariana Rizo, Curatorial Assistant, in collaboration with Kelsey Shell, Environmental & Sustainability Strategist, The Museum of Contemporary Art, Los Angeles.",
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      "name": "Samizdat Sundays",
      "url": "https://wendemuseum.org/event/samizdat-sundays-2-2-2-2-2/2026-11-15",
      "startDate": "2026-11-15T18:30:00.000Z",
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      "description": "Join us for *Samizdat Sundays*—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project, connecting archival stories of subversion with contemporary making.\n\n**We encourage participants to bring an item each week**—a T‑shirt, a pair of jeans, or any textile you’re ready to transform, repair, or experiment with.\n\nEach session is free, open to all skill levels, and guided by artists who delight in subversion and play. Come for one or come for all—together we’ll stitch, alter, repair, and imagine new forms of expression.\n\nJoin us for *Samizdat Sundays*—hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each week offers a different project, connecting archival stories of subversion with contemporary making.\n\n**October 4: From One to Many**\n\nTaking inspiration from Jan Sawka’s Invasion/Trees series, which was featured in the Undercurrents I show in 2023, we will tell a story through a series of three or more pieces that share the same elements but demonstrate a transformation. Sawka’s series began with a print of a tree in a landscape. Each piece in the series is based on this same image, yet each one is different, and a story is told through a growing red cloud or fog that seems to overtake the image as the pieces progress. We will not begin with prints, but can echo Sawka’s strategy by choosing an element (or two) that will appear in each of the pieces in our series. Perhaps your element will be a shape (circle, square, triangle, etc.) or a color (blue, purple, yellow, etc.), or a pattern or texture (textile works are welcome!). Begin with a shared element and see where the series/story takes you!\n\n**October 11: “OPEN AT YOUR OWN RISK”**\n\nTaking inspiration from *Schaden* (*Damage*), an artist magazine produced in East Berlin in the 1980s, we will make a sealed “magazine” that can only be read by cutting open the edges of the envelope that contains it. In exemplary samizdat fashion, *Schaden* magazines were handmade and limited in scope, with just 15 copies of each issue produced. The magazine contained poems, prints, charts, musings, photographs and ephemera, including pages made of foil and tissue paper. Hidden, secret, and filled with discarded and surprising materials…what’s not to love?!\n\nWe are approaching Days of the Dead and Halloween, times when many remember their lost loved ones. Perhaps your *Schaden*-style magazine is a memorial book to one you’ve lost (person, pet, idea, place, etc), or perhaps yours is a continuation of the series pieces we made last week. Like the *Schaden* magazines, ours will be an envelope with pages inside that are stapled/sewn/fixed on the binder side so that the envelope has to be cut open for the magazine to be read. We will have a collection of envelopes of various sizes, including some that are absurdly small and others that are quite large. Perhaps your *Schaden-*style magazine will fit in your back pocket; perhaps yours will need a custom-made envelope because it is so large. As always, see where these ideas lead you and go with it! Your envelope (and its contents) may be made of cloth, requiring an unraveling to open, or perhaps your envelope will be an idea of an envelope rather than a physical thing. Will yours have a warning on it, as I’ve titled this week’s project, or will yours have an invitation, like a bottle of potion in Alice’s Wonderland, asking someone to “Open Me?” Or perhaps yours will have only an address or no marks at all.\n\n**November 8: Moon Flags**\n\nThe new exhibition, “Competing Cosmologies,” explores the intersection of art and science during the Cold War, a time of space exploration and interplanetary dreaming, when people were mistaking floating balloons for alien spaceships and writers, painters, and screenwriters were imagining clashes with martians and other creatures from far off galaxies (who almost always had bodies and faces that were similar to ours, with two eyes, two arms, and two legs), all while governments were in a race to put men (and dogs!) into space and onto the moon. The race to the moon was, apparently, in part a race to place a flag on the moon, which is what Buzz Aldrin did in 1969’s Apollo 11 mission, when he planted the United States flag (brought in a “flag transportation assembly”) on the moon before blasting off back to Earth. Aldrin later said that he suspected the flag was blown down during the blast off, but even if it still stands, it is most likely bleached out to white as some of the other nylon moon flags have done since, thanks to the powerful, unmitigated rays of the sun. The US has placed six flags so far and China has placed one (in 2020) and I think it’s interesting to imagine the flags turned into the white flags of surrender, as everything ultimately surrenders to the sun and the processes of decay inherent in our beautiful, life-giving universe.\n\nFor today’s workshop, we’re going to make a flag to honor our celestial companion. Will your moon flag be in reverence of the moon or possessive of it? Will your flag be hung above your moon altar or tucked into a box and kept on your fireplace mantle, unfurled, perhaps, when you light a fire, a replicant of the blazing sun, in your fireplace? What do you imagine a flag to be? The moon to be? Will your flag be bleached by the sun’s rays, as the moon appears to be, or will it be full of Earth’s colors? Your flag may be a shoulder patch or a paper collage, or a full-fledged patchwork or embroidered flag, or perhaps an idea of a flag, held in space by concept rather than a physical thing. Let’s bring the brilliant celestial body of our night sky down to earth today!\n\n**November 15: What Is Above Is Below**\n\nAt the second-to-last regular season game at Dodgers Stadium this year, a wayward eared grebe flew into the game, landing on their belly in the center of the outfield. The grebe, it seemed, had mistaken the shiny green grass of the field for the aqueous plants on a placid lake, fooled by the day-for-night lights of the stadium, perhaps, as they made their migratory way to another part of the state. Fortunately, the poor fowl found their way out of the false pond and flew out of the stadium, presumably not much worse for their unfortunate belly flop.\n\nI thought of this when I was thinking of project ideas around the new “Competing Cosmologies” exhibition, which explores the intersection of art and science during the Cold War. This global competition has led to countless satellites being sent into outer space, our constellations cluttered with competing, unmanned space contraptions, some pointing down spying eyes, others sending down internet signals to bring access to the most remote regions of the earth. There are companies that want to send tens of thousands of satellite mirrors into space that would turn day to night anywhere (with precision, they claim) by reflecting the sun’s light onto the earth. How confused will we all be once the sky is filled with satellites and mirrors, when one is not wishing on a star but a satellite, and when there is no longer any “night” at all to hold the night sky?\n\nWe truly can see that what is above is below. The trash of our world now fills the skies. But here at Samizdat, we know that “trash” may be transformed into treasure, so today, let’s work with our discarded materials to turn “trash” into a two-sided, or perhaps two-facing map that represents the skyscape above and the landscape we live on. Perhaps your “map” is like the sky-moon-stars body of the ancient Egyptian goddess Nut as portrayed in tombs, or perhaps yours is like the remarkable Skidi Pawnee star chart at the Field Museum in Chicago, an animal hide marked with all of the visible stars in the North American sky, or perhaps your map will be like the cluster of dots hovering above an animal figure in the cave at Lascaux. What happens when we bring the stars and moon down to earth and carry them in our pockets? What happens when we imagine the mountains and oceans in the universe, when we see their undulations and rhythms in the spaces between stars and on the surface of the moon? Day-for-night, night-for-day; signals going back and forth; material above, material below (and what is “above” and what is “below” in our wall-less, roofless universe anyway?)…these are all notions to ponder as you make your map.\n\n**About the teaching artist**\n\nKate Ingold is an LA-based artist and poet working with the discarded, the damaged, and the worn out. Materials and methods include textiles, collage, photography, video, ceramics, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: *Relics for Future Rituals* and *Damaged Goods/Small Repairs*.\n\n*RSVPs for this free program do not guarantee admission. Limited seating is available on a first come, first served basis.*\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.*",
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      "name": "A Holiday Wonderland Special",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "[As featured in the *Los Angeles Times*](https://www.latimes.com/entertainment-arts/story/2026-09-28/samizdat-sundays-at-wende-museum-is-political-resistance-through-art), join us for *Samizdat Sundays*, hands‑on textile workshops inspired by the spirit of creative resistance and DIY culture found in samizdat traditions. Each session offers a different project, connecting archival stories of subversion with contemporary making.\n\nEach session is free, open to all skill levels, and guided by artists who delight in subversion and play. Come for one or come for all, and together we’ll stitch, alter, repair, and imagine new forms of expression.\n\n**November 15: What Is Above Is Below**\n\nAt the second-to-last regular season game at Dodgers Stadium this year, a wayward eared grebe flew into the game, landing on their belly in the center of the outfield. The grebe, it seemed, had mistaken the shiny green grass of the field for the aqueous plants on a placid lake, fooled by the day-for-night lights of the stadium, perhaps, as they made their migratory way to another part of the state. Fortunately, the poor fowl found their way out of the false pond and flew out of the stadium, presumably not much worse for their unfortunate belly flop.\n\nI thought of this when I was thinking of project ideas around the new “Competing Cosmologies” exhibition, which explores the intersection of art and science during the Cold War. This global competition has led to countless satellites being sent into outer space, our constellations cluttered with competing, unmanned space contraptions, some pointing down spying eyes, others sending down internet signals to bring access to the most remote regions of the earth. There are companies that want to send tens of thousands of satellite mirrors into space that would turn day to night anywhere (with precision, they claim) by reflecting the sun’s light onto the earth. How confused will we all be once the sky is filled with satellites and mirrors, when one is not wishing on a star but a satellite, and when there is no longer any “night” at all to hold the night sky?\n\nWe truly can see that what is above is below. The trash of our world now fills the skies. But here at Samizdat, we know that “trash” may be transformed into treasure, so today, let’s work with our discarded materials to turn “trash” into a two-sided, or perhaps two-facing map that represents the skyscape above and the landscape we live on. Perhaps your “map” is like the sky-moon-stars body of the ancient Egyptian goddess Nut as portrayed in tombs, or perhaps yours is like the remarkable Skidi Pawnee star chart at the Field Museum in Chicago, an animal hide marked with all of the visible stars in the North American sky, or perhaps your map will be like the cluster of dots hovering above an animal figure in the cave at Lascaux. What happens when we bring the stars and moon down to earth and carry them in our pockets? What happens when we imagine the mountains and oceans in the universe, when we see their undulations and rhythms in the spaces between stars and on the surface of the moon? Day-for-night, night-for-day; signals going back and forth; material above, material below (and what is “above” and what is “below” in our wall-less, roofless universe anyway?)…these are all notions to ponder as you make your map.\n\n**About the teaching artist**\n\nKate Ingold is an LA-based artist and poet working with the discarded, the damaged, and the worn out. Materials and methods include textiles, collage, photography, video, ceramics, and performative installation. She works in series driven by conceptual concerns and is currently making work in two interwoven projects: *Relics for Future Rituals* and *Damaged Goods/Small Repairs*.\n\n*RSVPs for this free program do not guarantee admission. Limited seating is available on a first come, first served basis.*\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the garden gate from the parking lot. This gate will be opened approximately 15 minutes prior to the program.*",
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      "description": "*Archive Talks* pairs leading historians and scholars with screenings of the moving image media that is the focus of their writing and research. Each program will begin with a special talk by the invited scholar that will introduce audiences to new insights, interpretations and contexts for the films and media being screened.\n\nThe Archive first worked with archivist and scholar Laura Horak in 2022 when we presented a series of films unearthed by Horak and her collaborators, Maggie Hennefeld and Elif Rongen-Kaynakçi. Their archival project *Cinema’s First Nasty Women *celebrated the work of silent comedians who brought an anarchic brand of gender non-conformity to slapstick. Alongside that work, Horak is also the director of the Transgender Media Lab at Carleton University, which created the [Transgender Media Portal](https://www.transgendermediaportal.org/), a database of trans creators, including links to where their work can be seen. Suffice it to say, increasing the visibility and access to the media she studies is an essential element of Horak’s ongoing research project. With her latest book, *Trans Cinema: Making Communities, Identities, and Worlds*, Horak dives deep into the history, practice and aesthetics of trans artists in the United States and Canada in the 21st century while positioning them within the larger history of trans media production and representation. The Archive is pleased to welcome Horak back to the Billy Wilder Theater for a brief talk about her work followed by a selection of works by trans artists and an on-stage conversation, with more special guests to be announced soon!\n\nPart of the Archive’s *[Legacy Project Screening Series](/series/outfest-ucla-legacy-project-screening-series/)*. \n\n*Support for the screening is provided by the Robert Gore Rifkind Foundation Queer Screening Endowment and The Andrew J. Kuehn Jr. Foundation.*\n\n*Total running time: 84 min.*\n\nDirector B. G-Osborne’s three-channel experimental film juxtaposes scenes of trans representation from popular film and television, exposing the emotions of popular trans representation — fascination, fear, sexualization, disgust.\n\nDCP. Director: B. G-Osborne.\n\nA Black trans woman talks about what she wants from life as she shops, flirts and gets ready for a date in this groundbreaking UCLA student film. \n\nDirector: Nikolai Ursin.\n\n*Preservation funding provided by the National Film Preservation Foundation. Preserved by the UCLA Film & Television Archive as part of the Outfest UCLA Legacy Project. Laboratory services by Audio Mechanics, Film Technology, Inc. Special thanks to Stephen Parr, Norman Yonemoto.*\n\nDirector Luis De Filippis explores the quiet relationship between a Canadian Italian trans girl in her early 20s and her Italian grandmother.\n\nDCP. Director: Luis De Filippis.\n\nIn this Emmy-nominated web series, the classic romantic comedy structure meets a trans version of *The L Word.*\n\nDCP. Director: Sydney Freeland.\n\nTheo Jean Cuthand (Plains Cree) wrestles honestly with the contradictions of desire and the conundrum of wanting someone you know is bad for you in a colonial context.\n\nDCP. Director: Theo Jean Cuthand.\n\nStop-motion animation that explores the joy of first love and grief of breaking up in this short film by Raven Davis (Anishinaabe).\n\nDCP. Director: Raven Davis.\n\nThis experimental documentary presents Black trans women and their communities fighting back against the violence they face.\n\nDCP. Director: Seyi Adebanjo.\n\nDirected by Jess MacCormack and Alexus Young (Métis), this short experimental animated video documentary illuminates Young’s experience of a “starlight tour” in Saskatoon.\n\nDCP. Directors: Jess MacCormack, Alexus Young.\n\nDirector Rhys Ernst’s documentary tells the story of a Black trans caterer and madame from the early 20th century.\n\nDCP. Director: Rhys Ernst.\n\nDirector Tourmaline summons a haunting visitation with the spirits of Black trans ancestors via music, light, dancing and mystical scenarios.\n\nDCP. Director: Tourmaline.",
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      "startDate": "2026-11-18T17:00:00.000Z",
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      "description": "Join us for our weekly mindfulness meditation. Whether you are new to meditation or already have experience we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum Community Center\n\nYou do not have to join all sessions but can join as your schedule allows. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nWhat is mindfulness? Mindfulness is being fully present to your life instead of being on autopilot. Our mind tends to rehash the past and to rehearse the future. There is nothing wrong with that except that it does it too much and it keeps us from being with what is actually happening right in this moment. We can feel like life is passing us by and we miss a lot of good moments with family and friends, in nature and just throughout the day. When we are present we become better listeners and observers and will make better choices, big and small. People who regularly practice mindfulness meditation report overall stress levels going down and being able to deal with whatever comes their way in a better, healthier way. They also feel more connected and more joyful.\n\nWe practice this through mindfulness meditation where we train the mind to stay with an anchor, like the sensations of the breath. Eventually the mind will calm down and so will the body. We learn tools to be with a busy mind, challenging emotions, and even physical pain. We can access peace, calm and joy that arises independently of what’s going on in our lives at this time.\n\n**Teacher Bio:**\n\nChristiane Wolf is an internationally known mindfulness and Insight (Vipassana) meditation teacher. Originally from Berlin, Germany, she is a longtime proud resident of Culver City where her three children attended (or still attend) CCMS and CCHS.\n\nChristiane was trained as an OB/GYN in Germany but pivoted to not only practicing mindfulness meditation but then teaching it, mainly through InsightLA.\n\nShe was trained and mentored by Trudy Goodman, Jack Kornfield, Jon Kabat-Zinn, Gil Fronsdal and others.\n\nChristiane is the author of *Outsmart Your Pain – Mindfulness and Self-Compassion to Help You **Leave Chronic Pain Behind* and the coauthor of *A Clinician’s Guide to Teaching Mindfulness*, a classic training manual for mindfulness teachers.\n\nCheck [www.christianewolf.com](https://www.christianewolf.com/) for more info.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. To avoid disruption, late arrivals may not be admitted. Please arrive early as RSVP does not guarantee admission to this free program.*",
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      "description": "Whether you are new to meditation or already have experience, we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum’s Community Center. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nThis Sound Bath is designed as a continuation of Christiane Wolf’s regular Wellness Wednesday session. We will begin together with a visualization for inner peace, followed by a guided relaxation of the body to help release tension, and finish by relaxing together to sound from live instruments tuned specifically to help you find peace. Please wear comfortable clothes. Floor space is limited for those who wish to lie down for the full experience, but you are welcome to bring a yoga mat, pillow, and blankets.\n\n**Teacher Bio:**\n\nKris Matsuoka is a Los Angeles native and a graduate of Art Center College of Design in Pasadena. He lives and works in Culver City, California.\n\nWhile working in the creative industry, Kris was always asked the same question: “How do you come up with your ideas?” That led to an ongoing exploration of a second question: “Where do ideas even come from?” Looking into the lives of his favorite artists and mentors, Kris found one common thread. They had all turned to meditation at some point, and discovered that “not knowing” is a nice place to be.\n\nThrough the practice of meditation, Kris has seen how it can sharpen our perception of the world and reconnect us with nature. Sound meditation has become his most recent area of focus. For the past decade, he has hosted Sound Baths, workshops, and classes that use sound to invoke a sense of wonder and help people relax. Kris has found that in a relaxed, free, and peaceful state, your best ideas come most clearly.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. Please arrive early as RSVP does not guarantee** admission to this free program.*",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "description": "**Participants must bring their own yoga mat, and are encouraged to also bring a towel to pad their knees and yoga blocks if desired.**\n\nJoin our new weekly yoga session; all experience levels welcome! Yoga is a practice that builds strength, flexibility, and focus while calming the mind and restoring balance to the body. Through mindful movement and breathwork, it supports physical health, reduces stress, and cultivates a deeper sense of well-being that carries into daily life. Each class offers a chance to reset, recharge, and reconnect.\n\nKate is a certified yoga instructor with teaching experience at Cliffs of Id, Iconic Fitness, Red Diamond Yoga, Downtown Women’s Center, and Stoneview Nature Center. Her classes combine gentle warm-ups, smooth flow sequences of strength-building poses, and restorative cool-downs, creating an accessible practice that leaves students grounded, energized, and renewed.\n\n*As this event takes place during museum open hours, guests may check in at the front of the museum. The garden side gate will open 15 minutes before the start time and is available for ADA access and alternative check-in. Theater doors open 15 minutes before the start time. Seating is first come, first served. An RSVP does not guarantee admission once capacity is reached. No late entry.*",
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      "name": "\"Rosalie\" / BLANCHE",
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      "description": "### **ABOUT THE FILMS:**\n\n**“Rosalie,” 1966, Dir. Walerian Borowczyk, 15 Mins, Friends of Walerian Borowcyzk, France**\n\n*In French with English subtitles.*\n\nOf all his films, Borowczyk’s favorite was “Rosalie.” Based on a short story by Guy de Maupassant, Borowczyk relates the plight of a servant girl who killed and buried her child in the garden. Featuring a profoundly touching performance by Ligia Borowczyk, once again Borowczyk uses animated objects to relate (horrific) action indirectly. An over-exposed, chiaroscuro image gives the proceedings an ethereal quality halfway between one of Beckett’s monologues and David Lynch’s ERASERHEAD.\n\nFORMAT: DCP\n\n**BLANCHE, 1971, Dir. Walerian Borowczyk, 94 Mins, France**\n\n*In French with English subtitles.*\n\nBlanche is the young, pure, beautiful wife of the Master of the castle, in a secluded land. Every man is in love with her, including the King and his servant Bartolomeo, visiting the Master.\n\nFORMAT: DCP",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "description": "Leonardo is a terrible monster; at least, he’s supposed to be. He tries so hard to be scary, but no matter what he does…he just isn’t. Everything changes when he meets Sam, the most scaredy-cat kid in the world. Will Leonardo finally manage to scare someone? Or will it be the start of an unlikely friendship?\n\nCreated by **Manual** **Cinema**, this delightful family production brings **Mo** **Willems**’ beloved books _Leonardo, the Terrible Monster_ and _Sam, the Most Scaredy-Cat Kid in the Whole World_ to life using hundreds of illustrated paper puppets, book pages, furry monster puppets, and original music performed live. Watch the cinematic projection like a traditional film or look below to see the artists building the story in real time.\n\nThere’s no wrong way to experience this whimsical world of monsters, courage, and an unlikely friendship!\n\nRunning Time: 45 minutes, no intermission.\n\n* * *\n\n**PERFORMANCES**  \nFri. Nov. 20, 2026 @ 7:30 PM  \nSat. Nov. 21, 2026 @ 11:00 AM",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "Gloria Cheng and Ralph van Raat",
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      "description": "A Pierre Boulez centennial celebration, a duo piano concert by Gloria Cheng and Ralph van Raat.\n\n**“It’s not just that Ms. Cheng plays these daunting pieces with such commanding technique, color and imagination. She has brought together works that fascinatingly complement one another.” *****— New York Times***\n\n**“I enjoy Van Raat on recording, but given the chance to hear him again live, I would run, not walk.” — Christian B. Carey, *****Musical America***\n\nPianists **Gloria Cheng **and **Ralph van Raat **pay homage to the legacy of **Pierre Boulez**, the unparalleled French composer, conductor and cultural visionary whose centennial celebrations have been celebrated around the world. A defining force in postwar contemporary music, Boulez left an indelible mark on the sound of the 20th century.\n\nIn this duo piano concert, Cheng and van Raat explore Boulez’s legacy through his solo and duo compositions, presented alongside works by **John Cage**, **Morton Feldman**, **Frank Zappa**, **Magnus Lindberg** and **Olivier Messiaen**. The evening traces Boulez’s broad musical connections, from his well-documented mutual respect with Zappa to his complex relationships with Cage and Feldman, offering a profound reflection on his impact and the cross-pollination of musical ideas across generations. \n\nPROGRAM:\nPierre Boulez: Structures Livre 1, 1a (1952)\nJohn Cage: Music for Piano 4, 19 (1953) \nBoulez: Scherzo (1945)\nMorton Feldman: Two Pianos (1957) \nMagnus Lindberg: Play (1979) \nBoulez: Structures Livre 2, Chapitre 2 (1961)\nBoulez: Courtes dérives à partir d’Éclat (1996) \nFrank Zappa: Ruth Is Sleeping (1992)\nOlivier Messiaen: “Amen de la Consommation”, from Visions de l’Amen (1943)\n\n    Image",
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        "url": "https://cap.ucla.edu/sites/default/files/styles/event_hero_image/public/event-hero-image/900x600_gloriaralph.jpg?itok=UmHu_Qpv",
        "description": "Gloria Cheng and Ralph van Raat perform on stage, lit by blue lighting. Both artists perform at their own pianos, positioned to be facing one another. The photo is taken from a high angle, showing the silhouettes of some audience members in the foreground."
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/f191eb39-1d74-441a-b83b-35add09c4d55",
        "zeitgeists:place": "https://zeitgeists.org/place/ef8affc3-daf3-4ad4-8d1a-2229a4dd2cc5",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "TheaterEvent",
      "@id": "https://zeitgeists.org/event/665d7413-372e-42f2-8653-16064e53c8c8",
      "identifier": "665d7413-372e-42f2-8653-16064e53c8c8",
      "name": "Chica Barbosa, Friidom, Tarren Johnson - NOW 2026",
      "url": "https://www.redcat.org/events/now-2026-week-three",
      "startDate": "2026-11-21T04:00:00.000Z",
      "location": {
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      "description": "The 23rd annual [New Original Works](https://www.redcat.org/node/1914) continues with a program of works by Chica Barbosa, Friidom and Tarren Johnson. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Chica Barbosa**\n\n***Marilyn Times***\n\n**Chica Barbosa**’s *Marilyn Times* revisits the legend of Marilyn Monroe through a Latin American lens to question what might be possible when an icon is liberated. The performance stages a dream-state encounter between three characters: Norma Jeane (the woman), Marilyn Monroe (the myth), and Bia Borinn (the performer). Inspired by Brazilian playwright Sergio Roveri’s play imagining Monroe’s final moments, director and filmmaker Chica Barbosa expands that text in a multidimensional piece layering film projection and solo performance. Created in Marilyn Monroe’s centenary year, *Marilyn Times* frames Monroe’s life as a site of rupture exceeding the illusions of Hollywood projected onto her. \n\n**Friidom**\n\n***THE TETHER***** **\n\n*THE TETHER* is a deep dive into the ethos of street dance. The piece stems from a pivotal lesson Friidom’s parents taught him about support: when helping someone, you grab them by the wrist, not just the hand, to hold their full weight. In an increasingly divided world, **Friidom** (Dance and Choreography MFA 2026) sees the keys to survival in the ways dancers support each other. Bringing together dance forms including Krump, D-Boogie, Poppin, Waving, and Tutting, this dynamic piece explores the connections that tie community together,moving beyond one style, neighborhood, or generation. As live music builds and freestyling dancers gather in a propulsive cypher Friidom asks: how do we tether our ancestors’ wisdom and the needs of future generations to the decisions we make today? \n\n**Tarren Johnson**\n\n***High Earners Not Rich Yet***\n\nIn this dance theater piece, **Tarren Johnson **(Dance and Choreography BFA 2013) reflects on the physical and economic tensions of Los Angeles in a portrait of precarity. Collaging fragments of text, voice, movement, recorded piano, and image, *High Earners Not Rich Yet* references individuals who earn substantial incomes yet accumulate little net wealth despite outward signs of affluence. This duet follows a guard as she repeatedly assumes and relinquishes her post amid discarded tires and debris, tracing her inner monologue of observation and memory. Searching for the divine in disorientation, Johnson considers how care is negotiated and sustained through the rituals and contradictions of everyday life.\n\n*Please note: *Marilyn Times* contains flashing lights, nudity, loud sounds and mature content; *THE TETHER* contains loud sounds.*\n\nNOW 2026: Week Three* will be presented as one shared program of all three works on Thursday, Friday, and Saturday. *\n\n[NOW 2026: Week One](https://www.redcat.org/events/now-2026-week-one) / [NOW 2026: Week Two](https://www.redcat.org/events/now-2026-week-two) / [NOW 2026](https://www.redcat.org/node/1914)",
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      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/665d7413-372e-42f2-8653-16064e53c8c8",
        "zeitgeists:place": "https://zeitgeists.org/place/73c41b1c-33dd-437a-a523-537ddd6c1e5a",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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      }
    },
    {
      "@type": "ScreeningEvent",
      "@id": "https://zeitgeists.org/event/a7e3abf4-fe7e-4be0-a1a1-bb547f5a3dbb",
      "identifier": "a7e3abf4-fe7e-4be0-a1a1-bb547f5a3dbb",
      "name": "CAMERON WINTER AT CARNEGIE HALL",
      "url": "https://www.americancinematheque.com/now-showing/cameron-winter-at-carnegie-hall-11-20-2026-10pm",
      "startDate": "2026-11-21T06:00:00.000Z",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/9bd2df8d-7050-4a97-9f87-f6ac5dd56178",
      "identifier": "9bd2df8d-7050-4a97-9f87-f6ac5dd56178",
      "name": "Historic Downtown: Old Buildings, New Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/historic-downtown-walking-tour-2026-11-21",
      "startDate": "2026-11-21T17:45:00.000Z",
      "location": {
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      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-21T20:15:00.000Z",
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      "image": {
        "@type": "ImageObject",
        "url": "https://www.laconservancy.org/wp-content/uploads/2024/12/Bradburybuilding_S.GregPanosian.png"
      },
      "zeitgeists": {
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        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/1219e248-f72a-4bbd-aeed-00df37a94c84",
      "identifier": "1219e248-f72a-4bbd-aeed-00df37a94c84",
      "name": "Curtains Up on Broadway: L.A.’s Historic Theatre District",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/curtains-up-on-broadway-l-a-s-historic-theatre-district-2026-11-21",
      "startDate": "2026-11-21T18:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd"
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      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-21T20:45:00.000Z",
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      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/1219e248-f72a-4bbd-aeed-00df37a94c84",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/04f2d63d-3922-4919-945c-fe2bef378639",
      "identifier": "04f2d63d-3922-4919-945c-fe2bef378639",
      "name": "Paul Revere Was Here: On the Trail of L.A.'s Legendary Architect Paul R. Williams",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/prw-was-here",
      "startDate": "2026-11-21T18:00:00.000Z",
      "location": {
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      },
      "description": "Paul Revere Was Here: On the Trail of L.A.'s Legendary Architect Paul R. Williams\n\nJoin the Conservancy and partnering organizations Southern California Chapter of the National Organization of Minority Architects (SoCal NOMA) and the Los Angeles County Museum of Art (LACMA) for Paul Revere Was Here, a special tour celebrating architect Paul Revere Williams.\n\nBuilding on the opening of LACMA’s exhibit featuring materials from the Paul R. Williams archive, this driving tour visits seminal spaces which reflect a variety of Williams’s work.\n\nFrom a single-family residence to places of worship and an unforgettable office building, these places speak to Williams’s creative design as well as his dedication to service and community.\n\nMESSAGE FOR MEMBERS How to purchase member tickets on the LACMA website\n\nTickets for this tour are available on LACMA’s website. L.A. Conservancy members enjoy a discounted price for this tour. Please follow the following steps to access your member rate.\n\nLog into your L.A. Conservancy account to get the Member Promo Code for this event.\n\nClick LACMA’s Ticket Link. If you are using a LAPTOP, the “Promo Code” field is located at the top-right of the screen. If you are using a PHONE, the “Promo Code” field that appears on the screen.\n\nAdd number of General Public Tickets\n\nIf you need assistance with purchasing your tickets, please contact Emily Tipton at etipton@lacma.org and ticketoffice@lacma.org.\n\nWe look forward to seeing you on November 21st!\n\nPAUL REVERE WAS HERE: On the Trail of L.A.’s Legendary Architect Paul R. Williams\n\nIn 2026, Paul R. Williams’s story enters a profound new chapter. The recent opening of the Paul R. Williams archives to the public—celebrated through landmark, collaborative exhibits at LACMA, The Getty, and USC—offers unprecedented access to his genius.\n\nBy any measure, the accomplishments of trailblazing architect Paul Revere Williams are astounding. In a career spanning almost six decades, Williams designed more than 3,000 structures and mastered a range of architectural styles. And, as the first Black architect admitted to the AIA, he broke racial barriers and triumphed over racism, paving the way for future generations of talented Black architects.\n\nSaturday, November 21, 2026 10 a.m. – 4 p.m.\n\n$35 General Public $30 Members*\n\nTour the buildings and meet the people that keep Paul R. Williams’s legacy alive! This driving tour includes:\n\nVisits to five historic places designed by Paul Revere Williams with on-site L.A. Conservancy docents, SoCal NOMA architects, and community members to help you learn more.\n\nAdmission to LACMA’s Paul R. Williams: Architect for Living, which is free for tourgoers on November 21.\n\n*Tickets are on sale at LACMA’s website. Conservancy Members, please log in to your online account to access the discount code required to receive the member rate.\n\nTour begins at Founder’s Church of Religious Science. Additional location information will be provided upon arrival. Guests may drive to other tour sites at their leisure until 4 p.m.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nLACMA Exhibit Admission on Nov. 21",
      "endDate": "2026-11-22T00:00:00.000Z",
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      "image": {
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      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/04f2d63d-3922-4919-945c-fe2bef378639",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/139942f1-e775-417d-85d3-0b9f9511be80",
      "identifier": "139942f1-e775-417d-85d3-0b9f9511be80",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-11-21",
      "startDate": "2026-11-21T18:15:00.000Z",
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      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-21T20:45:00.000Z",
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      "image": {
        "@type": "ImageObject",
        "url": "https://www.laconservancy.org/wp-content/uploads/2022/10/EasternColumbia_ConservancyStaff-scaled.jpg"
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/139942f1-e775-417d-85d3-0b9f9511be80",
        "zeitgeists:place": "https://zeitgeists.org/place/821e32d6-4b03-4c20-abd4-46d55d7acbdd",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "TheaterEvent",
      "@id": "https://zeitgeists.org/event/017e1b6e-5bfc-4c49-8ca3-ead0e39e9557",
      "identifier": "017e1b6e-5bfc-4c49-8ca3-ead0e39e9557",
      "name": "A Holiday Wonderland Special",
      "url": "https://ci.ovationtix.com/35787/production/1293061?performanceId=11876307",
      "startDate": "2026-11-21T18:30:00.000Z",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Join us for a hands-on workshop, where you’ll design your own bandana using locally foraged, sustainable dyes.\n\nDuring this introductory class, you'll learn about the natural dye process, the ecological significance of California's kelp forests, and the regenerative potential of working with sustainably harvested materials.\n\nNo prior experience is needed—just an interest in art, ecology, and getting your hands a little dirty. (figuratively! we'll wear gloves!)\n\n\n\n\nLeave with a one-of-a-kind silk bandana, a deeper understanding of natural color, and a renewed connection to our ocean.\n\n2-3:30pm\n\n$45 \n\nAdvance tickets available  here !",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "description": "1927 - Silent • With Live Accompaniment by Mark Herman on the Mighty Wurlitzer • Introduction by Randy Haberkamp • Silent film doesn’t get more powerful than this, and it’s one of those titles that reminds you what the medium could do without a word of dialogue. At the very first Academy Awards, Janet Gaynor won Best Actress for this film, and the cinematography and camera movement were way ahead of their time.",
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      "name": "The Misfits in 4K",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Doors at 6pm\n\n$20 \n\nAdvance tickets available  here !",
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      "name": "The Hustler",
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      "description": "1961 • Paul Newman gives one of his best performances, and Jackie Gleason is great in a role people still talk about. This was a major Oscar contender and it won for both Art Direction and Cinematography. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "name": "Stromboli in 35mm",
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      "name": "60th Anniversary Screening: Hollywood Squares",
      "url": "https://www.cinema.ucla.edu/events/60th-anniversary-screening-hollywood-squares-2026-11-21",
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      "description": "*Made possible by the John H. Mitchell Television Programming Endowment*\n\nPremiering on NBC on October 17, 1966, *Hollywood Squares* became one of the most popular game shows in television history, with over 4,000 episodes of the original network incarnation produced through 1981. The longevity of the simple tic-tac-toe game was driven in large part by the show’s charismatic, quick-witted host, Peter Marshall. A talented actor and nightclub comedian, Marshall breezily tackled the daunting task of corralling the series’ boisterous, rotating stable of nine celebrities, setting up punchlines and volleying retorts with equal aplomb. \n\nWhile high-wattage superstars such as Vincent Price and Sammy Davis Jr. often guested, the literal center of *Hollywood Squares’ *towering, neon-lit set featured an icon like no other — actor and comedian Paul Lynde. Beloved by audiences of all stripes, Lynde routinely brought down the house with bawdy ad-libs and double entendres — delivered impeccably with a knowing wink. Painfully closeted in his personal life to protect his showbiz career, Lynde turned conventional wisdom of the day upside down, boldly introducing the masses to an undeniably empowered, queer-coded persona previously unseen on television. \n\nJoin us as we celebrate the 60th anniversary of the premiere of *Hollywood Squares* and the birth centennials of Peter Marshall and Paul Lynde. Two preserved episodes will be screened, complete with original commercials, as well as an extended clip reel showcasing a galaxy of guest stars, risque retorts and the genius of Paul Lynde.\n\n*Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.*\n\n*With original commercials! *\n\nCelebrity guests include Cliff Arquette (a.k.a. Charlie Weaver), Kaye Ballard, Wally Cox, Gypsy Rose Lee, Paul Lynde, Rose Marie, Greg Morris, Jan Murray, Gig Young. \n\nDCP. NBC. Production: A Merrill Heater/Bob Quigley production. Director: Jerome Shaw. Host: Peter Marshall. \n\n*Preserved by the UCLA Film & Television Archive from an original 2 in. videoreel. Engineering services by CBS Media Exchange. **\n*\n\n*With original commercials! *\n\nCelebrity guests include Pearl Bailey, Ernest Borgnine, Dick Enberg, Paul Lynde, Ricardo Montalbán, Karen Valentine and more. \n\nDCP. NBC. Production: A Merrill Heater/Bob Quigley production. Producer: Jay Redack. Editorial staff: Harry Friedman, Gary Johnson, Harold Schneider, Rick Kellard. Director: Jerome Shaw. Host: Peter Marshall. \n\n*Preserved by the UCLA Film & Television Archive from a 1/2 in. open reel videotape off-air recording. Engineering services by DC Video. *\n\nCurated from a range of archival resources, this extended clip reel features a tribute to Peter Marshall, a compilation of Paul Lynde zingers, a roll call of celebrity guests, including stars Ruta Lee, Rich Little and Jo Anne Worley, guest spots ranging from soul star Chaka Khan to ’70s icon Burt Reynolds, bloopers, promos and more. \n\nDCP. *Special thanks to Laurie Marshall, Jim Pierson, Randy Yantek.*",
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      "name": "Chica Barbosa, Friidom, Tarren Johnson - NOW 2026",
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      "description": "The 23rd annual [New Original Works](https://www.redcat.org/node/1914) continues with a program of works by Chica Barbosa, Friidom and Tarren Johnson. \n\n[*BUY A FESTIVAL PASS! SEE ALL 9 WORKS FOR $50!*](https://ci.ovationtix.com/34348/store/packages)\n\n**Chica Barbosa**\n\n***Marilyn Times***\n\n**Chica Barbosa**’s *Marilyn Times* revisits the legend of Marilyn Monroe through a Latin American lens to question what might be possible when an icon is liberated. The performance stages a dream-state encounter between three characters: Norma Jeane (the woman), Marilyn Monroe (the myth), and Bia Borinn (the performer). Inspired by Brazilian playwright Sergio Roveri’s play imagining Monroe’s final moments, director and filmmaker Chica Barbosa expands that text in a multidimensional piece layering film projection and solo performance. Created in Marilyn Monroe’s centenary year, *Marilyn Times* frames Monroe’s life as a site of rupture exceeding the illusions of Hollywood projected onto her. \n\n**Friidom**\n\n***THE TETHER***** **\n\n*THE TETHER* is a deep dive into the ethos of street dance. The piece stems from a pivotal lesson Friidom’s parents taught him about support: when helping someone, you grab them by the wrist, not just the hand, to hold their full weight. In an increasingly divided world, **Friidom** (Dance and Choreography MFA 2026) sees the keys to survival in the ways dancers support each other. Bringing together dance forms including Krump, D-Boogie, Poppin, Waving, and Tutting, this dynamic piece explores the connections that tie community together,moving beyond one style, neighborhood, or generation. As live music builds and freestyling dancers gather in a propulsive cypher Friidom asks: how do we tether our ancestors’ wisdom and the needs of future generations to the decisions we make today? \n\n**Tarren Johnson**\n\n***High Earners Not Rich Yet***\n\nIn this dance theater piece, **Tarren Johnson **(Dance and Choreography BFA 2013) reflects on the physical and economic tensions of Los Angeles in a portrait of precarity. Collaging fragments of text, voice, movement, recorded piano, and image, *High Earners Not Rich Yet* references individuals who earn substantial incomes yet accumulate little net wealth despite outward signs of affluence. This duet follows a guard as she repeatedly assumes and relinquishes her post amid discarded tires and debris, tracing her inner monologue of observation and memory. Searching for the divine in disorientation, Johnson considers how care is negotiated and sustained through the rituals and contradictions of everyday life.\n\n*Please note: *Marilyn Times* contains flashing lights, nudity, loud sounds and mature content; *THE TETHER* contains loud sounds.*\n\nNOW 2026: Week Three* will be presented as one shared program of all three works on Thursday, Friday, and Saturday. *\n\n[NOW 2026: Week One](https://www.redcat.org/events/now-2026-week-one) / [NOW 2026: Week Two](https://www.redcat.org/events/now-2026-week-two) / [NOW 2026](https://www.redcat.org/node/1914)",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "name": "Citizen Artist Reading Group with Pilar Tompkins Rivas",
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      "description": "Sunday, November 22nd | 10 AM – 12 PM\n\nVirtual – Meeting Link\n\nFree + Open to the Public\n\nHigh Performance magazine, and later The Citizen Artist anthology, documented and amplified the voices of artists working outside traditional institutions, embedding their practice in the fabric of civic life. By revisiting these groundbreaking publications, we aim to spark dialogue, collective memory, and action—drawing from a powerful lineage of artist-led civic engagement and radical experimentation.\n\nThe Citizen Artist Reading Group is a year-long inquiry into the intersections of art, politics, performance, and community. Meeting monthly from January–December 2026, the group will engage foundational and experimental texts that have shaped the fields of social practice, community-based performance, and art/life. Together, participants will explore themes ranging from feminist lineages and environmental interventions to activism, justice, and collective transformation.\n\nAll sessions are virtual and public. Special guests will be invited to each session.\n\nSession 11 – November 22, 2026\n\nReadings:\n\nProfessional Jaywalker: Richard Posner on Crossing from the Studio to Public Art – Douglas Eby (p. 301)\n\nToward a New Folk Dance: Caregivers and Other Partners – Stuart Pimsler (p. 305)\n\nCWT#3: Making City Water Tunnel #3 – Marty Pottenger (p. 311)\n\nThe Citizen Artist – Aida Mancillas (p. 335)\n\nGuests: Pilar Tompkins Rivas",
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      "url": "https://www.academymuseum.org/en/programs/detail/the-favourite-019fceb8-441b-b5b9-ada8-4e32ba7253fa",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "The Good Fairy",
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      "description": "1935 • Introduction by Film Historian Antonia Carlotta • This is a sweet, funny little surprise from 1935, directed by William Wyler and written by Preston Sturges — so you get that mix of warmth and sharp jokes. Margaret Sullavan is wonderful. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "name": "S.U.T@LA – Vipassana Meditation Practice Group",
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
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      "description": "LOS ANGELES CHAMBER ORCHESTRA  \nLudovic Morlot, CONDUCTOR  \nWu Man, PIPA  \nBenjamin Smolen, FLUTE\n\nHUANG RUO: _Folksongs for Orchestra_  \nMASON BATES: Pipa Concerto **WORLD PREMIERE**  \nEÍMEAR NOONE: Flute Concerto **WORLD PREMIERE**  \nA.SCHOENBERG: Chamber Symphony No. 2, Op.38\n\nFrench conductor **Ludovic** **Morlot** leads an evening of music that spans continents, cultures, and personal histories. The program opens with **Huang** **Ruo**’s _Folksongs for Orchestra_, refracting the melodic richness of Chinese folk tradition into kaleidoscopic orchestral color. It continues with the world premiere of **Mason** **Bates'** Pipa Concerto, a daring collision of ancient Chinese lute and modern orchestra, performed by virtuoso **Wu** **Man**. The second half features the world premiere of **Eímear** **Noone**’s autobiographical Flute Concerto, performed by LACO Principal Flute **Benjamin** **Smolen**, which traces her path as a composer forging a career in the male-dominated world of film music. The evening concludes with **Schoenberg**’s beloved Chamber Symphony No. 2.\n\nAn unforgettable afternoon that proves music has always been one of our most powerful bridges between worlds, histories, and the life of the imagination.",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "name": "Getty Supper Club: La Belle Époque",
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      "description": "Join us for a special dinner and performance exploring the art of French hospitality. \nEnjoy a seated, five-course menu curated by French chefs and culinary historians Steve Benjamin and Frederic Castan, drawn from [A Few Recipes by Mons. Escoffier][1] from 1907, part of the Getty Library’s historic cookbook collection. \n\nOften regarded as the father of modern French cuisine, Georges Auguste Escoffier—head chef of London’s famed Carlton Hotel at the turn of the 20th century—evolved earlier techniques that emphasized elaborate, architectural presentations into simplified recipes, seasonal ingredients, and refined compositions. His innovations, including the creation of the *brigade de cuisine* kitchen system and the publication of foundational culinary texts, continue to shape professional kitchens around the world.\n\nBetween courses, the chefs will share stories of Escoffier's enduring influence on the history of hospitality, offering guests a rare opportunity to experience the flavors and traditions that helped define modern haute cuisine. \n\nEach course will be paired with chamber music from La Belle Époque, curated by French violinist Ambroise Aubrun and featuring works by Hahn, Debussy, Fauré, and Duparc.\n\n**Menu** \\\nGluten free and vegetarian options available. Menu is subject to change.\n\nHors d'oeuvres: Potage a la Chatelaine en Montgolfière \\\n*Châtaignes rôties au miel, artichaut et champignons brunoise, crème fraîche*  \n\nL’entrée: Stuffed and Poached filet of Sole Duglere \\\n*Chou vert braisé au beurre, tomate, sauce à la crème au vin blanc et persil*\n\nLe plat principal: Roasted Filet de boeuf a la Richelieu  \n*Pomme chateau, tomate farcis, Haricot vert au beurre, sauce madère* \n\nDessert: Caramelized Apple Tarte Tatin \\\n*Servi avec de la glace à la vanille*\n\n\nThis event is part of the Getty Research Institute’s [Tastemakers][2] series, featuring communal gatherings inspired by cookbooks from the Getty Library. \n\n\n  [1]: http://primo.getty.edu/GRI:GETTY_ALMA21197279770001551\n  [2]: https://www.getty.edu/whats-on/tastemakers/",
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      "name": "The Flowers of St. Francis (Francesco, giullare di Dio) in 35mm",
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      "identifier": "aff97a30-bdb1-458e-95fd-b1b9543a2399",
      "name": "PURPOSE",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "name": "RADIO GALAXY",
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      "description": "Starring   \nJoey McIntyre  |  Lesli Margherita |  Meera Simhan \n\n* * *\n\nA powerful new play by Michèle Aldin Kushner, Radio Galaxy follows Tino, a brilliant 17-year-old from a working-class New Jersey town who dreams of becoming an astronomer. When he discovers he has a half-sister in need of a life-saving bone marrow transplant, Tino is pulled into a world he never knew existed — and suddenly offered a future that feels as vast and uncertain as the universe he studies. Caught between his protective father’s fears, his own rising ambitions, and the pull of a biological father who finally understands him, Tino must make an impossible choice: save a life or pursue the dreams that define his own.\n\nRadio Galaxy is a moving story about family, identity, belonging, and the courage to reach for the stars even when love pulls you back down to earth.",
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      "name": "Lise Davidsen Holiday Concert",
      "url": "https://broadstage.org/tickets-shows/calendar/celebrity-opera-lise-davidsen-christmas-recital",
      "startDate": "2026-11-23T03:30:00.000Z",
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      "description": "**November 22, 2026**\n\n7:30 PM\n\n‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾\n\nUniversally acknowledged as one of the greatest Opera singers of our time, Norwegian soprano **Lise Davidsen **has  “a one-in-a-million voice” and appears regularly on the world’s leading opera and concert stages. Renowned for her rare combination of vocal power, dramatic intensity, and luminous expressive detail, she has established herself as one of the defining artists of her generation. For this special appearance, Davidsen brings an evening of warmth, reflection, and vocal brilliance that promises to be a highlight of the holiday season!",
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      "description": "### **ABOUT THE FILM:**\n\n*In Italian, French, German and English, with English subtitles.*\n\nThe incomparable Federico Fellini directs the visually stunning portrait of Casanova, the infamous Italian womanizer, adventurer, author and libertine. In a remarkable performance, Donald Sutherland portrays the great seducer not as an amorous anomaly, but an everyday man living in extraordinary times. Featuring dazzling European settings (although it was filmed entirely in Rome), an unforgettable musical score and Academy Award-winning costumes, Fellini’s Casanova is a cinematic experience to fall in love with.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Universal\n\nCOUNTRY: Italy",
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      "description": "Oscar Rabin wanted to paint. In the Soviet Union that made him a dissident.\n\nIn 1974 Rabin helped organize an open-air show of unofficial art in Moscow. The authorities broke it up with bulldozers and water cannons. Images of the attack went around the world, and within weeks officials had to allow a second outdoor show. Thousands came. Several years later Rabin and his wife, the painter Valentina Kropivnitskaya, were forced into exile, and he was stripped of his Soviet citizenship. They started over in France.\n\n*A Road of Many Colors* tells their story in two documentaries written and directed by Alexander Smoljanski and Evgeny Tsymbal. *In Search of a Lost Paradise* (2015, 52 minutes) follows the life and art of Kropivnitskaya. *Oscar* (2018, 90 minutes) turns to Rabin. It draws on archival footage, some of it shown publicly for the first time, and on conversations with artists and writers including Ilya Kabakov, Vitaly Komar, Eric Bulatov, Lyudmila Ulitskaya, Vladimir Sorokin, and Vladimir Paperny. Rabin died in 2018 at 90, shortly after the Paris premiere of *Oscar*.\n\nThe films ask what art can do when power demands obedience, a question artists, writers, and cultural institutions face again today.\n\nAlexander Smoljanski joins us for a conversation after the screening. Smoljanski is a writer, director, and producer who conceived *A Road of Many Colors* and made both films with Evgeny Tsymbal.\n\nRSVPing to this program does not guarantee admission. Seating is first come, first served.",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "description": "The British painter Joseph Wright of Derby is celebrated for his astonishing ability to capture the magic of light piercing the dark. In 1760s London he exhibited a series of remarkable pictures that catapulted the provincial artist to national fame. This exhibition reunites several of these works—including the Getty’s recently rediscovered *Two Boys with a Bladder*—and explores the technical innovations and artistic ambitions behind some of the most enthralling paintings of the 18th century.",
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      "description": "free 15 minute astrology readings by Giancarlo Lazarte Amado Founder, Astrology Club Los Angeles",
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      "description": "Whether you are new to meditation or already have experience, we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum’s Community Center. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nThis Sound Bath is designed as a continuation of Christiane Wolf’s regular Wellness Wednesday session. We will begin together with a visualization for inner peace, followed by a guided relaxation of the body to help release tension, and finish by relaxing together to sound from live instruments tuned specifically to help you find peace. Please wear comfortable clothes. Floor space is limited for those who wish to lie down for the full experience, but you are welcome to bring a yoga mat, pillow, and blankets.\n\n**Teacher Bio:**\n\nKris Matsuoka is a Los Angeles native and a graduate of Art Center College of Design in Pasadena. He lives and works in Culver City, California.\n\nWhile working in the creative industry, Kris was always asked the same question: “How do you come up with your ideas?” That led to an ongoing exploration of a second question: “Where do ideas even come from?” Looking into the lives of his favorite artists and mentors, Kris found one common thread. They had all turned to meditation at some point, and discovered that “not knowing” is a nice place to be.\n\nThrough the practice of meditation, Kris has seen how it can sharpen our perception of the world and reconnect us with nature. Sound meditation has become his most recent area of focus. For the past decade, he has hosted Sound Baths, workshops, and classes that use sound to invoke a sense of wonder and help people relax. Kris has found that in a relaxed, free, and peaceful state, your best ideas come most clearly.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. Please arrive early as RSVP does not guarantee** admission to this free program.*",
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      "description": "Join us for our weekly mindfulness meditation. Whether you are new to meditation or already have experience we welcome you to this community sit in the beautiful A-Frame Theater of the Wende Museum Community Center\n\nYou do not have to join all sessions but can join as your schedule allows. Each session is followed by complimentary garden refreshments and an optional movement class.\n\nWhat is mindfulness? Mindfulness is being fully present to your life instead of being on autopilot. Our mind tends to rehash the past and to rehearse the future. There is nothing wrong with that except that it does it too much and it keeps us from being with what is actually happening right in this moment. We can feel like life is passing us by and we miss a lot of good moments with family and friends, in nature and just throughout the day. When we are present we become better listeners and observers and will make better choices, big and small. People who regularly practice mindfulness meditation report overall stress levels going down and being able to deal with whatever comes their way in a better, healthier way. They also feel more connected and more joyful.\n\nWe practice this through mindfulness meditation where we train the mind to stay with an anchor, like the sensations of the breath. Eventually the mind will calm down and so will the body. We learn tools to be with a busy mind, challenging emotions, and even physical pain. We can access peace, calm and joy that arises independently of what’s going on in our lives at this time.\n\n**Teacher Bio:**\n\nChristiane Wolf is an internationally known mindfulness and Insight (Vipassana) meditation teacher. Originally from Berlin, Germany, she is a longtime proud resident of Culver City where her three children attended (or still attend) CCMS and CCHS.\n\nChristiane was trained as an OB/GYN in Germany but pivoted to not only practicing mindfulness meditation but then teaching it, mainly through InsightLA.\n\nShe was trained and mentored by Trudy Goodman, Jack Kornfield, Jon Kabat-Zinn, Gil Fronsdal and others.\n\nChristiane is the author of *Outsmart Your Pain – Mindfulness and Self-Compassion to Help You **Leave Chronic Pain Behind* and the coauthor of *A Clinician’s Guide to Teaching Mindfulness*, a classic training manual for mindfulness teachers.\n\nCheck [www.christianewolf.com](https://www.christianewolf.com/) for more info.\n\n*An ADA-accessible entrance to the Wende Museum Community Center is available through the gate from the parking lot at 10858 Culver Blvd.* *Limited floor space is first come, first serve. To avoid disruption, late arrivals may not be admitted. Please arrive early as RSVP does not guarantee admission to this free program.*",
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    {
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      "identifier": "386f053d-c6b9-418d-800f-9f976cde85df",
      "name": "Saved by a Story–Intergenerational Writing Group",
      "url": "https://wendemuseum.org/event/saved-by-a-story-intergenerational-writing-group-4/2026-11-25",
      "startDate": "2026-11-26T00:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0"
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      "description": "Participants ages 14 and up welcomed. Please arrive 5 or 10 minutes early to get settled, as we start the group promptly at 4pm.\n\nWe are excited to come together in community, to dive into our creativity and share our stories.\n\nWhat is Saved by a Story-Intergenerational Writing Workshop at the Wende Museum? Participants of all ages write to prompts to spark creativity, share stories and build community. We write to surprise ourselves and discover the bounty of stories that lie within.\n\nWe come together and write, choose to share (or not, you decide), listen and write some more.We do this in the beautiful environs of the Wende Museum and its provocative and compelling collection. Some of our prompts will help us engage with the current exhibitions as well as engage with each other.\n\nIn later groups, we will draft stories and workshop them.\n\nWe offer creativity and community in a non-judgmental environment.\n\n*The writing group meets in person on the second and fourth Wednesday of the month.*\n\n*Please arrive 5 or 10 minutes early to get settled as we start punctually at 4pm.*\n\n**What you will need:****– a note book–nothing fancy****–a pen****–if you prefer to write on a computer, feel free to bring that.**\n\nWhere:\n\nWende Museum's Community Center\n\nin the Cotsen Learning Center on the Second Floor\n\n10858 Culver Boulevard\n\nCulver City, CA, 90230\n\n310-216-1600\n\n*Please enter through the garden gate from the parking lot at 10858 Culver Blvd.*\n\n*Space in this workshop is limited so that everyone has time to share. Please RSVP in advance and check in at the garden gate when you arrive.*\n\n*If the workshop is full, join the standby line at the gate when you arrive. We hold RSVP spots until the workshop begins at 4 p.m. Any open spots then go to the standby line in order of arrival. Walk-ups are welcome only if space remains and no one is on standby.*\n\n*If you can no longer attend, please cancel your RSVP so another writer can take your place.*\n\n*RSVPs for this free program do not guarantee admission. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come, first served basis. Please note that doors will close promptly at the program's start time and late entry will not be permitted.*",
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      "name": "A Healing Story Circle: A Return to the Roots with Miguel Rivera and Michael Rey",
      "url": "https://18thstreet.org/event/a-healing-story-circle-a-return-to-the-roots-with-miguel-rivera-and-michael-rey-3",
      "startDate": "2026-11-26T01:00:00.000Z",
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      "description": "Wednesday, November 25 l 5PM – 7PM\n\n18th Street Arts Center\n\n1639 18th Street. Santa Monica, CA 90404\n\nFree + Open to the Public\n\nAs modern culture and civilization have evolved in the past decades, we have continually removed ourselves from a consistent relation to nature and its cycles. No longer are we familiar with the gestation cycles of the plants and animals that surround us. This creates an alienation from the world around us, a separation from nature, a virtual reality.\n\nThis event is an invitation to create paths to the world around us, to renew the relationship and sustain it so we may continue to be connected. To explore old ways that have resurfaced again so we may benefit from them in the way those that came before us did. Tuning to the land through story breath and song. Allowing us to connect in a physical way to the elements of Fire, Water, Earth and Air in a ritual environment.\n\nThe Story Circle will take place on the Patio directly adjacent to the Hearth so please dress appropriately for the temperature. 18th Street Art Center’s team will offer an assortment of tasty snacks and other non-alcoholic beverages. Please bring something to share with community if you’d like!\n\nMusician, Mentor, Translator, Teacher, Miguel Rivera has 4 bilingual anthologies of the Maya K’iche’ poet Humberto Ak’abal published: “Poems I brought down from the mountain” U.S. 2001, “Tejiendo las huellas” Uruguay 2006, “El animalero” Guatemala 2008, “In the courtyard of the moon” Tia Chucha Press, U.S. 2021. He is a Board member of Shade Tree; a Los Angeles mentoring group founded in 1996, introducing at-risk youth to traditional Native American ceremonies and ways of knowledge. He is the Director/Co-founder of Western Gate Roots Foundation, an organization dedicated to bring back youth rites of passage and is the Co-producer and Sound Designer for the “School of Lived Experience” Podcasts. Miguel is a highly valued and respected member of the 18th Street Arts Center Board of Directors.",
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      "name": "PEACE CLASS with Mandy Kahn",
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      "name": "A SNAKE OF JUNE (2002)",
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      "name": "CAMERON WINTER AT CARNEGIE HALL",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "description": "### **ABOUT THE FILM:**\n\nCameron Winter, in December 2025, after a months-long sold-out tour with his band Geese, returned to New York to play a single show at Carnegie Hall. This is the movie.\n\nDirected and shot on 35mm and 16mm by Oscar-winning filmmaker Paul Thomas Anderson (ONE BATTLE AFTER ANOTHER), the crew includes filmmaker and actor Benny Safdie (THE SMASHING MACHINE) and music producer Ariel Rechtshaid (Grammy winner for albums with Vampire Weekend and Adele).\n\nGQ praised Cameron Winter’s show at Carnegie Hall as “staggeringly good,” and Nick Cave said he has a “a glorious, emotive voice with brilliant, blistering words, a racked and wondrous thing.” Winter’s solo album *Heavy Metal* was named one of the best of the year by Pitchfork, Rolling Stone, Paste and Mojo and Geese’s last record *Getting Killed* was named the best album of 2025 by The New Yorker, NME and Stereogum.\n\nFORMAT: 35mm\n\nDISTRIBUTOR: Janus Films and Criterion\n\nCOUNTRY: USA",
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      "identifier": "90af8de8-e0de-4639-b8da-163ee275e788",
      "name": "PURPOSE",
      "url": "https://secure.geffenplayhouse.org/overview/9659",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
      "disambiguatingDescription": "Black Partners Appreciation Night",
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      "name": "Historic Downtown: Old Buildings, New Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/historic-downtown-walking-tour-2026-11-28",
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      "description": "Historic Downtown: Old Buildings, New Stories\n\nGet a taste of Los Angeles history and culture when you visit downtown’s most iconic places.\n\nThis tour in downtown L.A. has something for everyone. Come explore some of L.A.’s most beloved landmarks, such as Los Angeles Central Library and the Bradbury Building, with their jaw-dropping interiors and fascinating histories.\n\nYou’ll visit L.A.’s Bunker Hill and take a ride on Angels Flight (the world’s smallest funicular railway) to the historic heart of L.A.’s food scene, Grand Central Market. The tour will end with a visit to Biddy Mason Memorial Park, a quiet oasis dedicated to one of L.A.’s founding mothers. You’re sure to discover the vibrancy of downtown, both through its eclectic style and cultural richness.\n\nFirst-time visitors to Downtown L.A. looking for a well-rounded introduction.\n\nHistory buffs eager to explore L.A.’s architectural and cultural evolution.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles; includes stairs and hills\n\nThis tour includes exteriors and interiors\n\nNo pets are allowed. Except for service animals.\n\nTour begins at Pershing Square. Tours end near Grand Central Market at 3rd Street and Broadway. Additional location information will be sent upon registration.\n\nDay of walk ups subject to availability.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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      "description": "Curtains Up on Broadway: L.A.’s Historic Theatre District\n\nBefore there was Hollywood there was Broadway! Walk this historic theatre district to see where L.A.’s entertainment industry began.\n\nDid you know that L.A.’s Broadway was where the movie industry debuted? This central street was the original epicenter for film premiers—the place to see and be seen in the early days of Hollywood. It still boasts the country’s largest collection of intact historic movie palaces, each of them more opulent than the last.\n\nThese historic theatres are integral to the changing identity of downtown Los Angeles, and a touchstone for generations of Angelenos who trace their roots to this neighborhood.\n\nOn the tour, you’ll hear about the history of this storied street and see how historic places along it have taken on exciting new roles– like the former Tower Theatre, now one of the most spectacular Apple stores in Los Angeles. You might also visit a historic movie palace, such as the grandiose Million Dollar or Orpheum Theatres. (Access to specific theatres cannot be guaranteed in advance and is subject to availability.)\n\nPreservation advocates interested in how historic spaces find new life. Music and performance lovers eager to see venues that once hosted legendary acts. Photographers and Instagrammers seeking stunning interiors and ornate facades.\n\nRoute covers about 1.5 miles; several flights of stairs depending on theatre access and availability (most theatres do not have elevator access to the balconies or basements)\n\nYes, but there is only limited access at several of the theatres\n\nExteriors and Interiors(subject to availability)\n\nTour begins at Pershing Square. Depending on theatre availability the tour will typically end near Broadway and 8th Street. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-28T20:45:00.000Z",
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      "identifier": "0c43c870-7e48-4f46-bf60-2f31a4fc771f",
      "name": "Art Deco L.A.: Zigzags, Spires, and Stories",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/art-deco-l-a-zigzags-spires-and-stories-2026-11-28",
      "startDate": "2026-11-28T18:15:00.000Z",
      "location": {
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      "description": "Art Deco L.A.: Zigzags, Spires, and Stories\n\nEveryone knows L.A. is a glamorous city, but few know that true Jazz Age elegance can be found in L.A.’s Art Deco wonders.\n\nNothing evokes Jazz Age elegance like the Art Deco style—and L.A. has always been a city in touch with fashion! Clean lines and geometric patterns provided the perfect look for L.A.’s buildings in the ‘20s and ‘30s, and an extraordinary collection of these masterpieces still stand in the heart of the city.\n\nStep inside the entryway to the Cicada Club or the glittering lobby of the CalEdison on a walking tour that highlights the best of 1920s glamour. Along the way, you’ll learn how Art Deco style made its way to L.A., why it became such a defining aesthetic, and about the craftspeople responsible for downtown’s soaring structures and their surprising details.\n\nArchitecture and design lovers fascinated by bold geometric patterns and sleek craftsmanship. Art and decorative arts enthusiasts interested in the artisans behind L.A.’s architectural masterpieces. Photographers and Instagramers looking for dazzling interiors and striking facades.\n\nSee below for more important information.\n\nRoute covers approximately 1.5 miles.\n\nThis tour includes exteriors and interiors\n\nTour begins at Pershing Square. Tour ends near the Eastern Columbia building. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
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          "timezone": "America/Los_Angeles"
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    },
    {
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      "name": "A Holiday Wonderland Special",
      "url": "https://ci.ovationtix.com/35787/production/1293061?performanceId=11876311",
      "startDate": "2026-11-28T18:30:00.000Z",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
      "endDate": "2026-11-28T19:30:00.000Z",
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        "zeitgeists:region": {
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          "timezone": "America/Los_Angeles"
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    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/73a39055-6fa4-494b-a465-57d4a1e40719",
      "identifier": "73a39055-6fa4-494b-a465-57d4a1e40719",
      "name": "Union Station: America’s Last Great Train Station",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/union-station-americas-last-great-train-station-2026-11-28",
      "startDate": "2026-11-28T19:00:00.000Z",
      "location": {
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      "description": "Union Station: America’s Last Great Train Station\n\nTake a ride back in time to see the last great train station ever built.\n\nLos Angeles’ Union Station was the last great railway station built during the golden age of rail travel, and it stands at a crossroads in L.A. history, straddling the city’s early decades and its emergence as a world-class metropolis. It bursts at the seams with historical figures and significant stories, as well as stunning spaces to explore. You’ll visit the former Fred Harvey Restaurant, a stunning example of late Art Deco design and a site that provided women with rare work opportunities outside the home. You’ll gain exclusive access to the grand Ticketing Concourse, where passengers purchased tickets alongside soldiers headed to war, and pass through the Waiting Room en route to Union Station’s modern wing. Along the way, you’ll see newly restored architectural details and interior spaces familiar from decades of film and television spots.\n\nArchitecture lovers who appreciate the fusion of Art Deco, Mission Revival, and Streamline Moderne. Travel and transportation history buffs interested in the golden age of rail travel. Design and craftsmanship aficionados who appreciate restored architectural details.\n\nSee below for more important information.\n\nRoute covers about one mile total walking; no stairs or inclines\n\nIncludes exteriors and interiors(Subject to availability)\n\nNo pets allowed. Except for service animals.\n\nWe will start our tour at Union Station. Additional location information will be sent upon registration.\n\nYou can change your reservation date if you contact us at info@laconservancy.org at least 48 hours before your original reservation date.\n\nIf a member of your party is in a wheelchair, please let us know in advance by emailing info@laconservancy.org.\n\nThere is no cost for caregivers accompanying people with disabilities. Please let us know in advance by emailing us at info@laconservancy.org.\n\nAll participants in the Los Angeles Conservancy-sponsored Walking Tours knowingly and freely accept and assume all risks, both known and unknown, including contracting and/or transmitting certain communicable diseases, and AGREE TO RELEASE, DEFEND, INDEMNIFY, NOT SUE, AND HOLD HARMLESS the Los Angeles Conservancy, its principals, officers, employees, volunteers, sponsors, agents and other participants from any and all claims, damages (including medical expenses and attorneys’ fees), injuries and expenses arising out of, or resulting from your voluntary attendance/participation in Walking Tours, including contracting certain communicable diseases and any and all other injury, illness, disability, death, or loss or damage to person or property. All participants expressly waive the benefits of California Civil Code 1542, which provides that: “A general release does not extend to claims that the creditor or releasing party does not know or suspect to exist in his or her favor at the time of executing the release and that, if known by him or her, would have materially affected his or her settlement with the debtor or released party.\n\nClick on the links for additional dates for these tours.\n\nMajor funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.",
      "endDate": "2026-11-28T21:00:00.000Z",
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      "zeitgeists": {
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        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
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    },
    {
      "@type": "ScreeningEvent",
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      "identifier": "ded7c1df-464f-4ca3-a736-1a33ac940912",
      "name": "Gremlins",
      "url": "https://www.academymuseum.org/en/programs/detail/gremlins-019fceba-f20a-417b-ed3c-bd5163cf63fa",
      "startDate": "2026-11-28T19:00:00.000Z",
      "location": {
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      "workPresented": [
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          "@type": "Movie",
          "name": "Gremlins",
          "duration": 106,
          "year": 1984,
          "director": {
            "@type": "Person",
            "name": "Joe Dante"
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    },
    {
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      "@id": "https://zeitgeists.org/event/b7610527-dbc1-4b2c-a586-4b9b61c67e30",
      "identifier": "b7610527-dbc1-4b2c-a586-4b9b61c67e30",
      "name": "Day With(out) Art 2025: seeds in a dying colony",
      "url": "https://www.theicala.org/en/events/3838-day-with-out-art-2025-seeds-in-a-dying-colony",
      "startDate": "2026-11-28T19:00:00.000Z",
      "location": {
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      },
      "description": "ICA LA is proud to partner with [Visual AIDS](http://visualaids.org) for Day With(out) Art 2026 by presenting *seeds in a dying colony*, a program of four newly commissioned videos that move through the afterlives of colonialism and the ongoing HIV epidemic. Across fractured histories and landscapes marked by extraction, the works trace how systems of power shape the body, memory, and experiences of care.\n\n*seeds in a dying colony* will feature four newly commissioned short videos by artists from across the world: **Edgar Hudson** (Tanzania), **Bruna Kury** and **Matheus Mello** (Brazil/Spain), **Sido Lansari** (Morocco/France), and **Micaela Cyrino** (Brazil).\n\n*seeds in a dying colony* will be screened all day at ICA LA from 11AM–6PM. Visitors will also have the chance to view exhibitions on view including *[Carl Cheng: Nature Never Loses](https://www.theicala.org/en/exhibitions/765-carl-cheng-nature-never-loses)*, *[Zoe Walsh: Gathering](https://www.theicala.org/en/exhibitions/798-zoe-walsh-gathering)*, *[Amia Yokoyama: Our Strange Hollows](https://www.theicala.org/en/exhibitions/831-amia-yokoyama-our-strange-hollows)*, as well as a Bookshelf Residency exhibition organized by Sming Sming Books and Kate Lester.",
      "endDate": "2026-11-29T02:00:00.000Z",
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      "identifier": "2fc03b67-51ea-413a-83c9-fc3d1bdc437f",
      "name": "A Holiday Wonderland Special",
      "url": "https://ci.ovationtix.com/35787/production/1293061?performanceId=11876312",
      "startDate": "2026-11-28T21:30:00.000Z",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
      "endDate": "2026-11-28T22:30:00.000Z",
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          "url": "https://zeitgeists.org/region/los-angeles",
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      "@id": "https://zeitgeists.org/event/fa0ab814-1165-4036-8c52-d96aca77576b",
      "identifier": "fa0ab814-1165-4036-8c52-d96aca77576b",
      "name": "The Biltmore Hotel: Host of the Coast",
      "url": "https://www.laconservancy.org/tours-events/events-calendar/the-biltmore-hotel-2026-11-28",
      "startDate": "2026-11-28T21:30:00.000Z",
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          "videoFormat": "Digital, Color",
          "year": 1999
        }
      ],
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      "image": {
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        "url": "https://static.library.ucla.edu/craftassetsprod/FTVA/_fullscreen/Introducing-Dorothy-Dandridge_File_462001_11535_681.jpg",
        "description": "Halle Berry as Dorothy Dandridge in Carmen Jones."
      },
      "zeitgeists": {
        "zeitgeists:url": "https://zeitgeists.org/event/0a6d39bf-1cbf-46e8-a595-57649a84b462",
        "zeitgeists:place": "https://zeitgeists.org/place/cc95bffd-0aa4-4837-95d7-d5c98f60f621",
        "zeitgeists:region": {
          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "MusicEvent",
      "@id": "https://zeitgeists.org/event/dd831cb7-6704-4ca1-9dac-8468af075b88",
      "identifier": "dd831cb7-6704-4ca1-9dac-8468af075b88",
      "name": "DTLA ArtNight",
      "url": "https://www.moca.org/events/december-2026-dtla-artnight",
      "startDate": "2026-12-04T01:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/5d13d556-0cc4-493a-8a56-4d54775ffa82"
      },
      "description": "Join us tonight on Grand Avenue and explore DTLA ArtNight. MOCA, The Broad, and other neighboring institutions come together for a free night of art, music, and culture. MOCA Grand Avenue will be open until 8pm and has free general admission.",
      "endDate": "2026-12-04T04:00:00.000Z",
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          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "ScreeningEvent",
      "@id": "https://zeitgeists.org/event/687b76a9-376c-4672-9ed9-87ab248b6234",
      "identifier": "687b76a9-376c-4672-9ed9-87ab248b6234",
      "name": "caves are our way home",
      "url": "https://tickets.now-instant.la/purchase/35144",
      "startDate": "2026-12-04T02:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/d45f1b6e-e1fd-486a-b10a-b82aeda8d566"
      },
      "description": "In conjunction with LaRissa Rogers’s *subterranean convergence*, film curator Jheanelle Brown presents an evening of experimental short films, *caves are our way home*. Her selections explore the politics and narratives of the “subterranean,” physical and metaphorical underground networks, as a way of thinking and relating to each other, our ancestors, descendants, and the land.\n\nThese films sit within Roger’s engagement with Zora Neale Hurston’s idea of ground thoughts, or earth knowledge, as a path to liberation. Crystal Z. Campbell charts a path for future life by creating space for ancestor and descendant exchange. Christopher Harris uses Hurston’s explanation of her methods for documenting African American folk songs to examine cultural memory. Karthik Pandian’s *Anoka* takes the shared space of the Dakota, Ojibwa, and Sanskrit languages as a foundation for anti-colonial solidarity.  Adam Piron’s *Yaangna Plays Itself* makes sure that Los Angeles’ Indigenous history and origin as Yaangna, a Gabrieleño village, isn’t forgotten. Ground thoughts and geologic memory shape Cauleen Smith’s *Mines to Caves*, which challenges the extraction at the heart of modern life. Michelle Sui’s *Street Angel *examines the past, present, and future of Los Angeles’ Chinatown with intergenerational memories at the forefront. Taken together, these films offer space to contemplate history and refusal.\n\nThe film screening will be followed by a short conversation with Adam Piron and Cauleen Smith, moderated by Jheanelle Brown. Also accompanying the screening will be a Reading Room, also curated by Brown, and inspired by *subterranean convergence.*\n\nNow Instant is a forty-seat venue. Seating is limited, so please purchase a $15 ticket to reserve your spot. If the ticket price is prohibitive, please email [info@clockshop.org](mailto:info@clockshop.org), and you will be provided with a free code on a first-come, first-served basis. These free tickets are limited and can be provided to one person at a time.",
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        {
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          "name": "caves are our way home",
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    {
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      "identifier": "88a6c12e-7412-43d3-b141-e500a4013570",
      "name": "Living with Loss: A Grief Support Circle",
      "url": "https://wendemuseum.org/event/living-with-loss-a-grief-support-circle/2026-12-03",
      "startDate": "2026-12-04T02:30:00.000Z",
      "location": {
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      "description": "Join a warm and understanding space where you can share, listen, and heal. Led by Dr. Barry Goldstein, this grief support circle is all about connecting with others who get what you’re going through. Come as you are, no judgments—just open hearts and support to navigate the ups and downs of loss side by side. Everyone is welcome!",
      "endDate": "2026-12-04T03:30:00.000Z",
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      "image": {
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      "zeitgeists": {
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    },
    {
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      "@id": "https://zeitgeists.org/event/9c80966a-339f-42e0-9291-7a2dfe13cc72",
      "identifier": "9c80966a-339f-42e0-9291-7a2dfe13cc72",
      "name": "PURPOSE",
      "url": "https://secure.geffenplayhouse.org/overview/9659",
      "startDate": "2026-12-04T03:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/c474c664-3f53-44ed-ac12-2a14055df788"
      },
      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "image": {
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/569e0a35-9cda-4177-91a1-d680af3b62d7",
      "identifier": "569e0a35-9cda-4177-91a1-d680af3b62d7",
      "name": "Community Flow Yoga with Kate O’ Neal",
      "url": "https://wendemuseum.org/event/yoga/2026-12-04",
      "startDate": "2026-12-04T18:30:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0"
      },
      "description": "**Participants must bring their own yoga mat, and are encouraged to also bring a towel to pad their knees and yoga blocks if desired.**\n\nJoin our new weekly yoga session; all experience levels welcome! Yoga is a practice that builds strength, flexibility, and focus while calming the mind and restoring balance to the body. Through mindful movement and breathwork, it supports physical health, reduces stress, and cultivates a deeper sense of well-being that carries into daily life. Each class offers a chance to reset, recharge, and reconnect.\n\nKate is a certified yoga instructor with teaching experience at Cliffs of Id, Iconic Fitness, Red Diamond Yoga, Downtown Women’s Center, and Stoneview Nature Center. Her classes combine gentle warm-ups, smooth flow sequences of strength-building poses, and restorative cool-downs, creating an accessible practice that leaves students grounded, energized, and renewed.\n\n*As this event takes place during museum open hours, guests may check in at the front of the museum. The garden side gate will open 15 minutes before the start time and is available for ADA access and alternative check-in. Theater doors open 15 minutes before the start time. Seating is first come, first served. An RSVP does not guarantee admission once capacity is reached. No late entry.*",
      "endDate": "2026-12-04T19:30:00.000Z",
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      "zeitgeists": {
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          "name": "Los Angeles",
          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
      "@type": "DanceEvent",
      "@id": "https://zeitgeists.org/event/ccd0b2b8-ca92-4092-a5f8-92563df6c9de",
      "identifier": "ccd0b2b8-ca92-4092-a5f8-92563df6c9de",
      "name": "Bernard Brown, Crystal Jackson Singletary, Rosanna Tavarez and Odessa Uno - CalArts Winter Dance Festival",
      "url": "https://www.redcat.org/events/calarts-winter-dance-festival",
      "startDate": "2026-12-05T04:00:00.000Z",
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        "@id": "https://zeitgeists.org/place/73c41b1c-33dd-437a-a523-537ddd6c1e5a"
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      "description": "CalArts Winter Dance Festival features commissioned works from choreographers **Bernard Brown**, **Crystal Jackson-Singletary**, **Rosanna Tavarez**, and **Odessa Uno** (Dance BFA 19) performed by the students of The Sharon Disney Lund School of Dance. As distinct voices in contemporary dance, these choreographers consider how the next generation of diasporas dance. Each artist utilizes their own movement language, lived experience, and historical legacies to contribute to a shared evening of virtuosity and personal meaning amidst community. Featuring faculty and guest choreographers, the festival highlights the talents of CalArts Dance undergraduate and graduate students in a diverse and celebratory evening.",
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      "image": {
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
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    },
    {
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      "name": "PURPOSE",
      "url": "https://secure.geffenplayhouse.org/overview/9659",
      "startDate": "2026-12-05T04:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/c474c664-3f53-44ed-ac12-2a14055df788"
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "zeitgeists": {
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
      }
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    {
      "@type": "PerformanceEvent",
      "@id": "https://zeitgeists.org/event/41d000d5-8fc1-42a4-a3d8-bca72dd6eae4",
      "identifier": "41d000d5-8fc1-42a4-a3d8-bca72dd6eae4",
      "name": "inti figgis-vizueta",
      "url": "https://cap.ucla.edu/event/inti-figgis-vizueta",
      "startDate": "2026-12-05T04:00:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/ef8affc3-daf3-4ad4-8d1a-2229a4dd2cc5"
      },
      "description": "*Music for Transitions*, a performance of inti figgis-vizueta's debut album with Andrew Yee and Rothko String Quartet.\n\n**“Ever-intriguing, rising new music star.” —***** Los Angeles Times***\n\nComposer **inti figgis-vizueta **presents her 2026 debut record *Music for Transitions*, with a performance featuring Grammy Award-winning cellist Andrew Yee and the Germany-based Rothko String Quartet (RSQ). Exploring Indigenous heritage and trans identity through playful, ecstatic soundscapes, the album exemplifies figgis-vizueta’s deep commitment to personal liberation through group improvisation. Recurring themes of land, wind, rivers and cosmology are framed by constant musical transformation in what composer George Lewis calls “the dynamics of the decolonial.”\n\nThis program is the culmination of over six years of simultaneous collaborations between figgis-vizueta, Yee and RSQ. In their work together and with different ensembles, Yee and RSQ have premiered over fifteen works by figgis-vizueta in the United States and Germany, establishing themselves as champions of her music. Join us for this unforgettable evening showcasing the creative heights of this cello quintet in celebration of the release of *Music for Transitions*.\n\n    Image\n\nSupport provided by the Royce Gala Endowment.",
      "eventStatus": "https://schema.org/EventScheduled",
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        "url": "https://cap.ucla.edu/sites/default/files/styles/event_hero_image/public/event-hero-image/2026_05_PODIUM-Esslingen-637-foto-diana-lim_900x600.png.jpg?itok=przeP9BD",
        "description": "group members of inti figgis-vizueta performing their instruments in front of a live audience"
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      "zeitgeists": {
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    },
    {
      "@type": "EducationEvent",
      "@id": "https://zeitgeists.org/event/34b9e951-b633-49b7-8a6e-f95eddbf6ae8",
      "identifier": "34b9e951-b633-49b7-8a6e-f95eddbf6ae8",
      "name": "Saved by a Story–Wildfire Survivor Writing Workshop",
      "url": "https://wendemuseum.org/event/wildfire-writing-workshop-2026-2/2026-12-05",
      "startDate": "2026-12-05T18:30:00.000Z",
      "location": {
        "@type": "Place",
        "@id": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0"
      },
      "description": "Participants of all ages welcomed. Please arrive 5 or 10 minutes early to get settled, as we start the group promptly at 10:30 a.m.\n\nCome together to write about the history of the cherished places we have been, what we have lost (and found), and how we will chart a way forward.\n\nWe'll write to timed prompts to spark creativity, share stories, and connect.\n\nWe'll meet Saturdays on the campus of the fascinating Wende Museum. The Wende is a cultural center, art museum and archive that brings history to life.\n\n**For more information, email:** [**kathleenkatims@gmail.com**](https://www.eventbrite.com/e/saved-by-a-storywildfire-survivor-writing-workshop-tickets-1429255765469?aff=oddtdtcreator)\n\n*Please enter through the garden gate from the parking lot at 10858 Culver Blvd.*\n\n*Space in this workshop is limited so that everyone has time to share. Please RSVP in advance and check in at the garden gate when you arrive.*\n\n*If the workshop is full, join the standby line at the gate when you arrive. We hold RSVP spots until the workshop begins at 4 p.m. Any open spots then go to the standby line in order of arrival. Walk-ups are welcome only if space remains and no one is on standby.*\n\n*If you can no longer attend, please cancel your RSVP so another writer can take your place.*\n\nRSVPs for this free program do not guarantee admission. Doors will open and seating will begin 15 minutes prior to the start of the program. Limited seating is available on a first come, first served basis. Please note that doors will close promptly at the program's start time and late entry will not be permitted.",
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          "url": "https://zeitgeists.org/region/los-angeles",
          "timezone": "America/Los_Angeles"
        }
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    },
    {
      "@type": "TheaterEvent",
      "@id": "https://zeitgeists.org/event/e3fb38eb-cef4-4ac7-bdea-35bfb9b03ed8",
      "identifier": "e3fb38eb-cef4-4ac7-bdea-35bfb9b03ed8",
      "name": "A Holiday Wonderland Special",
      "url": "https://ci.ovationtix.com/35787/production/1293061?performanceId=11876315",
      "startDate": "2026-12-05T18:30:00.000Z",
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      },
      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
      "endDate": "2026-12-05T19:30:00.000Z",
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          "name": "Los Angeles",
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          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "1988 • Is this a holiday film? You be the judge. It’s an action-packed adventure thriller that blends high-stakes thrills with sharp humor. Bruce Willis became an action icon, making this explosive classic a must-watch every holiday season. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "description": "**Sandra Bernhard** returns to The Wallis with her signature blend of razor-sharp wit, social commentary, and unexpected tenderness. In these wild, how-low-can-we-go times, she meets the chaos head-on — often while admitting she’s caught completely off guard. With her unmistakable groove and effortless cool, Bernhard delivers an evening of perfectly curated music, personal storytelling, and unfiltered observations that will make you laugh, think, and probably dance in your seat.\n\nThis is your chance to spend time with one of comedy’s most original and fearless voices. Maybe it won’t change the planet, but it sure will elevate the conversation.\n\n* * *\n\n**PERFORMANCES**  \nSat. Dec. 5, 2026 @ 7:00 PM  \nSat. Dec. 5, 2026 @ 9:30 PM",
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      "description": "*Presented by the UCLA Film & Television Archive and the Yanai Initiative*\n\nAn old man lost in the woods stumbles onto a band of boisterous *tengu*, bird-like goblins of Japanese folklore, who demand to be entertained in this wonderfully detailed Japanese animated fairytale. \n\nDirector: Yasuji Murata. \n\n*Print courtesy of the National Film Archive of Japan.*\n\nJapanese animation pioneer Noburō Ofuji’s first film, *The Thief of Baguda Castle *premiered on the same bill with Teinosuke Kinugasa’s *A Page of Madness* in 1926. While Kinugasa was advancing live-action cinema, Ofuji introduced his own new stop-motion technique using cut outs of colorfully patterned paper called *chiyogami*. The film’s main character, Dangobei, a roustabout who nevertheless wins the favor and hand of a princess with help from some obliging spirits, became a recurring character in Noburo’s later work. \n\nDirector: Noburō Ofuji.\n\n*Print courtesy of the National Film Archive of Japan.*\n\n*North American premiere of new restoration!*\n\nJapanese novelist (and later Nobel Prize winner) Yasunari Kawabata devised the scenario (with contributions from other members of the radical literary movement known as Shinkankakuha) for director Teinosuke Kinugasa’s visionary masterpiece. Believing his wanton cruelty drove his wife insane, a guilt-wracked husband devotes himself to her care as a janitor at the asylum where she’s incarcerated. When it appears her illness may prevent their daughter from getting married, he gradually loses his own grip on reality. Kinugasa’s fantastical images, disorienting super impositions and rapid montage confirmed the expressive power of Japanese silent film. The Archive is honored to premiere this new restoration from the National Film Archive of Japan on the film’s centennial. \n\nDCP. Director: Teinosuke Kinugasa. Screenwriters: Yasunari Kawabata, Teinosuke Kinugasa, Minoru Inuzaka, Bankō Sawada. With: Masao Inoue, Yoshie Nakagawa, Ayako Iijima.\n\n*Restored by the National Film Archive of Japan*",
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      "description": "A jazzy holiday themed evening from chanteuse and comedienne Meow Meow.\n\n**“There are not many women who can stun an audience into pin-drop silence with an exquisitely delivered torch song one moment and rock the rafters with laughter the next.” — *****The Evening Standard***** (UK)**\n\nThis holiday season, step into the glorious world of international chanteuse and comedienne extraordinaire **Meow Meow**, for a dazzling evening of festive hilarity and musical mayhem. With her signature blend of mischief, glamour and glorious unpredictability, Meow Meow delivers songs, laughter and audience encounters that are as outrageous as they are unforgettable.\n\nA rollicking tonic for trying times, *Feline Festive* rekindles childhood wonder and revives the season’s most joyful impulses: generosity, irreverence and delight. Joined by a band of superb musicians, Meow Meow careens from jazzy vintage showbiz to witty Weimar tunes, French chanson and contemporary surprises. \n\nCome one, come all – It’s time to celebrate being alive!\n\nSupport provided by the Roslyn Holt Swartz & Allan J. Swartz Endowment for the Performing Arts.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Make a gnome and meet some other families- kids under 3 are free!\n\n2-4pm\n\n$10\n\nTickets available  here !",
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      "description": "1947 • Introduction by Film Archivist Stan Taffel • This is a warm holiday comedy with a big heart and a New York setting that feels like a postcard from another era. A great pick for the season!  • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
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      "description": "A shared evening of new and in-process work, Figuring Space, invites four LA-based artists – AMMA, Gurmukhi Desai Bevli, jeremy de’jon guyton, and Mamie Green/ VOLTA – to respond to the architecture and context of MOCA's WAREHOUSE through movement. Trained in contemporary dance and choreography the artists are encouraged to experiment, improvise, play, and explore as they inhabit and figure out the space. Harnessing the building's industrial legacy and drawing attention to its contradictory uses—a former police car storage facility that is now an art museum in Downtown LA—each artist reconfigures and reflects the singular space.Figuring Space continues MOCA's ongoing presentation of site-specific movement and sound-based work created in dialogue with the building.\n\nA cash bar inside WAREHOUSE presented by Sister Midnight will be open 30 minutes prior to the event start time for guests 21 and over (please bring valid ID). Drinks are permitted to be taken to seats to be enjoyed during the performance.\n\nArtist BiosAMMA (Alexsa Miles Miles Alexsa) is a run-on sentence in the form of a choreographic practice by artists Alexsa Durrans and Miles Brenninkmeijer. Established in 2018, their dances are inspired by the spectacle of movement performed in the context of arena concerts, halftime shows, synchronized swimming, etc. Previous performance presentations include Recital (Epilogue) at Human Resources LA (2026), Recital (Arena Tour) at WIP LA (2024), EQ at Eden (2023), The Halftime Show at Pieter Performance Space (2019), and Bye Bye Bye at Weekend At Berenice (2018).Alexsa Durrans (b. Vancouver, Canada, 1994) is a LA-based artist working in the fields of performance, visual art and experimental dance.Miles Brenninkmeijer (b. São Paulo, Brazil, 1993) is a dancer and choreographer based in LA working across live performance and on-screen movement.Gurmukhi Desai Bevli is a descendant of refugees from the 1947 Partition of India and Pakistan. Her interests are always informed by this knowledge and so are her reasons for making dance. Broadly, Bevli unravels and negotiates the politics of migration. She questions how her body can hold trauma it has never experienced, or remember histories it can never access. The intersections of culture, memory, and grief are murky, and Bevli’s work likes to live in the discomfort of unpacking them. There is a lot of stillness, silence, and voice. Sometimes this feels inescapably heavy, so there may be an attempt at humor, which often leaves the audience divided.jeremy de’jon guyton is a multidisciplinary artist, writer, and archivist engaging afro//queer technologies to construct immersive worlds that invite deep listening, critical inquiry, and collective dreaming. With an MFA in Choreography & Performance from Florida State University and a BA in Theatre & Performance Studies from Georgetown University, his creative research integrates devised theatre practices, text and spoken word, media, and social and club movement languages. He has toured internationally with critically acclaimed artist, Solange Knowles, and is an active contributor to regional and international artist collectives, most recently working with Will Rawls and Jeremy Nedd. Bridging creative practice with community care and cultural preservation, he is the founder and legacy steward of a.l.t. ^home, a creative residency and living cultural archive housed in his family home in South LA.Mamie Green is a choreographer and the director of VOLTA, an interdisciplinary performance project. Named in Fjord Review’s Best of Dance 2023 and Bachtrack’s Young Choreographers to Watch, Green’s work has been commissioned and presented internationally at the Guggenheim Museum Bilbao, LACMA, MAXXI National Museum, Jeffrey Deitch, Ace Hotel Brooklyn, MAK Center at the Schindler House, New Theater Hollywood, and Skirball Cultural Center among others. Green holds a BFA from Mason Gross School of the Arts and is the recipient of grants from the Center for Cultural Innovation and more.\n\nWonmi’s WAREHOUSE Programs is organized by Alex Sloane, Associate Curator, and is produced by Amelia Charter, Producer of Performance and Programs, The Museum of Contemporary Art Los Angeles.",
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      "description": "**Participants must bring their own yoga mat, and are encouraged to also bring a towel to pad their knees and yoga blocks if desired.**\n\nJoin our new weekly yoga session; all experience levels welcome! Yoga is a practice that builds strength, flexibility, and focus while calming the mind and restoring balance to the body. Through mindful movement and breathwork, it supports physical health, reduces stress, and cultivates a deeper sense of well-being that carries into daily life. Each class offers a chance to reset, recharge, and reconnect.\n\nKate is a certified yoga instructor with teaching experience at Cliffs of Id, Iconic Fitness, Red Diamond Yoga, Downtown Women’s Center, and Stoneview Nature Center. Her classes combine gentle warm-ups, smooth flow sequences of strength-building poses, and restorative cool-downs, creating an accessible practice that leaves students grounded, energized, and renewed.\n\n*As this event takes place during museum open hours, guests may check in at the front of the museum. The garden side gate will open 15 minutes before the start time and is available for ADA access and alternative check-in. Theater doors open 15 minutes before the start time. Seating is first come, first served. An RSVP does not guarantee admission once capacity is reached. No late entry.*",
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      "name": "Surrealist Study Group (SSG) hosted by dama in the PRS Library",
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      "description": "Surrealist Study Group (SSG) is a critical inquiry into the works of women artists and writers associated with Surrealism",
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      "name": "THE STRING QUEENS",
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      "description": "Crushing Wheelchairs, a film about homelessness featuring currently and formerly unhoused cast members from POOR Magazine.\n\n**“An honest, unvarnished look at a worthy population that so many want to ignore or hide from. A montage of real stories…unmasked, unfiltered, and always compelling.” — Devorah Major, San Francisco’s third Poet Laureate**\n\n***Crushing Wheelchairs ***is a feature film that follows a group of poor people living in a homeless community as they struggle to find hope amid gentrification, domestic violence and the growing brutality of the forces that surround them.\n\nThe film features a cast of both currently and formerly unhoused residents who are members of POOR Magazine, an Oakland arts and activism collective. \n\nInspired by the actors’ real life stories, *Crushing Wheelchairs *incorporates elements of magical realism, poetry and folklore to examine the causes and harsh realities of homelessness, told directly by the people who struggle against it everyday.\n\n    Image\n\nSupport provided by the Arthur E. Guedel Memorial Lectureship Fund.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "A monthly informal gathering to discuss  all things related to death and dying with tea and refreshments held in person at PRS",
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      "description": "Artist Gala Porras-Kim discusses recent work that considers how objects in collections are shaped by multiple actors, some of them non-consenting collaborators: the artists who create them, the collectors who establish their contexts, and the curators, conservators, and registrars who classify, preserve, and present them.\n\n\nThe works examine how historical objects are transformed by the classificatory systems applied to them, tracing shifting taxonomies that position them as historical, institutional, natural, or otherwise. These categories not only shape how objects are understood but also determine which relationships, histories, and contexts come to define them.\n\n\nBy tracing where different systems of knowledge intersect, overlap, and contradict one another, Porras-Kim’s work considers the multiplicity of stakeholders involved in defining cultural heritage and asks what new perspectives might emerge when the structures used to organize and interpret it are called into question.\n\n\nSponsored by the Getty Research Institute Council, the annual [Thomas and Barbara Gaehtgens Lecture series][1] is dedicated to highlighting leading research in the field of global art history.\n\n\nThe conversation will be available on the [Getty Research Institute YouTube channel][2] following the event.\n\n\n  [1]: https://www.getty.edu/whats-on/thomas-and-barbara-gaehtgens-lectures/\n  [2]: https://www.youtube.com/c/gettyresearch",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "1954 • Introduction by Author Jeremy Arnold • A heartwarming holiday classic filled with dazzling musical numbers, lavish Technicolor sets, and timeless charm. Bing Crosby’s rendition of the title song remains one of the most beloved Christmas recordings of all time. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "description": "**December 12, 2026**\n\n7:30 PM\n\n‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾\n\n90 Minutes (No Intermission)\n\nMaking her triumphant return to BroadStage, **Camila Fernández **brings an energy to the stage that few artists in our history have compelled.\n\nThere are dynasties, and then there is the Fernández family. Granddaughter of the legendary Vicente Fernández and daughter of Alejandro Fernández, Camila carries one of Mexican music’s most storied names. A revolutionary artist who seamlessly blends tradition and modernity, Camila creates a sound that is authentic, distinctive, and deeply moving. Her commanding performances captivate audiences and leave a lasting impression, honoring the nostalgia of mariachi while embracing contemporary influences.\n\nIf you were at BroadStage for her sizzling debut last season, you know she is carrying the Fernández legacy forward in her own way – and if you weren’t, now is your chance to experience a once-in-a-generation voice emerging as a leading force in modern mariachi.\n\n**Pre-Show on The Plaza**\n\nPop in for pre-show music on The Plaza! Pre-Show on the Plaza takes place 45 minutes before the BroadStage presentation.",
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      "description": "*Presented by the UCLA Film & Television Archive and the Directors Guild of America. Made possible by the John H. Mitchell Television Programming Endowment.*\n\nIn a trailblazing entertainment industry career spanning over half a century, producer-director Stan Lathan continues to leave an indelible creative mark. His groundbreaking work in television began with directing the PBS public affairs and documentary series *Say Brother* and *Black Journal*, which were produced to give voice to Black communities following the assassination of Dr. Martin Luther King, Jr. Later summoned by Redd Foxx to work on *Sanford and Son* as one of the few Black directors in primetime television, Lathan went on to helm episodes for a wide range of hit series, from *Hill Street Blues* to *Roc*. A formidable talent, he also directed numerous pilots that launched highly successful series, including *Amen* and *Moesha*.\n\nIn a career of milestones, following his theatrical feature *Beat Street* (1984), Lathan partnered with Russell Simmons to create *Def Comedy Jam* and *Def Poetry Jam* for HBO, the latter garnering the duo a Peabody Award. Among multiple Emmy, Grammy and Tony Awards and too many other major awards to mention, Lathan was recognized with a CINE Golden Eagle and an American Film Festival Blue Ribbon for directing the *American Playhouse* telefilm *Go Tell It on the Mountain* (1985). In perhaps the highest accolade possible, cultural titan James Baldwin publicly pronounced his love of the TV adaptation of his seminal work.\n\nJoin us as we celebrate Stan Lathan with a screening of *Go Tell It on the Mountain*, introduced by NYU Associate Professor Josslyn Luckett.\n\n*Programmed and notes written by John H. Mitchell Television Curator Mark Quigley.*\n\nAdapted from James Baldwin’s semi-autobiographical novel, this acclaimed television production won the approval of the author himself, with the literary and cultural giant telling the *New York Times* that he was “very, very happy about [the film] ... it did not betray the book.” Through flashbacks, award-winning director Stan Lathan powerfully interweaves painful family histories that inform the life of sensitive, burgeoning author John Grimes (James Bond III). Against the forces of religion, racism and poverty during the Great Depression, the 14-year-old Grimes begins a path of profound self-discovery and possibilities, impeded by his emotionally abusive, preacher step-father (Paul Winfield).\n\nDCP. PBS. Production: Learning in Focus. Executive Producer: Robert Geller. Director: Stan Lathan. Adapted from the novel by James Baldwin. Writers: Gus Wallace, Leslie Lee. With: James Bond III, Paul Winfield, Alfre Woodward, Ving Rhames, Giancarlo Esposito, Olivia Cole, Rosiland Cash, CCH Pounder.\n\n*Special thanks to Mark Balsam, Jordan Fields, Radial Entertainment, Breannah Oppenhuizen, Directors Guild of America.*",
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      "description": "The Unknown Exalted, a live performance of new material by Bay Area artist SPELLLING\n\n*The Unknown Exalted* is an intimate live composition by **SPELLLING**, the moniker of the Bay Area experimental pop artist Chrystia Cabral. Built from new and unreleased material in its earliest form, the performance offers a rare glimpse into the moment when songs are born. With piano, synthesizer and a small ensemble of musicians responding in real time, without prior knowledge of the material, *The Unknown Exalted *unfolds through instinct, chance and synchronicity.\n\nThe work draws from Cabral’s recent practice as a creative instructor, where she developed methods to help artists access intuition through personalized prompt systems inspired by Brian Eno's oblique strategies, which encourage risk, spontaneity and new ways of thinking. This performance brings that philosophy into a live setting, inviting audiences into the process itself: a space where songs emerge, transform and reveal themselves in the moment.\n\n    Image\n\nSupport provided by the Kevin Jeske Young Artist Fund.",
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      "name": "Mindy Seu - A Recital of Citations",
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      "description": "“Recital” and “citation” share the same root: *cite*. For **Mindy Seu**, the recital becomes a practice of embodied citation, where research is transformed into collective performance. *A Recital of Citations *restages two performances alongside a reflection on the lecture performance as an artistic form and its relationship to polyvocality. Seu begins with an augmented reality reading of her book CYBERFEMINISM INDEX, an encyclopedia of more than 700 entries documenting online activism and net art. In the participatory lecture performance A SEXUAL HISTORY OF THE INTERNET, these histories are spoken not by a single lecturer but collectively by the audience through a shared script on their mobile devices. Citations become scores, lectures become shared recitations, and the authority of a single speaker gives way to a polyphony of readers.\n\n*Please note: *A Recital of Citations* contains mature content.*",
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      "name": "A Holiday Wonderland Special",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      },
      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "The Gold Rush",
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      "description": "1925 - Silent • Live Accompaniment by Robert York on the Mighty Wurlitzer • Introduction by Film Archivist Stan Taffel • This is one of the great silent comedies from the master, Charlie Chaplin. Even after all these years, it's still hilarious. • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "name": "Beaded Tree Workshop hosted by Christina Ng (12/13)",
      "url": "https://heavymannerslibrary.com/events/beaded-tree-workshop-hosted-by-christina-ng-12-13",
      "startDate": "2026-12-13T23:00:00.000Z",
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      "description": "Get into the holiday spirit with this beginner-friendly beaded Christmas tree workshop! I’ll guide you step-by-step in creating a charming mini tree using seed beads. You can finish your piece as a pair of holiday earrings or turn it into a cute keychain. Perfect for all skill levels and a great way to kick off the season!",
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      "name": "S.U.T@LA – Vipassana Meditation Practice Group",
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        "@id": "https://zeitgeists.org/place/bfa0b0b1-5b2e-458c-a36b-87b68c3d6de0"
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
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      "description": "1990 • This is the rare modern holiday movie that truly became a classic. Macaulay Culkin carries it with confidence and sweetness and John Williams’s score gives it a heartbeat. It's that perfect family-friendly offering where kids are delighted and adults get plenty to enjoy. • Show begins with holiday music on the Mighty Wurlitzer and an old fashioned sing-along.",
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      "name": "Malaga / The Decks Ran Red",
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      }
    },
    {
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      "name": "Moonlight Hike: Sonoda",
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      "description": "TreePeople and Living Earth Present:\n\nGet your hiking boots and make sure you’re picnic-ready for a delightful evening of music and adventure. Listen to Sonoda, a Los Angeles-based meditative pop project and four-piece live band founded by Lisa Sonoda. The quartet specializes in synths, guitars, singing bowls, tingshas, chimes, bass, and drums.\n\nCheck-in begins around 6:30 pm, music shortly after 7 pm, and then we split into our hiking groups promptly at 8 pm. Parking is limited, and carpooling and ridesharing to the venue is highly encouraged.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "url": "https://thewallis.org/show-details/contra-tiempo-azucar",
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      "description": "**_Dance @ The Wallis is generously made possible by Koni Rich_**\n\n**CONTRA-TIEMPO** is a Los Angeles-based activist dance theater company known for socially conscious work that fuses Salsa, Afro-Cuban, hip-hop, and contemporary dance with theatrical storytelling. Under the direction of founder **Ana** **Maria** **Alvarez**, and in collaboration with an ensemble of artists including Afro-Cuban Master Teacher **Kati** **Hernandez**, the company creates work that invites connection, reflection, and collective imagination.\n\nIn _¡azúcar!_, **CONTRA-TIEMPO** traces the complicated history of sugar, from its origins as a healing plant to its entanglement in the transatlantic slave trade and its enduring impact on Black and Latino communities. Through athletic, emotionally charged movement, the dancers unearth ancestral memory, confront systems of oppression, and celebrate resilience, joy, and the sacred feminine. The experience begins with performers moving through the audience, transforming the theater into a shared, immersive space where the line between spectator and participant dissolves. Here, the audience is not separate from the story, but inside it — part of its rhythm, memory, and its healing.\n\nThis is truth-telling and celebration in motion.\n\n  \n\n* * *\n\n**PERFORMANCES**  \nThurs. Dec. 17, 2026 @ 7:30 PM  \nFri. Dec. 18, 2026 @ 7:30 PM  \nSat. Dec. 19, 2026 @ 2:00 PM",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      }
    },
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      "name": "CONTRA-TIEMPO: ¡azúcar!",
      "url": "https://thewallis.org/show-details/contra-tiempo-azucar",
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      "description": "**_Dance @ The Wallis is generously made possible by Koni Rich_**\n\n**CONTRA-TIEMPO** is a Los Angeles-based activist dance theater company known for socially conscious work that fuses Salsa, Afro-Cuban, hip-hop, and contemporary dance with theatrical storytelling. Under the direction of founder **Ana** **Maria** **Alvarez**, and in collaboration with an ensemble of artists including Afro-Cuban Master Teacher **Kati** **Hernandez**, the company creates work that invites connection, reflection, and collective imagination.\n\nIn _¡azúcar!_, **CONTRA-TIEMPO** traces the complicated history of sugar, from its origins as a healing plant to its entanglement in the transatlantic slave trade and its enduring impact on Black and Latino communities. Through athletic, emotionally charged movement, the dancers unearth ancestral memory, confront systems of oppression, and celebrate resilience, joy, and the sacred feminine. The experience begins with performers moving through the audience, transforming the theater into a shared, immersive space where the line between spectator and participant dissolves. Here, the audience is not separate from the story, but inside it — part of its rhythm, memory, and its healing.\n\nThis is truth-telling and celebration in motion.\n\n  \n\n* * *\n\n**PERFORMANCES**  \nThurs. Dec. 17, 2026 @ 7:30 PM  \nFri. Dec. 18, 2026 @ 7:30 PM  \nSat. Dec. 19, 2026 @ 2:00 PM",
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          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "@id": "https://zeitgeists.org/event/9b88365a-ca4c-49af-8998-3830cb738c98",
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      "name": "A Silent Night at the Music Hall",
      "url": "https://www.oldtownmusichall.org/all-programs",
      "startDate": "2026-12-19T22:30:00.000Z",
      "location": {
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        "@id": "https://zeitgeists.org/place/0c85907d-16bd-4aa6-af99-cfc7a9f43032"
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      "description": "1920s Silent Short Films, Pipe Organ and Sing-Along • Live Accompaniment by Randy Woltz on the Mighty Wurlitzer • Put on your favorite holiday sweater, bring friends and family, and get ready for an evening of fun silent movies and a rousing holiday sing-along! • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
      "eventStatus": "https://schema.org/EventScheduled",
      "eventAttendanceMode": "https://schema.org/OfflineEventAttendanceMode",
      "image": {
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      },
      "zeitgeists": {
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          "timezone": "America/Los_Angeles"
        }
      }
    },
    {
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      "name": "A Silent Night at the Music Hall",
      "url": "https://www.oldtownmusichall.org/all-programs",
      "startDate": "2026-12-20T03:00:00.000Z",
      "location": {
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      "description": "1920s Silent Short Films, Pipe Organ and Sing-Along • Live Accompaniment by Randy Woltz on the Mighty Wurlitzer • Put on your favorite holiday sweater, bring friends and family, and get ready for an evening of fun silent movies and a rousing holiday sing-along! • Show begins with music on the Mighty Wurlitzer and an old fashioned sing-along.",
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    },
    {
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      "name": "Tamango / Tarzan's Peril",
      "url": "https://www.cinema.ucla.edu/events/tamango-tarzans-peril-2026-12-19",
      "startDate": "2026-12-20T03:30:00.000Z",
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      "description": "Dutch sea captain Reiker (Curd Jürgens) embarks on what he intends to be his last slave-ship voyage along with his enslaved mistress Aiché (Dorothy Dandridge). One captured man, Tamango (Alex Cressan), plans a revolt. He tries to persuade Aiché to join him and the other rebels. Dandridge had refused many roles portraying enslaved people, but was attracted to this story of a shipboard rebellion. This French co-production filmed on the Côte d’Azur with star Dandridge staying at the glamorous Hotel du Cap-Eden-Roc for the majority of the shoot.—*guest programmer Miriam Bale*\n\nDCP. Director: John Berry. Screenwriters: John Berry, Lee Gold, Tamara Hovey, Georges Neveux. With: Dorothy Dandridge, Curd Jürgens, Jean Servais.\n\nDorothy Dandridge is the clear highlight here as Queen Melmendi of the Ashuba. She is luminescent, chic and sensual, and began to become a popular sex symbol a few years before *Carmen Jones *(1954). The plot involves Tarzan (Lex Barker) thwarting the plan of escaped criminal Radijeck (George Macready) to run guns in Africa on behalf of an unnamed power. But like all Tarzan films, it is a glimpse at Hollywood’s ever-shifting fascination with Africa.—*guest programmer Miriam Bale*\n\nDirector: Byron Haskin. Screenwriters: Samuel Newman, Francis Swann, John Cousins. With: Lex Barker, Virginia Huston, Dorothy Dandridge.",
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      "description": "Meet the Jaspers: generations of a powerful Black political family under one roof where nothing stays buried for long. When their youngest son returns home, instincts kick in to protect their public image of leadership and moral authority, and fractures soon appear as private grievances, betrayals, and long-simmering questions of identity rise to the surface.",
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      "name": "Citizen Artist Reading Group",
      "url": "https://18thstreet.org/event/citizen-artist-reading-group-dec20",
      "startDate": "2026-12-20T18:00:00.000Z",
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      "description": "Sunday, December 20 | 10 AM – 12 PM\n\nVirtual – Meeting Link\n\nFree + Open to the Public\n\nHigh Performance magazine, and later The Citizen Artist anthology, documented and amplified the voices of artists working outside traditional institutions, embedding their practice in the fabric of civic life. By revisiting these groundbreaking publications, we aim to spark dialogue, collective memory, and action—drawing from a powerful lineage of artist-led civic engagement and radical experimentation.\n\nThe Citizen Artist Reading Group is a year-long inquiry into the intersections of art, politics, performance, and community. Meeting monthly from January–December 2026, the group will engage foundational and experimental texts that have shaped the fields of social practice, community-based performance, and art/life. Together, participants will explore themes ranging from feminist lineages and environmental interventions to activism, justice, and collective transformation.\n\nAll sessions are virtual and public. Special guests will be invited to each session.\n\nWrap-Up – December 20, 2026\n\nFocus:\n\nRevisit favorite texts\n\nConnect themes across months\n\nGroup dialogue on impact\n\nDiscussion of future collaborations and projects\n\nGuests: To be Announced",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "description": "Ever wanted to dive into Manly Hall's work, but weren't sure you could commit to a whole class? PRS presents a weekly reading group!",
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      "description": "Feel like big tech has fractured your attention? Interested in reclaiming it? Then join LA’s first Attention Sanctuary -- an informal monthly salon and community gathering dedicated to the cultivation of non-commodified attention. Through guided discussion, we’ll:\n\nExamine our relationship to technology and the attention economy.\n\nExplore means of resistance.\n\nBuild community.\n\nFoster our attentional capacities.\n\nEat snacks.\n\nInspired by the work of Friends of Attention. Facilitated by Hilary Weisman Graham.\n\n\n Hilary Weisman Graham  is the creator/showrunner of the Netflix anthology series,  Social Distance,  and has worked as a writer/producer on  Kidding, Orange is the New Black,  and  Bones.  She is the author of the YA book,  Reunited  (Simon & Schuster), and forthcoming novel,  Home for Runaway Mothers .\n\n7-9pm\n\n$15\n\nTickets available  here . No one turned away for lack of funds. For info on sliding scale tickets please email info@scribblecommunity.com",
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      "name": "Design for Sharing Jennifer Koh and Vijay Iyer",
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      "description": "**“One of the great musicians of his generation... Iyer resolves the contradictions of the world in beauty.” - *****Der Spiegel***** (Germany)**\n\nGrammy Award-winning violinist **Jennifer Koh** is celebrated for her commanding performances and dedication to both traditional and contemporary repertoire.  **Vijay Iyer** has carved out a unique path as an influential, prolific composer and pianist. Iyer has created a consistently innovative, emotionally resonant body of work over the last three decades, earning him a place as one of the leading music-makers of his generation. \n\nKoh and Iyer present a new musical work about loss, healing and celebration. *Scenes of Living and Dying* explores the human relationship to the thresholds of life: births, deaths, transformations and awakenings. The music takes the form of a collection of sonic scenes, ceremonies, and conjurings, ranging from tender to severe, fragile to robust, melancholy to celebratory, in an offering of communion across life’s existential divide. \n\nLike all DFS programs, this hour-long student matinee performance is free to any Los Angeles area public school, though we do ask that schools make their own transportation arrangements.  If that means you might not be able to attend, let us know.  We may be able to help.  Our Perloff Memorial Bus Fund provides support for bus transportation. \n\nWe often have more demand than we can accommodate; requests are filled on a first-come basis. Contact us at dfs@cap.ucla.edu for more information.",
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      "name": "Jennifer Koh and Vijay Iyer",
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      "description": "*Scenes of Living and Dying*, a new work for violin and piano by Jennifer Koh and Vijay Iyer.\n\n**“Iyer’s music knows no bounds.” - *****Rolling Stone***\n\n**“One of the great musicians of his generation... Iyer resolves the contradictions of the world in beauty.” - *****Der Spiegel***** (Germany)**\n\nViolinist Jennifer Koh and composer-pianist Vijay Iyer present a new musical work about loss, healing and celebration. *Scenes of Living and Dying* explores the human relationship to the thresholds of life: births, deaths, transformations and awakenings. Drawing inspiration from various cultural touchstones of memory and grief, the music takes the form of a collection of sonic scenes, ceremonies, and conjurings, ranging from tender to severe, fragile to robust, melancholy to celebratory, in an offering of communion across life’s existential divide. \n\nThese artists will also present a free matinee performance for public school groups through Design for Sharing, our K-12 Arts Education Program.  \n\nCo-commissioning support for the composition provided by arco collaborative, Philadelphia Chamber Music Society and Capital Region Classical.\n\nSupport provided by Fariba Ghaffari.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "S.U.T@LA – Vipassana Meditation Practice Group",
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      "description": "Practice Isn’t Just on the Cushion — It’s Wherever Life Takes Us\n\nOur practice is inspired by the teachings of Sayadaw U Tejaniya (S.U.T), which invite us to bring wise awareness into every part of life. Mindfulness isn’t just for the cushion — it’s for the small, ordinary moments that make up our days.\n\nSome weeks, we’ll sit together in silence at the Wende Museum. Other times, practice might take us outdoors for a gentle hike, to a public event, on a mindful shopping trip, or even online via Zoom. Wherever we are, the essence of practice remains the same: staying present, open, and kind.\n\nThis new L.A.-based sangha is rooted in curiosity, ease, and Dharma friendship. Together, we’ll explore how to live with awareness and discover what unfolds when we meet life just as it is. We warmly invite you to join us — to sit, to walk, to laugh, and to grow together on this path of practice.\n\nPlease note we are holding Q&A session from 5PM. Q&A sessions are for continuing students only. Please contact me if you are interested in joining.",
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      "description": "****\n\n**A Twinklestar is Born! **\n\nLike a TV holiday special of yore, BBMT’s Holiday Wonderland Special features puppet fan favorites decking the halls, singing a few carols, and welcoming winter. \n\nOur Host Demitrius Nova Twinklestar III (that’s Demi Star for short) welcomes a cast of characters from Pink Cat, Rockette Reindeers, and more like you’ve never seen before. \n\nBBMT’s Holiday Wonderland Special is part of the Bob Baker holiday show tradition, inviting you into 63 years of puppetry, joy, and stardust. \n\nWhen selecting your seats, please note the difference between seat types: \n\n- The **MAGENTA** seats are theater chair seats. \n\n- The **GREEN** seats are criss-cross-applesauce floor seating.\n\n- The **LIGHT PINK** seats are seats in our Puppet Parlor. These seats are behind a barrier and are not recommended for children or those who might have difficulty seeing above a 3-foot-tall railing. \n\n- There are also two designated **WHEELCHAIR SPACES** (without chairs) on the floor next to the left and right sections.\n\nChildren ages 2 and under who will be sitting on a lap are FREE and do not need their own ticket! All guests must be at least 16 years of age or have a parent or guardian present. \n\nPlease note that while tickets are non-refundable, we are always happy to credit you the ticket cost to put towards another Bob Baker Marionette Theater production! Please contact us before your showtime to arrange and provide your order number. We can't accept same day requests, so we encourage you to reach out before the day of your show during our business hours to receive a credit.",
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      "name": "Living with Loss: A Grief Support Circle",
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      "name": "The Manly Hall Reading Group",
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      "startDate": "2027-01-20T03:30:00.000Z",
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      "description": "Ever wanted to dive into Manly Hall's work, but weren't sure you could commit to a whole class? PRS presents a weekly reading group!",
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      "name": "Cuervo",
      "url": "https://cap.ucla.edu/event/cuervo",
      "startDate": "2027-01-23T04:00:00.000Z",
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      "description": "Two sons tell the story of their father's experience in Chilean concentration camps in this biographical theater piece.\n\n**Cosme and Óscar Castro**, sons of the late Chilean playwright and theatre director Óscar “Cuervo” Castro, bring their father’s unpublished theatrical autobiography to the world. \n\nIn 1974, Óscar and his sister Marietta were arrested and tortured by agents of the Chilean military dictatorship. Despite the extreme violence, Óscar turned his experience in Chile’s concentration camps into a work of art by staging plays in the camps’ dining halls, transforming the lives of hundreds of prisoners.\n\nGuided by their father’s narrative, Cosme and Óscar Jr. set out in search of his former fellow prisoners. They visited the camps where he was imprisoned, retracing his steps throughout his two years of political imprisonment and theatrical activities.\n\nThe result of this labor of love is *Cuervo*: a documentary theater performance enriched with drawings and sketches, shadows and silhouettes and images filmed in Chile by Óscar’s sons half a century later. *Cuervo *weaves through memory and highlights the impact of art as a means of resistance and resilience in the face of oppression.\n\nSupported by Theatre & New Forms, a program of Villa Albertine and Albertine Foundation. Additional support provided by the José Luis Nazar Endowment for the Performing Arts.\n\n    Image",
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      "description": "Presented by MOCA and the National Center for Art Research as part of JUMP: Global Collaboration Program for Emerging Artists and Curators from Japan.Tokyo-based artist duo MES (Takeru Arai and Kanae Tanikawa both b. 1991) present the premiere of their first durational performance installation,セイ/SE-I/SAY (2027). Informed by their political activism and background in club culture, MES’s practice foregrounds heat and light-based media alongside live performance with lasers, candles, and thermographic imaging all prominent within their work.セイ/SE-I/SAY explores the solidarity between nascent Japanese and American anarchist movements in the early 20th century. This multifaceted project builds on MES’s ongoing research into formative anarchist theorists including American writer and activist Emma Goldman (1869-1940) and Shūsui Kōtoku (1871-1911), a prominent Japanese socialist who traveled to California in 1905 and is credited with bringing anarchism to Japan. Kōtoku was executed following the infamous High Treason Incident (1911) that saw twelve leftist leaders sentenced to death for conspiracy to murder the Emperor in what is now considered an example of targeted repression.Drawing attention to the protests among American scholars in the wake of Kōtoku’s execution and the subsequent suppression of anti-establishment thought throughout Japan, MES uses their own text together with the words of Kōtoku, Goldman, and others to evoke this history of mutual resistance. Integrating video, thermographic imaging, site-specific soundscapes, and a custom confetti installation within the composition of their multi-week performance, MES considers how the trans-Pacific exchange of radical ideologies in the first decades of the 20th century relates to our contemporary ideas of activism and protest.東京を拠点に活動するアーティストデュオMES（新井健 1991-, 谷川果菜絵 1991-）による新作パフォーマンス・インスタレーション《セイ／SE-I／SAY》を世界初公開します。MESは、クラブカルチャーやアクティヴィスムを背景に、レーザーや蝋燭、サーモグラフィーといった光や熱を伴うメディウムを駆使したパフォーマンスやインスタレーションを発表してきました。本作は、20世紀初頭の日米のアナーキストたちによる、国境を越えた連帯の歴史を参照しています。1911年、日本では「大逆事件」として知られる思想弾圧事件により、ジャーナリストの幸徳秋水（1871-1911）らが処刑されました。この事件に対して、エマ・ゴールドマン（1869-1940）をはじめとするアメリカのアナーキストや社会主義者たちは、抗議の声を上げました。MESは会期中Warehouseに滞在し、長時間にわたるパフォーマンスを展開します。幸徳やゴールドマンらの言葉、MES自身の声、身体の熱を映し出すサーモグラフィー映像、そして紙吹雪が舞う祝祭的な演出を通じて、連帯と抵抗の歴史を現代に呼び起こします。本企画は、MOCAと国立アートリサーチセンター（NCAR）による「JUMP アーティスト＋キュレーター国際協働プログラム」の一環として実施されます。\n\nArtist Bios\n\nTakeru Arai (b. Chibua, 1991, lives and works in Tokyo) and Kanae Tanikawa (b. Hokkaido, 1991, lives and works in Tokyo) work together as the artist duo MES, formed in 2015 when they were students at Tokyo University of the Arts. Through artistic activities focused on social issues such as politics, disasters, and gender, they challenge conventional thought and systems from new perspectives. À la dérive between club culture and contemporary art, they stage performances and create installations that sometimes quietly, sometimes intensely illuminate the darkness of the world through light and heat. Employing collaborative, intersectional approaches, their practice involves constant experimentation and exploration in stage directing, performing, and organizing, as can be seen in the REVOLIC—Revolution Holic party they hosted.\n\nMES, セイ/SE-I/SAY is organized by Alex Sloane, Associate Curator, The Museum of Contemporary Art Los Angeles and Mari Tsukamoto, Curator, The Museum of Art, Kochi and is produced by Amelia Charter, Producer of Performance and Programs, The Museum of Contemporary Art Los Angeles.MES, セイ/SE-I/SAY is presented at MOCA as part of Wonmi’s WAREHOUSE Programs.",
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      "description": "**On Shifting Ground**\n\n****August 12–23, 2026****\n\n**Hearth Gallery -18th Street Arts Center**\n\nClosing Reception: Sunday, August 23rd from 3:00–6:00 PM\n\nOn Shifting Ground brings together paintings by Chiao-Han Chueh, created during her three-month residency in Los Angeles, alongside works from Luciana Abait's Iceberg Series.\n\nWhen the two artists met, their works appeared far apart in medium, process, and visual language. Yet through ongoing conversations, they began to recognize an unexpected affinity in the way both transform space through color. Through layers of paint, pigment, drawing, and repeated interventions, each artist reshapes the spaces embedded within existing images. As colors accumulate and spatial relationships continually shift, the works reflect on how creating across places reshapes perception and transforms artistic practice.\n\nChueh's paintings slowly took shape during her residency. They reflect on relocation, time, and the traces left by lived experience, exploring how memory and trauma become inscribed in the body. Brushstrokes and layers accumulated, following the rhythm of daily life in the studio.\n\nAbait's Iceberg Series combines photography, archival imagery, and digital collage to construct imagined landscapes. Working directly over the photographic surface with pencil and pastel, she softens the documentary quality of the image while reflecting on migration, displacement, isolation, and the search for home.\n\n \n\n**Artist Bio**\n\nChiao-Han Chueh is a Taiwanese contemporary painter based in Germany whose practice explores trauma and survival, where the body becomes a site shaped by illness, instinct, and desires suppressed within patriarchal structures. Following her experience of thyroid cancer and surgery, she draws from medical imagery and anatomical references, approaching painting as a form of embodied research that reconfigures the boundaries and perception of the body. Her current project investigates the interaction between medical imaging systems—such as X-rays, anatomical diagrams, and spectral visualization—and color as a visual language, developing a painterly grammar that reflects on the mediated perception of the body. Situated within the context of Los Angeles, she extends this research into its intersecting medical, technological, and cultural infrastructures.\n\nChiao-Han Chueh’s residency is generously made possible through a partnership between the 18th Street Arts Center and [Taiwan Academy](https://la.us.taiwan.culture.tw/).\n\nBorn and raised in Buenos Aires, Argentina, Luciana Abait is currently based in Los Angeles, where she is a resident artist of 18th Street Arts Center in Santa Monica. Her multimedia works deal with climate change and environmental fragility, and their impacts on immigration. Abait uses images of nature, such as mountains, icebergs and oceans, along with flight plans, maps and human-made structures, to act as metaphors for her personal experience in her photo-based works.",
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      "description": "March 1, 2027 – March 31, 2028\n\nHearth Gallery -18th Street Arts Center\n\nSmooth Criminal reimagines public sculpture for an era shaped by digital networks, surveillance, and questions of personal agency. Developed by Ghost Agency (Gro Sarauw and Anni Garza Lau), the project moves beyond traditional notions of monumentality and permanence, proposing instead a distributed sculptural system that exists across both physical and digital space.\n\nAt the center of the work is a localized network designed specifically for 18th Street Arts Center’s Santa Monica campus, alongside a series of repurposed 1990s-era vending machines that dispense USB drives containing AOS (Agency OS), a custom operating system developed in collaboration with technologists, women’s rights activists, and NGOs in Mexico. Together, these elements transform familiar public infrastructure into tools for reflection, exchange, and experimentation.\n\nThe installation examines how privacy, secure communication, and digital autonomy are increasingly contested terrains. By making digital infrastructure visible and publicly accessible, Smooth Criminal invites visitors to consider who has access to privacy, who is subject to surveillance, and how technologies intended for protection can become marginalized or criminalized. The work foregrounds the experiences of individuals and communities navigating conditions of vulnerability while opening broader conversations about digital rights, safety, and self-determination.\n\nThe project creates opportunities to explore decentralized systems, sustainability, and alternative models of technological infrastructure. Through this exchange, Smooth Criminal positions public space as a site for critical engagement with the invisible networks that increasingly shape contemporary life.\n\nCredits + related exhibitions:\n\nImage description and credits:\n\nStill from Ghost Agency’s short film Black Box Sanctuary (2025) shot during their Digital Sanctuaries workshop with young people in San Ysidro, San Diego, January through March, 2025. Drawing a parallel between the space where the workshop took place – a theatrical black box – and the act of unveiling the inner workings of contemporary technological and political systems, the work explores the possibility that a sanctuary is not merely a place, but a collective construction and a space for imagination and change in the digital age.\n\nA first edition of this film was shown at the Dia de la Mujer exhibition at The Front, San Ysidro (2025), and its final at Ghost Agency’s solo exhibition Session 8 at Room Room, Copenhagen ( 2025-26). This research and resulting exhibitions were supported by Art Hub Copenhagen, The Ministry of Culture, The Ministry of Foreign Affairs of Denmark, The Danish Arts Foundation, The Nordic Culture Fund and The Ny Carlsberg Foundation.\n\nImage credit: Ghost Agency. Camera and editing: Carlos A. Luna/Ghost Agency. Courtesy of the artists.\n\nArtist Bio\n\nGhost Agency is an artistic research practice founded in 2021 by Danish artist, organizer, and architect Gro Sarauw and Mexican artist and technologist Anni Garza Lau. Working at the intersection of art, technology, and humanitarian research, Ghost Agency develops artistic interventions, strategic technological designs and organizational frameworks that address women’s and human rights in the digital age. Their work has been supported by the Nordic Culture Fund’s Globus Call (2022) and Art Hub Copenhagen’s Micro Institute (2023), and has been presented through exhibitions, public programs, and workshops across Europe, North America, and Mexico. In 2026, they launched Agency OS (AOS), an autonomous Linux-based operating system designed to support anonymous communication, decentralized organization, and trusted local networks. Their research and artistic practice are further documented in the bilingual publication Digital Sanctuaries (2026), which examines the relationship between gender-based violence, digital surveillance, and what they term “techno-impunity.”",
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      "name": "Living with Loss: A Grief Support Circle",
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      "description": "Solo Exhibition by Xingyu Huang\n\nMay 7 – May 26, 2027\n\nHearth Gallery\n\n18th Street Arts Center, Santa Monica\n\nFree + Open to the Public\n\n“‘Symbiosis’ was born in biology. The word began its journey into the common lexicon in\n\n1887, when lichenologists attempted to describe the field condition of “with-living”-life found\n\nexist-ing with other life on Earth.\n\n…From our bodies’ microbiota to the recesses of the Earth’s crust to our shared planetary\n\natmosphere, we find creatures tangled in interdependence, parasitism, mutualism,\n\ncommensalism, aggression, resilience, and tender attunement. ”\n\n– Caroline A. Jones\n\nOne of the oldest symbiotic relationships is between the sea anemone and zooxanthellae, a\n\nform of algae crucial to its survival. From photosynthesis to intracellular fluorescence,\n\nseawater temperature to cellular thermosensitive responses—natural environmental\n\nparameters and the sea anemone’s own metabolic mechanisms work together to maintain\n\nthe dynamic balance of this symbiotic of anemone and algae.\n\nHowever, the technosphere, which evolved from the biosphere, is now rewriting this ancient\n\ncommunicative code with a violent, anthropogenic landscape. The elevated temperatures\n\nresulting from technological activity have not only altered the marine environment but also\n\ndisrupted the ecological rhythms of sea anemones, leading to the breakdown of their\n\nsymbiotic relationships and, ultimately, to their self-destruction. Under thermal stress, the\n\nanemones explosively overexpress fluorescent proteins, emitting an eerie, strangely\n\nresplendent glow; subsequently, their zooxanthellae symbionts are completely expelled, and\n\nthe system descends into irreversible bleaching and death. The systems we have created\n\nare causing the very systems that created us to collapse.\n\nThrough experimental creation, this exhibition serves as a technological re-enactment of the\n\nrupture in marine symbiotic relationships; a reinterpretation, viewed through the lens of\n\nconsciousness and perception, of the interplay between the technological systems we have\n\ncreated and the biological systems with which we coexist. Here, the sea anemone and its\n\nsymbiont simultaneously function as scientific fact and as a metaphor for the relationship\n\nbetween humans and other living beings. The exhibit’s immersive environment will allow\n\nviewers to viscerally perceive shifts in environmental parameters, thereby gaining insight into\n\nhow they themselves participate in and influence these ancient marine symbiotic bonds.\n\nBy integrating scientific experimentation, interactive modalities, and generative video, the\n\nartist seeks to spark a fresh awareness regarding the impact of technology on the marine\n\nenvironment, prompting us to reconsider the role we play within this life-sustaining\n\necosystem. Furthermore, the work poses a critical question: How are we to perceive,\n\nunderstand, and learn to care for the species we share a symbiosis with, whose\n\nenvironments have been fundamentally reshaped by technology?\n\nArtist Bio:\n\nXingyu Huang is an interdisciplinary artist based in Los Angeles and Chicago. Her practice\n\nspans sculpture, architecture, digital media, and research-based installations that construct\n\nresponsive environments where living organisms, sensors, and sound coalesce.\n\nHuang’s work has been exhibited at the Hyde Park Art Center, University of Chicago, Zhou B\n\nArt Center, 4C Gallery, and SAIC Galleries. In 2025, she contributed to a collaborative\n\nproject featured in the Chicago Architecture Biennial. She is the winner of the Art of Progress\n\nPrize (dsm-firmenich, 2026), with an international jury including the director of Swiss Institute\n\nNew York, and jury members of the Turner Prize and Venice Biennale. She received the\n\nArts, Science + Culture Initiative Grant from the University of Chicago and was nominated for\n\nthe AICAD Teaching Fellowship. She holds an MFA from SAIC in Studio Art and an BFA\n\nfrom the University of Edinburgh in architecture.",
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      "description": "A double feature from legendary pink film director Hisuyasu Satô! We are proud to present the L.A. restoration premieres of LUSTMORD (1987) and KYRIE ELEISON (1993), restored by Vinegar Syndrome and courtesy of Muscle Distribution.\n\n‍\n\n## LUSTMORD\n\nEiji (Yutaka Ikejima) is a lonely, nerdy teen who is obsessed with creating a serum capable of breaking down the barrier between pleasure and pain, much to the dismay of his research physician mother, Yuki (Kiyomi Itō). One day, Eiji decides to put his serum to the test by slipping it into the experimental tranquilizer that Yuki is planning to administer to three young woman as part of her own lab study, to horrifying results.\n\n‍\n\nAn early effort by Satô, *Lustmord* is a nightmarish meditation on the fusion of sex and death that was later remade into the notorious V-Cinema classic, *Splatter: Naked Blood* (1996).\n\n‍\n\n**dir. Hisayasu Satô, 1987***Japan, digital projection*57 min\n\n‍\n\n‍\n\n## KYRIE ELEISON\n\nA socially-isolated medical researcher (Kiyomi Itô) begins a series of bizarre experiments that she hopes may heal her boyfriend (Takeshi Itô) who has been left comatose after an accident. But as her wild experiments in wiretapping lead to increasingly violent and masochistic results, the lines between reality and nightmarish fantasy begin to irreparably blur.\n\n‍\n\n**dir. Hisayasu Satô, 1993***Japan, digital projection‍*60 min\n\n‍\n\n‍\n\n‍\n\n‍\n\n‍\n\n‍\n\n## SATURDAY, 5/307:30 DOORS8:00 SCREENING\n\n$10 general admission, $9 for members. One ticket provides admission to both films.\n\n‍\n\nSpecial introduction by *Two in the Pinku* podcast hosts Dakota Noot & Christopher Velasco.\n\n‍\n\n‍\n\n‍\n\n‍\n\n‍\n\n‍\n\n*This screening is available to attendees ages* ***18 and over only****. Content warning: these films feature explicitly sexual content, as well as violence & sexual violence.*\n\n‍\n\n‍\n\n‍\n\n*****Muscle*** ***Distribution*** *is a new film distribution company with a heavy repertory slant from historian, programmer, and filmmaker* *[Elizabeth Purchell](https://www.elizabethpurchell.com/)**. Borne out of an understanding of the role that accessibility plays in shaping cultural histories, we’re dedicated to complicating and expanding the canon by shining a light on works that either never received their proper due or that have unjustly faded into obscurity, and championing uncompromising new works by some of today’s most exciting underground filmmakers. We love scrappy, misfit films that don’t fit into any particular box.**[https://www.muscle-distribution.com/](https://www.muscle-distribution.com/)*\n\n‍\n\n‍\n\n*Whammy! is located in the REAR unit of 2514 Sunset Blvd, entrance access is via Rampart Blvd.*",
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